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Criticism of Netflix's new translation of Neon Genesis Evangelion was inevitable, to some degree. A lot of the most iconic lines from the older dubs by ADV Films and Manga Entertainment weren't entirely accurate, so in many cases, the streaming giant was caught between a rock and hard place between preserving what fans remember and offering the most direct translations. One area where the new translation unfortunately fails, however, is in regard to crucial dialogue between Shinji Ikari and Kaworu Nagisa in Episode Kaworu only appears in this single episode of the original series, but few other "one-episode wonder" characters in the history of television have made the impact he has.
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Neon Genesis Evangelion Episode 24 Discussion
In the series of the same name , he is the pilot of a giant mecha named Evangelion Unit 02 for the special agency Nerv. Kaworu is the seventeenth, and final member of a series of enemies which threaten humanity; and are named Angels. When he arrives at Nerv, he befriends Eva pilot Shinji Ikari , showing great affection towards him.
After revealing his nature as an Angel, he asks Shinji to kill him to allow humanity to survive. Kaworu appears in the franchise's animated feature films and related media, video games , the original net animation Petit Eva: Evangelion School , the Rebuild of Evangelion films, and the manga adaptation by Yoshiyuki Sadamoto. He also has a prominent role in Evangelion: 3.
The character, originally conceived by Gainax as a cat controlling a boy, was supposed to appear in the series' twenty-second episode. After several changes, director Hideaki Anno and screenwriter Akio Satsukawa portrayed him as the last Angel and he was included in the twenty-fourth episode.
Although Kaworu only appeared in one episode, the character was popular with audiences and animation enthusiasts and topped popularity polls. Some critics disliked his ambiguity, his lack of clarity, and the undertones of his relationship with Shinji; others praised his personality, finding him open, affectionate and sociable. His role in the film Evangelion 3. Merchandise, particularly action figures, based on Kaworu have been released.
Akio Satsukawa, a screenwriter who contributed to the writing of the series' twenty-fourth episode, "The Beginning and the End, or 'Knockin' on Heaven's Door ' ", chose Kaworu's name.
Nerv would have allowed the boy to enter its laboratories and, after a clash in which his fellow pilot Shinji Ikari found himself "in the dilemma of having to fight against an anthropomorphic enemy", "the greatest secret of the organization" would be revealed.
Compared to him he should have been "taller, thinner and with a smaller face". For the somatic features of his face, he decided to blend those of Rei, Shinji himself, and Asuka Langley Soryu. In the early stages of production, scriptwriter Akio Satsukawa wrote some drafts of the script for the twenty-fourth episode in which Kaworu's relationship with Shinji would have been expanded and presented with less ambiguity.
Some of his ideas included Kaworu and Shinji swimming naked in a river at night, Kaworu proposing to Shinji to play piano and cello together and a kiss scene between them.
The Evangelion staff and producers also rejected these proposals. Anno explained he wanted to hold on to the idea of an Angel "conversing in human language", mentioning it as a progression from Shinji's conversation with the Angel Leliel in the sixteenth episode. He also considered expanding Kaworu's role in the expanded director's cut version of the episode but decided to prioritize clarifying Kaworu's connection to Seele.
They attributed their lack of attention to this to the short time they had when they produced the later episodes, [22] and mentioned Kaworu was not supposed to hold Shinji's hand in the bath scene. This was an animation error; he was supposed to touch it instead. He described Rei and Kaworu as part of his unconscious, and Kaworu specifically as his shadow —the dark and unconscious side of the psyche.
In an interview, Ikuhara denied the rumors, comparing Kaworu's cynical personality to Anno himself, while stating he was not in the least involved in the creation of the character.
He also said he had close correspondence with Anno, with whom he was on good terms from the early design stages of Neon Genesis Evangelion. During the production of Sailor Moon , the entire staff went on a trip to the spa, and Ikuhara chatted all night with his colleague, the animator of some of the series' episodes.
