Silly symphony figaro and cleo
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Pinocchio is a American animated musical fantasy film produced by Walt Disney Productions and based on the Italian children's novel The Adventures of Pinocchio by Carlo Collodi.
It was the second animated feature film produced by Disney , made after the first animated success Snow White and the Seven Dwarfs The plot involves an old Italian woodcarver named Geppetto who carves a wooden puppet named Pinocchio.
The puppet is brought to life by a blue fairy , who informs him that he can become a real boy if he proves himself to be "brave, truthful, and unselfish". Pinocchio's efforts to become a real boy involve encounters with a host of unsavory characters. The key character of Jiminy Cricket is based on a year "wise, old" talking cricket from the original book,  who warns Pinocchio of his impudence when they meet only to be killed in return shortly after, before returning as a ghost.
Pinocchio was a groundbreaking achievement in the area of effects animation, giving realistic movement to vehicles, machinery and natural elements such as rain, lightning, smoke, shadows and water. The film and characters are still prevalent in popular culture, featuring at various Disney parks and in other forms of entertainment.
In , Pinocchio was added to the United States National Film Registry for being deemed "culturally, historically, or aesthetically significant". In April , a live-action adaptation officially entered development, with filming beginning in March Jiminy Cricket addresses the audience as the narrator to tell a story of a wish coming true. The story takes place in a village in Italy sometime in the late 19th century , where he arrived at the shop of a woodworker and toymaker named Geppetto , who lives with his pets, Figaro the kitten and Cleo the goldfish.
Geppetto creates a marionette whom he names Pinocchio. Falling asleep, Geppetto wishes upon a star for Pinocchio to be a real boy.
Late that night, a Blue Fairy visits the workshop and brings Pinocchio to life, although he remains a puppet. She informs him that if he proves himself brave, truthful, and unselfish, he will become a real boy.
When Jiminy reveals himself, the Blue Fairy assigns him to be Pinocchio's conscience. Geppetto wakes up, and is overjoyed to discover that his puppet is alive and will become a real boy. The next morning, on his way to school, Pinocchio is led astray by con-artist fox Honest John and his sidekick Gideon the Cat. Honest John convinces him to join Stromboli 's puppet show, despite Jiminy's objections.
Pinocchio becomes Stromboli's star attraction but when he tries to go home, Stromboli locks him in a cage and leaves to tour the world with Pinocchio. After Jiminy unsuccessfully tries to free his friend, the Blue Fairy appears and an anxious Pinocchio lies about what happened, but his nose grows longer and longer.
The Blue Fairy restores his nose and frees him when Pinocchio promises to make amends, but warns him that she can no longer help him. Honest John and Gideon are promised money by a mysterious "Coachman" , if they can find disobedient boys for him to take to Pleasure Island. Though Honest John and Gideon are frightened by the Coachman's implication on what happens to the boys and by the possible severe legal consequences if the law finds out, the former convinces Pinocchio to take a vacation on Pleasure Island after his terrible experience with Stromboli.
On the way, Pinocchio befriends Lampwick , a delinquent boy. At Pleasure Island, without rules or authority to enforce their activity, Pinocchio, Lampwick and countless other boys soon engage in smoking cigars and cigarettes , gambling , vandalism , and getting drunk , much to Jiminy's frustration. Jiminy eventually discovers that a curse on the island turns boys into actual donkeys and the Coachman plans to sell them to slave labor in salt mines and circuses.
Pinocchio witnesses Lampwick transforming into a donkey, and with Jiminy's help, Pinocchio escapes, partially transformed with a donkey's ears and tail, though they have to abandon Lampwick and the other boys in the clutches of the Coachman. They get a letter from the Blue Fairy in the form of a dove, stating that Geppetto had gone out looking for Pinocchio and sailed to Pleasure Island where he learned Pinocchio was taken to, but was swallowed by Monstro , a terrible and vicious sperm whale, and is now living in the belly of the beast.
Determined to rescue his father, Pinocchio jumps into the sea, accompanied by Jiminy. Pinocchio is soon swallowed by Monstro, where he reunites with Geppetto. Pinocchio devises a scheme to make Monstro sneeze, giving them a chance to escape. The scheme works, but the enraged whale chases them and smashes their raft. Pinocchio selflessly pulls Geppetto to safety in a cave just as Monstro crashes into it and Pinocchio is seemingly killed. However, the Blue Fairy revives Pinocchio and turns him into a real human boy, getting rid of the Pleasure Island curse in the process, much to everyone's joy.
As the group celebrates, Jiminy steps outside to thank the Fairy and is rewarded with a solid gold badge that certifies him as an official conscience. After reading the book, "Walt was busting his guts with enthusiasm" as Ferguson later recalled. Disney then commissioned storyboard artist Bianca Majolie to write a new story outline for the book, but after reading it, he felt her outline was too faithful. However, due to difficulties with Bambi adapting the story and animating the animals realistically , Disney announced that Bambi would be postponed while Pinocchio would move ahead in production.
