86 anime interview

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Content:

• BECKETT ANIME AND MANGA COLLECTOR #86
• Asato Asato
• 86 the Anime Review: Season 1 and 2
• ‘Attack on Titan’ Episode 86 Ends Tragically for These 2 Characters
• Anime St. Louis Review and Special Guest Interview Bill Butts-APP045
• 86 EIGHTY-SIX anime coming with an English dub by Crunchyroll
• gamerant.com
• In the interview, Antonio Raul Corbo – Poupelle and Being an Anime Fan!

WATCH RELATED VIDEO: Lena recalls her fangirling - 86 [SUB]

BECKETT ANIME AND MANGA COLLECTOR #86

In honor of the day, we here at BtT are excited to celebrate some of our favorite women working in anime, manga, and light novels. From the mangaka and light novelists who create the stories and characters we love, to the directors and screenwriters who bring them to life on the screen and also conceive original works of their own, to the composers who pull on our heartstrings and set our spirits soaring—here are a few of the women whose work has touched our lives!

What does a housewife with a flair for the artistic do in s Japan when she finds herself with a bit of spare time? Why, she founds one of the most iconic animation studios of all time, of course!

What started out in as a collective of housewives hand-painting animation cels for productions by Pierrot and Tatsunoko Pro, soon became successful enough to warrant Yoko Hatta inviting her husband, businessman Hideaki Hatta, to help her turn her side hustle into a full-fledged independent studio.

Thirty-five years and some of the biggest series in anime later Violet Evergarden, Sound! Euphonium, K-On! The Hattas have retained the humane, family feel of those early days where the company consisted of friends and neighbors working at home. They provide childcare, tuition for young artists, and any manner of progressive support initiatives the likes of which are tragically absent from much of the industry.

KyoAni and the Hattas have also trained and promoted more women animators and writers up the ranks than any other studio, giving directors Naoko Yamada, Noriko Takao, and Hiroko Utsumi, for instance, their starts in the industry. The productions are not simply beautiful, with a distinctiveness recognizable anywhere; they are also remarkable for their emotional depth, attention to detail, and stunningly consistent, high quality. But what draws me most to KyoAni is the ethos underpinning the studio: the vision that the Hattas share of treating the workplace like a family, creating a safe and inviting environment for young talent, and demonstrating their value for their employees in ways that cost financially and so speak volumes.

In my books, Yoko Hatta is an absolute boss. And hopefully, the next generation of executives running anime companies see this concept, emulate it, and become more like Yoko Hatta—they and their staff will likely be the better off for it, and so, too, will we viewers.

The story is full of sad, tragic moments that should make the series a real downer, and yet somehow the incredible beauty in both the visuals and characters themselves rises up and triumph over the darkness. It seems fitting that someone like Hatta oversaw the creation of such a lovely anime. Instead, she was interested in graphic arts and music, attending the Aichi Prefecture University of the Arts to focus on the former, and choosing to create animated videos as a way of combining her two interests.

As a student, she made a number of animated films for her own enjoyment, some of which caught the eye of studio Madhouse, who hired her as a production assistant. Her first notable work was Tsuki no Waltz , and from there she continued to climb up the ranks of Madhouse, taking on roles of increasing importance like assistant director for NANA and her first TV anime director role for Aoi Bungaku The first was way better than its title made it sound and was an incredible drama about both relationships and the struggles of art and creation, and those same elements would apply to the last one in a more cute-girls-doing-cute-things format that also worked extremely well.

And while the source material for No Game No Life would ultimately keep it from being quite at the level of the other two, Ishizuka did an impressive job leading the visual direction to make the most of its strengths. The folks below pretty much say everything I could say about it, but yeah, the way she applied everything she had done in her adaptations to her direction of this original work was nothing short of amazing.

That series was all I needed to become a fan. You can make a cute show, you can make a cute, heartfelt show, and you can make a cute, heartfelt show that makes you cry—but one that does all that while making you think of your own mortality, challenging you to overcome obstacles small and large, while also featuring breathtaking animation and a number of iconic scenes?

