Most popular cartoons ranking 1922 2020


By Nigel Stephenson. Unlike some previous Tutankhamun exhibitions, the Ashmolean show does not include masses of gold treasures - many of those items never leave Egypt. Tutankhamun died, of causes still disputed, in about B. He lived in turbulent times and many of the monuments he left behind were usurped by his successors. So why does he have such a hold on the imagination?


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WATCH RELATED VIDEO: Top 10 Most Popular Cartoons ( 1922 - 2020)

39 Most Famous Bunnies of All Time

Thanks for subscribing! Look out for your first newsletter in your inbox soon! By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. Our newsletter hand-delivers the best bits to your inbox. Sign up to unlock our digital magazines and also receive the latest news, events, offers and partner promotions. They put real life into context.

Sometimes, they reshape it and change our understanding of the world. They teach us about the people that surround us — and the truly successful documentaries make us rethink our ideas of ourselves. It is true, though, that there are a lot of docs out there, whether streaming on Netflix or earning Oscar buzz. From David Byrne in an oversized suit to Andy Warhol staring at the Empire State Building for eight hours, here are our picks for the best documentaries ever made.

The past is never past; in bringing the Holocaust to life in his towering nine-and-a-half-hour masterpiece, director Claude Lanzmann would stick solely to the present. Shoah is composed of the reflections of Polish survivors, bystanders and, most uneasily, the perpetrators. The memories become living flesh, and an essential part of documentary filmmaking finds its apotheosis: the act of testifying. Our top choice was an obvious one. Chris Marker's enthralling, globehopping essay is perhaps the finest first-person documentary, one that can leave you rivetingly unmoored.

Ostensibly, we're following a world traveler as he journeys between locations, from San Francisco to Africa, from Iceland to Japan. A female narrator speaks over the images as if they were letters home "He wrote me Each viewer is bound to have their own favorites: The playful, near-subliminal opening shot of three Icelandic girls walking down a rural road; the Japanese temple dedicated to cats a very Marker place to visit ; the illuminating aside on Hitchcock's Vertigo.

The doc feels like a diary that's being written, reread and transposed to celluloid simultaneously, reinventing itself from moment to moment. You'll be mesmerized. We now take it for granted that documentaries employ re-creations of events, borrow the narrative thrust of fiction and tiptoe into the realm of the poetic.

When Errol Morris introduced those techniques into his true-crime tale of a murdered Dallas police officer, however, the effect was galvanizing—and undeniably game-changing. Structured like a whodunit thriller, Morris's case study proved that documentaries could become popular hits, and ended up exonerating an innocent man.

But the filmmaker was also crafting a meta-statement about the concept of truth itself, and it treats what could have been a typical investigative film into a real-life Rashomon. He'd pushed the nonfiction form into bold, exciting territory: Once he'd crossed that line, a legion of other filmmakers followed. Any discussion of Holocaust documentaries must include Alain Resnais's sober, deeply affecting half-hour short.

A survivor, Jean Cayrol, authored the omnipresent narration, spoken in detached tones over imagery of an empty and decrepit Auschwitz decades after the ovens cooled. Resnais's camera glides over the landscape as if searching for clues to an unsolvable mystery, while photographs of Nazi medical experiments and their sickening results attest to atrocities that can't possibly be fathomed in full.

The film has the feel of a ghost story where the dead, despite their eerie silence, beckon the living to preserve their memory. It will move you to tears—and beyond. Very often, we're reminded of the virtues of looking honestly and openly, without judgment. And if a documentary can do this, it's special.

But there must be room for social justice, central to the impulse to pick up a camera in the first place. Barbara Kopple's staggeringly dense record of a Kentucky coal-mine strike is the ultimate example of crusading art: a chronicle of personal pain and sacrifice as ingrained as the soot in these workers' palms.

Duke Power Company drove its employees to the brink of ruination, an existence plagued by black-lung disease, insufficient wages and squalid housing.

