Dreamworks cartoon movies with

Enjoy our comprehensive collection of all the movies from Dreamworks Animation, featuring such modern classics as 'Shrek' and 'How to Train Your Dragon'. Can't go wrong! A hapless young Viking who aspires to hunt dragons, becomes the unlikely friend of a young dragon himself, and learns there may be more to the creatures than he assumed. After his swamp is filled with magical creatures, an ogre agrees to rescue a princess for a villainous lord in order to get his land back. When Hiccup and Toothless discover an ice cave that is home to hundreds of new wild dragons and the mysterious Dragon Rider, the two friends find themselves at the center of a battle to protect the peace.

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Content:

• Why Is The Kung Fu Panda Netflix Show Darker Than Dreamworks Movies?
• Pixar and DreamWorks are the best animation studios?
• What does the future hold for DreamWorks Animation?
• Box Office History for DreamWorks Animation Movies
• DreamWorks Animation
• Can You Name These Dreamworks Movies with Just Five Clues?

WATCH RELATED VIDEO: THE PENGUINS OF MADAGASCAR FULL MOVIE GAME ENGLISH DREAMWORKS PENGUINS CARTOON MOVIE GAMEPLAY

Why Is The Kung Fu Panda Netflix Show Darker Than Dreamworks Movies?

DreamWorks Animation has gone through its share of upheaval, with a few big successes "Shrek," "Madagascar" and some notable failures. Since its first releases in , it has changed, diversified, merged and been acquired by major studios now Universal. With "Abominable" out this weekend, see how it compares to the other big DreamWorks Animation films on this list. Would that it were simply a B movie. It's closer to a D, grading on any curve. Launched a decade after Jerry Seinfeld's mega-hit TV series, his foray into animation is surprisingly unfunny, spiritless and belabored.

And weirdly, Barry, Seinfeld's bee character, becomes smitten with a human voiced by Renee Zellweger. Doesn't that fly in the face of the laws of nature? The secret life of bees, as told by Seinfeld, is a bore with a capital B.

Never reaching the inspired wit and infectious fun of the original, the action scenes feel recycled. Shrek and Fiona have three little ogrelings, and have settled into pleasant domesticity.

Then Shrek has a midlife crisis. Is this meant for kids or adults? Clever pop culture references have been replaced by spurts of slapstick and contrived mania. Fast is not always fun. Nor is sensory overload the same as dynamic spectacle. This third go-round is rarely fresh, but it doesn't stint on energy or vivid colors. The series continues to focus on the value of friendships, new and old, and on imagination and resourcefulness. But the antic, loud style and dull plot don't bowl over audiences.

Jokes about Cirque du Soleil and Mia Farrow sail right over young heads. But talk of a "stinky poopy circus" should make some kids chortle. Penguins are adorable, but they may be victims of overexposure. In this limp spinoff -- the fourth movie in the "Madagascar" franchise -- they come off charmless and interchangeable.

The pacing is frenetic and the animation unremarkable. The story tries to meld an origin tale, a coming-of-age saga, a slapstick comedy and even a revenge thriller, compounding a sense of joylessness and frenzy. This too-episodic, uninspired follow-up to the fast-paced original crams in a lot of characters -- besides the original zoo quartet -- then doesn't give them enough to do.

Our giraffe, hippo, lion and zebra heroes are marooned in Africa where they incessantly jabber. Meanwhile, life lessons are imparted amid the mayhem. Bathroom humor is to be expected in a movie about babies -- but this one is has one dirty diaper too many. It has some of the external trappings of "Toy Story," without any of the heart. The frenetic zaniness is off-putting, the visual style muddled and the plot disjointed.

Not this movie. Puns plus potty humor equals Peabody. A slave to formula, it updates the TV adventures of the smarty-pants time-traveling dog and his pet boy, Sherman. It comes across as disjointed and frantically paced, though it does have moments of appealing zaniness. The 3D imagery feels gimmicky, rather than organic. The pedantic, bespectacled pooch pops off with some clever bon mots, but the movie is predictable and forced.

Story is everything and this one is thin, shallow and soupy, despite the improvisational skills of Will Smith and Jack Black. This is a watery urban tale, complete with undersea gangsters, groupies and graffiti artists.

This world is grittier than that other watery animated adventure, "Finding Nemo," and decidedly less dazzling. Michelle Pfeiffer shows how her sultry purr can be put to use for evil, as well as good, in a role reminiscent of a slimmed-down Ursula from "The Little Mermaid. This swashbuckling adventure also features an independent seagoing woman reminiscent of Katharine Hepburn, voiced by Catherine Zeta Jones. The effects are competent, but a sense of magic is lacking.