Perhaps it was this near-impossible combination that led the New York Times , of all periodicals, to name the series as one of the best TV shows of It was the second anime series I ever watched, and while the first one intrigued me Boogiepop and Others , A Place Further Than the Universe won my heart and convinced me that it would be worth taking some time to explore this new medium for a little while. Ishizuka led the creation of a wondrous tale of friendship and adventure.

With The Pet Girl of Sakurasou, though lacking the adventurous vibes of Universe, Ishizuka has likewise given us a heartwarming story of relationships, one that shows both human brokenness and the potential for love to overcome that brokenness. Noriko Takao is a woman of many hats. She got her start in animation at KyoAni, working as an in-betweener on InuYasha in alongside fellow newbie Naoko Yamada. The moody atmosphere of the visuals in The Disappearance of Haruhi Suzumiya was her work , resulting from her immersive approach to the source material, which she sought to translate onto the screen through the visual languages of color design, lighting, and scenery.

I especially have to highlight her work on Cinderella Girls , which did lead to some disagreements with fans over her choices, but I think ultimately created a far better product. Obviously, this would ultimately lead to certain characters being focused on over others, but overall, the fact that Takao managed to take this franchise and bring out such a great story is nothing short of M GIC. Painter, film buff, accidental animator— Naoko Yamada is all these things. She also became one of the youngest directors in the industry in aged 23 when she took the lead on a little KyoAni slice-of-life series known as K-On!

It is also increasingly experimental both visually and sonically as Yamada playfully ignores the bounds of convention in genre and form.

As Ian Wang eloquently pointed out , a love confession in a Yamada work is never quite as simple as a confession of love. It is this kind of nuance and understatement, combined with the film-like cinematography of her direction that makes Yamada one of the greats, not just in anime direction, but in film-making more generally. Now, I wonder when the Oscars will realize this?

She has found in Reiko Yoshida writer and Kensuke Ushio composer an absolute dream team, and each of their collaborations impresses me more than the last. The attention to detail is ridiculous. More than any other director, I have rewatched the works of Yamada over and over again, finding greater meaning and deeper tenderness on each viewing, as her work practically vibrates with humanity. The Heike Story in particular surpassed even my considerably high expectations and has found a permanent home in my heart.

In A Silent Voice, she is able to condense an entire manga series into a two-hour film while keeping the complex relationships in place, as well as the complicated results of bullying on the two protagonists.

The Heike Story, meanwhile, is an epic retelling of a famous Japanese work regarding families and events of worldwide significance, and yet she makes it personal and interesting, sad and nostalgic, beautiful and heart-rending.

It was quite possibly the best anime of But what else should we expect of a master like Naoko Yamada? Atelier Gokujou: Aria exemplifies the type of work that evolved straight out of shoujo. There is no centralized conflict, in a way reminiscent of real life: there are days when only small things happen, and others where we are faced with challenges, introspection, the mundane, and the extraordinary.

In many ways, Aria exemplifies this desire to slow down, to step back and appreciate the world. The main character is fascinated by what seems to others trivial, in a way that invites the viewer to see what she finds so special. It is a form of storytelling we often do not come across, in which the audience is invited to relax and have a pleasant experience. It is something I find we could all use a bit more of, and certainly, something that serves as a reminder that art can be ephemeral and beautiful without being purposeless.

While the anime adaptation of ARIA is ultimately the peak form of this story, the anime is only as incredible as it is because the original manga was already wonderful. Between the fascinating setting of Neo Venezia, the overall calming mood of the story, the great characters, and even a bit of the supernatural, it is truly a unique work.

And for that matter, Amanchu was pretty darn good too, especially when it really got into the appeal of scuba diving. Forming in the mids and originally consisting of eleven members, the group whittled down to the four that have been the primary creators since the early s: screenwriter and leader, Nanase Ohkawa, and artists Mokona, Tsubaki Nekoi, and Satsuki Igarashi.

Twwk: Because CLAMP has focused more on collaborations and anime in recent years, younger manga fans or those newer to the medium may not be familiar with this super group. But they were queens to previous generations—the Beatles of manga in their time.

