Disney reuse animation

It only takes a minute to sign up. Connect and share knowledge within a single location that is structured and easy to search. I recently saw a video of Disney reused animation. This clearly shows lots of instances where Disney films reused animations from much earlier films, presumably in order to save cost or money. In a computer age I can understand this approach. Changing the character model and regenerating the scene with the new models would take a lot less time to do than to re-animate from the beginning.

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Disney reuse animation

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Content:

• Disney has been lying to you – by recycling animation from old films
• Disney Reused Animation Scenes in Movies
• Inspiring Walt Disney: The Animation of French Decorative Arts review – brilliant and bewitching
• The Best Animated Movies on Netflix
• Revisiting Disney: Robin Hood
• Reuse Rights: Disney’s History of Recycling Animation
• List of recycled animation in Disney movies
• Recycled Animation
• Building Communities Through Share-Worthy Content

WATCH RELATED VIDEO: 25 Times Disney Stole Animation From Other Disney Movies

Disney has been lying to you – by recycling animation from old films

P ink castles, talking sofas, a butler based on a golden candlestick, mirrored ballrooms that stretch into an infinity of twinkling reflections — the fantasies of Walt Disney are so spectacular they seem entirely without precedent. He seems sui generis , a true American genius conjuring visions straight out of thin air. Yet the butler, the ballroom and even the garrulous sofa have their sources, of all kinds, and they are far away from Hollywood in the French rococo art of the 18th century. This is the premise of a mesmerising exhibition opening this week at the Wallace Collection in London.

Inspiring Walt Disney aims to show the connection between French art and American animation across three centuries.

It pairs objects and images with such persuasive intelligence that you perceive both in a different way. His love of French art set in early. The first of many films on glowing screens through the show is a bewitching sequence from his classic, The Clock Store. A porcelain couple unfreeze into life before a gilded mantelpiece clock. Alongside is just such a porcelain figurine, intensely popular in 18th-century Paris.

Immediately, you see how brilliantly Disney animates the dancers, using only black ink and wash, turning them round and round through their moves so they seem to have both human motion and a trace of their original porcelain stiffness. It touches very deeply on the childhood dream of inanimate objects magically coming alive.

Which is the very essence of rococo art itself, in a way: the impression of motion in stillness, a constant sweeping, dancing, twisting and curving, the animation of the inanimate. It is the velvet sofa with embracing arms and flirtatiously dainty feet, anthropomorphised in Disney films.

It is the candlestick with the plump stomach and gilded arms, out-flung, which becomes the butler in Beauty and the Beast. Even the very fable, like Cinderella , like Sleeping Beauty , is, of course, originally French. A home movie shows Walt and his brother Roy wandering, enchanted, around Versailles. Very rapidly, you start to see the origins of Cinderella. A drawing of a carriage in front of the palace, soaring windows, colossal libraries, shimmering mirrors in endless recession: the visual vocabulary is there.

It is common to talk of magic as inexplicable. One of the most spellbinding sights at the Wallace Collection is a whole wall of graphite drawings that shows exactly how the rags-to-gown sequence in Cinderella was achieved. Her godmother scatters the fairy dust that brings about this miracle, represented by literally hundreds of thousands of pencil dots , increasing, decreasing, shifting from one drawing to the next, to describe the dazzling swirl in which Cinderella transforms.

It took 24 drawings to make a single second of film. The studios were vast, the films immense collaborations. There were concept artists — Disney himself, of course, first to last, but also Mary Blair , who came up with the look of Cinderella , and Peter J Hall and Mel Shaw, who worked on the Beauty and the Beast.

The girl soars upwards in her copious frills, one shoe flying free. An animated statue of Cupid keeps the secret, knowing finger to his lips. And there in the gallery is the porcelain Cupid on which Fragonard based his figure, just as Disney worked from Fragonard. By the time you get to a real gold clock, merry and stout with a cheerful chime, it appears to have come straight out of a Disney animation, even though it was made in And the table opposite , an elaborate fantasia of walnut, ebony and gilded bronze, now seems to have ballet feet, drawn up in a fancy second position.

You start to see the world in a different way, the hallmark of a strong exhibition. The show allows you to make up your own mind. The team who made Beauty and the Beast worked only streets away in London and my sense is that they were here in this very building, absorbing the art the way Disney absorbed French culture, which is to say, with great depth and humour.

Cinderella, , by Disney concept artist Mary Blair. Photograph: Lucasfilm Ltd. Reuse this content.

