5 centimeters per second analysis
Finishing the Shinkai-related killstreak of posts here on this blog, this is something that may sound REALLY random to a few, while actually make sense to others. This is a mildly interesting conclusion I came to after re-reading the manga this weekend. Or rather, did they really understand the feelings they had? Think about it. They had a nice relationship, that was interrupted by Akari suddenly moving away. This hit they hard, and it symbolized the end of daily meetings and chatting.
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Content:
- 5 Centimeters Per Second (2007 Movie) Ending Explained
- Your Name: A Rhetorical Analysis
- How to Show Character
- 5cm Per Second
- The Anime Binge-Watcher — Short Reflection: 5 Centimeters per Second
- Exploring the Visual Themes of Makoto Shinkai’s “Your Name.”
- 5 Centimeters per Second (manga): The Anime Harvest Review
5 Centimeters Per Second (2007 Movie) Ending Explained
Now, thanks to publisher Vertical, a new opportunity has arisen in the form of 5 Centimeters per Second — One More Side , a retelling of the story from the perspective of other characters.
Is it worth a read? Before we begin I would like to mention that this book is more of a companion piece to the movie than a way to experience 5 Centimeters per Second as a newcomer.
You can find my review for that here. Our story begins with Akari Shinohara reminiscing about her first love, Takaki Tono. With a huge distance between them and without the modern day convenience of email, the two slowly grow apart, not only in body but in spirit too. They exchange letters that never contain their real feelings, just fragmented looks at their daily lives. What comes after is an emotional and thoughtful look at first love, separation, and how it can shape your future as a whole.
For One More Side , this has been swapped to Akari, which gives us a better look at her as a person and why she grows so close to Takaki so quickly. Takaki has learned how to instantly fit in without rocking the boat, something he advises and helps Akari with.
Life is easier together and the years spent with Takakai moulds Akari into the person she is today, more confident and capable than ever before. In the film, we see this through the eyes of his friend, Kanae, who often talks about how Takaki is distant and looking to someplace far away for something out of reach. While I can empathise with the fact that love is hard to get over, especially in a situation out of your control, Takaki was just a child when he fell for Akari.
This stubbornness to deal with his own feelings spills over into the third act, which is narrated by both Takaki and Akari interchangeably. Coupled with the fact that Takaki has never been a particularly likeable character to begin with, these sections just sour my opinion of him that much more.
Having said that, the third act of One More Side is where the most value in this novel comes from. The final arc of 5 Centimeters per Second has always been the weakest because Shinkai spends the least time with it and leaves the most questions unanswered. The manga adaption also available through publisher Vertical does a good job at answering some of the questions, but One More Side goes one step further and leaves me truly satisfied for the first time.
Adapted by author Arata Kanoh, One More Side perfectly captures the world and characters that Shinkai created — for better and worse. One More Side is just as captivating as 5 Centimeters per Second was for me on my first viewing. Kanoh does his best not to retread the story Shinkai told, apart from the most important elements, and I think that would leave a first-timer lost.
This book is a fantastic companion piece to the film, but not a substitute for it. As previously mentioned this novel comes to the West thanks to Vertical and features an attractive cover illustration drawn by Monogatari illustrator, VOFAN. The book has been translated by Kristi Fernandez and the translation reads well — although there are a couple of sentences where the language becomes quite formal and almost stiff because of it.
Fernandez was kind enough to get in touch on Twitter regarding the example and her explanation sheds light on what was evidently an editorial change and one that I assume was made to avoid echoing the word letter over and over on that particular page. The fresh perspective on the tale brings it to life in a whole new way.
When she's not watching anime, reading manga or reviewing, Demelza can generally be found exploring some kind of fantasy world and chasing her dreams of being a hero. Anime Supremacy! But many years prior he was a beloved director of shorter, more unconventional pieces, originally starting out as a one-man production powerhouse — doing everything from the storyboards and animation to even voice acting — with only a few movies to his … Continued.