When productivity ground to a halt, pickers found themselves targeted by armed thugs. Kopple captures it all, bringing the drama to a head while finding room for the rich local culture of bluegrass.

Fans of Bob Dylan will always treasure the way this movie captures their hero at his pop-messiah apex, but even those who don't dig Mr. Zimmerman recognize D. Pennebaker's portrait as a groundbreaking work. It invented the fly-on-the-wall rockumentary, following the singer-songwriter as he lounges in hotel rooms and banters with buddies; the illusion of having an all-access pass to a musician's inner life starts here.

But the doc's true significance lies in the way it nails a celebrity culture that was just starting to become cannibalistic. Reporters attack Dylan, rabid fans want a piece of him, and everything is reduced to an info-overload blur.

The times would be a-changin' for both the media and this year-old messenger very soon. A masterpiece of what-if storytelling, Peter Watkins's chilling featurette depicts the aftermath of a British nuclear war from a you-are-there perspective. Using scientific research, government statistics, and testimonies on the damage done in Hiroshima and Nagasaki, Watkins presents manufactured scenes of suburban mayhem under the guise of an emergency news report.

Fires rage, children expire, and England is turned into a barren wasteland; no one had used the fake-documentary format to such an extent before, or with such urgency since. Originally made for the BBC, Watkins's wake-up call was quickly banned by the network for being too harsh, yet it still nabbed a Best Documentary Oscar in Forty-five years later, it remains a high mark for employing vrit styles to construct something much more perverse and profound than your typical cautionary tale.

Today, Robert Flaherty's arctic slice of life is criticized: His Inuit subjects, made curious by the bulky camera, couldn't help but act a little. Scenes of igloo building and parenting were staged. Our strapping hero, accustomed to hunting with a gun, was gently urged to revert to his ancestors' spears. He was also asked to pretend that a female friend of the director was his onscreen wife.

These points are not quibbles. But the greater truth of Flaherty's groundbreaking study can't be denied: Forevermore, documentaries would be committed to the social notion of bringing distant cultures closer however compromised.

So if we wish Nanook were more truthful, it's because it makes us want to better understand the world, a profound achievement for cinema. Michael Moore made his spectacular debut with this enraging look at the closing of a GM plant in Flint, Michigan. It's a comic cri de coeur against auto-industry exec Roger Smith, who Moore hilariously attempts to confront about Flint's economic downturn.

But it's also an affectionate look at the director's depressed hometown: On his journey, he talks with such colorful characters as Bob Eubanks "Flint's most famous native son" and Rhonda Britton, an eccentric neighbor who sells rabbits for "pets or meat.

The modernizing Soviet Union swirled around filmmaker Dziga Vertov, who, working with his brilliant editor wife, Elizaveta, decided to capture chaotic urban life in Ukraine. There would be no script, no sound, so hostile was Vertov to narrative. Instead, he would turn his "kino eye" into a hungry maw, one that would cheerfully devour men and women at work, gnashing the image into innovative split-screen and double exposures, breaking the bonds of time and causality.

His avant-garde movie, still a stunning piece of futurism, was the entire spirit of the revolution condensed to a single hour. It will inspire as long as there are eyes to watch. Follow a quartet of real-life Willy Lomans as they peddle Bibles to working-class stiffs, in the Maysles brothers' bleak picture of the American dream circa the late '60s. No film has better captured the drudgery and desperation of the men who live day to day, dollar to dollar, door to door.

Werner Herzog's "ecstatic truth" methodology—in which reporting the facts is secondary to finding deeper emotional undercurrents—is on full display in his portrait of Timothy Treadwell, a wildlife enthusiast killed by a bear he adored. Nature and chaos, obsession and madness—the auteur's thematic preoccupations are all here, in a form that's somehow more moving than Herzog's fictional counterparts.

