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With the arrival of the annual Ghibli Fest, a beloved set of Studio Ghibli films are back in theaters this winter — indulging millions of fans in their trademark wonder and nostalgia. After all, how much harm could a talking frog, giant baby, or a set of googly-eyed dust bunnies do? The movie opens with Chihiro, the year-old protagonist, sulking in the backseat of a car about moving from the city to the countryside. The story takes a fantastical turn when the road leads them to a fathomless tunnel, beyond which lies a dangerous spirit world. The lighting of the scene then quickly darkens, stripping away the security from both parents and daylight from the vulnerable child.

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Content:

• Spirited Away: 30 Postcards
• screenrant.com
• Where to watch Spirited Away: stream the Studio Ghibli movie on Netflix and more from anywhere
• Studio Ghibli Finally Clarifies if Spirited Away's Chihiro and Haku Ever Met Again
• collider.com
• REVIEW: Spirited Away
• Spirited Away 2 – Is Release Date Confirmed? (Latest Update)
• Hayao Miyazaki Prepares to Cast One Last Spell

WATCH RELATED VIDEO: The Ultimate “Spirited Away” Recap Cartoon

Spirited Away: 30 Postcards

Viewing Hiyao Miyazaki's "Spirited Away" for the third time, I was struck by a quality between generosity and love. On earlier viewings I was caught up by the boundless imagination of the story. This time I began to focus on the elements in the picture that didn't need to be there.

Animation is a painstaking process, and there is a tendency to simplify its visual elements. Miyazaki, in contrast, offers complexity. His backgrounds are rich in detail, his canvas embraces space liberally, and it is all drawn with meticulous attention. We may not pay much conscious attention to the corners of the frame, but we know they are there, and they reinforce the remarkable precision of his fantasy worlds. Miyazaki began his career in that style, but he is a realist and has permitted the use of computers for some of the busywork.

But he personally draws thousands of frames by hand. Consider a scene in "Spirited Away" where his young heroine stands on a bridge leading away from the magical bathhouse in which much of the movie is set. The central action and necessary characters supply all that is actually needed, but watching from the windows and balconies of the bathhouse are many of its occupants. It would be easier to suggest them as vaguely moving presences, but Miyazaki takes care to include many figures we recognize.

All of them are in motion. And it isn't the repetitive motion of much animation, in which the only idea is simply to show a figure moving. It is realistic, changing, detailed motion. Most people watching the movie will simply read those areas of the screen as "movement. That's what I mean by generosity and love. Mikayazi and his colleagues care enough to lavish as much energy on the less significant parts of the frame.

Notice how much of the bathhouse you can see. It would have been quicker and easier to show just a bridge and a doorway. But Miyazaki gives his bathhouse his complexity of a real place, which possesses attributes whether or not the immediate story requires them. The story of "Spirited Away" has been populated with limitless creativity.

Has any film ever contained more different kinds of beings that we have never seen anywhere before? Miyazaki's imagination never rests. There is a scene where the heroine and her companion get off a train in the middle of a swamp. In the distant forest they see a light approaching.

This turns out to be an old-fashioned light pole that is hopping along on one foot. It bows to them, turns, and lights the way on the path they must take. When they arrive at a cottage, it dutifully hangs itself above the gate. The living light pole is not necessary. It is a gift from Miyazaki. His story involves a year-old girl named Chihiro, who isn't one of those cheerful little automatons that populate many animated films.

She is described by many critics as "sullen. Her father loses the way in a dark forest, and the road seems to end at the entrance to a tunnel. Investigating it, they find it leads to an abandoned amusement park. But at dusk, some of the shops seem to reopen, especially a food shop whose fragrances steam into the cool air.

Her parents fall eagerly upon the counter jammed with food, and stuff their mouths. Chihiro is stubborn and says she isn't hungry. Her parents eat so much they double or triple in size. They eat like pigs, and they become pigs. These aren't the parents of American animation, but parents who can do things that frighten a child. The amusement park leads to a gigantic floating bathhouse, whose turrets and windows and ledges and ornamentation pile endlessly upon themselves.

A friendly boy warns her to return, but she is too late, and the bathhouse casts off from the shore. Chihiro ventures inside, and finds a world of infinite variety. She cannot find her way out again. The boy says everyone must have a job, and sends her to Kamaji, an old bearded man with eight elongated limbs, who runs the boiler room.

He and a young girl advise her to apply to Yubaba, who owns the bathhouse. This is a fearsome old witch who exhales plumes of smoke and a cackling laugh. This is the beginning of an extraordinary adventure. Chihiro will meet no more humans in the bathhouse. She will be placed under a spell by Yubaba, who steals her name and gives her a new one, Sen.

Unless she can get her old name back again, she can never leave. One confusing space opens onto another in the bathhouse, whose population is a limitless variety of bizarre life-forms. There are little fuzzy black balls with two eyeballs, who steal Sen's shoes. Looming semi-transparent No Faces, who wear masks over their ghostly shrouds.

Three extraordinary heads without bodies, who hop about looking angry, and resemble caricatures of Karl Marx. There is a malodorous heap of black slime, a river creature whose body has sopped up piles of pollution.

Shape-shifting, so common in Japanese fantasy, takes place here, and the boy who first befriended her is revealed as a lithe sea dragon with fierce fangs. Sen makes her way through this world, befriended by some, shunned by others, threatened by Yubaba, learning as she goes.

She never becomes a "nice girl," but her pluck and determination win our affection. She becomes determined to regain her name and return to the mainland on a daily train which only runs one way. She wants to find her parents again. Miyazaki says he made the film specifically for year-old girls. That is why it plays so powerfully for adult viewers.

