Woody woodpecker 1940 episodes
When Blanc signed an exclusive contract with Warner Brothers, he was replaced by the man who originally designed Woody, Ben "Bugs" Hardaway, a former Schlesinger Studios animation director who had helped develop Daffy Duck and Bugs Bunny. Woody received a permanent voice in , when Lantz's wife, actress Grace Stafford, anonymously auditioned for and was awarded the job. Woody through the years. The theatrical cartoon business was losing money in the 's. By there were only seven animation producers in the short-subjects business, and by the end of the decade that number would dwindle down to three. Movie theater owners were finding that they could release features with reissued cartoons, or no cartoons at all, and the audiences would still come.
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The IAD is in financial trouble. Please read here. The early Woody Woodpecker as designed by Alex Lovy in Click to enlarge. In early , the Walter Lantz studio was in trouble. Universal decided to cut its weekly advance to the operation, forcing it to scramble in search of alternative funds. The financial situation became so serious that the studio ended up closing for a brief period.
Fortunately, it was saved after Lantz and his staff turned out the fourth Andy Panda cartoon, Crazy House. Lantz used the film as a final appeal to the heads of Universal and, in the end, was able to reach a satisfactory settlement with them.
By fall , the studio was back in business again. However, Lantz still found himself with only one major character, Andy Panda, who starred in a series of moderately successful shorts. Moderate success was good but it was not enough for Lantz, especially after his recent experience with Universal. He needed a breakthrough cartoon character that would truly give his studio a name in the industry. That breakthrough character arrived in Andy Panda's fifth outing, Knock Knock.
Directed by Lantz himself, the short involved Andy and his father being pestered to no-end by the antics of a screwball, redheaded woodpecker. According to Lantz, the idea for a woodpecker was inspired by a real-life experience. As the story goes, he and his wife, Grace Stafford, were on their honeymoon at Sherwood Lake, California when a local woodpecker started pecking holes in their cottage.
The bird was so disruptive that Lantz's wife suggested that he make him into a cartoon character. While this story certainly does add a touch of romanticism to the creation of Lantz's big name star, it seems unlikely, largely because Lantz's honeymoon occurred in , one year after the release of Knock Knock.
Whatever the inspiration for the woodpecker, it was clear that the new film possessed a certain zaniness and vitality that the Lantz shorts had not seen since the early s. It is not unreasonable to believe that storyman Ben Hardaway was responsible for most of this. Fresh from Termite Terrace, he had a special passion for screwball characters.
In fact, it was Hardaway who developed the earliest, embryonic versions of Bugs Bunny in Warner Bros. Still, they were nonetheless successful with audiences — and when Hardaway came to the Lantz studio, he sought to revive the insane persona of his Bugs prototypes in the woodpecker character of Knock Knock.
Even the woodpecker's laugh sounded similar to the laugh of Hardaway's earlier hares, though this is hardly a surprise when one considers that the new character's voice was provided by the one-and-only, Mel Blanc. Lantz and his staff loved Knock Knock and it seemed that the studio was headed in the right direction. However, not everyone agreed. The head of the Universal short subjects department Bernie Kreiser, disliked the film. We won't be able to give him away. He's terrible. He's rambunctious.
He's got a crazy laugh. He'll drive 'em right out of the theater before the feature begins! He's boisterous, he's loud, he's ugly. Kreiser promptly changed his tune and returned to Lantz asking for more cartoons featuring his crazy woodpecker. The next woodpecker cartoon, Woody Woodpecker , gave the character his name.
Again helmed by Lantz himself, this second short was even crazier than Knock Knock. The furry, cute, Disney-esque forest animals are frustrated with Woody's insanity. Trying to alleviate the situation, the woodpecker decides to visit a psychiatrist Dr. Horace N. A fox by species, the doctor succumbs to Woody's wackiness and ends up going crazy himself.
Meanwhile, Woody, who during the course of the film literally "falls out of the picture," discusses the doctor's zaniness with audience members! Woody Woodpecker , in many ways, was a turning point for the Lantz studio.
The cute, forest creatures represent the general style of the Lantz studio since They oppose the nuttiness of Woody and the doctor, both screwball characters who manifest the kind of humor that would dominate the Lantz universe throughout the s. The energy of the cartoon was only enhanced by the jazzy musical score of Lantz's newly-acquired musical director Darrell Calker and the wacky voice characterizations of Mel Blanc.
