Jigoku shoujo sakasama no chou
Itsuka hikari ni mukau sakasama no chou Kimi to kami o kiru kagami no naka Jugyouchuu no rouka hibiku ashioto Taezu ame no oto ga tsuite kuru yo. Kanjiru mama no katachi wa mabushii Amai hana ni naru doku no mi ni mo naru Kyou mo ame ano hito ima mo Sora to sora de tsunagitai no. In this Craziness, Uncertainty Hitori hitori no omoi o bokura wa dokoka ni nokoseru darou ka In this Craziness, You gave me life Hitotsu no omoi o bokura wa doko made mamoreru darou ka. Kimi wa oboete iru no sakasama no chou Meeru no yaritori wa toritome mo nai Nagasarete ite mo oyogereba ii Taezu hito no koe wa nami no you ni.
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Jigoku Shoujo OST (Music Collection) (MP3+FLAC)
Schoolrooms all over Japan are abuzz with the rumor of the "Hell Correspondence" Jigoku Tsushin , a mysterious website that can only be accessed at midnight. If you submit the name of someone you hold a grudge against, you will be visited by Enma Ai, the Hell Girl Jigoku Shoujo , who will give to you the means to carry out your revenge — a black straw doll with a red string tied around its neck. To take vengeance, all you need to do is pull the red string off the doll, and Ai and her associates will send the target of your grudge immediately to Hell.
However, this service is not without a price; as the old saying goes "when seeking revenge, first dig two graves" — by sending someone to Hell, you will have bound yourself into a covenant with Ai, and when you die, you will also go to Hell, as signified by the black fire symbol that appears on your chest once vengeance is served.
The first season introduces Ai Enma, the Hell Correspondence, and the series' episodic format. Each episode introduces a victim and an antagonist, and the circumstances surrounding them. As each story unfolds, the antagonists' actions push their victim further into despair, and it's only through the use of the Hell Correspondence that their victim can overcome their circumstances and send their tormentor to Hell.
After the formula has been established, the series introduces a complication into the mix; single father and reporter Hajime Shibata notices the increase in the site's popularity and starts a personal investigation. Aided by his young daughter, Tsugumi, who has a mysterious connection to Ai, he tries to convince users of the Hell Correspondence not to complete the contract, generally making bad situations worse through his meddling.
The second season picks up a few years after the conclusion of the first season, and continues the established formula minus Hajime and co. This season swaps out the Black-and-White Morality found in most of the first season cases for a Black-and-Gray Morality , in which neither antagonist nor victim is really in the right.
The third season switches up the formula a third time, introducing a new third angle to the standard format, this time in the form of Yuzuki Mikage, who, through interactions with the victims and Ai's associates, is given the rare opportunity to watch her hometown and her entire life crumble around her courtesy of the Hell Correspondence. Amazingly enough, it goes further downhill from there.
The series as a whole is mainly a social commentary, using the Hell Correspondence as a tool to analyze and deconstruct the less appealing aspects of Japanese culture and society there's even a Nice Boat -inspired episode in Mitsuganae. While many themes are universal, Values Dissonance means some storylines like Mitsuganae 's Wham Episode are inevitably lost in translation.
The first season holds the distinction of being the only one aired on American television; IFC held the broadcast rights and showed episodes in varying timeslots. There is also a manga adaptation, which shares the premise and core characters but follows its own storyline. A Live-Action Adaptation also exists, in series form; set within the timeline of the first anime season, retaining the anthology format while notably averting the anime storyline.
At a mere 12 episodes, there wasn't much room for them anyway. Premiering in July , this season features six new episodes and six episodes pulled from the previous three seasons. No connection to Hellboy. Community Showcase More. Follow TV Tropes. You need to login to do this. Get Known if you don't have an account. Beyond midnight's veil lies the revenge you could not exact alone. General Tropes. Affably Evil : Chief of this is Ai and her assistants.
They have a fairly even-minded opinion of humankind, and happily support their co-workers, students, and friends in their many, many jobs. It almost makes you forget what their real job is. Afterlife Antechamber : The Hell banishments take place in one that is tailored to the target's crimes. Alpha Bitch : Many of the female victims are this or embody the traits, most famously Aya Kuroda, the first on-screen target of vengeance. Arc Villain : Each season has one for the central Myth Arc.
Ai herself serves as the main antagonist to the Shibata story arc in season one. Yasushi Tsuyuki of the Lovely Hills story in Futakomori. Azusa Mayama is Yuzuki's prime grievance in Mitsuganae and a recurring antagonist in a subplot involving her best friend Akie. Asshole Victim : A whole page could easily exist for this alone. This series is, on average, not subtle in dehumanizing its victims as the vilest or pettiest monsters humanity has to offer.
However, while as a whole most victims are this, as the series gradually becomes more complex and morally ambiguous, the number of evil victims is balanced out by innocents or people guilty of minor offenses unfairly sent to Hell. Bait-and-Switch : Sometimes, an episode leads the viewer to think one person will be sent to Hell, but the target actually turns out to be someone else.
