The beauty of satoshi kon


NY Times obituary. He left behind a rambling but extraordinary document , which his family has posthumously posted on his blog. They're the last words of a supremely talented artist who knows he is dying very soon, with work left unfinished. It's been the talk of the Japanese internet, and it struck me deeply. There is no official translation into English of the text, so I have translated it in its entirety, trying to keep the spirit and tone of the original.


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WATCH RELATED VIDEO: A Tribute to Satoshi Kon

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People have very fixed ideas about anime. Anime as a genre is not just for the inner-child within you but can carry powerful themes to bewitch the mature audience.

A cogent argument to prove that point is the films of Satoshi Kon, the singular anime film-maker whose virtuoso display of visual agility has no precedence in animation or live-action film-making.

He died of terminal pancreatic cancer at the age of Yet his profound, revolutionary, and beautiful works of cinema — replete with visual and cerebral delight — I hope is celebrated and rediscovered by generations of cinephiles.

A small-time video producer Genya Tachiban takes his unenthused cameraman to interview a former movie star named Chiyoko Fujiwara who now lives a solitary life with minimum social contact. Fujiwara takes a dive into her old memories, reminiscing about wartime, post-war existence and her lost love, the chase for which turned her into the great artist she was. She retired at the age of 43 and lived as a hermit for the next half-century until her death in Chiyoko instantly falls in love with the aforementioned young artist, who is pursued by the wartime authorities.

She offers him shelter for a day and when he successfully escapes to Manchuria, Chiyoko takes up the acting opportunity and sails off to Manchuria. The young artist leaves a mysterious key with Chiyoko. The young Genya has worked in the studios when Chiyoko was propelled into the limelight and has always harbored a crush on the actress.

From wearing an out-dated samurai suit to being a truck-driver, Genya the fanboy enjoys the thrill of this roller-coaster ride. In fact, the enduring theme in the films of Chiyoko Fujiwara happens to be the pursuit of love. Millennium Actress can sound so conventional, but once Kon starts interweaving reality and fiction, his distinctive abilities come into focus, and the excessive care he has taken to craft the minutiae can really be intimidating for the perceptive viewers.

Millennium Actress undoubtedly pays a poignant tribute to the power of cinema and the enduring relevance of an artist. But Perfect Blue through its complex study of obsession, identity, and reality offered much deeper layers of meaning. While Kon was promoting this productive and positive side of the idol-fan relationship [in Millennium Actress] through an intrinsically predictable yet visually exhilarating narrative, I was nagged by the lack of serious character development.

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Perfect Blue is one of my favourites, although most of my Anime knowledge … Perfect Blue is one of my favourites, although most of my Anime knowledge doesn't go much further than the 90s. Read less Read more. Posted 25th Mar This deal is expired. Here are some options that might interest you:.

A cogent argument to prove that point is the films of Satoshi Kon, the singular anime film-maker whose virtuoso display of visual agility has no.

Kon Retrospective: Perfect Blue – The Confusing Thriller

The late director was known for his visionary works — many of which were reality-bending and surreal. Magnetic Rose was one of three films in the Memories anthology movie. The men discover a ghostly presence on board, resembling a once-great opera diva named Eva. Magnetic Rose is a mix of several operatic and horror storylines — lost love, seduction, and deceit. For something with its feet much more on the ground, Tokyo Godfathers is a safe bet. Satoshi Kon brings us the story of a trio of homeless people, who find themselves looking after an abandoned baby at Christmas. Tokyo Godfathers is a good gateway anime in general, not just for Satoshi Kon specifically. It keeps a grip on real-world storytelling while dipping its toe into the fantastical… but not so much as to be scary to newcomers.

GKids to release new 4K restoration of Satoshi Kon’s Tokyo Godfathers

the beauty of satoshi kon

Stuff for Pets is here! Bandanas, blankets, and mats with purr-sonality. Satoshi Kon posters have a bright white base for sharp images and vibrant color reproduction. Satoshi Kon Posters Results. Tags: paprika, perfect, blue, surreal, surrealism, vintage, anime, japan, satoshi, kon, louis, picard, butterfly.

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Dreams: An Escape or a Trap?

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An Architect's Gifts: Close-Up on Satoshi Kon's "Tokyo Godfathers" and "Paprika"

Doubling down on the filmmaking-focused narrative of Perfect Blue , the film explores the life of an aging actress through the movies that defined her career. The result is a contemplative film that not only shows how profound artistic dedication can be, but also comes to the bittersweet conclusion that just as movies can make actors immortal, they are just imagined stories that both actors and viewers will never truly experience. Kon goes to painstaking lengths to capture not only the visual styles of each genre depicted, but even their editing patterns. During a scene of the samurai epic, he composes a sword fight that would be at home in a Kurosawa film. Not only does he rely on a medium-wide shot in a long take, but when the swords start swinging, he cuts to three consecutive flashes and then the image of a leaf cut from a branch falling to the ground, before showing three men defeated on the ground. Such a sequence of shots seems right out of Yojimbo. As in Perfect Blue , Kon also uses the filmmaking narrative to comment on filmmaking itself, in this case, the history of Japanese filmmaking and its role as propaganda during the Sino-Japanese War.

Satoshi Kon was a famous Japanese director, animator, explores the beauty of surrealism through a device called DC Mini that helps those.

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O f the numerous indelible works Satoshi Kon made throughout his career, Millennium Actress might be the only one that looks to our past. Following his debut feature Perfect Blue , the Japanese animator and manga creator began to make predictions about the changing relationship between people and media in the fledgling digital age — his third film, Tokyo Godfathers, looked at those who fell through the cracks in contemporary Tokyo, and this theme carried through to his TV series Paranoia Agent and final film Paprika, too. Just as both films lie on opposite sides of the line between the 20th and 21st centuries, their construction and themes mirror one another. While Perfect Blue is more empathetic than cynical, it reflects the grim potential of the internet in its subjective psychological horror. Though tinged with melancholy and tragedy, Millennium Actress uses cinema history to turn the reality-bending drama of Perfect Blue into something more gentle and romantic, finding the beauty in that thin divide between media and the self, rather than encroaching horror. Kon and co-writer Sadayaki Murai convey the emotional reality of her life through a restaging of 20th century Japanese cinema.

People have very fixed ideas about anime.

Official confirmation is expected to follow but various sources are confirming the sad news. In his short life he wrote, animated and directed some of the most magical, thought provoking and emotionally engaging anime films, which thankfully made their way across the world. I was late to the Satoshi Kon show, seeing an early trailer for Paprika and falling in love with what I saw, I then devoured every second of his work I could get my hands on. Like the very best art his work seemed to blend universal truths with his own wonderful and unique qualities; his work contained countless moments which in another film would have been perfunctory or throwaway but instead were infused with a breathtaking beauty and a sense of understated awe. The only thing left to say is: see his films.

As she becomes a victim of stalking, gruesome murders begin to occur, and she starts to lose her grip on reality. Like much of Kon's later works such as Paprika , the film deals with Kon's longstanding theme of the blurring of the line between fantasy and reality. She gets stalked by an obsessive fan named Me-Mania, who is upset by her change from a clean-cut image. Following directions from a fan letter, Mima discovers a website called "Mima's Room" containing public diary entries written from her perspective, and which has her daily life and thoughts recorded in great detail.

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  1. He L. K.

    I apologize, but I think you are wrong. I offer to discuss it.

  2. Zaden

    I congratulate, the brilliant idea

  3. Faushura

    Totally agree with her. In this nothing in there and I think this is a very good idea.

  4. Jamarreon

    Bravo, your brilliant idea

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