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It's hard to say precisely what was the best era ever for popular music in the Lehigh Valley area. It could be argued it was in the s, when Bethlehem's Stabler Arena ranked as the busiest hall of its size in the United States, bringing in top acts such as the Grateful Dead; Billy Joel, who came to sing his then-new song "Allentown"; and Bon Jovi and KISS, who started tours there.

Or perhaps in the s, when Allentown's Crocodile Rock Cafe also ranked among the top venues its size, with top pop, rock and even rap acts coming through with amazing frequency. But we can say this much: As long as we've been doing our ranking of the Top 10 concerts we've seen in a year, never have as many taken place in the Lehigh Valley as they did in This year, eight of the Top 10 concerts we've seen this year — in all we saw more than —took place in the Lehigh Valley.

That's compared with four or five in recent years. That's largely because people from the Lehigh Valley no longer have to travel to Philadelphia or other areas to see the biggest concerts. When clears, Sands Bethlehem Event Center will be among the busiest club-sized venues in the world it was No.

Top-drawing pop-rockers Twenty One Pilots also will play there on Jan. And stalwarts Allentown Fair and Bethlehem's Musikfest continued bringing in top talent — together having three of our Top 10 concerts. So looks like it will be another good year to see concerts in the Lehigh Valley. And was one of the best. Here are our Top 50 concerts we saw this year:.

Bruce Springsteen, Sept. Also, Feb. For all the great concerts the Lehigh Valley had, this was the best we saw this year. Clocking in at a massive 4 hours and 4 minutes — a record for his longest U. And in many ways, it was. Through the first hour and 50 minutes, Springsteen played deeper cuts from his first two albums, the double-shot of "Greetings from Asbury Park, N.

Dylan has never been an artist who in concert performs what fans expect to hear — or, even more so, how they expect to hear it. But those open to hearing what Dylan offers in concert also have been wonderfully surprised — especially in recent years, when his performances, and especially his singing, have seemingly found new life.

That was the case at Sands Bethlehem Event Center, where Dylan offered anything but a rote performance of the past. Instead, in a set that leaned heavily on the material from his two most recent albums of Frank Sinatra standards, Dylan gave a song, minute plus an intermission concert that had him performing enthusiastically and singing as well as he has in years — especially on the songs by Ol' Blue Eyes.

John Mellencamp , F. Kirby Center, Oct. Kirby Center, Mellencamp, now 65, played a song, minute show that included many of his early hits, but often presented them from an older, more wizened perspective — but made them no less successful. And with them, he offered newer songs that resonated perhaps differently, but just as strongly with a sold out audience that, like Mellencamp, also has grown older.

In an hour-andminute set in which he sang 16 songs and had his backup singers do another , Stewart was endlessly entertaining, piling hit upon hit from his year career while performing with swashbuckling swagger that made the show not only fabulous but fun. It was his first Lehigh Valley show in 17 years. Don Henley, Musikfest, Aug. Few are the music artists whose songs remain relevant for more than 40 years.

Fewer still are those who still are making great music those years later. And most rare are those whose songs through the years take on new meaning as they, and you, age. Henley, former drummer and vocalist for seminal s country rock band the Eagles, showed himself in that final category with his Musikfest concert. On a hot, unsettled summer night, Henley's music in a song plus another song by his backing singers , two-hour-andminute set sweltered like the weather, then became the cool breeze that broke the heat.

It wasn't just the year's biggest shows that were the best. In today's world, where real music is essentially nonexistent and punk rock an even more endangered species, former Ramones drummer Richie Ramone at The Gin Mill and Grille in Northampton was a fresh breath of authentic air. Ramone and his three bandmates captured what punk was is? That's because the concert followed the classic Ramones' template: Minimalist music with a total lack of pretension, yet full of spirit and energy.

And fun. For entertainment and a full concert experience, country music singer Underwood's concert was PPL Center's best so far. It was a supremely talented artist at the top of her game giving an enthusiastic performance. But even more, it was a spectacle. Presented in the round, with a huge, rotating stage in the middle of the arena floor, with massive towers and walkways, lighting, display screens and pyrotechnics, packed to what promoters said was a sellout of about 10, people, it made PPL Center feel big — and big time.

Underwood was big time, too. In an hour-and minute show, she performed 20 songs that put her talent on full display: A dozen No.