A most infamous example is episode 16; The client is a little girl in the circus named Yumi, who is repeatedly locked up and whipped by the ringmaster, while her twin sister, Yuki, is pampered and doted over. At first, it seems obvious that Yumi contacted Hell Girl to send the abusive ringmaster to hell. However, it turns out the target is actually Yuki , who knew about the abuse and never did anything to stop it - and in fact was implied to have done something to cause it in the first place.
After she's sent to Hell, the ringmaster begins doting on Yumi and the abuse is stopped. Bittersweet Ending : It should be said this is as good as it gets for this series. The best episodes often end with the object of Ai's client's torment banished to Hell and the client coming to terms with the fact that once they die they're bound for Hell too.
The truly rare few examples can be said to be exempt from that fate suffer no short amount of losses or hardships along the way. Black-and-White Morality : A recurring theme, notably in season one, is that the person contacting the Hell Correspondence was almost always an innocent soul pushed to their limits and the person they were condemning was almost always an irredeemable monster.
As the series becomes more nuanced, this trope is deconstructed and heavily downplayed. Body Horror : Happens quite a bit during the Mind Rape sequences. A notable example is Episode 19 of Season 1 , where the victim, Kyougetsu Ujiie, is gradually turned into a life-size ball-jointed doll.
Brand X : Everybody uses the Deegle search engine. Mahoo also appears a few times. Break the Haughty : Many of the smug or self-assured asshole victims are reduced to begging or crying when Ai comes knocking. Beware the Quiet Ones : Done a lot, especially in Mitsuganae. Many of the quiet, shy, characters end up being evil or not what they seem. One of the more infamous Squicky episodes revolves around a pair of siblings, one of whom, Maho, contacts the Hell Correspondence to take revenge on her brother, Mikio, who she feels is deliberately sabotaging her relationships out of spite by dressing up as a woman and hitting on her boyfriends.
It's eventually revealed that the real reason he is doing it is that he lusts after her sexually and wants to have her all to himself, even trying to impulsively rape her when his ruse is unveiled. Cain and Abel : Many siblings seen are clients at odds with one another. Murderously so. Catchphrase : No doubt Enma Ai's "O pitiful shadow bound in darkness, looking down upon people and causing them pain, a soul drowned in sinful karma Would you like to see your death once?
Ippen shinde miru? Also her "This grudge will send you to hell. Both of these are rendered in the official dub as "O pitiful shadow, lost in the darkness, bringing torment and pain to others.
O damned soul, wallowing in your sin. Claimed by the Supernatural : Every person who makes a Deal with the Devil by using Enma Ai's revenge service is marked with a black flame tattoo on their chest once they've pulled the red string and sent someone to Hell; there is nothing they can do about it, and it is a sign that upon death, they will also go to Hell, no matter how they live their lives.
Wanyuudo: Black. Hone Onna: Red. Ichimoku Ren: Blue. Yamawaro: Yellow. Crapsack World : Hell Girl is an absurdly dark work with an equally dark universe to complement its nihilistic themes of fate and hopelessness.
Even without taking the existence of the Hell Correspondence and otherwordly terrors into account, most of the humans seen in the series are deeply flawed or absolutely despicable.
It gets even worse in Mitsuganae , where allusions are made to the Hell Correspondence being created by the Lord of Hell to cater to humanity's deep-seated malevolence, creating a systematic cycle of hate to satisfy its craving for desires like revenge and murder.
And as the audience observes, even without any further nudging from the devil itself, humanity simply cannot overcome hate; optimistic figures such as the Shibata family have come and gone over the centuries in a vain attempt at dissolving the Hell Correspondence only to find it's not Ai and her companions that are the real problem. Overall, it's about as grim as it gets for fiction. Creepy Child : Again, Enma Ai.
Her unnaturally red eyes and white, expressionless face only add to her eeriness. Kikuri, an otherworldly child introduced in the second season, is — thanks to her purple-sclera eyes and her childish sadism — perhaps the only character in the series even creepier than Enma Ai.
This is understandable, seeing as how she's actually an avatar to the Lord of Hell, Enma Ai's boss although, judging from her reaction when she was being taken over by the Lord of Hell in the ending of the third season, she isn't aware of that. Dark Magical Girl : Enma Ai often wears a red-and-black Sailor Fuku and even gets a transformation sequence for much of season three to invoke the aesthetic of one, but she averts it in pretty much every other way.
Dark World : The Afterlife Antechamber that the antagonist of the week is taken to before being ferried to Hell proper often takes the form of the place where they wronged Ai's client or a place that either the antagonist or the client frequents, but twisted in a way to reflect the antagonist's wrongdoings. These differences often include the place in question having a red or purple sky or some alteration to facilitate a Death by Irony.