This ought to be a road not taken. Some entertaining moments, but too many flat ones pave this dull turf. The songs by Elton John and Tim Rice are lackluster and interchangeable. This is giddy, garish eye candy with a beat -- trolls shrilly singing and dancing!

But expectations should be kept low given that director Mike Mitchell also made "Alvin and the Chipmunks: Chipwrecked. This visually appealing animated adventure -- complete with colorful hybrids of prehistoric animals and striking primordial fauna -- is hampered by lackluster slapstick humor and a meandering story. This benign sci-fi comedy hodgepodge about home, heart and outsiders struggling to fit in is brightly colored, but narratively bland.

It suffers from being the second animated movie of that year to feature a bulbously bald dastardly villain. The other was the superior Despicable Me. Brad Pitt voices Metro Man, with just the right amount of vain puffery. A raucous, funny and relatively fresh look at the 3 C's: conservation, consumerism and consumption of the excessive and conspicuous kind. The story, based on a comic strip by Michael Fry and T. Lewis, appealingly balances comedy and exhilarating action sequences.

And parents will appreciate the gentle message about overindulgence and the value of integrity, which avoids straying into schmaltzy turf.

Alas, it succumbs too often to banal slapstick antics. Watching an escargot go makes for family-friendly fare. The animation is stunning and the stylized renderings of zoo animals are friendly-looking, the manic story feels like a bunch of one-liners strung together, peppered with bathroom humor.

The highlight is a song and dance sequence done by lemurs, where Cohen is king. The ironic wit feels familiar, but still satisfying and amusing. And the look of the film is undeniably vibrant. Despite the re-tread, things still feel fairly fresh for our pudgy black-and-white warrior, and the animation remains beautiful. One of the earliest of the DreamWorks movies has astonishing visual effects that include an eye-popping chariot race a la "Ben Hur" and scenes of crowds swarming the pyramids.

The musical numbers are unmemorable, but Moses is made a more human and relatable character in this biblical saga. This lightly satirical fantasy pays affectionate homage to '50s sci-fi horror, while also offering topical one-liners. The U. He greets an alien spaceship by playing the five signature notes from "Close Encounters of the Third Kind," setting the tone for his officious, daffy character.

Dazzling colors, winning characters and energetic visual effects work in concert, even if the 3D feels unnecessary. With its focus on childhood wonder, this 3D computer-animated fable based on the series of books by William Joyce is a visually energetic spectacle, if a little overloaded.

The notion of Santa Claus, the Easter Bunny and the Tooth Fairy joining forces like a storybook troop of Avengers action heroes is delightful, but the film grows hectic with all those figures competing for screen time. The Western landscape is exquisitely rendered and Matt Damon gives voice to a wild mustang stallion living in the 19th Century. While most humans are bent on controlling the horse, a Lakota brave wants to help Spirit.

But the sappy horsey romance montages could have been jettisoned. Hugh Jackman heads a smart voice cast who play a range of amphibians, insects and other rodents. Puckish British wit is injected into fast-paced pop culture references, but forays into bathroom humor are less delightful.

The computer animation is visually striking and the characters well-drawn, beginning with Allen as the fearful and neurotic Z. This story appeals to our sense of imaginative wonder. While the detail is intricately compelling, the self-determination moral is clunky old news. Almost as funny, sweet and engaging as the first film starring the big galoot. In this one the lovable curmudgeon ogre and his neurotic donkey pal are upstaged by the dauntless Puss in Boots, charmingly voiced by Antonio Banderas, who later got a spinoff with this character, an adorable parody of his Zorro role.

The animation is gorgeous, vividly hued and immersive -- the bucolic panda village looks like a Chinese version of the Hobbit village crossed with Shangri La. The humor is light, if sometimes a bit corny. An engaging, family-friendly tale with a message that we always have more to learn, which feels all the more important in these anti-intellectual times. And who can resist an animated movie featuring the voice talents of such venerable actors as Dustin Hoffman and Ian McShane?

A joyous, swiftly paced and very funny subversion of classic fairy tales. It sends up the Disney formula, and builds a foundation on an endearingly hilarious bromance between an ogre and a donkey famously voiced by Mike Myers and Eddie Murphy.

The first feature film by clay-model animation pioneer Nick Park lived up to the promise of his enchanting short animated features like "The Wrong Trousers" and "A Close Shave. Add a prison camp thriller setting and the absurdity is complete. Its silly core is irresistible, as is its consistent cleverness. Plus, we get to meet a bewilderbeast, who Toothless faces in battle. Audiences are joyfully transported watching Hiccup, a gangly teenage boy and Toothless, his beloved, green-eyed winged dragon, soar above the Nordic landscape.