Cardcaptor Sakura is a natural place to start for me, as the Americanized and much maligned version though I treasure it personally , Cardcaptors, was among the first anime series I watched regularly, while perhaps lesser loved works by them are also among my favorites, including the anime adaptation of Angelic Layer and Shirahime-Syo: Snow Goddess Tales , a collection of lovely, spooky stories.

It is odd too, because I got into their work somewhat backwards, through their darker materials such as X and Tokyo Babylon , before coming across their more popular works such as Cardcaptor Sakura. It fascinated me how they took such dark subject matter and managed to handle it in a such delicate way. Depending on who you ask, each person has their favorite CLAMP manga, which I think is indicative of the great differences between their work over the years.

Part of this was also due to their desire to go from making work primarily for young females, into wanting to make work that also would appeal to a male audience.

To that end, we got things like Magical Girl Rayearth , which was magical girls but with magical mechs mixed in! We also see works like X which revolve around an apocalyptic themes, and xxxHOLIC , which explores themes of addiction through mysticism and a supernatural setting. Truly a unique and innovative group whose work had a profound influence on manga as a whole. That series was one of the critical series that kickstarted my entire interest in anime and manga. It was such a fascinating combination of magic and relationships, and it remains one of my favorite anime and manga series to this day.

Posuka Demizu is an illustrator and manga artist who is well-known for partnering with author Kaiu Shirai for the shonen manga series The Promised Neverland. Starting off her career in with a miniseries for Corocoro magazine, Demizu then created the manga for the Oreca Monster Bouken Retsuden game in the same magazine in From the way she manages to make characters look unique, to the way she emphasizes mood with thrilling moments, to her effective synergy with Shirai and their editor —her involvement has certainly enhanced the story of the manga.

Gaheret: When I started reading The Promised Neverland manga, after having watched the first season of the anime, I had my doubts. I started reading thinking of coloring the pages with my imagination, and perhaps adding the music. A few minutes in, though, I suddenly forgot I was even reading.

The vivid details, the expressive faces, the mystery, the danger and the wonder in TPN are beautifully conveyed through its visuals, and the story is so much better for it. Everything speaks to a close, enriching artistic collaboration. Yoko Kamio is the mangaka behind a number of high profile shojo series, including Merii-san no Hijitsu , Cat Street , and both series of Boys Over Flowers , which just so happens to be one of the top-selling manga series of all time with over 61 million physical tankoban volumes sold!

Kamio has produced new manga continuously since she began at age 23 in , until recently, when Boys Over Flowers Season 2 came to an end in This series inspired an anime as well as numerous live action adaptations in China, Japan, South Korea, Taiwan, and Thailand. In , Kamio won the Shogakukan Manga Award for it as well. Check out her official website for a brief biography in her own words.

It was a completed series and I was looking for something new to read. What I did not expect, was to be entirely engrossed in the series, and I ended up picking up the sequel series as well. These two series hit so hard on issues of classism, sexism, and forgiveness. The concepts of forgiveness and redemption resonated with me strongly and inspired a few different articles here at Beneath the Tangles.

There is a reason her work is so beloved and led to many different live action adaptations. I am still working through her whole catalog and, honestly, hope to keep reading more from her for some time to come.

Kazue Kato is a shonen mangaka who is most well-known as the creator of Blue Exorcist. In her early career as an artist and writer, Kato developed a number of one shots, even winning the Tenkaichi Award for Majo to Usagi to Oira. Her first ongoing series was Robo to Usakichi , which ran in and After the end of that series, Kato developed the one shot, Miyama Uguisu Yashika Jiken , that eventually inspired Blue Exorcist , which has been running in Jump Square since In addition to her work in manga, Kato was also one of the lead character designers in the Godzilla Singular Point anime series.

However, with a wife who was pregnant with twins and unable to sleep at night, I found myself alone in bed also unable to sleep. I started by checking out this newer anime series, Blue Exorcist , on a lark. I was instantly hooked. The style, the characters, the artwork—everything drew me in.

But when I got to the ending though, I was taken aback. To put it bluntly, I did not like it.

