Best animated superhero series retro com
As the title suggests , the series is an animated adaptation of the adventures of the popular comic book character Batman. The often-minimalist look of the show was largely influenced by the s Superman Theatrical Cartoons , with character designs resembling those of Jack Kirby , Chester Gould, and Alex Toth. The resulting product, revolutionary for its time, was dubbed "dark deco"; it was also the result of co-producer Eric Radomski's standing order to the animators that all backgrounds be drawn with light colors on black paper instead of dark colors on white paper, as is the industry standard to ensure that the artwork stayed as dark as possible. Head producer Bruce Timm — who also took on other roles — carried his design style over into other shows, thus making Batman: The Animated Series the first entry in the fully-realized canon known as the DC Animated Universe. Batman: TAS 's brief venture into primetime note It aired Sunday nights against 60 Minutes and got annihilated in the ratings showed off its well-known edgier themes, pushing the limits of what had been acceptable in Western animation notably, sparse application of The Hit Flash , use of Censor Decoys , and overt use of realistic — if unlikely — guns, rather than dubious stand-ins. Most of the episodes took place entirely in Gotham City , although Batman and Robin occasionally ventured to other cities and even other countries.
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Content:
- List of original series broadcast by Cartoon Network
- Power Rankings: Animated Superhero Series
- We Ranked the 54 Best Superhero Movies of All Time, From Wonder Woman to Shang-Chi
- ДЛЯ ПОДТВЕРЖДЕНИЯ, ЧТО ВЫ СТАРШЕ 18-ТИ, ПОЖАЛУЙСТА, АВТОРИЗИРУЙТЕСЬ ЧЕРЕЗ ВК
- Top 10 Animated Superhero Properties
- The 25 best Disney Channel Original Series of all time
- 44 Animated TV Shows That Prove The 90s Were The Golden Age of Cartoons
List of original series broadcast by Cartoon Network
Glen Weldon. Petra Mayer. We've searched shelves, shops and sites across the universe to bring you some really great comics.
Shannon Wright for NPR hide caption. Summer's the time for comics — Marvel and DC blockbusters are in movie theaters, fans are preparing to descend on San Diego for its epic annual Comic-Con, and if nothing else, your friendly local comic store or library is there to provide an air-conditioned Fortress of Solitude where you can escape the steamy streets.
So it's a perfect time for our super summer reader poll — a few months ago, we asked you to tell us all about your favorite comics and graphic novels. We assembled an amazing team of critics and creators to help winnow down more than 7, nominations to this final list of great comics for all ages and tastes, from early readers to adults-only.
This isn't meant as a comprehensive list of the "best" or "most important" or "most influential" comics, of course. It's a lot more personal and idiosyncratic than that, because we asked folks to name the comics they loved.
That means you'll find enormously popular mainstays like Maus and Fun Home jostling for space alongside newer work that's awaiting a wider audience Check Please , anyone? Nimona unfolds like a flower, growing from a lighthearted tale about an irrepressible girl with mysterious powers who worms her way into a gig as sidekick to her town's designated villain into something much richer and deeper.
Noelle Stevenson's spritely line work gives the story even more lift, building a world where temp agencies handle evil-sidekick gigs and fantasy-armored bad guys plot to attack modern-looking city skylines with genetically modified dragons. Everything you've heard about this graphic novel, first published as a issue series in and , is true.
It broke the ground; it changed the game. There is a reason people still press it into the hands of those who've never read a comic before. Alan Moore's jaundiced deconstruction of the American superhero — "What if they were horny, insecure sociopaths? But Dave Gibbons' art, laid out in that meticulous, nine-panel grid, still works astonishingly well, whether he is capturing the intimate a fleeting facial expression during a couple's argument or the cosmic a crystalline clockwork castle rising out of the red dust of Mars.
Admit it — you're not exactly surprised to see this book turn up on this list. This is a comics list; we're NPR. We get it. But Art Spiegelman's two-volume feat of historical memoir wasn't simply grandfathered in. It received the many votes it did because it remains such a standalone accomplishment — a success in both conceit Spiegelman's father haltingly relates how he survived a concentration camp, with Jews rendered as mice and Nazis rendered as cats and craft Spiegelman explores shades of survivor guilt, father-son frustration and the way the Holocaust forever reshaped the lives of those who made it through — and their children.
A stunning work whose astounding success, including the first Pulitzer Prize awarded to a graphic novel, helped move the medium out of dingy comics shops and into the literary mainstream. The book's subject — the way death retroactively imposes a shape on a person's life — belies the sense of hope that saturates every panel of this expressive and poignant story by Brazilian twin brothers Fabio Moon and Gabriel Ba.
