Cartoon female characters crying


While we're holding out hope we haven't seen the last of Max Sadie Sink , who remained in a coma at the end of Season 4, or Dr. Sam Owens Paul Reiser , whose fate is also unknown, we have already shed an ocean of tears over so many "Stranger Things" characters. Here's the ones who made us sob hardest and those we were actually glad to see go. Oh, and it goes without saying but spoiler warning for "Stranger Things" Seasons Thank goodness he survived! And also made it through Season 4, despite multiple Demogorgon run-ins.


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5 Spy X Family characters who look smarter than they are (& 5 who are actually smart)

What exactly is going on here? That's the question you may end up asking yourself when surveying Adam Sandler's mega-successful and sometimes comedically questionable career. When the fresh-faced comedian emerged in the early '90s with Saturday Night Live bits like Canteen Boy, "Lunch Lady Land," and Opera Man, he was the silliest, most childlike star of the show's notorious bad-boy crew.

We were all so innocent back then. Along the way, there have been highs and lows. Though he has more recently earned raves for his dramatic turns in movies like the basketball drama Hustle and the gambling thriller Uncut Gems , he's still admirably committed to crafting goofball comedies where he goes on vacation with his friends.

He recently wrapped production on Murder Mystery 2. So, let's taking stock of the Sand-Man's filmography minus cameos in movies like Coneheads , Dirty Work , and Shakes the Clown to track how baby voices, vacation destinations, and Rob Schneider cameos built a blockbuster career.

Things that happen in Grown Ups 2 : a deer pees on Sandler and Salma Hayek; Jon Lovitz leads the female cast members in a workout where the only exercise is chest shaking; bodybuilder Kris Murrell plays a character named "Beefcake Kitty," who romances David Spade, which is supposed to be icky because Beefcake is transgender; Shaquille O'Neal squeals and makes clown faces; Kevin James "burp snarts" that's a burp-sneeze-fart combo, if you weren't familiar.

Grown Ups 2 is a monumental step backwards for society at large. Never see it, but also never let Adam Sandler forget that he made it. The only reason Adam Sandler's sub-sitcom twin movie isn't stewing at the bottom of this list is because it ends with Al Pacino singing and dancing in a Dunkin' Donuts ad about Dunkaccinos.

Female Sandler breaking shit with a runaway Jet Ski sure didn't cut it. Sandler's bigger, zanier, messier take on Night at the Museum can be boiled down as such: [kooky fantastical event], [Adam Sandler gawking], [blockbuster set piece], [Adam Sandler screaming], repeat. In a movie that takes the phrase "walk a mile in someone's shoes" way too seriously, Sandler plays a cobbler who discovers a magical stitching machine in the basement of his Lower East Side shop that lets him commit crimes, harass women, and have a romantic dinner with his mother while If the nauseatingly whimsical, sub-Charlie Kaufman conceit wasn't bad enough, the movie piles on racist, sexist, and transphobic jokes that it mistakes for cutting social satire.

If you thought this was another disposable product off the Happy Madison assembly line, think again: it was a passion project for director Tom McCarthy, who would follow it up with the Best Picture-winning Spotlight. Sandler wasn't as lucky -- his next movie was Pixels. What is it with Sandler and going on vacation? The true "auteur" of the comedian's films is his travel agent, who books the flights before a page of script is written. Blended reunites Sandler with his Wedding Singer co-star Drew Barrymore, but does not reunite him with jokes that land.

Sit Sandler and Barrymore in a nondescript room and they can make magic. Send them on a safari and the ostrich that Sandler insists on riding in a "hilarious" way pecks your eyes out. Some highlights: Hank from Breaking Bad yells at his teen son for playing online role-playing games, Jennifer Garner tracks her daughter's cellphone usage like a CIA agent, and Emma Thompson narrates the whole thing in her best "T-Mobile commercial directed by Stanley Kubrick" voice.

On its own, the movie's a brutal parade of sitcom setups and rejected Lockhorns jokes. Maybe if Sandler, who casts himself as a dad who's just too successful and level-headed, tried at all.

There are a handful of funny jokes -- most of them involve Rob Schneider's diarrhea-prone donkey and Will Forte's eyepatch-sporting villain -- but Sandler, who handled co-writing duties on this one, doesn't exactly reveal himself to be a budding genre satirist. Instead of skewering cowboy conventions, it's mostly just another wacky, cameo-filled Happy Madison movie, only this time some of the characters wear gallon hats, the period sets don't all resemble five-star resorts, and Vanilla Ice plays Mark Twain.

It's the perfect movie to scroll past on Netflix when you're looking for something better. At some point in his career, Sandler became convinced he was a modern-day Jimmy Stewart. Instead of having the decency to just be a forgettable comedy, the story becomes a bleak-as-hell drama about a workaholic who never has time for his family, neglects his wife, and ends up wasting his life. It begs for your tears and if you're an easy cry you'll end up bawling to a movie where Adam Sandler wears a fat suit.