Nicks may no longer be the bewitching young beauty she once though she's still stunning. But her concert Saturday at Sands Bethlehem Event Center showed that those insights that made listeners marvel so long ago still do today. In an song, two-hour show, Nicks played many of those songs that so mesmerized. Chris Stapleton, Allentown Fair, Sept. In a time when the feel-good tomfoolery of "bro country" dominates record sales, country singer Stapleton has taken his genre back to its blues and bluegrass roots — and very much for the better.

No wonder, then, that his show was so good: a night of stunning music and even better vocals in songs that spoke far more about hard living and the human condition than about having a good time.

Its 97 minutes was filled with blood spitting, fire breathing, members flying, drum sets levitating, smoke, sparks, explosions and the biggest confetti shower the Lehigh Valley has likely seen.

And, oh, yeah, music. But what made the show most successful was that KISS, now more than 40 years into its career, seemed enthusiastic about performing all of that. Stevens' first run of fame came in the s, when his quietly inspiring folk music fit the laid-back and searching mood of the times of soft rock and reflection after the turbulent '60s. The answer is surprisingly well, and in some ways perhaps better than during his first run of fame. That's because not only have the songs held up, but instead of being seen only as introspective musings as they were those decades ago, many now have become lessons of reason that resound deeply in an increasingly unreasonable world.

Lady Antebellum, Musikfest, Bethlehem, Aug. The concert had all the ingredients for tragedy: A lightning storm that hit just before the supporting act finished, the festival's main Steel Stage packed with a sold-out crowd of nearly 6, people pumped for the headliner. Instead, it turned into a triumph: The festival's success in getting people out, then back in, the venue for the show to happen; the crowd's patience in waiting through a nearly two-hour delay.

But mostly Lady Antebellum' s triumphant show. Smiling at adversity, the trio packed its shortened concert with hits, performed the heck out of them and seemed to have a blast doing it.

The crowd certainly did. Girl group Fifth Harmony was the top-billed act, but if there was a vote on the best of the night's nine performances in the near-four-hour show, the guys would have it.

Charlie Puth was the clear standout — his minute set strong from start to finish with five good songs, an impassioned performance with far, far more confidence than he had last year and a maturity in his music.

Shawn Mendes was the clear crowd favorite and now is undeniably at the teen-idol level in his career. And former boy band member Joe Jonas' group DNCE showed not only how far Jonas has come as a serious performer, but how much better his group has gotten. Theirs were the night's best, but that shouldn't demean the other acts, which were uniformly good and collectively perhaps the most cohesive Q Jingle Balls so far — and certainly one of the best.

Andrew McMahon took the stage at Winter Jam's outdoor parking-lot set-up under the moniker of his new band, Andrew McMahon in the Wilderness, but it honestly doesn't matter that much. McMahon's performances in any configuration are known for his boundless energy, and his songs — for whichever band he wrote them — for their soul-piercing honesty and universality. Among the other acts, Elle King showed she's a musical chameleon.

X Ambassadors played just two songs, but they were the best two played later, when opening for Muse across the parking lot at Wells Fargo Center. And Coleman Hell reacted to the temperatures by taking off his shirt to a sleeveless T-shirt halfway through his set.

Of course, the Canadian Hell might have raised his body temperature by an energetic show of his own. Richard Thompson, Sellersville Theater , Feb. Anyone who knows of singer-songwriter Richard Thompson knows his exceptional body of work from nearly 50 years of recording -- from seminal folk-rock band Fairport Convention in the late s through his s masterworks with then-wife Linda.

But the message left by the Richard Thompson who took the stage at Sellersville Theater was that beyond that great earlier output is an artist who has continued to produce astonishing work.

When it comes to music, the term "outlaw" most refers to artists who do things their own way — much as Willie Nelson, Johnny Cash, Waylon Jennings and Merle Haggard did with country music in the s. The initial Outlaw Music Festival featured not only individual artists doing things their own way, but indeed a whole festival that sort did that, eschewing genre boundaries to present a collection of original artists. The results were occasionally brilliant: Neil Young, backed by Nelson's son Lukas and his band Promise of The Real, gave a great set that opened with Young performing his biggest hit, "Heart of Gold" alone and acoustic and ended with an incendiary eight-minute "Rockin' in the Free World.

It was just a day after it played two sets at Delaware's massive Firefly festival. Yet The Struts performed as if it had an audience of thousands, playing a wild set of hooky, poppy throwback '70srock that not only reminded of how good that music is, but how bands from that era won over crowds, as well.

