Keppler political cartoons
Keppler was born 1 February, , in Vienna, Austria. His family's meager financial state forced him to earn money for his art studies by joining traveling theatrical companies. Keppler was both a promising artist and a talented actor. Several of his cartoons were published by Kikeriki during this time. Keppler's father had emigrated to New Frankfort, Missouri, due to his activities during the revolution of Keppler followed his father to American in , settling in St.
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- Between the Lines: Comical Interpretations of the Nineteenth Century
- Satire on stone : the political cartoons of Joseph Keppler
- political cartoons
- Joseph Keppler
- Joseph Keppler Reproductions & Prints
- Feminizing Presidents: Joseph Keppler and Gender in Gilded Age Political Cartoons
- Keppler, Joseph Ferdinand 1838-1894
- Next!, by Udo Keppler, Puck, September 7, 1904
Between the Lines: Comical Interpretations of the Nineteenth Century
Joseph Ferdinand Keppler February 1, — February 19,  was an Austrian-born American cartoonist and caricaturist who greatly influenced the growth of satirical cartooning in the United States. He was born in Vienna. His parents were bakers, and his talent is said to have first manifested itself in his cake decorations.
Unable to make a living from his art in Vienna he joined a theatrical troupe as a scene painter and then as a comedian, traveling with them in the Tyrol and Italy. His ability to restore old paintings gained for him some extra money in some of the monasteries on the way.
He was a charming companion, an excellent story-teller, and immediately popular wherever he went. In , he married the Viennese actress Minna Rubens.
Hearing glowing accounts from America, young Keppler and his wife decided to emigrate. After visiting his father, Keppler made his way to St. Louis in and renewed his career as an actor. In , he helped launch the German-American cartoon weekly, Die Vehme , which lasted for a year. It was followed by Frank und Frei, which lasted six months. In March , he attempted another cartoon weekly, Puck , which lasted until August After the death of his wife in ,  Keppler married Pauline Pfau in , the union producing three children, Udo, Irma and Olga.
In the fall of , he moved with his wife and son to New York city and was soon working for Frank Leslie 's publishing house. Starting in , he began contributing political cartoons to Frank Leslie's Illustrated Newspaper. Keppler's main delight was in producing cartoons criticizing President Ulysses S. Grant , and the political corruption of his administration. His cartoons were famous for their caustic wit, generating much publicity for Puck and pioneering the use of color lithography for caricature.
Keppler's opinions and wit endeared him to large sections of the American public. His illustrations cast light on complex politics, making issues clear to the average voter. Puck did not shy away from criticism of the administration and by influencing the perceptions of the voting public, certainly altered the course of American political history.
In one of his cartoons entitled "Looking Backward" Puck , January 11, , he depicted a group of nouveau riche hypocritally protesting the arrival of an eastern European immigrant—notwithstanding the fact that the "protesters" themselves had been immigrants or sons of immigrants. Initially Keppler drew all the Puck cartoons.
When his workload became too much, he made use of several talented artists including Frederick Burr Opper , James A. Taylor, and others. In , he took charge of a special World's Fair Puck published weekly for six months on the grounds of the World's Columbian Exposition. The stress and exhaustion of that experience damaged his health, and he died the next year in New York. Keppler's son, Udo J. Keppler — , was also a political cartoonist and co-owner for Puck magazine, a collector of Indian artifacts and an Indian activist.
He had his name changed to Joseph Keppler Jr. He was an honorary chief of the Seneca nation. From Wikipedia, the free encyclopedia. Austrian-born American cartoonist and caricaturist Vienna , Austrian Empire. New York City. Retrieved 9 July New York Times. Nystrom American National Biography. Dictionary of American Biography. V, Part 2. New York: Charles Scribner's Sons. New International Encyclopedia 1st ed. New York: Dodd, Mead.
Encyclopedia Americana. Wikimedia Commons has media related to Joseph Keppler. Wikisource has original works by or about: Joseph Keppler. Authority control. Germany United States. Categories : births deaths Austrian cartoonists Austrian caricaturists American caricaturists Austrian satirists American satirists Austro-Hungarian emigrants to the United States Academy of Fine Arts Vienna alumni American editorial cartoonists Austrian editorial cartoonists.
Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons Wikisource. Photo portrait, February 19, aged 56 New York City.
Satire on stone : the political cartoons of Joseph Keppler
This chapter looks at the figure of Columbia in editorial cartoons from the nineteenth century to the early twenty-first century where she represents the nation at times of sociopolitical impasse, crisis, or change. Columbia recedes to the background here, while Lady Chicago celebrates this historic event. Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription. Please subscribe or login to access full text content.
As the ever-changing media landscape continues to evolve so does its content and in turn how that content is received. Central to the heart of American media are politics. American political ideology has been played out over the decades in conventional forms consisting of essays and written publications. Just as important to that ideology is American political opinion construed through drawings. Political cartoons have seen the scope of changing media in both content and delivery. They represent vivid, imaginative insight into politics and popular opinion. Today's political cartoons represent a fusion of pop culture and politics; and can be seen in a mired of ways. The web has become a new outlet for political cartooning. News and media today are certainly a far cry from the birth of quintessential political cartoons.
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Joseph Keppler Reproductions & Prints
Tusche, tone and stone: 19 th C. Ehrhardt [c. Shultz [?? You will find work by all of the artists in the list above, arranged into at least four categories: -- Road to the White House , provides a small sample of illustrations by Keppler and other artists from Judge as well as Puck. Here, some of them are grouped separately, including those that demonstrate anti-Irish sentiment and stereotypes that were common at the time. Where there are four or more images available for any one artist, selecting the artist's name will link to a section of his pages.
Feminizing Presidents: Joseph Keppler and Gender in Gilded Age Political Cartoons
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Keppler, Joseph Ferdinand 1838-1894
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Next!, by Udo Keppler, Puck, September 7, 1904RELATED VIDEO: The power and danger of good political cartoons
Joseph Ferdinand Keppler February 1, — February 19,  was an Austrian-born American cartoonist and caricaturist who greatly influenced the growth of satirical cartooning in the United States. He was born in Vienna. His parents were bakers, and his talent is said to have first manifested itself in his cake decorations. Unable to make a living from his art in Vienna he joined a theatrical troupe as a scene painter and then as a comedian, traveling with them in the Tyrol and Italy.
Political cartoonists certainly hope so. For centuries, American cartoonists have drawn political leaders to capture some essential idea or message in a few symbols. Starting around Colorado was lucky to have a pioneering cartoonist develop a rich tradition of work. Denver Post illustrator Wilbur Steele began to draw a daily cartoon featuring city, state, and national leaders who had misused their influence and authority. He, like so many other cartoonists, hoped that his pictures could help fight evil and corruption. Steele also used his single-framed images to celebrate successes and express hopes for positive change.
Most viewers will probably agree that there is nothing really comparable in the contemporary world of political cartooning to the drafting skill and flamboyance of these single-panel graphics, which appeared in such popular periodicals as Puck and Judge. This early outburst of what we refer to today as clash-of-civilizations thinking did not go unchallenged, however. The turn of the century also witnessed emergence of articulate anti-imperialist voices worldwide—and this movement had its own powerful wing of incisive graphic artists.