Ben Sharpsteen was then re-assigned to supervise the production while Jack Kinney was given directional reins. Unlike Snow White , which was a short story that the writers could expand and experiment with, Pinocchio was based on a novel with a very fixed, although episodic, story. Therefore, the story went through drastic changes before reaching its final incarnation. The story was still being developed in the early stages of animation.
Early scenes animated by Frank Thomas and Ollie Johnston show that Pinocchio's design was exactly like that of a real wooden puppet with a long pointed nose, a peaked cap and bare wooden hands. He felt that no one could really sympathize with such a character and called for an immediate halt in production. Co-supervising director Hamilton Luske suggested to Kahl that he should demonstrate his beliefs by animating a test sequence.
However, Disney discovered that the new Pinocchio was too helpless and was far too often led astray by deceiving characters. Therefore, in the summer of , Disney and his story team established the character of the cricket. Originally, the talking cricket was only a minor character that Pinocchio abruptly killed by squashing him with a mallet and that later returned as a ghost. Disney dubbed the cricket "Jiminy", and made him into a character that would try to guide Pinocchio into the right decisions.
Ward Kimball had spent several months animating two sequences—a soup-eating musical number and a bed-building sequence—in Snow White , which was cut from the film due to pacing reasons.
Kimball was about to quit until Disney rewarded him for his work by promoting him to the supervising animator of Jiminy Cricket. Due to the huge success of Snow White , Walt Disney wanted more famous voices for Pinocchio , which marked the first time an animated film had used celebrities as voice actors.
Smith Goes to Washington. Another voice actor recruited was Mel Blanc , best remembered for voicing many of the characters in Warner Bros. Blanc was hired to perform the voice of Gideon the Cat. However, it was eventually decided that Gideon would be mute, so all of Blanc's recorded dialogue was subsequently deleted except for a solitary hiccup, which was heard three times in the finished film.
Animation on the film began in January , but work on Pinocchio's animation was discontinued as the writers sought to re-work his characterization and the film's narrative structure.
However, animation on the film's supporting characters started in April During the production of the film, story artist Joe Grant formed a character model department, which would be responsible for building three-dimensional clay models of the characters in the film, known as maquettes.
These models were then given to the staff to observe how a character should be drawn from any given angle desired by the artists. However, owing to the difficulty animating a realistic moving vehicle, the artists filmed the carriage maquettes on a miniature set using stop motion animation.
Then, each frame of the animation was transferred onto animation cels using an early version of a Xerox. The cels were then painted on the back and overlaid on top of background images with the cels of the characters to create the completed shot on the rostrum camera.
Like Snow White , live-action footage was shot for Pinocchio with the actors playing the scenes in pantomime, supervised by Luske. Pinocchio was a groundbreaking achievement in the area of effects animation, led by Joshua Meador.
In contrast to the character animators who concentrate on the acting of the characters, effects animators create everything that moves other than the characters. This includes vehicles, machinery and natural effects such as rain, lightning, snow, smoke, shadows and water, as well as the fantasy or science-fiction type effects like the Pixie Dust of Peter Pan film.
The influential abstract animator Oskar Fischinger , who mainly worked on Fantasia contributed to the effects animation of the Blue Fairy's wand. To help give depth to the ocean, the animators put more detail into the waves on the water surface in the foreground, and put in less detail as the surface moved further back. After the animation was traced onto cels, the assistant animators would trace it once more with blue and black pencil leads to give the waves a sculptured look.
These techniques enabled Pinocchio to be one of the first animated films to have highly realistic effects animation. Ollie Johnston remarked "I think that's one of the finest things the studio's ever done, as Frank Thomas said, 'The water looks so real a person can drown in it, and they do. Harline and Paul J. Smith composed the incidental music score. The soundtrack was first released on February 9, Keith Booker considers the film to be the most down-to-earth of the Disney animated films despite its theme song and magic, and notes that the film's protagonist has to work to prove his worth, which he remarked seemed "more in line with the ethos of capitalism" than most of the Disney films.
Pinsky said that it is "a simple morality tale—cautionary and schematic—ideal for moral instruction, save for some of its darker moments", and noted that the film is a favorite of parents of young children. Nicolas Sammond argues that the film is "an apt metaphor for the metaphysics of midcentury American child-rearing" and that the film is "ultimately an assimilationist fable".
For Sammond, the purpose of Pinocchio is to help convey to children the "middle-class virtues of deferred gratification, self-denial, thrift, and perseverance, naturalized as the experience of the most average American". Author and illustrator Maurice Sendak , who saw the film in theaters in , called the film superior to Collodi's novel in its depiction of children and growing up.