Chapter after chapter, we meet an obituary writer at different ages and follow him through some of the most important days of his life, and every one of those days — incongruously, magically — ends in his death. With each death, we read the obituary he would have written for himself, which does not come close to capturing the rich imagery, emotional nuance and lyrical language of the chapter we've just read.
But that is the point: The merciless way death forces us to reduce lives to narrative arcs, to turn a person's existence into story beats and act breaks. Daytripper is the product of a clear-eyed perspective — the kind that only emerges once death isn't something feared, denied or raged against, but confronted. And embraced. Comics about awkward young men struggling with adolescence are thick on the ground, which makes sense, given that the medium seems expressly suited to exploring the anxiety, self-consciousness and other ephemeral emotions that come with puberty.
But relatively few comics have taken up the transition from girlhood to womanhood, and none have done so as sensitively and searchingly as This One Summer , written by Mariko Tamaki and illustrated by Jillian Tamaki.
The story, about two girls whose families have been spending summers at the same lake for years, perfectly captures the moment when everything changes — when feelings, both expressed and unexpressed, begin to color and distort a childhood friendship, when long-simmering jealousy, fear and rage finally bubble over. It's nothing so pat and simple as a coming-of-age story; it's a beautifully wrought, bittersweet and achingly real examination of two young women — one who believes herself ready for adulthood, one longing to remain a child for just a little longer.
For such a young cartoonist he is 41 , Jeff Lemire's output is considerable and sufficiently diverse that the judges each had their favorites. Arguments were made for his Essex County Trilogy , about life in a small Canadian county, and The Underwater Welder , a ghostly meditation on fatherhood; his superhero work at DC, Marvel and Valiant had its proponents as well.
It brings together everything that makes Lemire such a sought-after creator: his singularly emotive artwork and stripped-down dialogue he is confident enough in his storytelling to allow a character's facial expression to do the narrative work that other cartoonists would buttress with exposition and his tight plotting, filled with shocking reveals and reversals.
Most strange things do. We're left disturbed, discomfited and unsettled by her stories, but also beguiled, because Carroll is so thoroughly in control of the comics medium. Her captions and dialogue curl and bend around her characters like sinister tendrils, drawing our eye across the page and into the shadows that lurk under the bed or down the hallway or just outside the front door.
Her colors can blaze or cool to serve her narrative, and her lettering slyly underscores every shift in mood. Beautifully creepy stuff. Craig Thompson wrote and drew this bittersweet, page, semiautobiographical story of a young man raised in a strict evangelical tradition, haunted by feelings of guilt and shame as adolescence gives way to adulthood.
His attempts to navigate a sexual relationship cause him to question his most deeply felt beliefs, and it's that extra, achingly heartfelt layer that elevates Blankets above similarly themed "sensitive artist is sensitive, artfully" indie comics.
Thompson grapples with big ideas about faith, art and sex, yet his art is always expressive, intimate and highly specific. After West Nile virus left illustrator Emil Ferris partially paralyzed, she learned to draw again by duct-taping a quill pen to her hand. Her drive to recover — and her childhood love of horror films — are evident in her ferocious, semi-autobiographical work, set in Chicago in the late s and starring a young girl who thinks of herself and draws herself as a werewolf.
Ferris' dense, intricately crosshatched art gives a glowing, sculptural formality to this tale of murder and multiple monstrosities. Bright colors, clean lines, simple shapes — a Chris Ware comics page is meticulously designed to invite the eye in, echoing the feel of a beloved picture book from your earliest childhood. And then you read the thing and — oof. Ware is a master of the comics medium's unique ability to create tension between words and images — his best stuff crawls inside that tension and roosts.
While his art is bright and clean, the lives he writes about are anything but. Case in point: poor Jimmy Corrigan, the sad and feckless young boy who grows into a sad and feckless adult. Ware plays with time throughout Jimmy Corrigan , unpacking moments of Jimmy's shame or yearning — or, quite often, his shameful yearning — to ensure that we feel each one like a series of gut punches.
This book is nothing less than a masterpiece, albeit one that will make you want to lie on the floor for a while after finishing it. It takes a village: Blacksad is a French comic by two Spaniards — writer Juan Diaz Canales and artist Juanjo Guarnido — who've crafted a hard-boiled noir set in an America filled of anthropomorphic animals: It stars a black cat private eye, his sidekick a literal and figurative weasel , and cops of various breeds of canines.
Come for its cleverly whimsical riffs on noir tropes, stay for Guarnido's painterly art, which is lush and gorgeous, with muted colors underscoring the sometimes seedy underworld violence.
This is no funny animals comic. Reading reviews of comics gets frustrating when the writer focuses solely on critiquing the story, ignoring that comics can only exist in the space where text and art come together.
