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Ghost Dog - Pixel Animation
After all, the comforts of the past might just be the best way to cope with the uncertainty of days to come. Aladdin was not just a turning point for Disney animation upon its release in , but it was a transformative moment for the medium as a whole.
Writing a film with the celebrity of Robin Williams in mind for its iconic genie role not only turned out to be an inspired comedic choice, but it also pushed the film to be the highest grossing animated film ever at the time. This would eventually cascade into the modern practice of celebrity stunt casting replacing the work of seasoned voice talent in mainstream theatrical animation.
How do you follow up one of the greatest science fiction action movies of all time, itself a massively blown out sequel to one of the greatest horror films of all time? This was the question that plagued the production of Alien 3 , which somehow beat the odds against it to become a solid conclusion of sorts for Ellen Ripley.
After all, this is the movie that introduced us to the idea of the xenomorph dog, so how can it not rule? Is Are You Afraid of the Dark? Ask any kid in , and they might tell you just that. Creating a sequel to Avatar: The Last Airbender , one of the best-paced and emotionally resonant action cartoons ever made, seems like an exceedingly poor choice on paper.
The new setting allowed the show to explore the conflicts between spirituality and scientific advancement, and the spiritually deficient Korra was a marked contrast to Aang that kept the show from treading water. This was such a great narrative choice that the show boomed in popularity, prompting Nickelodeon to expand the show from miniseries to four season epic that makes for an incredible companion to the legendary show that preceded it.
The idea of a superhero crossover film was unheard of when the Marvel Cinematic Universe was in its nascent stages, but it was such a massive international success that every studio scrambled to build their own intellectual property into an identical success. It moved superhero fiction from a potentially profitable subgenre into the default mode for worldwide spectacle, and it did so by making you believe that the billionaire robot man could exist in the same world as a radioactive monster and Norse gods.
That kind of tonal juggling act is not an inherently easy thing to crack, but The Avengers set the template by which we now see the cinematically fantastical as relatable and human. Batman Returns is the kind of unhinged perverse spectacle that not only marked Tim Burton as a master of his craft in his prime, but it pushed the boundaries of what a superhero movie could be in Warner Bros. As much as the Marvel Cinematic Universe has created the template for superhero success in modernity, the early s precursors to the MCU would lay the groundwork for what would come, and it cannot be understated how much Blade II was a keystone in that foundation.
Not only was it a bloody excellent sequel to the first Blade , but it opened the door for director Guillermo del Toro to make his stamp on the American genre cinema landscape.
This comic book movie was the wind-up for the knockout punch that another Marvel film would later deliver that same year. Blade Runner is an incredible film, but its enduring legacy will never simply be the depth of its philosophy or the grimy staying power of its dystopian future. Not every film needs to be remembered as a revolutionary example of the cinematic form or a reinvention of its genre.
Sometimes a film like The Cabin in the Woods comes along, and it serves as a love letter to be pulled out and admired, and even ten years later it still makes for an excellent horror comedy experience. Candyman has an enduring legacy that has haunted moviegoers for three decades now. And the sad truth of the matter is that these themes are just as relevant today as when Candyman was first — [The author of this paragraph was found stabbed to death by what appeared to be a meat hook. Jamie Foxx delivers a performance that magnetically redefined Black heroism in the American Confederate South, while Leonardo DiCaprio chewed the scenery so hard as his plantation owning villain that he infamously cut his own hand on set.
Ten years later, Django Unchained remains as powerful as ever. Not only is E. Before the caricature that we usually associate with the name Rambo, the character was presented with a much more cynical view of the world. First Blood is a story of a homeless veteran, traumatized by his time in Vietnam, whose confrontation with a sadistic police force drives him over a murderous edge.
What is most shocking in retrospect is how Sylvester Stallone would reinvent the character into an icon of American military strength, one of the most entertaining and politically suspect paradoxes of the rise of blockbuster cinema. There was a certain audacity to Francis Ford Coppola adapting a pulpy crime novel into a three-hour epic, but a half century of staying power speaks for itself with regards to The Godfather.
Is it a preposterously premised, self-referential, and entirely goofy nu-metal excuse for a movie? Space-on Spason? The Last Unicorn is the kind of film that only grows in esteem with its audience as they grow older. The tale of a beautiful unicorn looking for the last of her kind and confronting the terror of a monstrous red bull allows for plenty of visual splendor and strange episodic adventures that were unlike anything else in animated films forty years ago.
No wonder, then, that the film has now endured for generations. But this story of the unlikely kindship between a babbling blue refugee and a young Hawaiian girl trying to get by with her adult older sister is a heartwarming mix of Elvis-infused childish antics and genuinely touching explorations of found family.