Movies made for "everybody" are actually made for nobody in particular. Movies about specific characters in a detailed world are spellbinding because they make no attempt to cater to us; they are defiantly, triumphantly, themselves. As I watched the film again, I was spellbound as much as by any film I consider great. That helps explain why "Spirited Away" grossed more than " Titanic " in Japan, and was the first foreign film in history to open in the U.

I was so fortunate to meet Miyazaki at the Toronto film festival. I told him I love the "gratuitous motion" in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or sigh, or gaze at a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.

It's there intentionally. I think that helps explain why Miyazaki's films are more absorbing than the frantic action in a lot of American animation. But just because it's 80 percent intense all the time doesn't mean the kids are going to bless you with their concentration.

What really matters is the underlying emotions--that you never let go of those. And to follow the path of children's emotions and feelings as we make a film. If you stay true to joy and astonishment and empathy you don't have to have violence and you don't have to have action. They'll follow you. This is our principle. He said he has been amused to see a lot of animation in live-action superhero movies. Animation has become a word that encompasses so much, and my animation is just a little tiny dot over in the corner.

It's plenty for me. Roger Ebert was the film critic of the Chicago Sun-Times from until his death in In , he won the Pulitzer Prize for distinguished criticism. Lauren Holly as Chirhiro's Mother. John Ratzenberger as Assistant Manager.

David Ogden Stiers as Kamaji. Daveigh Chase as Chihiro. Jason Marsden as Haku. Suzanne Pleshette as Yubaba, Zeniba. Reviews Great Movies A magical dot over in the corner. Roger Ebert July 11, Now streaming on:. Powered by JustWatch. Now playing. Mad God Simon Abrams. The Righteous Tomris Laffly. Spiderhead Nick Allen. Film Credits. Latest blog posts.

screenrant.com

T wenty years ago, on July 20, , a film that would become one of the most celebrated animated movies of all time hit theaters in Japan. Directed by Hayao Miyazaki and produced by Studio Ghibli, Sen to Chihiro no Kamikakushi, titled Spirited Away in English, would leave an indelible mark on animation in the 21st century. The movie arrived at a time when animation was widely perceived as a genre solely for children, and when cultural differences often became barriers to the global distribution of animated works. Spirited Away shattered preconceived notions about the art form and also proved that, as a film created in Japanese with elements of Japanese folklore central to its core, it could resonate deeply with audiences around the world.

Where to watch Spirited Away: stream the Studio Ghibli movie on Netflix and more from anywhere

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Studio Ghibli Finally Clarifies if Spirited Away's Chihiro and Haku Ever Met Again

Anyone and everyone who has ever watched Spirited Away, have felt its magic and the impact Hayao Miyazaki left on us. For almost two decades now, fans have been waiting to feel the magic again. We demand to see Haku and Chihiro keep their promise of meeting again. What will be the plot of the sequel?

collider.com

Studio Ghibli fans worldwide have been celebrating the 20th anniversary of Hayao Miyazaki's masterpiece, and Academy Award-winning feature, Spirited Away. For most North American fans, Spirited Away was the movie that introduced them to the world of Ghibli because Walt Disney Pictures released it on home video in Then-Pixar head John Lasseter, a huge fan and friend of Miyazaki for years, persuaded Disney to pick up the North American distribution rights. Lasseter also helped with the film's English dub and made some changes to the North American release. Most of them were minor, such as the addition of background chatter. However, the biggest change Disney made to its version happens at the very end of the film, one that even some longtime fans may not be aware of it.

REVIEW: Spirited Away

While watching the film you can recognize quite a few voice actors. The film opens with year-old Chihiro Ogino Chase who is pouting in the backseat of her parents vehicle on their way to their new house. Chihiro is rightfully upset her parents are taking her away from her home to somewhere unknown even with their insistence that things will work out. They cross a dried riverbed and wander through the shops, finding a restaurant that apparently is still active. Unfortunately, as these things go, Chihiro fails to find her parents and get across the dried river bed before nightfall. Significantly terrified I would be too Chihiro runs and hides as spirits of all shapes and sizes begin to descend upon the area, now surrounded by water.

Spirited Away 2 – Is Release Date Confirmed? (Latest Update)

A play dedicated to his Academy Award-winning film, Spirited Away , started performances last month and recently, pictures from the performance were shared on social media. Image via Studio Ghibli. While Miyazaki has numerous films that could translate well to a live action stage play, Toho Co. The movie focuses on year-old Chihiro, who stumbles upon a magical amusement park with her parents.

Hayao Miyazaki Prepares to Cast One Last Spell

RELATED VIDEO: Spirited Away - Official Trailer

Since then, the animated feature film has garnered the attention of fans the world over. Have a quick read:. Spirited Away follows the story of Chihiro and Haku. Chihiro finds herself in a world of gods, beasts, and spirits after her father took a shortcut and accidentally arrived at an abandoned village.

I'm not saying my way is better than yours at all. Get your free daily soap-opera fix for The Bold and the Beautiful — and all of the other daytime dramas — delivered straight to your email inbox by signing up for Soaps. Zeniiba appears after Haku stole her seal with the use of paper birds that were bewitched. Chihiro was primarily motivated by a purpose — rescuing her parents. Download spirited Away movies new site. I've never seen a pattern posted for No-Face, and thought he'd be easy to make since his body is a simple shape.

Official Review 9. Summary Spirited Away is the story of a little girl named Chihiro, whose family is moving to the suburbs. While on the way to their new home, dad takes a wrong turn - like so many dads do - and the family happens upon a creepy, abandoned town. Chihiro has a bad feeling about the whole thing, but dad insists on exploring.