It's great, then, when a comic like Here comes along, because it forces critics and readers alike to engage with the potent narrative power of the wordless comics page. Here 's conceit: We look at one corner of a room. No — not merely look at — we truly see it, because Richard McGuire shows us that same tiny patch of real estate over thousands of years, from the distant past to the far future, overlaid — literally — with selected mundane moments of the life that happen in and around that space in the meantime: births, deaths, parties, arguments.
That narrow focus produces a work that is both hugely expansive and quietly, thoroughly mind-blowing. When a very recent work is nominated in the popular vote, the judges feel it incumbent upon them to really interrogate it — to ensure that it justified its presence on the final list.
That said, Eleanor Davis' collection of comics short stories sailed through that process with unanimous, enthusiastic consent. Davis writes and draws surreal, deeply funky comics about people who find themselves in a funk.
She also avails herself of widely different styles, using color — or the lack of it — perfectly matched to the narrative mood. One thing to admire about Simon Hanselmann's Megahex is its utter, unambiguous, blank-faced commitment to its stoner aesthetic. Megahex collects several years' worth of Hanselmann's Megg and Mogg Web comics and follows the adventures — well, the determined lack of adventures, anyway — of a layabout witch and her friends, which include a black cat, an owl and a werewolf.
Together, they do drugs, watch TV, make ruthless often downright cruel fun of one another and struggle with depression. Think your sophomore year in college. But with a werewolf.
Given the series' intentional dearth of forward narrative momentum — that is the whole point, really — Hanselmann's gorgeously funky, low-fi, slyly psychedelic art pulls a lot of this weirdly charming strip's weight. Comics nerds are a nitpicky, combative lot, so whenever Will Eisner's collection of comics short stories gets called "the first graphic novel," the "um, actually"s descend like so many neck-bearded locusts to remind everyone about Rodolphe Topffer and Lynd Ward and to point out that it's not a novel, it's a collection of stories.
So let's put it this way: Eisner's A Contract With God is widely regarded as the first modern graphic novel. But it's not on this list because it was first, it's on this list because it remains one of the most beloved. Eisner sets his stories in and around a Lower East Side tenement building very like the one he grew up in, and it shows. He imbues each story with an elegiac quality reminiscent of the fables of Sholom Alecheim, replete with a fabulist's gift for distilling the world's morass into tidy morality plays.
Moody, moving and darkly beautiful, this work helped the wider world accept the notion that comics can tell stories of any kind, the only limit being the vision of their creators. Dong Hwa Kim's beautiful and elegant historical trilogy including The Color of Water and The Color of Heaven follows young Ehwa as she grows up amid the exquisitely rendered countryside of pastoral Korea.
Together, the three books form an extended coming-of-age tale. Ehwa experiences the flush of first love, and no small amount of heartbreak, but the real triumph of the book lies in its depiction of Ehwa's relationship with her single mother, which informs how the young girl sees her place in the world.
Their bond is rich, and satisfyingly complicated, and it deepens over the course of the trilogy in ways that will feel familiar Panel judge Glen Weldon is on record as loving this book. It was one of his favorite books of , and when he reviewed it for NPR , he called it "a compendium of funny, sad and surprisingly moving fables from the pre-history of a world that exists only in [Isabel] Greenberg's febrile imagination — one that bristles with capricious gods, feckless shamans, daring quests and, of course, doomed love.
It's fitting that a book that concerns itself so centrally with the act of storytelling makes for such a richly satisfying and accomplished story. How to summarize, in a blurb, one of the singular accomplishments in serialized comics? Maybe start by assuring anyone who has never had occasion to pick up this series — which has been published, off and on, over the last 35 years — that its humor, pathos and rich characterizations are only continuing to deepen and grow. Brothers Gilbert, Jaime and, originally at least, Mario Hernandez tend to focus on two parallel narratives — one set in a fictional Central American village, the other set among punk musicians living in southern California.
Though the series has happily spanned several genres in its time, its focus on its characters' relationships, which have grown increasingly complicated and layered over the years, remains paramount.
Beloved as one of the first breakout series of the indie comics movement, Love and Rockets has inspired many imitators, but its charms are idiosyncratic and unmistakably its own. Three other works that appeared in Eightball — David Boring, Ice Haven and Death Ray — have been collected separately, but this book grants you a ringside seat in Clowes' fevered, fractious and pugnacious young brain.
Monstress Baker Taylor hide caption. Monstress is the grandest of Guignol, a blood-spattered epic set in a matriarchal society torn by war between sorceresses and magical creatures. Sana Takeda's art blends art nouveau, manga, steampunk, Egyptian influences, you-name-it, to build a lush world where even the atrocities these women commit against on another look somehow gorgeous. And Marjorie Liu's morally ambiguous, complex characters are hard to figure out and even harder to forget.
But until then, they can enchant crowds, perform miracles and save lives. Gillen has described it as "a superhero comic for anyone who loves Bowie as much as Batman," which is pretty perfect, in our opinion. The women in prison movie to end all women in prison movies. Well, okay, it's a comic book, but you know what I mean.