A fatuous American general destroys his own credibility "The Oriental doesn't put the same high price on life as does the Westerner" while we watch the graves being dug. In this one-of-a-kind portrait, Terry Zwigoff takes us deep into the home life of underground comic artist Robert Crumb.

Though known for his salacious images of plump females, Crumb comes off as one of the more normal people onscreen alongside troubled siblings Max and Charles. Zwigoff's film never condescends—this is a dysfunctional family we all can empathize with. Frederick Wiseman's no-holds-barred look at the horrors inside a prison for the criminally insane set the standard for vrit indictments, and not even a year ban on public screenings stopped Wiseman from forcing accountability.

Those who praise the power of the camera to effect change rightfully consider this a landmark. And with a wildly disproportionate Black prison population and corporations using it for free labour, the evidence is irrefutable. Throw on your oversize, boxy suit, hit PLAY on your boom box and make flippy-floppy with Jonathan Demme's unfailingly awesome Talking Heads concert doc.

The overriding atmosphere is cosmopolitan and multicultural, but limber frontman David Byrne brings things closer to science fiction with his spotlight-commanding dance moves. Bad weather, heart attacks, temperamental stars and a ballooning budget—it's amazing a turkey didn't result.

For that, Coppola would have to wait until One from the Heart. Only an unrelenting homophobe could come away unmoved by Rob Epstein's Academy Award--winning documentary about the groundbreaking San Francisco politician assassinated by a bigoted colleague. It's both an angry film and a compassionate one—a true watershed in the gay-rights struggle. Filmed in dramatically crisp black and white yet far from didactic, Tony Kaye's landmark examination of the smoldering battleground of abortion leaves no conviction untested.

Renowned libertarians reveal uncertain hearts; pro-lifers squirm in the cool eye of the lens. Kaye shows it all, as well as footage of the procedure itself; we must watch it. Did exposing a transgender, predominantly Black and Latinx scene to straight, white audiences help or hurt the queer community at large? Does it matter that Livingston herself was a white outsider? All those questions are worth asking, even 30 years later. But the discussion surrounding Paris is Burning does not diminish the vitality of the film itself — on its own, it remains a testament to lives lived out loud and the power of allowing marginalised people to speak for themselves.

Everyone refers to Altamont as the official end of the s; the Maysles brothers' doc shows you why. Bad trips prevail even before the Hells Angels stab a concertgoer—and puncture the era's utopian dreams. That look on Mick Jagger's face as he watches the telltale footage still chills. Steve James's chronicle of two inner-city Chicago kids obsessed with basketball balances a microscopic look at their lives with a macro-examination of the social forces around them.

It's less about what happens on the court than how class, race and community affect everything off the blacktop. In the spirit of all good conspiracy thrillers, they tug on a thread that leads to the higher echelons of government.

This startling, Spotlight -like thriller is a local story with sadly universal resonance. Frederick Wiseman's examination of a Philadelphia school is so subtle in its social critique that you might think it's merely about education. But remember what was going on in America at the time: Suddenly, the authority figures stamping out individualism and the frustrated kids being force-fed bankrupt values don't seem so innocuous.

It's eight hours of the Empire State Building in a single shot, with no sound. But call Andy Warhol's minimalist masterpiece "boring" at your own peril.


Max Fleischer and Betty Boop

From the ancient La Brea Tar Pits to the latest hotels and cultural attractions, read on for a timeline of the incredible history of Los Angeles. Circa 38, BC - Los Angeles has been pulling in visitors for tens of thousands of years, as a future fossil is trapped inside what are now the La Brea Tar Pits. Some accounts say they displaced the Chumash. It later becomes home to the largest adobe structure in California, 30, grape vines and 21, head of livestock. The United States takes control of Los Angeles. Mexico formally cedes California to the United States, and all residents are made U. Settlers flood the state, creating great demand for beef from Los Angeles-area ranchos.

Find out more about SHOWTIME Original Series, including Homeland, Billions, Ray Donovan, Shameless and more.

