Kung foo fooey

I was positively giddy with excitement. Needless to say, it was all I could do to keep myself from squealing with delight when the lights dimmed and the opening credits started rolling. Two hours and ten minutes later, that excitement, which had previously threatened to blow me to bits, was gone, and replaced by something else. What, you might ask, was that something?

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Content:

• 62 Kung Fu Panda Motivational Quotes & Sayings For All
• The Grandmaster (2013)
• Office janitor/superhero… Hong Kong Phooey
• Middle Grade Monday book review: Calvin Coconut Kung Fooey
• Kung Fooey
• Test reel for live action/CG Hong Kong Phooey leaked
• Hong Kong Phooey (1975) comic books
• 36 Inspiring Kung Fu Panda Quotes and Sayings

WATCH RELATED VIDEO: Hong Kong Phooey Opening and Closing Credits and Theme Song

62 Kung Fu Panda Motivational Quotes & Sayings For All

Throughout the article, click on an image to see an enlargement. Saying adieu to Orientalism, it's impossible to approach comic book ads touting martial arts training the golden age of which took place between and , with anything but snickering derision.

For the purposes of this essay, martial arts refers to the organized systems of hand-to-hand combat and weaponry training originating in the countries of the East, particularly China, Japan, Okinawa and Korea. Western countries, obviously, also practice arts of warfare boxing, wrestling, fencing, savate and others, for example , but the term has become almost totally associated with Asian styles in the Western public's mind ironic since the root of the word martial arts is Mars, Roman god of war.

Your feet, your hands, your elbows, your fingers Times and people were simpler then—accent on the definition of "simple" as "easily gulled. Decked out with Chinese takeout fonts, blazingly violent copy, mystical gibberish, fear tactics and flimflam, the ads took advantage of the dying view of east Asia as a place containing ancient secrets of savage violence.

Naturally, what was promised and what one actually received for that 99 cents were very different things—par for the course with American advertising at large. What made these ads more interesting than others were the freaky mail order senseis behind them, the highly dangerous "product" they allegedly sold, and the unflattering way the ads reflected American attitudes and knowledge about martial arts and their places of origin.

Despite what a certain mindworm of a song suggested, not everybody was kung-fu fighting. Some were just faking the moves in order to separate the kidlings from their allowances. While this article concentrates on ads appearing in so-called Silver and Bronze Age comic books, we should first make a detour to the slightly further past to understand what brought about comic ads for Yubiwaza, Aicondo and other "deadly Oriental fighting arts" puffery.

The biggest myth this article wants to burst is the notion that Asian martial arts were forbidden to non-Asian eyes until recent decades. Certainly, racial prejudice on both sides created insularity and thereby an unwillingness to share and explore ideas. Also, consider the historical truism of conquerors forbidding the conquered from ever practicing how to fight, causing many Asian martial arts to be practiced in secrecy for a very long time Okinawans hid their karate training from Japanese occupiers by disguising it as classical dance practice, for example.

Regardless, Americans might be surprised at how long certain styles have been taught in the United States. Despite the hype, not all roads lead to Bruce Lee. A full-scale survey of the presence of Asian martial arts in American history is impossible in this article, nor is it the goal. Better instead to briefly look at how they first appeared here and the way they were initially promoted.

The first recorded instance of an American viewing a demonstration of Japanese jiu jitsu took place when President Ulysses S. Grant visited Japan in Pinpointing the exact moment Asian martial arts were introduced to America is nigh impossible, but it's certain that judo already present and practiced in Victorian England sailed to the states in when Yoshiaki Yamashita, a sixth-degree master, was hired by Great Northern Railroad director Graham Hill to teach his son his not-so-gentle art.

Hill and wife quickly decided martial arts were too risky for the lad but obligingly arranged for Yamashita to exhibit and promote judo in New York and Chicago. Shortly thereafter, jiu jitsu became quite the thing to do among the haute monde. Yamashita later trained another president, Theodore Roosevelt, who added a judo brown belt to his list of sporty accomplishments. For more information on the history of martial arts in the United States, visit this site. In this manner, Asian martial arts slowly trickled into the mainstream.