Power Rankings: Animated Superhero Series
Nothing makes you feel like a kid again faster than tuning in to these colorful, hilarious, and sometimes downright weird animated shows. There are plenty of classics you'll recall fondly, such as Talespin and Doug , as well as a few forgotten treasures. For instance, did you remember the mid-'90s cartoon based off the Mighty Ducks that starred anthropomorphic, hockey-loving ducks from another dimension? As you might expect, '90s kids are very well represented, and there are tons of shows that will make any Millennial a little misty with memories.
We Ranked the 54 Best Superhero Movies of All Time, From Wonder Woman to Shang-Chi
Not only did we have the best clothes and music , but we had the best cartoons. How do we know they were the best? Watch on Hulu. Remember what it was like to be an awkward pre-teen? Well, Doug and his Skeeter, Patti, and Beebe will help you remember the anxiety and awesomeness of not quite being a teen yet. Starring a fourth grader named Arnold, who lives with his grandparents in an inner-city boarding house, this show gets real and will smack you in the feels. This cartoon starring the caped crusader is considered by many to be better than any movie ever made about Batman or any superhero. Buy on Google Play and Amazon Prime. A nutty little caper that reimagines our favorite little guys as world crime fighters. Buy on Amazon Prime.
ДЛЯ ПОДТВЕРЖДЕНИЯ, ЧТО ВЫ СТАРШЕ 18-ТИ, ПОЖАЛУЙСТА, АВТОРИЗИРУЙТЕСЬ ЧЕРЕЗ ВК
Online streaming service Netflix has announced that they will be showing their first original African animated series called "Mama K's Team 4". Mama K's Team 4 tells the story of four teenage girls living in the African city of Lusaka, in Zambia, who are recruited by a retired secret agent who wants to save the world. It was created by Zambian writer Malenga Mulendema who grew up watching cartoons on TV and found herself asking why no heroes looked like her, and why they didn't live in a world that felt like her own. She said: "In creating a superhero show set in Lusaka, I hope to introduce the world to four strong African girls who save the day in their own fun and crazy way. Most importantly, I want to illustrate that anyone from anywhere can be a superhero".
Top 10 Animated Superhero Properties
These are the best Disney Plus TV shows to watch. It may be the newest streaming giant on the block but since its arrival, Disney Plus has managed to turn itself into a true Netflix rival, as this best Disney Plus shows list showcases. While it was launched with a limited amount of shows, it has since ballooned thanks to Disney adding Star content to its service. The newest entries include Ms Marvel, which is a breath of fresh air for the superhero genre, and the epic Wu-tang: An American Saga which is a dramatisation of the rise of one of hip-hop's greatest groups. When looking for the best Disney Plus shows to watch, you have to ask yourself a few questions.
The 25 best Disney Channel Original Series of all time
The capes and the cowls are not just for the live action shows and movies. Sometimes they come in the animated series package. And boy do they look good. A government assassin is betrayed and killed on a mission. He is then brought back from the dead in a rotting body.
44 Animated TV Shows That Prove The 90s Were The Golden Age of Cartoons
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Whereas Marvel has triumphed magnificently over DC in terms of live-action movies, the California-based comics giant has always prevailed when it comes to animated output. With the success of the Spider-verse and "What If? It'd be churlish to deny there haven't been absolute stinkers as well, but hopefully in the following article we can at least attempt to guide you towards the best DC animated movies on offer. It's no coincidence that a great many of the entries in this list are heavily based on already successful comic storylines, and they let the source material shine. After all, the best animation in the world can't make a bad story good.
Animated superhero shows have great storylines that intertwine multiple episodes. So to find out which ones are the best, fans have voted for their favorite animated superhero shows in the ranking below. Before movies like X-Men , Iron Man , and Batman Begins made superheroes chic in the s, they were seen mostly as entertainment for geeks and nerds. In the '90s, even the best superheroes ever struggled to get movie made. Thankfully, cartoons are a medium that lends itself to telling superhero stories as they are cheap to produce, no matter how wild the content on screen needs to be. And, despite all the trappings of childhood, the flexibility of animation also has allowed for some of the darker superhero series that have aired. Be sure to vote up your favorite animated superhero shows so other fans can learn which cartoons are the most super.
While Thor 's got the superhero beef at the box office, one of his Avengers buddies is breaking bad. Another Marvel star, Samuel L. Jackson, voices a grumpy cat who shows the ways of the samurai to a good-hearted dog Michael Cera in an animated comedy, Dakota Johnson and Henry Golding co-star in a comedic Jane Austen adaptation, and "Stranger Things" regular Winona Ryder sticks to the weird stuff with a twisted mystery.
Striking! Amazing!