In theaters, the short proved to be a major hit with audiences and it cemented Woody Woodpecker as an established star at the Lantz studio.
A model sheet of Woody Woodpecker as he appeared in most of Alex Lovy's cartoons. Courtesy of Kevin Langley. Woody, as he appeared in his first few films, was a very rough character. In the late s, the Lantz studio experimented with new, potential cartoon stars like Baby-Face Mouse and Snuffy Skunk.
Woody was something completely new. In his earliest form, the woodpecker was aggressively insane and his early design was very grotesque. His beak was long, his feet were large, his face was goofy, and his feathers boasted bold Technicolor hues. After two more cartoons directed by Lantz in , Alex Lovy gradually began to assume control of the Woody series.
He began to redesign Woody, making him more round and cute. In addition to this, while the tone of the shorts remained crazy, Woody, under Lovy's direction, became a more sympathetic character. By this time, Mel Blanc was under an exclusive contract with Warner Bros. Meanwhile, Blanc's laugh and "Guess Who" would continue to appear in the films. In , Lovy departed from the Lantz studio, leaving his former boss in search of fresh, new talent.
Ration Bored was one of two cartoons that emerged from these pairings. Co-directed by Hawkins and Schaffer, it was significant as the first short to feature Woody wearing white, rubber gloves, yet another phase in the character's gradual refinement. Meanwhile, Lantz finally managed to secure the talented James "Shamus" Culhane.
As evidenced by his earliest directorial efforts at the studio, Culhane was a very action-oriented director. It seemed that the character of Woody Woodpecker was made for Culhane, and Culhane not only realized this but took full advantage of it.
The most expensive Lantz production of , the film involves Woody taking over the barber shop of Tony Figaro and treating a client to a wild shave to the tune of Rossini's Barber of Seville. Lantz loved the idea and contacted Universal's musical director Joe Gershenson to bring in a top opera singer to provide Woody's singing voice.
According to Lantz's wife, the tenor was "horrified" when he saw the resulting cartoon. A storyboard panel from Shamus Culhane's Barber of Seville Key to The Barber of Seville was its timing and editing. Culhane opens the film on a calm, relaxed tone as Woody checks out the shop. Gradually, the tempo increases, culminating in Woody's zany Rossini-inspired shave.
He also completely eliminated detailed backgrounds in certain shots, favoring instead solid or plain-color settings. The animation, the music, and the total action of the sequence would alone be enough to mesmerize audiences. Culhane had extensively studied the film theories of the great Soviet filmmakers Sergei Eisenstein and Vsevolod Pudovkin. Specifically, Culhane took direct inspiration from Pudovkin's book Film Techniques.
The concept of rapid editing, among other ideas discussed in the work, eventually found their way into Culhane's films. Such daring cinematic experiments enjoyed full support from the open and easygoing Lantz. Had Culhane worked for Fred Quimby of MGM or any other cartoon producer in Hollywood, such broad strokes of creative experimentation might have been frowned upon.
Only at the Lantz studio could he get away with films like his. By now, his red belly had been changed to white and the character was beginning to come into his own. Big, round, and quick-tempered, with a thick Swedish accent, the bumbling Wally proved to be the ideal foil for Woody. An animation drawing of Woody by Grim Natwick. Coursety of Mike Van Eaton. In this and his subsequent Woody shorts, he would continue to utilize avant-garde techniques. Ski for Two , Culhane's third Woody film, is yet another example of the director's skillful mastery of timing and action.
As in the shaving sequence of The Barber of Seville , the use of this technique increased the pace of the film and emphasized the energy of the action. The entire short itself is regarded as one of the best Woody Woodpecker cartoons of the s, with Woody trying to grab a bite of the smorgasbord prepared at the ski lodge of Wally Walrus. When Wally accuses Woody of being too impulsive, the woodpecker simply responds "IM-pulsive? I'm RE-pulsive! A former employee of Walt Disney, Lundy had strong Disney sensibilities.
Although some of his jazz-oriented films like The Sliphorn King of Polaroo and Apple Andy have a very energetic, Culhane-esque feel to them, he ultimately settled on a calmer, more relaxed approach. This translated into the Woody Woodpecker cartoons he directed. While Culhane sought to portray Woody as a crazy bird with little method to his madness, Lundy chose to make the character more sympathetic.