The 65 best documentaries of all time

They look frazzled — almost half-dead — and you feel like the worst parent in the world. They may even develop an American accent, like my three-year-old Liberty did after too much Kiki Panda. For knackered parents, like me, who need to disengage from offspring for our own sanity, TV is a lifesaver. It has to be the right TV show, though, or kids get bored and start demanding your attention: wanting a rice cake with butter, or far worse — glitter and scissors. But what TV shows will transfix a child? It turns out that my kids could watch The Clangers all day. This s-era stop-motion animation series, featuring woollen-knitted pink creatures from outer space who speak in a whistled language, is a surprise hit. Put on Bluey!

Exhibition unwraps drama of Tutankhamun's discovery

most popular cartoons ranking 1922 2020

One of the longest-lasting animated cartoon characters, Felix the Cat , created by animator Otto Messmer , made his theatrical debut as one of several cartoon components in Paramount Screen Magazine split-reels, then graduated to a standalone series in He was the star of an experimental TV broadcast in , and the basis for a classic but unauthorized! After a short lived attempt at a Felix revival with sound and color during via Van Beuren Studios , the cat's theatrical career was once again put on ice, but he still remained a popular character in newspapers and comic books. Eventually migrated to a popular TV series that ran from to , run by former Fleischer and Famous animator Joe Oriolo , who had served as an assistant for Messmer on his Felix comics. Despite having virtually nothing in common with the original cartoons , these TV shorts were a smash hit, and ultimately immortalized Felix as a pop-culture icon and introduced series mainstays like the Magic Bag of Tricks and the Professor.

When it comes to baby names , some never get old, while others come and go with the changing decades.

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His films spawned the first merchandising industry ever based on a cartoon character. Felix dolls, clocks and gimmicks were everywhere. In a figure of Felix was the first image ever transmitted by television. Charles Lindbergh even took a Felix doll mascot along on his historic transatlantic flight! Looking for a collection of great cartoons?

Every Stephen King Movie and Miniseries, Ranked

Things you buy through our links may earn New York a commission. This article has been updated through the end of Netflix has spent the last few years and several billions of dollars on a crusade to be taken more seriously. The second film they released was the one where a donkey explosively sharts all over Adam Sandler. These days, Netflix is made up of a fair amount of movies that attain mere forgettability instead of outright awfulness. Below, we attempt to rank every single Netflix original movie through excluding documentaries, in the interest of this list remaining … bingeable.

The s · The Man of the Forest by Zane Grey · Main Street by Sinclair Lewis · If Winter Comes by A. S. M. Hutchinson ·

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Based on 32 reviews. Based on 37 reviews. Common Sense is a nonprofit organization.

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RELATED VIDEO: Most Popular Cartoons ! 1922 - 2019

C oronavirus might have brought the television and film industries to a total standstill, but not even a catastrophic global pandemic can change some things. Of course, you could argue that when a work is as heavily adapted as Great Expectations, the joy of watching it will be seeing the space it carves for itself and the themes it chooses to illuminate. How faithful they are to the source material, how much they reflect the times in which they were made, the new lens through which the audience can see characters who risked devolving into archetype. The commission makes sense, because this is also the braintrust behind the most recent version of A Christmas Carol. And that was very much Scrooge Goes Grimdark , in which our brooding, dirt-spackled hero found himself weighed down with grief over a factory fire.

Felix the Cat is a children's comedy cartoon character created in by Pat Sullivan and Otto Messmer during the silent film era.

Matt Sayles. Troy L. Smith, cleveland. Cleveland's Top Celebrities. Cleveland area has established itself as a home for talented entertainers and celebrities in all art forms for more than a century.

As with many such lists, the results are unlikely to win universal approval. For example, I find the list biased toward Western in particular American civilization and overly focused on war, religion and dead white men. Despite these caveats, I think it is safe to say that all the events listed here are important to understanding human history.

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