Training wasn't as omnipresent then as it is now, but it was available, though the affluent and particular occupations had the easiest time finding instructors. If one was a cop, one could expect a lesson or three in throwing, joint-locks and pressure-points—useful in the nonviolent, but no less painful, apprehension of ne'er-do-wells—when the Tokyo Metropolitans Police's brand of jiu jitsu came over here leading to the coinage of the term police jiu jitsu, which turns up in pulp fiction of the time.

Any man who did a stint in the armed forces, too, received hand-to-hand combat training, and though it may not have been called jiu jitsu or judo in boot camp, that's what it was. Several army and marine instructors, in fact, went on to produce the precursors of the manuals referred to later in this article. All told, even in the early part of the last century, Asian martial arts weren't invisible in America. Nevertheless, popular entertainment of the pre- and postwar years painfully demonstrated that its creators and, presumably, its audience, had zilch knowledge of what Asian martial arts entailed.

Most pulp fiction and comic book heroes made do with bullets, boxing and brass knuckles, actual knowledge of Asian martial arts being quite rare. A Marquis of Queensbury—ruled punch was good enough for most pulp shamuses, and while the prewar Batman was apt to deliver a swashbuckling kick as he swung from his silken cord, his more identifiably Asian style of fighting came much later.

This did not mean Asian martial arts didn't turn up occasionally as low-grade deus ex machina, such as when Conan Doyle saved Sherlock Holmes from Reichenbach Falls in "The Adventure of the Empty House. As it turned out, this was a complete contrivance, making mention of it appropriate here. Research by Holmes scholars showed that Doyle probably meant bartitsu, a martial art created in by jiu jitsu practitioner Edward William Barton-Wright, who actually did venture to and return from the Far East with martial arts skills.

Later on, in American pulps, the Shadow picked up a few Asian fistic arts while he learned to cloud men's minds in "the Orient. See this site. So many female characters who are actually part of the action i.

Comic books saw their earliest Far East-educated hero in the Green Lama, a rich young lad who visited Tibet and returned with super strength, invulnerability, the power to deliver electric shocks and, again, unidentified fighting skills. Even more representative of the theosophical i. Burks' creation, Chinatown detective Dorus Noel, in Noel, as his origin goes, lived in China long enough to become a master of jiu jitsu—odd, since it is a Japanese martial art—and, in a bit of oblivious racism, yellow in skin tone, having been "inoculated Noel's "yellowface" minstrelsy seemed contagious, as we will see later.

In such an era of underrepresentation and lack of definition, it's unsurprising martial arts training ads were equally rare. Yet the martial arts course spiels of the s didn't emerge from a perfect vacuum. Their precedents rest in a handful of books and pamphlets—each of varying degrees of factuality and educational worth—promoted through health, men's, do-it-yourself and related magazines.

We can't point at the very "first" manual, but we can assess a few early ones. Most frequently, such booklets were a lagniappe to the later martial arts course ads' nearest marketing kin: bodybuilding courses. Charles Atlas had long offered a free "outline course" on jiu jitsu later amended to included karate during the 70s kung-fu fad. In the s, a smattering of cheaply printed books and manuals on jiu jitsu and judo turned up, all of dubious value in turning anyone into a master—but then, few of them promised to do that.

In fact, most are just books of tips on joint locks, throws and strikes geared toward foiling pickpockets or teaching the masher in the theater seat beside you a lesson.

King and Self-Defense or Jiu Jitsu by Dewey Mitchell are only a few examples of such books, all supposedly written by ex-military and police instructors. Futsiaka and Butch are declared "fantasy figures" by jiu jitsu book collector Torbjoern Arntsen at the site Ju Jitsu Norge.

He suggests that they are pseudonyms for Arthur Hobart Farrar, who also wrote Police Wrestling—Mat Holds, Grips, Falls and American Judo Illustrated , both books that present jiu jitsu techniques more for their coolness and mystique—a trend that did not abate in the coming years.