While Hiccup is undeniably courageous, he loses a leg. The 3D animation is indelibly beautiful. I agree with TheWrap's Terms of Service and Privacy Policy and provide my consent to receive marketing communications from them. Bee Movie Would that it were simply a B movie. Shrek Forever After Never reaching the inspired wit and infectious fun of the original, the action scenes feel recycled.

Madagascar 3: Europe's Most Wanted Fast is not always fun.

Pixar and DreamWorks are the best animation studios?

Ahead of the release of How to Train Your Dragon: The Hidden World , which could arguably round out one of the best film trilogies ever [ read our review of the film here ], it occurred to me that DreamWorks Animation has been quietly killing it for years, without the recognition, awards and general reception that the likes of Disney, Pixar, Warner Bros. Of course, that was not the first film produced by the NBCUniversal company, with that honour going to Antz , which in itself is particularly underrated and a gem of a movie. They also found some success with some more obscure projects including that of The Prince of Egypt and the Aardman collaboration Chicken Run , but It was the fairy tale about a green skinned creature that changed the game for the company. Quality animation, a high profile voice cast and a unique story that many still love to this day helped to launch the ogre into the stratosphere and earn the film the Academy Award for the Best Animated Feature — an honour that DreamWorks has never achieved since, despite having been nominated 11 times in total.

What does the future hold for DreamWorks Animation?

DreamWorks Animation. Then we hit upon the idea that all Shrek really wants is his home back. Once we had worked out our opening scene with Shrek in his outhouse, we had a clear idea of how to approach the comedy and what we were trying to say. We were all brought up listening to and reading fairy tales, but not many on our team could really relate to them. With Shrek it was the comedy that drove the whole thing and we were lucky enough to have possibly the funniest group of storyboard artists ever assembled. In the early days Jeffrey Katzenberg was very hands-on, always encouraging us and pushing us to make everything as good as it could possibly be. Jeffrey was our partner, our sounding board, our voice of reason and our jester. There were so many obstacles every day and we were trying to do something nobody had ever done before; but Jeffrey gave us the guidance we needed. For us, if we could make Jeffrey laugh or make him feel something, we knew we were in a good place.

Box Office History for DreamWorks Animation Movies

We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, read our Cookie Policy. DreamWorks Animation plans to cut around jobs and reduce its film output from three per year to two per year as part of a major restructuring meant to improve its profitability. The studio, known for Shrek and the Madagascar series, has struggled at the box office in recent years despite finally finding some critical success with How to Train Your Dragon.

DreamWorks Animation

For a while, it was fashionable to unfavorably compare DreamWorks Animation to Pixar. But, while it is true that several characters… do indeed make that face, dumping on DreamWorks says more about the person doing the diss than DreamWorks Animation, which has — and frankly always has — made lots of great movies. The Bad Guys , the latest DreamWorks Animation film, is a slick kiddie crime flick featuring a gang of animal bank robbers. And it opened this weekend to generally good reviews. Add to that Woody Allen in a starring voice role, with all the controversy that entails, and Antz is no picnic. Antz is extremely weird and somewhat off-putting, especially as a start to what would become a pretty traditional studio.

Can You Name These Dreamworks Movies with Just Five Clues?

Some of these canceled DreamWorks films we really wish we could have seen finished. From that confident debut, and really taking off with the blockbuster Shrek, DreamWorks became the first studio to really be able to compete compete with Disney in the world of American theatrical feature animation. It went from making 2D epics and stop motion co-productions to being all CG all the time. Its films have gone from the irony of Shrek to the goofy sincerity of Kung Fu Panda. Really the only constant has been a preference for celebrity voice actors and a thing for raised eyebrows. The changes in the types of films the studio makes have in part been the result of regular changes in management.

Before it was a meme, it was a huge hit. Shrek is a fairytale movie that also takes a swipe at fairytale movies. At the time, its success was not a given upon its release. Then, well, Shrek became as popular as any of those real fairytale films.

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Dreamworks Animation Wiki Explore. Kung Fu Panda 3 Trolls. Legend of the Boneknapper Dragon B. TV Shows. Explore Wikis Community Central. Register Don't have an account? List of DreamWorks Animation filmography.

Care about the environment but don't know what to do? Almost everyone has a soft spot for animated movies, regardless of age. Animated films are an integral part of the movie industry, regularly topping the box office and working as a reflection of society.