Neither is he an innately evil, doomed-to-calamity child of sin. He is, rather, both lovable and loved. Therein lies Disney's triumph. His Pinocchio is a mischievous, innocent and very naive little wooden boy. What makes our anxiety over his fate endurable is a reassuring sense that Pinocchio is loved for himself -- and not for what he should or shouldn't be. Disney has corrected a terrible wrong.
Pinocchio, he says, is good; his "badness" is only a matter of inexperience," and also that "Pinocchio's wish to be a real boy remains the film's underlying theme, but "becoming a real boy" now signifies the wish to grow up, not the wish to be good. Frank S. Nugent of The New York Times gave the film five out of five stars, saying " Pinocchio is here at last, is every bit as fine as we had prayed it would be—if not finer—and that it is as gay and clever and delightful a fantasy as any well-behaved youngster or jaded oldster could hope to see.
The charm, humor and loving care with which it treats its inanimate characters puts it in a class by itself. Since comparisons will be inevitable, it may as well be said at once that, from a technical standpoint, conception and production, this picture is infinitely superior to Snow White. Initially, Pinocchio was not a box-office success.
This was primarily due to the fact that World War II and its aftermath had cut off the European and Asian markets overseas, and hindered the international success of Pinocchio and other Disney releases during the early and mids. With the re-release of Snow White and the Seven Dwarfs in came the tradition of re-releasing Disney films every seven to ten years.
RKO handled the first two reissues in and , while Disney itself reissued the film from on through its Buena Vista Distribution division. The re-issue was digitally restored by cleaning and removing scratches from the original negatives one frame at a time, eliminating soundtrack distortions, and revitalizing the color. Despite its initial struggles at the box office, a series of reissues in the years after World War II proved more successful, and allowed the film to turn a profit.
This time the kittens create havoc in the garden, while dealing with a fly, a tortoise and a teasing blue bird. The cartoon is remarkable for introducing the good-natured St. True, there was also a St. Bernard instead. This is Silly Symphony No. On a winter night three kittens are thrown in a sack into a garden.
Walt Disney Classics Collection Figaro & Cleo Ornament
There were only of these made. Disney wdcc for sale. Used condition, crease. Asking price is Goofey's train, mickey's drum, twinkeling turtle, pete's dragon, lightening bug, cinderella's coach and flags. Express deliveries express deliveries are sent via parcelforce. Wdcc walt disney's snow white "bring back her. Up for auction is this rare disney wdcc. I see no cracks or ch
Reflections on the art and business of animation. Here's an interesting article in Variety by Scott Kirsner about filmmakers who are trying to raise money for their projects on the web. Labels: Business , Independents , Marketing. Friday, March 30, Consistency.
The Representation of Women in Walt Disney’s Productions in the Studio Era
In my last review, I compared Snow White and the Seven Dwarfs to Star Wars; a blockbuster that captivated audiences, revolutionized filmmaking, and was an all-around fun adventure with a likable cast. The success of Snow White marked the beginning of big things for Disney animation. The sizable influx of cash meant Walt could build a bigger studio, hire more staff, and give his projects a noticeably larger budget. The question is, where to go from here? What movie could possibly follow the fairest one of all? Investors were clamoring for a sequel and the idea was toyed with for a time, but Walt was not a one-trick pony.
Walt disney teachers GIF
Although Carroll has stated that the Queen of Hearts is not based on any real person. Many people have considered it a caricature of Queen Victoria who reigned from In the book, while the Queen of Hearts wants to behead everyone who crosses her, her Husband the King of Hearts often pardons her victims while the Queen is not looking. Even though the Queen of Hearts is obsessed with beheading people, Carroll does not depict her as a villain in the original novel. Some report that Walt Disney felt a lot of pressure to adapt Alice in Wonderland. Many people thought the classic tale would be a perfect Disney film. He found it a challenge to do so and his hesitation stemmed from the lack of a typical story line.
Mickey Mouse and Friends (TV series) facts for kids
Sign In. Edit Pinocchio Showing all 85 items. Figaro was Walt Disney 's favorite character in "Pinocchio" from
Disney: First Editions and Original CelsRELATED VIDEO: Figaro Cleo 1943
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The film and characters are still prevalent in popular culture, featuring at various Disney parks and in other forms of entertainment. In , Pinocchio was added to the United States National Film Registry for being deemed "culturally, historically, or aesthetically significant". In April , a live-action adaptation directed by Robert Zemeckis had officially entered development and began filming in March Jiminy Cricket arrives in the workshop of a woodworker named Geppetto who finishes work on a wooden marionette he names Pinocchio. Before falling asleep, Geppetto wishes on a star for Pinocchio to be a real boy.
Yep, this one feels like an early 30's Silly Symphony updated with late 30's Disney sensibilities. The action perfectly fits the music, but not in the same every-footstep-matches-a-note way of the old black and white shorts I miss that! Silly slapstick gags have been replaced by gentle caricatures of animal behaviour and everything is much more sophisticated and beautifully done.