Ikuhara himself, watching the episode, noticed how the situation with the bath was the same as the conversation he had with Anno. Akira Ishida voices Kaworu Nagisa in every appearance in the original series, [25] as well as the later films, spin-offs, video games, [26] [27] and the Rebuild of Evangelion saga. In , when The End of Evangelion was released, Ishida said he found the role "very difficult", and felt "a lot of pressure" during the dubbing of the film version.
His emotional tension grew exponentially when he learned that there would be two feature movies, but he was satisfied with his performance. Even during the dubbing sessions for Evangelion: 3. In English, Kyle Sturdivant voices him in the original series; [31] he's also dubbed by Greg Ayres in the director's cut version, [32] [33] by Aaron Krohn in the two films, [34] by Clifford Chapin in the Netflix' dub, [35] [36] by Jerry Jewell in the first dub of Rebuild of Evangelion [37] [38] and Daman Mills in the Amazon Prime Video 's dub.
Dan Kanemitsu, studio Khara's in-house translator [41] responsible for the updated Evangelion subtitles, production assistance, and other official Gainax and Khara translations including the Rebuild of Evangelion films explained in an interview that he consults the original creator when the meaning is unclear or ambiguous.
He defended the importance of ambiguity, citing Anno's commentaries on Evangelion ' s ambiguity and open-endedness, [42] his commitment to accuracy, [43] [44] and getting the intended nuances of the text across a cultural gap.
Kaworu appears in the twenty-fourth episode of Neon Genesis Evangelion. A secret sect called Seele, and a group called Commission for the Instrumentality of Mankind sent him to the headquarters of the special agency Nerv to carry out a mission [48] as Fifth Child and the replacement for Asuka Langley Soryu, who became unable to pilot Unit Misato discovers that he was born on September 13, , the day in which an enormous calamity called the Second Impact occurred at the South Pole , caused by the first of a series of enemies called Angels.
The soul of the first Angel, Adam, is implanted in him. Using his Angel abilities, Kaworu manages to manipulate and control the movements of Unit 02, [65] in an attempt to enter the Terminal Dogma of the Nerv headquarters and get in touch with the angel Adam, supposedly guarded within the structure. In the following film, Neon Genesis Evangelion: The End of Evangelion , the souls of all humanity unite into one collective consciousness, and during a process called Human Instrumentality, Shinji argues symbolically with Kaworu and Rei Ayanami.
In the Rebuild of Evangelion saga, Kaworu has a prominent role [76] [77] and he is aware of details of Shinji's life, even before he can physically meet him. Behind him, for a moment, a white giant is framed, similar to the Angel Lilith.
He addresses commander Gendo Ikari, who is visiting a place named Tabgha Base, as "father". Kazuya Tsurumaki , the assistant director of the classic series and related movies, described him as a man who takes his wife back by force.
He also said: "[We thought it would be] more interesting if Kaworu looked like [he was thinking]: 'You've been with a woman while I've been away? How dare you! In the third movie Evangelion: 3. He shows Shinji, alone and scared of the new world, the consequences of his actions on planet Earth. Shinji is initially reluctant, but Kaworu offers him an opportunity to revert the damage done by Third Impact.
To train, the two boys practice piano on the same a quatre mains musical base. Having reached a good harmony, the two head aboard Eva to the Terminal Dogma of the Nerv base. Asuka and Mari Makinami confront them. However, Kaworu falls for a trap set by Gendo, and causes Shinji to start the Fourth Impact accidentally. Nagisa reveals he is the first Angel, but demoted to thirteenth, and dies telling Shinji: "We will meet again.
It seems representative of the depth of their connection. In the Neon Genesis Evangelion manga, written by the series' character designer Yoshiyuki Sadamoto, Kaworu is introduced in advance in a narrative arc roughly corresponding to the nineteenth episode of the series.