Deal with the Devil : The driving premise behind the series - enter a name into the Hell Correspondence at midnight and the Hell Girl will offer you a straw doll with a red string around its neck.
Pull the string, and the person whose name you entered into the Hell Correspondence will be Dragged Off to Hell , but when you die, you too will be damned to hell, no matter how you live the rest of your life. Demon Head : Wanyuudou has the ability to turn into a flaming carriage with one of these on the side and serves as Ai's primary form of transportation.
He often just turns into a giant wheel with his face on it as well. During one banishment, he also turned into the target's car. Demon of Human Origin : Ai Enma. During her dying breath, she cursed the villagers that sacrificed her and her parents to their mountain gods.
That same night, she came back to life and burned the whole village down, killing everyone in it. After that, she was sent to hell, and the Lord of Hell forced her to take the job of Hell Girl, or else she and her loved ones would suffer in hell eternally.
The job comes with a powerful set of powers, and over the course of years, she gains enough mastery of it to be able to confront the Lord of Hell, as seen at the end of Season 1. She manages to get off the job at the end of Season Michiru becomes a second Hell Girl at the end of Season 4 for broadly similar reasons to Ai's.
Hone Onna became this upon her death by absorbing the hatred of other women who were betrayed and killed the same way she was. Despair Event Horizon : Virtually every character who calls on Ai crosses this line. Specifically in regards to the exact moment when they pull the doll's string. In season 4, when Michiru is ferrying her first soul to hell, she laments the fact the woman who did the deed will never go to heaven, and Ai reacts with confusion at the idea of there being heaven at all.
Letra de Jigoku shoujo - sakasama no chou - opening
Jigoku Shoujo Wallpaper. It's so beautiful. The vectoring is neat and flawless, it's hard to find fault in it. I also love her kimono, the butterflies and the flowers, they add so much emotion and depth to the wallie. Very nice, I love the feeling it gives. How can you say that?
SNoW – Sakasama no Chou PV (Jigoku Shoujo OP)
Sakasama no Chou has to be the single most played song of mine ever. I looped it for about two weeks straight, whenever I was on the comp, whether I was on the bus, train, sleeping, etc. This was the OP of Jigoku Shoujo. Posted in Songs Tags: Songs. You are commenting using your WordPress. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email.
SNoW Sakasama no Chou Lyrics
Itsuka hikari ni mukau hakasama no chou Kimi to kami o kiru kagami no naka Jigochu no nouka hibiku ashioto Taezu ame no oto ga tsuitekuru yo. Kanjiru mama no katachi wa mabushii Amai hana ni naru doku no mi ni mo naru Kyou mo ame ano hitori ma o Sora to sora de tsunagitai no. In this craziness, uncertainty Hitori hitori no omoi o bokura wa doko ka ni nokoseru darou ka In this craziness, you gave me life Hitotsu no omoi o bokura wa doko made mamoreru darou ka. Kimi wa oboete iru no hakasama no chou MEERU no yaritori wa tori tomemonai Nagasaretei temo oyogereba ii Taesu hito no koe wa nami no you ni. In this craziness, uncertainty Hitori hitori no katachi o bokura wa doko ka ni nokoseru darou ka In this craziness, you gave me life Sorezore no katachi o bokura wa doko made mamoreru darou ka.
Sakasama no Chou
The first series of the genre-defying anime, renowned for its social commentary. The different seasons all tell their story in a different manner, so will be reviewed seperately. OVERVIEW - Sitting in a place of its own between the genre's of "a slice of life", Japanese horror, "monster of the week" and mystery series, Hell Girl has managed to influence a great deal of other shows, with referances to Ai's most well known catchphrase "Ippen, Shinde miru? Spawning three anime seasons, each told in a different style, a live action series and a manga, as well as breaking the "cute shy-girl" typcasting of Ai's voice actress, the series is a must for all fans of anime. This is done via a special website that can only be accessed at midnight, and only by someone with enough "hate" to want someone dead. Once those conditions are met, Ai appears, sometimes with her three companions, and states the conditions of the curse.
Jigoku Shoujo - Sakasama No Chou
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Sakasama No Chou en Jigoku Shoujo
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Hell Girl is a very unique anime , each episode of the series focuses on another character going through a tough time before they turn to the legendary girl everyone is whispering about. Of course there's a price and even that doesn't stop the protagonist. The story's weakness is that it's very repetitve which doesn't rock everyone's boat as most of the time the protagonist will pull the string off the doll. However, the story gets more intense when a detective and his daughter is involved to try to stop people contacting Hell Girl. There are surprises in this series, times when the audience is fooled that the ending might be a happy one. The art is brilliant.
Itsuka hikari ni mukau. It is not available in. Alex Valerian.
I think he is wrong. I'm sure. Write to me in PM.
I regret, that I can not participate in discussion now. It is not enough information. But this theme me very much interests.
remarkably, very funny play