Stay strong. Everyone enjoys the "Chanukah Song ," Sandler's pre-internet viral novelty hit. It's catchy, clever, and somehow remains the only Jewish holiday song with a great Rod Carew joke. But, man, what convinced a studio to make a whole mean-spirited animated film that exists mostly to remind people that, yes, the Chanukah song was good in the '90s?

If you get excited by the idea of Sandler doing four grating character voices instead of just the usual one, this is your movie. Otherwise, skip this wannabe holiday classic. For all the race-, gender-, and buffoon-baiting comedy in Sandler's modern repertoire, his most insufferable move is delivering a boring movie. Sandy Wexler , the third vehicle in Sandler's Netflix deal, is a kind-hearted, underdog story that follows the worst manager in Hollywood as he helps angelic soul singer Courtney Clarke Jennifer Hudson take off.

It's also entirely void of jokes. Every so often Nick Swardson's Evel Knievel wannabe crashes into food cart or a famous person shows up for a wacky cameo. Quincy Jones throws red wine in Sandy's face. Definitely lively. At one point, Sandy has a heart attack and his ventriloquist client Kevin James must Weekend at Bernie's his way through a pitch meeting. The "bits" are few and far between, and the interim manages to counter everything good Hudson's voice with something not so good Sandler's wacky-dacky-doo voice.

Sandy Wexler is stuck in limbo between Sandler's more committed turns, as if the goal was to produce the perfect Netflix background viewing. Shot two years before Sandler joined Saturday Night Live and achieved real fame, Going Overboard is the no-budget, no-experience, no-worry version of Animal House. The jokes are sloppy. The plot is nonexistent a comedian stows away on a cruise ship Sandler constantly breaks the fourth wall like a horndog version of Ferris Bueller. Going Overboard is crude and relentless, what frat brothers might make on a boring, alcohol-fueled Sunday, and the camaraderie circles it back to mildly charming.

That's the only possible explanation for this high school reunion buddy comedy that morphs into an incomprehensible pharmaceutical thriller halfway through.

The second of Sandler's projects for Netflix, the movie's sheer audacity is admirable -- it ends with David Spade discovering the cure for cancer, I think -- but the moments of absurdity are undercut by slack pacing, even-bad-for-a-Sandler-movie misogyny, and a disturbing amount of Corona product placement.

You've gotta hand it to Sandler: even when he diverts from the formula, he still finds new ways to phone it in. Sandler's throwback to golden-age rom-com farce is a total missed opportunity. Unlike co-star Jennifer Aniston, who understands the nuttiness required to fake being a guy's ex-wife so he can hook up with a blonde bombshell, then use the same guy to fake another relationship switcheroo! If you're going to repeatedly call your faux ex a drug-addicted floozy, muster up some playful energy!

Whisking the audience to Hawaii is not a substitute. How limp is Sandler in this Ghostbusters -meets-video-games action movie? Pixels works on some level; Harry Potter director Christopher Columbus keeps the action brisk and the retro game-inspired villains eye-popping. Sandler's the weak link, yet again playing a prodigy, a world-champion gamer who settles for a job at Geek Squad, and the hero.

His shtick hits an immediate kill screen. For a brief period in , Adam Sandler was woke. The quietly conservative comedian has never exactly used his movies to champion specific causes -- unless keeping David Spade's career alive is a political act -- but this dumb comedy about two macho firefighters Sandler and Kevin James who apply for a marriage license to sidestep an insurance loophole also works as a piece of stealth social satire.

The movie's gay-panic-joke-packed plea for tolerance isn't exactly revolutionary, but, hey, at least for one movie Sandler tried to use his power for something good, right? Sandler plays eighth fiddle in this stacked holiday comedy, though winds up with a few of the better scenes, including a heart-to-heart with Liev Schreiber's cross-dressing Chris, and a dinner-side serenade, performed with his usual affectation.

On the scale of Nora Ephron movies, Mixed Nuts is a disaster. For Adam Sandler, it's in the middle of the pack. In some ways, Bulletproof is the platonic ideal of a forgettable '90s buddy comedy: elaborate and unfunny action sequences, sub-Shane Black-ian quips, an overwritten third act, and James Caan. For better and often for much, much worse, Sandler would never be this generic again.

This is one of the few comedies in his filmography that he didn't co-write or produce, meaning it doesn't really feel like a "Sandler movie. With none of the danger, off-color remarks, or racial commentary of Burt Reynolds' original, Adam Sandler's Longest Yard settles for the steady sophomoric shtick of his previous movies, with a smattering of prison football action.

A five-yard pile-up of a movie, destined for lazy Saturday afternoon HBO viewing before cameras even rolled. Sandler comedies tend to follow a pretty tight, well-tested formula that leaves little room for deviation, risk-taking, or elements that might scare away loyal fans. Maybe that's becasue he got nervous about messing with the blueprint after the commercial failure of Little Nicky , the most high-concept movie of the pre- Punch-Drunk Love era.

Sandler doesn't play the normal schlub hero here, instead casting himself as Nicky, the favorite son of a devil Harvey Keitel who needs to find a new ruler of hell.

Though the raspy-voiced Nicky character is grating, the silly world-building, ridiculous special effects, and light religious satire at least make this the weirdest of his non-terrible comedies. Points for originality! Adam Sandler's dramatic performances can be a lot like Adam Sandler's comedic performances.