Looper could celebrate its tenth anniversary on any number of criteria. It may be remembered as the science fiction film that first made Rian Johnson a notable writer and director outside film geek circles, setting the stage for him to direct one of the best Star Wars films.
It may be remembered as one of the last great performances that Bruce Willis ever gave, or as the film that exploited an uncanny resemblance to Joseph Gordon-Levitt that none of us realized even existed. But really, it should just be best remembered as a blast of a time travel movie, with a unique set of rules to govern its logistics and a fascinating premise of assassins travelling forward in time to dispose of their older selves.
Frankly, a film that inventive is worth celebrating on its own merits. Has there been a more perfect adaptation of A Christmas Carol than the one that included the Muppets? If your aim is for perfect fidelity to Dickens, then the answer is obviously yes, but who cares?
Gonzo and Rizzo are hilarious fourth-wall breaking narrators, the perfection of an adorable tiny frog playing Tiny Tim cannot be understated, the new Muppets depicting the three ghosts are all individually iconic and haunting in their own ways, and Michael Caine delivers one of the most tonally perfect performances of his career as the singularly human Scrooge. Whether or not you have ever actually seen the now year old silent film Nosferatu , you are most certainly aware of its influence on the portrayal of vampires in popular culture.
If the implementation of that total destruction had been successful, we would have lost one of the most foundational films of horror cinema. So what better way to celebrate a century of survival than to check out a silent masterpiece? When The Raid: Redemption was released ten years ago, it seemingly came out of nowhere.
Welsh director Gareth Evans directed an Indonesian action thriller starring the now-legendary Iko Uwais, set within an Indonesian high rise and featuring some of the most jaw-dropping gunplay and close quarters mixed martial arts combat ever put to film. It has only arguably been topped since by its own sequel, but it spawned an interest in Western countries for no frills action physicality that maintains a niche market even ten years later.
Fans of the video game series were somewhat baffled by the story changes made by Paul W. Anderson and crew when they made the film Resident Evil twenty years ago, but the film resonated with audiences so well that it spawned a line of sequels that lasted until It established Anderson as something of a trash auteur, creating increasingly more contrived excuses to make zombie action films starring his eventual wife Milla Jovovich.
Take your pick of elements to choose from. The inspired casting of J. Simmons as J. Jonah Jameson. The upside-down kiss in the rain. Even though the film was not a very big success upon its release forty years ago, the intervening years have made it a cult hit on home video, in no small part because the practical effects work is so convincingly utilized that you might actually believe a body-morphing otherworldly presence is lurking among the trapped Antarctic researchers.
Carpenters filmography is full of bangers, but The Thing might just be the top dog. Tron is a strangely specific artifact of s geek culture, marrying the burgeoning world of computer programming with the mainstream adventurousness of a Disney family feature.
It was a pioneer film in the use of CGI, and it created a distinct neon aesthetic that nothing has really matched before or since outside of its own sequel. At the time of its release, it was only really embraced by computer nerds who were happy to see a dramatization of their passions made real in a movie, but time has expanded that fanbase as computers have become a more ubiquitous and omnipresent part of our lives.
If nothing else, Tron stands as a very entertaining curio that reminds us of what the past envisioned as the way of the future. There is probably no television show that defined the so-called Golden Age of television quite like The Wire. With a sprawling cast that felt no less empathetic for their shared screentime, the show was simultaneously an examination of how individual lives were transformed by the policies of law enforcement and the sweeping impact those policies had on communities of color.
There are few fictional television shows that have felt this real, this explicitly commentative on the realities of urban poverty and crime, while still finding the nugget of humanity that recognizes that most people, even criminals, are not villains, but just people trying to find a way to survive. The only real shame is that not much seems to have changed in the intervening twenty years.
There was probably no greater pioneer in bringing the serialized mode of comic book storytelling to television than X-Men: The Animated Series. Sure, Batman got there first, but X-Men was distinctive for explicitly leaning into having continuing narrative threads that evolved as the series progressed, a novel concept for a Saturday morning cartoon at the time.
It was also a very issues-oriented show, directly taking questions of post-Holocaust Jewish identity through Magneto and drawing parallels between mutant alarmism and AIDS hysteria.