Close search. Demelza When she's not watching anime, reading manga or reviewing, Demelza can generally be found exploring some kind of fantasy world and chasing her dreams of being a hero. More posts from Demelza You Might Also Like Book Review Anime Supremacy! Review Anime Supremacy! Try being eight light years away.
Your Name: A Rhetorical Analysis
I had a hard time figuring out, how to start this Article. It makes you wonder, What life is? Is it really so utterly heart breaking. To Start the article, just close your eyes for a few minutes, stop thinking about anything, clear your mind of any thoughts. Think of the one you love.
How to Show Character
Hina soon shows Hodaka that she can take care of herself and then some. Hina has the supernatural ability to temporarily stop a Biblical rain from sinking Tokyo, if only for a couple of hours. Kotaro Daigo as Hodaka Morishima voice. Nana Mori as Hina Amano voice. Shun Oguri as Keisuke Suga voice. Tsubasa Honda as Natsumi Suga voice. Sakura Kiryu as Nagisa Amano voice. Sumi Shimamoto as Mamiya voice. Sei Hiraizumi as Yasui voice. Yuuki Kaji as Takai voice.
5cm Per Second
Told in three interconnected segments, we follow a young man named Takaki through his life as cruel winters, cold technology, and finally, adult obligations and responsibility converge to test the delicate petals of love. Takaki and Akari are two classmates in elementary school. During their time together they have become close friends. Their relationship is tested when Akari moves to another city because of her parents' jobs. Both of them struggle to keep their friendship alive, as time and distance slowly pulls them apart.
The Anime Binge-Watcher — Short Reflection: 5 Centimeters per Second
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Exploring the Visual Themes of Makoto Shinkai’s “Your Name.”
It theatrically premiered on 3 March It received a novelization in November , [3] and a manga adaption illustrated by Seike Yukiko in They grow very close to each other due to similar interests and attitudes such as both preferring to stay inside during recess due to their seasonal allergies. As a result, they form a strong bond which is shown when they speak to each other using their given names without any form of honorifics as that is a sign of deep friendship and familiarity in Japan. Right after graduating from elementary school in , Akari moves to the nearby prefecture of Tochigi due to her parents' jobs. The two keep in contact by writing letters but eventually begin to drift apart. When Takaki learns that his family will be moving to Kagoshima on the other side of the country the following year in , he decides to personally go see Akari one last time since they will be too far apart to see and visit each other once he moves.
5 Centimeters per Second (manga): The Anime Harvest Review
Now, thanks to publisher Vertical, a new opportunity has arisen in the form of 5 Centimeters per Second — One More Side , a retelling of the story from the perspective of other characters. Is it worth a read? Before we begin I would like to mention that this book is more of a companion piece to the movie than a way to experience 5 Centimeters per Second as a newcomer. You can find my review for that here.
Makoto Shinkai is a fairly well-known anime director. He has enough name recognition that people outside of the anime community actually know his name. His films regularly appear at film festivals and win a good deal of awards. He even gets the always sort of awkward next Miyazaki title along with Mamoru Hosoda. Overall a fairly enviable career. As I have mentioned they win awards and critical praise but they always seem more art house darlings than blockbusters.
Life is, arguably, nothing more than a series of meetings. Some of these meetings are quickly forgotten, while others influence everything that comes afterwards. The latter is the focal point of 5 Centimeters per Second. The movie is actually composed of three sections, each at one different point of the life of the protagonists, of about 20 minutes each. Toono Takaki and Shinohara Akari are two elementary school friends that watch the cherry blossoms fall and promise to watch it together again in the next year.
Having watched the film a second time, I can safely conclude that this film is much better than I initially thought but ultimately is most interesting when read within the larger Makoto Shinkai canon. Like almost every Makoto Shinkai movie, 5 Centimeters Per Second focuses on a pair of star-crossed lovers struggling with the difficulties of young love and long distance relationships. Divided into three sections, the film presents protagonist Takaki during three distinct snapshots of his life, beginning as a hopeful middle-schooler and ending as a depressed and unfulfilled adult. But with all these similarities to later films, how does 5 Centimeters Per Second fare in comparison?
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