This sensitive, schmaltzy look at post-traumatic grief is some of Sandler's best work, no doubt, but his history of dopiness prevents us from fully buying into the comeback story. After starring in the relentless crime thriller Uncut Gems , which earned him some of the best reviews of his career, Sandler returned to his old tricks with this Netflix holiday lark.

Keep your eyes peeled for an old photo of Hubie wearing a scout uniform. It's got some of the family-friendly touches as the Grown Ups franchise along with the spooky trappings of the Hotel Transylvania animated series.

It's also got enough cameos to make this the Sandler equivalent of the "Monster Mash," which unsurprisingly pops up on the movie's soundtrack.

A fun title to say out loud. This time the pair play a middle-class married couple from New York who meet a debonair, wealthy playboy Luke Evans on a plane and get whisked away to his family's yacht, where a very public murder of the family patriarch occurs. Sandler's character is a cop with aspirations of becoming a detective and Aniston plays a hairdresser with a passion for whodunit novels, so they both jump at the chance to solve the case, leading to some genuinely funny sleuthing.

Murder Mystery is self-consciously disposable, like a movie designed to self-destruct in your brain seconds after viewing, but the Agatha Christie for goofballs script, written by Zodiac screenwriter James Vanderbilt, is nimble enough to keep you from nodding off.

Sandler can be effective in dramatic roles. It's just a shame those performances are often in lackluster movies like Spanglish , director James L. It's a movie that never really finds a rhythm and its awkward attempts to say something profound about the immigrant experience never quite connect, but that shouldn't stop you from checking it out for one of Sandler's best dramatic turns. This inoffensive sequel to Sandler's sweet kids hit is more of the same: clever monster gags, zippy animation, and life lessons doled out with just enough deadpan humor for the adults to stay awake for the whole thing.

This time Sandler's Dracula has anxiety about his half-vampire grandchild, particularly whether or not he's going to be raised as a monster or as a human. It's actually a potent metaphor for how different generations pass on cultural traditions and make compromises along the way, but luckily the movie doesn't attempt to reach for Pixar-style pathos.

It wears its wisdom lightly, like a nice black cloak. The Week Of , Sandler's fourth film in his partnership with Netflix, is a family comedy that's refreshingly stripped free of the comedian's often irritating high-concept trimmings and aspirational lifestyle porn settings.

Co-written and directed by Robert Smiegel, a longtime Sandler pal and the voice of Triumph the Insult Comic Dog, the movie follows two fathers, Sandler's Long Island schlub Kenny and Chris Rock's Los Angeles surgeon Kirby, as they meet, squabble, and prepare for the wedding of their two adult children. That's pretty much it.


Cartoon Girl Crying Images

What makes anime so appealing? One piece, in general, has two things: lots of crying and lots of pretty girls. A good recipe for an engaging anime, right? Shirahoshi is definitely no exception, a beautiful giant mermaid princess , who offers us a funny scene where she ends up crying because she got yelled at by Luffy. Pretty accurate for a mermaid princess, right?

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Cartoon Girl Crying Vectors

If you want to be a contributor, please sign up here. Item number : See all. This Stock Illustration, whose title is "Black girl crying cartoon character"[], includes tags of girl, boy, bully. The author of this item is brgfx No. You can download watermarked sample data comp images , check the quality of images, and use Lightbox after signing up for free. See all. Any size and format is available You can download any size from S to XL including vector images. The unused downloads won't go to waste The part that is not downloaded can be carried over for a certain period from the next month onward, up to the maximum carry-over limit. Click here for details. Already have an account?

Crying Cartoon Stock Photos And Images

cartoon female characters crying

What exactly is going on here? That's the question you may end up asking yourself when surveying Adam Sandler's mega-successful and sometimes comedically questionable career. When the fresh-faced comedian emerged in the early '90s with Saturday Night Live bits like Canteen Boy, "Lunch Lady Land," and Opera Man, he was the silliest, most childlike star of the show's notorious bad-boy crew. We were all so innocent back then.

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Cartoon Characters Crying

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Cartoon Girl Crying

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Top 50 Best Female Cartoon Characters Of All Time

RELATED VIDEO: When Voice actors know how to cry in Anime [PART 2]

Some of the most action-filled shonen anime series have served fans with well-crafted, fearless, and powerful female characters. However, there are many other anime types including shojo that have inspiring and courageous characters who make these anime stories more compelling and exciting. These well-thought-out female anime characters have been making fans cry, laugh, and get goosebumps for decades, all while motivating viewers with their bravery during difficult and dangerous situations. It's easy to find both bad and good anime cliches that take away or add something extra to a series, but often these imperfections will make a show and a good character more relatable.

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The world of Spy X Family follows a simple rule. Information is vital for the survival of an individual. In a post-war world, you never know who you can trust, so being knowledgeable about any situation you find yourself in could mean life or death. Throughout the series, we have met some characters with exceptional intellectual capabilities who have proven just how true this is. But there are some other characters who, while appearing bright on the outside, lack in the brains department.

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