Disney Reused Animation Scenes in Movies

The film was released theatrically on January 13, as part of a series of four films directed at the Canadian public to buy war bonds during the Second World War. Additionally, Mickey appears in his Older "Dot Eyes" design in this short due to Animation being reused from older shorts. All Together features the characters from many of Disney's landmark animated features, including Snow White and the Seven Dwarfs In , Mickey Mouse, conducting his band on a moving bandwagon, leads a parade marching through the streets of Ottawa , past the Canadian Parliament Buildings.

Inspiring Walt Disney: The Animation of French Decorative Arts review – brilliant and bewitching

If you've ever watched one of your favorite animated Disney classics like "Robin Hood" and have felt like you've seen it before, you may be right. Here's Maid Marian "Robin Hood" and Snow White both clapping in tune to a group of critters and dwarves, respectively, singing and dancing. While that may seem alarming, it's not. The Mouse House often recycled its old animated footage to save costs on film. Called rotoscoping , the process involves animators drawing and tracing over old footage to create anew. A search for " Disney reused animation " on YouTube brings up over 10, results. The Daily Mail first wrote about it in Regardless, it's still stunning to see the side-by-sides if you're just hearing this for the first time. Dancing was repeated a lot in films. Here you can see a similar sequence in both the endings to 's "Sleeping Beauty," where fairies are shifting the color of her dress between blue and pink, and 's "Beauty and the Beast.

The Best Animated Movies on Netflix

Sign In. Edit Bambi Showing all items. No matter how skilled the animator, the Disney cartoonists simply could not draw Bambi's father's antlers accurately.

Revisiting Disney: Robin Hood

Skip navigation! Story from Movies. Erin Donnelly. The folks at Disney had a nifty animation hack long before anyone ever knew what a hack was. To save time at the drawing board, just reuse some old content. Watch the video below and you'll notice that Walt and company were recycling the same scenes and motions throughout classic films like Snow White, Robin Hood, Sleeping Beauty , Beauty and the Beast , and more.

Reuse Rights: Disney’s History of Recycling Animation

Have you ever had to do a double take while watching a Disney animated film? Perhaps a deja vu feeling? Disney has recycled different animated scenes from certain movies over the years, simply to save time and money. Animator Floyd Norman begs to differ though, saying digging up the different scenes and trying to make them fit into the new movie took up more time than just animating a whole new sequence. When animators were working on Snow White, they used real life reference models to shoot each scene and then trace over the actors and create the animations. After these instances, Melody Time also took a shot from Fun and Fancy Free with the waterfall scenes. Some of the other early occurrences were the clouds from So Dear to My Heart were from Fantasia, the underwater scenes from Alice in Wonderland were from Pinocchio, some of the animals designs from Bambi were used in Fox and the Hound, as well as The Rescuers and The Rescuers Down Under have a lot of the same scenes.

List of recycled animation in Disney movies

Disney is one of the biggest companies in the world, and though some people have problems with that, largely, everyone loves them. But even fans like to point out little mistakes they make! Like using the same animation techniques.

Recycled Animation

But before this technology, Disney was popular for its hand-drawn animations. A video has taken social media by the storm which shows recycled animations used in Winnie the Pooh and The Jungle Book. Both the clips have been compared side-by-side and netizens are astonished how both the clips match in every movement. Scroll to see the video and know how netizens have reacted.

Building Communities Through Share-Worthy Content

Fred Schultz quite astutely pointed out on Twitter that scenes from two very different classic Disney films looked very much alike. The films The Jungle Book and Winnie the Pooh show the respective lead characters of Mowgli and Christopher Robin moving in exactly the same way despite the differences in their environments, plots, and dialogues. While this seems new, the use of recycled biomechanic movement templates was a common practice at Disney, particularly in the early days of animation. Cartoon Hangover explained this practice in fairly comprehensive manner. Well, guess what — you have! Join Jacob and Cartoon Hangover as we walk you through every recycled Disney shot almost and talk about why. I agree with what was said in this video.

The Walt Disney Company has built an empire out of retelling classic fairy tales and fables, using colorful animation, endearing characters, and innovative storytelling to make age-old stories palatable for audiences worldwide. As the first full-length film to be produced using cel animation, "Snow White and the Seven Dwarfs" was also the first of many hits for the company via National Museum of American History. The animation work from some of those early films was so innovative that it was later reused in the creation of another well-known Disney flick.