Filed under: TV. Illustration: Andrey Smirny for Polygon. Reddit Pocket Flipboard Email. Aladdin 30th Image: Walt Disney Pictures. Photo: 20th Century Fox. Image: Nickelodeon Network. Image: Nickelodeon. Image: Marvel Studios. Image: Warner Bros. Image: New Line Home Entertainment. Photo: Lionsgate. Image: Shout Factory. Image: Lionsgate Home Entertainment. Image: Universal Pictures. Image: Orion Pictures. Image: Paramount Pictures. Image: New Line Cinema.
Image: ITC Films. Image: Walt Disney Animation Studios.
Mumbly is a cartoon dog character famous for his wheezy laugh, shown in The Mumbly Cartoon Show , and voiced by Don Messick. Mumbly bears a strong resemblance to his cousin Muttley from the animated series Wacky Races and Dastardly and Muttley in their Flying Machines. Like Muttley, Mumbly does not really talk; he mumbles and grumbles unintelligibly, and often uses his trademark snicker. Detective Lieutenant Mumbly's boss is Schnooker voiced by John Stephenson , an aptly named egotistical police chief who tries to take credit for nearly all of Mumbly's heroic deeds. Mumbly may have been inspired by Peter Falk's TV character Columbo , as the two share sartorial style and speech patterns. Mumbly was the only member of the Really Rottens that wasn't created for Laff-a-Lympics. The good-guy teams, the Scooby Doobies and the Yogi Yahooeys, were composed of characters from previous cartoons.
Can Mark Zuckerberg Fix Facebook Before It Breaks Democracy?
If you know, you know. And if you don't know, you're probably extremely confused. If you haven't been on social media for the past few weeks, you may feel like you seriously underestimated just how much people love the Minions. You might've seen crowds of people specifically, young guys wearing formal attire and storming their local theaters for the next showing of Minions: The Rise of Gru. Is it childhood nostalgia, a big joke, or the greatest cinematic masterpiece of this decade? To understand gentleminions, let's start with some very internet-y concepts. Special thanks to KnowYourMeme for a lot of links in this article. To understand why 50 people would wear suits to a children's movie, we need to talk about the archetypes in meme culture. You already know what I'm talking about because they don't exist solely online anymore, having spilled into popular culture for example, we all know what a "Karen" is.
Animation Dog GIF by Stefanie Shank
Aside from social media, companies are incorporating GIFs in paid advertising campaigns on social media platforms, in customer support articles on their website, on landing pages and microsites, and in email marketing campaigns. Unlike static photos or videos, GIFs are quick and easy to make , and they require no additional software or plugins. Better yet, GIFs can significantly improve the user experience on your blog or website. And, unlike a video, GIFs generally have small file sizes, allowing them to load faster and with better quality.
Ghost Dog Images
How can I use alpha channels to create fade effects when animating in Adobe Flash? The bouncing ball tutorial taught us how animate an object that moves from one point to another. Sometimes you may want an object to follow a more elaborate path of motion, such as a race car following a track, or a butterfly fluttering around a screen. In these cases, you would draw a line called a custom motion path for your object to follow. Complete the Ghost Dog Transparency tutorial.
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Kevin Blakely, of McKinney, will spend some months behind bars while Kerry Wayne Persick, of Trophy Club, was given probation and a short stint of home confinement. Both men breached the Capitol with rioters during the insurrection. The Rangers were one out away from keeping it close, but Seattle ended up crushing their hopes. GAF presented a bare bones plan that the company would leave in seven years under a legally binding agreement and offered little else beyond that. National Ice Cream Day is July 17 this year. North Texas men sentenced for their roles in Jan. By Kevin Krause PM. Turning point?
This is very rarely the case, instead leaping into topics as blue as the ocean they sail. Plus guests each month to discuss anything from MMA to sitcoms. Total Views 1, Older Stats.
Muttley is a fictional dog created in by Hanna-Barbera Productions ; he was originally voiced by Don Messick. Muttley first appeared in Wacky Races in ,  as the sidekick of the accident-prone villain Dick Dastardly. Dastardly and Muttley were paired together in various later Hanna-Barbera series as bumbling villains. As his name implies, Muttley is a snickering, mixed breed dog , identified in the Wacky Races segment "Dash to Delaware" as a mix of bloodhound , pointer , Airedale , and hunting dog. In an audio commentary for Dastardly and Muttley , the designers comment that they conceived of Muttley's shape as what a dog would look like if he were a tank-styled vacuum cleaner.
All recommendations are made independently by our editors. Services you subscribe to through our links may earn us a commission. Sign up here to get it nightly. All animation, whether it depicts a whistling mouse, a walking dinosaur, or a leaping superhero, is a kind of magic trick. The characters and intellectual properties it has drawn into existence are as relatable as Daffy Duck and as lucrative as Mickey Mouse.
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