He argues this would spare the cat further pain. This disturbs Shinji and angers him, and he realizes he had a similar feeling when he first met Rei. His role as an Angel also changes, being presented as the twelfth instead of the seventeenth.
In this version of events, Shinji has strong suspicions of the Fifth Child; [91] he accuses Kaworu of violating his personal space. Kaworu uses this opportunity to perform CPR by kissing Shinji, arousing his anger. Unlike the original animated series in which ambiguity remains about the relationship between Shinji and Kaworu, leaving great freedom of interpretation for the viewers, for the manga Sadamoto changed Kaworu's characterization, leaving less margin for interpretation.
According to him, in the comic, Kaworu feels "a reflection of Rei's feelings" for Shinji, but he fails to understand them. He wonders why human beings feel drawn to others, but in the end rejects him, "because he is not Rei".
Before his death, the Third Child imagines himself strangling Kaworu at the same time and place he met him. For this scene, the author took inspiration from the film Betty Blue , the tormented story of two young lovers, by Jean-Jacques Beineix , in which he strangles her in the end. In an interview Sadamoto compared his death to a "contradictory fumi-e ", an ancient Japanese ritual consisting of the trampling of Christian icons , in which Tabris would ask Shinji to prove he liked him by killing him.
Unlike Hideaki Anno, who wanted to give Kaworu the image of an "ideal man", Sadamoto, who believes that human beings are the last evolutionary stage of angels, tried to represent him as a "pre-human", innocent and naive character.
The artist was inspired by his experience, particularly by a classmate in elementary school, a charming transfer student from Tokyo for whom he felt great admiration.
It is not romance It is a delicate feeling in a delicate age". After the conclusion of Neon Genesis Evangelion ' s first airing, a self-parody audio track written by Anno called After the End was released. On it the series' characters, played by their original voice actors, jokingly discuss and prepare a new ending just before the production schedule deadline, breaking the fourth wall. Kaworu appears; when Asuka calls him "homoboy", he tells her, "I wish you wouldn't make statements when you lack evidence for them.
Among them is a violinist who looks like Kaworu; according to what is indicated by the superimposed writings, however, the event would take place eighteen months before his appearance in Tokyo From the script, it is clear that, despite the similarity with the protagonists of the series, the four children should still be interpreted as actors in an imaginary sequence.
Like the original series, he immediately shows great interest in Shinji, making him uncomfortable. I wanted to make Kaworu someone that could be loved by anyone, an incredibly good person. Almost as though, by the time Shinji saw him, there was nothing he could do but get a complex.
Kaworu is an erudite boy with an easy-going, straightforward and honest personality, [51] particularly with Shinji Ikari. However, his esoteric way of communicating confounds Shinji.
He describes the Ode to Joy as the highest achievement of human culture and reflects on the fragility and nature of humans. He is very direct in his interactions and seemingly has no interest in, or knowledge of, social conventions. He shows sympathy for Rei, who shares his hybrid nature. After his sudden death, the Third Child falls back into a state of profound affliction. Since the first airing of the series, controversies have arisen over the nature of Shinji and Kaworu's relationship, as has Kaworu's character's nature.
Drazen reports that some believe that whether Kaworu as an Angel has any concept of sexuality is unclear because of the way he is presented in the series. While not interpreting him as an antagonist or a negative figure, according to Bertschy, his presence demonstrates Shinji's great emotional fragility and the difficulty of his long path to self-acceptance.
He describes Kaworu as a loving, considerate partner who cares deeply for Shinji's happiness, refuses to leave him behind, and even takes Shinji's terrible burden as his own; he notes: "Shinji has misinterpreted Kaworu's love not as evidence that he himself is worth loving and thus his motivation can be entirely his own, but that Kaworu's love itself makes him worthwhile [ He's still making catastrophic decisions motivated by self-hatred — Kaworu's love doesn't make him a complete person.
Kentaro Takekuma , editor of a book of interviews with Evangelion staff named Parano Evangelion , believes that for Shinji, Kaworu turns out to be the first friend he can trust and a homosexual romantic interest.