He would give Woody a motivation for his actions. In Bathing Buddies , he destroys Wally Walrus' rooming house to recover a lost dime — and in Wacky-Bye Baby , he poses as an orphan to get food and shelter from Wally. Lundy was also not afraid to portray Woody as being fallible. He also placed the character in situations where he would pursue a single object of desire, whether it be a billiard ball in Solid Ivory , a top-hat in The Mad Hatter , an ice-cream soda in Drooler's Delight , or sleep in The Coo Coo Bird.
Both films largely rely on pantomime and allow the music to guide the characters and their actions.
Woody Woodpecker (1944-mid 1961)
Guess who?! This high-flying mischief-maker is sure to delight audiences of all ages with his crazy adventures and unforgettable laughter. Providing hours of entertainment, Woody Woodpecker Favorites can be enjoyed by the whole family again and again! Skip to main content. Have one to sell?
‘Woody Woodpecker’ To Return In Brand New YouTube Series
Woody Woodpecker is a cartoon anthropomorphic woodpecker appeared in theatrical short films produced by the Walter Lantz Studio and distributed by Universal Studios. Woody was created in by Lantz and storyboard artist Ben "Bugs" Hardaway, who had previously laid the groundwork for two other screwball characters, Bugs Bunny and Daffy Duck, at the Warner Bros. Woody's character and design evolved over the years, from an insane bird with an unusually garish design to a more refined looking and acting character in the vein of the later Chuck Jones version of Bugs Bunny. Lantz produced theatrical cartoons longer than most of his contemporaries, and Woody Woodpecker remained a staple of Universal's release schedule until , when Lantz finally closed down his studio. Woody Woodpecker cartoons were first broadcast on television in under the title The Woody Woodpecker Show, which featured Lantz cartoons bookended by new footage of Woody and live-action footage of Lantz. He also made a cameo appearance alongside many other famous cartoon characters in the film Who Framed Roger Rabbit. Woody and his friends are also icons at the Universal Studios Theme Parks worldwide, as well as the PortAventura Park in the PortAventura World, Salou, Spain they were originally brought to the park by Universal Studios, and remain there today despite Universal no longer having a financial stake in the park. All episodes shown in this app are in the public domain.
Woody Woodpecker Theatrical Cartoons
One of the most annoying, yet lovable animated characters of all-time — Woody Woodpecker — is back with a new series airing on YouTube starting next month. The anthropomorphic bird, who made his debut in the short, Knock Knock, in , will be featured in 10 brand-new five-minute cartoons directed by Alex Zamm A Christmas Prince. The three YouTube channels were first launched in to show classic Woody Woodpecker cartoons from the s onward, including episodes from The Woody Woodpecker Show , which aired on various TV networks from to , and The New Woody Woodpecker Show , which aired on Fox Kids from to Today, the Brazilian YouTube channel has more than 2 million subscribers, the Spanish channel has more than ,, and the U.
Almanac: Woody Woodpecker
The Brazilian Woody Woodpecker channel has attracted more than two million subscribers, while the Spanish channel boasts more than , Given the channel's success, "coupled with extremely high engagement and watch time," Bell pointed out " it was clear there was an appetite to build upon the strength of the existing IP and a strategic opportunity for us to create original content. The new Woody Woodpecker Series is packed with action, fun and friendship moments! Are you ready to jump on the next adventure with Woody and his friends? Sign In. Cartoons Headlines Videos.
Woody Woodpecker: Classic Cartoon Character Gets New YouTube Animated Series
All entries are part of the Woody Woodpecker series except as noted and are numbered in release order. Release date is noted for each film. In all there were cartoons.
The IAD is in financial trouble. Please read here. The early Woody Woodpecker as designed by Alex Lovy in Click to enlarge.
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Universal Pictures International and Universal Entertainment are set to create all-new episodes of Woody Woodpecker for the first time in 16 years. Placed on a dedicated YouTube channel created for the toon for Brazilian, Spanish and English-speaking audiences, the idea to launch new episodes arrived due to the positive response it has had on the platform. The toon was originally created 46 years ago by Walter Lantz Productions. New episodes were initially created in for three seasons.