Before performing his first song as part of the fund-raising Lampedusa: Concerts for Refugees show, former Led Zeppelin frontman Robert Plant talked about joining the ensemble to replace an ill Patty Griffin. Plant was right: The show — which also featured Emmylou Harris, Steve Earle, indie folk duo Milk Carton Kids and Americana giant Buddy Miller sharing the stage for a largely acoustic round-robin — had many excellent moments in its 23 songs and two-hour-andminute running time.

In fact, the surprise might have been that it came close to the high expectations for such a stage full of musical luminaries with such a song catalog. The difference between Lucinda Williams and most any other performer today is that when sings about the difficulties of life, about the consequences of choices and about the places we find ourselves after years on the roads of living, it sounds genuine.

It's not just someone telling you story, it's someone who has lived it — or still is. That authenticity came through on near every song Williams did in a set that rambled several minutes past two hours and included 21 songs.

Most rock groups who started more than 30 years ago are either long gone or staying alive by trading on nostalgia. Goo Goo Dolls has long avoided those trappings by evolving through its career from post-punkers to an adult-oriented rock band that has had more than two dozen Top 40 hits on various charts. Yet it still was surprising that its concert found the band giving its best area performance in at least a decade -- and perhaps ever.

The even bigger surprise was that it did that not by ignoring its past, but by reclaiming it — in many cases freshening its best-known hits, mining some very good but lesser-known early songs and playing new tunes that veered back to the more rock sounds of the bands beginnings. And it did it in a song, minute show that clearly showed a renewed vitality in the band.

From the opening, it was obvious the Goo Goo Dolls were trying hard again — and having fun. Mixing humor and rock music can be a messy business — as messy as, well, mixing special sauce with lettuce, cheese, pickles and onions.

But Mac Sabbath, the California metal parody band whose members resemble cartoon characters associated with McDonald's restaurants and who play Black Sabbath songs with fast-food-related lyrics, took a bite out of that problem with a show that left a sold-out crowd very full, yet hungry for more.

What made the band's minute show so successful wasn't just the 10 songs -- which demonstrated a pretty evolved sense of the absurd — but that the entire concert was a show, with props and gags easily as entertaining as the songs.

After singing the Staple Singers' song "Freedom Highway," Staples began talking — or, more precisely, Pentecostal preaching — to the crowd.


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Paul Simon’s Early Years: 10 Fascinating Pre–Simon and Garfunkel Songs

If this continues please try upgrading your browser or contact us for assistance. A delightful animation accompanies this number one single from folk-poppers Avalanche City. With its big, catchy, chorus, the song delivers the feel-good factor and the video captures its quaint essence perfectly with its cast of storybook pirates and penguins. Mass exposure for the song came when it was used for TV2 promos and it took off on release, going gold in four weeks despite being earlier available as a free download. Beginning This time: eg. We use cookies to help us understand how you use our site, and make your experience better. To find out more read our privacy policy. Search My list.

Dancing Robots – Children’s Dance Song with Lyrics

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This is a dance where you imitate a dancing robot. It is performed with small jerks to give the impression of motors starting and stopping. Keep your posture stiff at all times. When you are directed to stop, stay as motionless as possible. Using exaggerated jerking motions and a look of confusion on your face as you drop towards the ground give the impression that the robot has completely ceased to function. Power up, power up, power up.

It isn't just that the animation in “Fell in Love with a Girl” makes for a Director Steve Barron didn't want any dancing in the video.

25 Songs That Tell Us Where Music Is Going

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Linda's original was written in isiZulu , while the English version's lyrics were written by George David Weiss. The song was adapted and covered internationally by many pop and folk revival artists in the s and s, especially after it was published by Folkways Music Publishers in December , [3] including Henri Salvador , the Weavers , Jimmy Dorsey , Yma Sumac , Noro Morales , Miriam Makeba , and the Kingston Trio. In , it became a number-one hit in the United States as adapted in English with the best-known version by the doo-wop group the Tokens. It went on to earn millions in royalties from cover versions and film licensing. The pop group Tight Fit had a number one hit in the UK with the song in This song is written and composed in the key of E. He spent his weekends performing with the Evening Birds, a musical ensemble, and it was at Gallo Records, under the direction of producer Griffiths Motsieloa, that Linda and his fellow musicians recorded several songs, including "Mbube", which incorporated a call-response pattern common among many Sub-Saharan African ethnic groups , including the Zulu.

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