Asato Asato

And today, Crunchyroll also made an announcement on Wednesday that it will stream English, Portuguese, Spanish, French, and German dubs for the upcoming anime series. The highly acclaimed light novel series sets in District 86 where every leader goes mad in the stellar year Toshimasa Ishii is directing the sci-fi anime at A-1 Pictures and Toshiya Ono is in charge of the series scripts. Tetsuya Kawakami is designing the characters, and Shirogumi is producing the CG.

86 the Anime Review: Season 1 and 2

Afterward, the anime sets up the republic of San Magnolia and its 85 districts. A well-known fact about the republic is that it is in the middle of an ongoing war with its neighbor, the Giadian Empire. This war is fought with a series of unmanned drones to boast a feud with no casualties. This would explain why all citizens of the 85 look similar and would also explain the odd marital system stated in the first episode. But it gets worse as the episode then reveals that these so-called unmanned drones are actually manned by soldiers of the 86, an extra district hidden from the public. Regardless, Lena enthusiastically takes the responsibility of being the new handler for the Spearhead Squadron, an infamous unit of the 86 known to make its handler run mad or kill themselves. These soldiers are of varying ages, skin colors, and descent compared to their neighbor districts which might explain why they are treated as mere tools of war. The episode ends with Lena forming a Sensory Link with the squadron which probably has something to do with the handlers going mad…. The little direction seen with the opening scene proves how quick and impactful the action scenes are despite the mechs being fully CG.

‘Attack on Titan’ Episode 86 Ends Tragically for These 2 Characters

Attack on Titan Episode 86 ends on another tragic note, with two major players taking their final bows in the hopes of stopping the Rumbling. Attack on Titan Episode 86 sees the alliance doing whatever they can to defeat the Yeagerists and stop the Rumbling. This means killing their former comrades and even giving up on Marley and Liberio. When the alliance realizes servicing the flying boat at the port will take too long with the Yeagerists around, they decide to travel by water to the city of Odiha. There, the mechanics can get it up in the air without disturbances.

Anime St. Louis Review and Special Guest Interview Bill Butts-APP045

Poupelle of Chimney city followed Lubicci, a young chimneywaper living in a smog-filled town of chimneys. After meeting a mysterious man made of garbage, Lubicci and his new friend made the first attempt to look at the stars beyond the smoke. Please check out our exclusive clip from that film so that we can enter the giveaway. Antonio Raul Corbo: Yeah, my opinion is that his story is good. He spoke to me just because he has the drive and the passion to show that what he believes is real.

86 EIGHTY-SIX anime coming with an English dub by Crunchyroll

While the show is relatively young, 86 has garnered enough attention for fans to express their love for the show via user ratings on IMDb. Fans in particular praise the story, and as the series is in its second season, it is appropriate to look back at the content that gripped audiences and made them fall in love with the anime in the first season. The first episode of the series, "Undertaker," shows Lena going through her day as a Handler, leading a squadron into battle against the Legion, artificially intelligent machines that come from the Giadian Empire. She then receives the offer to lead an elite group known as Spearhead, which she accepts. This episode sets up Lena's compassion from the beginning while also showing the public perception of Eighty-Six people, who are referenced in horribly derogatory ways. It is clear that Lena seeks to help the members of the squadrons under her command, and the audience can immediately sympathize with her.

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In the interview, Antonio Raul Corbo – Poupelle and Being an Anime Fan!

RELATED VIDEO: Garnt has Nobody to Talk About Anime with...

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I can only hope this show is renewed for a second season. Please note that this is an 86 anime ONLY review, with no light novel spoilers. And then I wanted to cry for joy for him when he found his deepest prayers answered — his friends were still alive and Lena not only alive, but now standing right in front of him, telling him the very words he needed to hear in order to carry on. This was pure emotional catharsis, and the finale carried on right where Episode 22 left off. President Ernst is one of my favorite characters on the show, so it was nice to see the episode opening with him throwing a Holy Birth Festival party for his adopted children, who are now back safe and sound from the war. After some time has passed, Ernst tells them that he has put together a proposal to have them form an Independent Mobile Force that fights on the front lines.

Podcast: Play in new window Download. Here is the first of a two episode holiday arc. We present the interview that Chigo and I did with Piano Squall. Piano Squall Website Fanplay Site.