For Oguro, their relationship with the story's male protagonist traces an analogy between the characters: both appear in the last episodes of the series and seem to be able to understand the feelings of the male main character, dying by his own hand.
According to critic Mario Pasqualini, the Book of Life cited by Kaworu is a reference to a concept of the same name in Christianity, according to which it is a text in which God would have listed in his hand the people destined to go to Heaven on the Last Judgment. The reviewer also compared the Rebuild to the science fiction movie Summer Vacation The film introduces a character named Kaoru, a new student at a boys' boarding school who has a love affair with fellow student Kazuhiko.
Despite his one-episode appearance, the character of Kaworu became popular among series' fans and he rivaled the female protagonists of Neon Genesis Evangelion Rei Ayanami and Asuka Langley Soryu.
The only one who tells [Shinji] that he's fine just the way he is, is Kaworu. Perhaps because of that everyone loves Kaworu.
Neon Genesis Evangelion, Vol. 10
This series of articles is an attempt to play through The Canon of videogames: your Metroids, your Marios, your Zeldas, your Pokemons, that kind of thing. Except I'm not playing the original games. Instead, I'm playing only remakes, remixes, and weird fan projects. This is the canon of games as seen through the eyes of fans, and I'm going to treat fan games as what they are: legitimate works of art in their own right that deserve our analysis and respect. It's been a long time since I watched this series, and I'm waiting for movie 4 to come out before I marathon them all together, but from what I remember, I agree with you. One of the main themes in the show is Shiji's Oedipal problems, or at least the confusion surrounding his relationship with the women in his life. His relationship with Misato, a surrogate mother, is highly sexualized.
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One subject that has come up for returning fans of the series is the difference between the translations in the Netflix subtitle and dub tracks and the translations provided by ADV Films in the platinum edition on DVD for the North American market. One interaction between Shinji and Kaworu in episode 24 has come under particular scrutiny. Episode 24 shows Shinji and Kaworu having a bath together. ADV translates this line to "It means I love you. ADV translates the line to "It was the first time someone told me they loved me," while the translation on Netflix is "That's the first time anybody's ever said they liked me. Japanese fans have also taken note of the debate after Japanese news outlet J-Cast reported on the issue.
20 Iconic Gay & LGBT Anime Characters: The Ultimate List
Non-binary anime characters , when they show up at all, often never experience requited love. When a relationship does blossom, they often follow unhealthy dynamics that aren't reflective of real-world relationships, relying instead on yaoi and yuri tropes. Yuuri Katsuki and Victor Nikiforov of Yuri!!! Ymir and Krista of Attack on Titan are forced into roles that don't suit them, but they find meaning and comfort in each other. They're just high school girlfriends who like each other, proving that gay relationships don't have to be dramatic to be worth showcasing. After Yuuri Katsuki 's figure skating career nearly tanks, his skating idol Victor Nikiforov offers to train him for the upcoming Grand Prix competition. As they prepare for the event, they start falling in love, and their relationship escalates to the point of an on-ice kiss and marriage proposal. Their relationship is far from perfect, though.
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Your desire to make something exciting completely erases the nature of this exchange. Was so excited to revisit one of my favorite series, Evangelion on netflix OK, I can deal with that. Critical lines changed Removing "Fly Me to the Moon" was just the beginning.
Things you buy through our links may earn New York a commission. Evangelion debuted in Japan in and has since earned a reputation as a controversial, psychologically complex, difficult piece of art. Evangelion has been one of the most popular anime series ever created pretty much from the start. Protagonist Shinji Ikari fights monsters in what is more or less a giant robot, though it looks suspiciously humanoid, and is tasked with saving humanity, only to learn that saving humanity takes a massive toll on his mental health. Along the way, Evangelion stages epic, city-demolishing fight sequences and manages to make a nuanced argument for the human condition.
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