How to Use Jiu Jitsu is especially enjoyable, featuring clip art of s Kate Hepburn—type cuties performing finger-breaking techniques and head butts on churlish males. They're largely worth mentioning because they set the template for such pamphlets in later years.

The format, almost to a T, follows dividing each chapter into a different technique a throw, a leg sweep, etc. The uselessness of this method of instruction is manifold: The photos provide only one possible view; techniques of several steps are usually shown with only a before and after shot, the transitional steps containing the "meat" of the move being lost and so on.

On the other hand, there is the innate hilarity of seeing paunchy men in s gym clothes doing jiu jitsu. Indeed, some returned in bootlegged or hundredth generation form later on. As is always the case with the spoils of war, the victor often picks up the customs of the vanquished. Martial arts were no exception. The s offered a dandy juxtaposition of events that set the stage for something as ridiculous as comic book martial arts ads.

Kids suddenly had disposable income and pop-cultural fads dipped into all manner of Walter Mitty fantasies spies, science fiction, and superheroes dominated. Most sources point to Bruce Lee's portrayal of Kato on the Green Hornet TV show as the ignition for '60s martial arts mania, short-lived as the show was. True, in Kato's wake a number of karate-and kung-fu-themed heroes appeared in TV, film and comics—DC's Legionnaire Karate Kid for one—but a number of others were already in existence.

In the spy world, James Bond knew judo while the delectable Mrs. Emma Peel of the Avengers was a general-purpose martial arts master. Comics had Judo Joe , another white male transplant in Japan who was at least more respectful than Judomaster , who didn't let his judo, karate and jiu jitsu training prevent him from referring to his World War II enemies as "Japs"; Karnak , one of the great Jack Kirby's Inhumans; and Pete Morisi's Peter Cannon Thunderbolt While Mr.

Lee certainly had his greatest influence during the early '70s, ascribing the '60s craze entirely to his role as Kato just seems wrong. More likely it reflected what happened when thousands of men returned from overseas service. Stationed in Japan and Okinawa and attuned to war as an occupation, it was inevitable that a number of American servicemen observed and decided to get karate and jiu jitsu training from the source.

Was the story of Dorus Noel coming true at last? At first the old saw about Asian insularity seemed true. In some cases, Japanese instructors were more chauvinistic than secretive, believing that Americans lacked the stamina to handle the intensity of karate training and repeatedly turned down all requests until finally breaking down and admitting Americans to see if they had the stuff to see it through.

Others, apparently, had no problems with training Americans, such as when career soldier and karate pioneer Hank Slomanski signed up at a Beppu police station for training. Slomanski was a man of many martial art and military accomplishments who later became an Orthodox priest before dying on April 23, He also has the interesting distinction of being Elvis Presley's first karate instructor, training and then awarding the King his first black belt.

There was nothing mystical about the training in any of these situations. Invariably, it was long, brutal and bereft of hocus-pocus. If the stories are to be believed, respect was hard won on both sides.

Which makes the later ads all the more embarrassing for the martial artists behind them. Again, it was a simpler time. Still, you have to wonder why karate and jiu jitsu masters would entrust the promotion of their ancient arts to people more accustomed to shilling joy buzzers than self-defense training. We'll never know what the marketers thought they were doing; their names and stories have been lost. Officials at Marvel and DC had no information available about employees and advertisers from way back when, and the few comics pros of the period who returned my e-mails told me that the creative and advertising departments generally avoided one another.

Unlike the comic artists and writers funded by their ad budgets, none of the marketers are legends. Few, too, probably directly interacted with the instructors themselves, which is just as well as it seems in one case, as we shall see, the instructor was extremely unhappy with the hyperbole.

It might be best to explore the Yubiwaza ads first. Any discussion of them likely makes the participants, dead or alive, cringe with embarrassment. Including all the colors of the rainbow, the ad is topped by a photo of Nelson J.

It is commonly known that with the aid of Yubiwaza, young men—and girls too! Many of the very techniques in my Yubiwaza book, once highly guarded secrets of the ancient Samurai warriors never shown to outsiders are now shown to you—FIRST time! Make no mistake!

The Grandmaster (2013)

Sign In. Episode guide. Animation Action Adventure. A kung-fu-fighting pup and his snickering cat sidekick battle crime. Creators Joseph Barbera William Hanna.

Office janitor/superhero… Hong Kong Phooey

When autocomplete results are available use up and down arrows to review and enter to select. Touch device users, explore by touch or with swipe gestures. Log in. Sign up. Hong Kong Phooey. Collection by Jennifer Waters. Similar ideas popular now. Classic Cartoon Characters. Favorite Cartoon Character.

Middle Grade Monday book review: Calvin Coconut Kung Fooey

The youth of Hong Kong Phooey is unknown, though it might be tied to the copy of the Hong Kong Book of Kung Fu that he carries with him and relies on to give him advice. Where he got his car, the Phooeymobile, is unclear also, although it can be assumed it is custom. As Penry Pooch, Phooey works as a mild-mannered janitor working for the local police station. As soon as he hears about a crisis, he dives into the filing cabinet of Sargeant Flint most commonly known as "Sarge" and comes out as Hong Kong Phooey. Hong Kong Phooey then takes whatever case Sarge has for him and takes off in his car, the Phooeymobile, with his cat to stop the crisis.

Kung Fooey

Throughout the article, click on an image to see an enlargement. Saying adieu to Orientalism, it's impossible to approach comic book ads touting martial arts training the golden age of which took place between and , with anything but snickering derision. For the purposes of this essay, martial arts refers to the organized systems of hand-to-hand combat and weaponry training originating in the countries of the East, particularly China, Japan, Okinawa and Korea. Western countries, obviously, also practice arts of warfare boxing, wrestling, fencing, savate and others, for example , but the term has become almost totally associated with Asian styles in the Western public's mind ironic since the root of the word martial arts is Mars, Roman god of war. Your feet, your hands, your elbows, your fingers

Test reel for live action/CG Hong Kong Phooey leaked

Word or concept: Find rhymes Find rhymes advanced Find near rhymes Find synonyms Find descriptive words Find phrases Find sentences Find antonyms Find definitions Find lyrics and poems Appears in definition of Find related words Find similar sounding words Find similarly spelled words Find homophones Find phrase rhymes Match consonants only Match these letters Find anagrams unscramble Search in Shakespeare Search for quotations. Word or concept: Find rhymes Find rhymes advanced Find near rhymes Find synonyms Find descriptive words Find phrases Find sentences Find antonyms Find definitions Find lyrics and poems Appears in definition of Find related words Find similar sounding words Find similarly spelled words Find homophones Find phrase rhymes Match consonants only Match these letters Find anagrams unscramble Search in Shakespeare Search for quotations Rhymes Lyrics and poems Near rhymes Thesaurus Phrases [ Mentions ] Descriptive words Definitions Similar sound Same consonants Significant mentions of Hong :. See Hong used in context: 3 rhymes , several books and articles.

Hong Kong Phooey (1975) comic books

He wears racing goggles, pushed up from his face. Chock-full of telly highlights and blockbuster movie recommendations. Even though I am a dog, I can still speak, though not clearly. The fascinating history of the art of animation focuses on the pioneering team of William Hanna and Joseph Barbera, whose innovative techniques and such memorable characters as Yogi Bear and Fred Flintstone created an empire of television

36 Inspiring Kung Fu Panda Quotes and Sayings

RELATED VIDEO: Hong Kong Phooey Hong Kong Book Of Kung Fu

Name something better than a good kung fu movie? Shut up! Please note this list is limited to the specific genre so no other martial arts are featured. That means no Ong-Bak, no samurai flicks and no modern types such as the pencat silat featured in The Raid. This is straight up Chinese kung fu.

HL: In the old days, the time I was there, kid is still pee on the street. You could say it's modern in the old days but it's still not like nowadays. You don't have no radio. You don't have no TV. If you want to listen a radio, like a certain story, you have to go to what they call luk chang po? The kids don't really have much entertainment whatsoever. So after the school, either you're going to stay home, study in your room, or you go outside.

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