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WATCH RELATED VIDEO: killing STALKING - Episode .O1 [STORYBOARD VIDEO] 🇬🇧 - 🇷🇺 - 🇪🇦 SUB

Stalking the King of Animation

Anime has morphed through countless phases—from amateur efforts, to nationalist propaganda fodder, to niche cultural export turned eventual global phenomenon—each iteration conforming to the shape of the times in which it was produced. The arrival of home video catapulted anime to its commercial and aesthetic apex, fanning outward from the island nation of Nippon to the far shores of North America and back, before again being revolutionized by the unprecedented accessibility of the world wide web throughout the nineties and early aughts.

But where does one begin to tackle the aesthetic and historical precedent that anime film has left on pop culture and global entertainment in the last century? This list of the top anime movies is an attempt to do just that: to create a primer of one hundred of the most influential and essential films that Japanese animation has produced offer a thorough aesthetic, technical and historical breakdown of why these films matter. Given the shared evolution between anime film and television and the aforementioned significance of the home video revolution, this list includes not only traditional features but also original video animations OVAs made for home video and anthology films—with the stipulation of each entry having at some point premiered in theaters.

Mamoru Hosoda is championed as one of the greatest anime directors working today. That reputation is owed in no small part to him being touted as the heir apparent to the cinematic legacy of Hayao Miyazaki, who formally retired from directing following the release of his then-final film The Wind Rises in Such is the case with The Boy and the Beast. The story follows that of Ren, an orphaned boy who, after stumbling through an Alice in Wonderland -style passageway into a world of mythical creatures, is adopted as a pupil by the brash and indolent swordmaster Kumatetsu, who vies to become the lord of all beasts.

All of the surface components of a great film are there, with stunningly crisp animation, charged fight scenes, and a tasteful use of computer graphic imagery to accentuate these sequences.

However, The Boy and the Beast is hamstrung by an over reliance on supporting characters narrating the emotional arcs of the protagonists instead of letting them speak for themselves, and a weak grasp of story structure and character motivations exemplified by a ponderously sporadic middle-half.

Not wanting to abandon the project approximately 13 episode scripts had been written , Tomino decided to condense the story he had been developing into a movie. The story revolves around an attack by a separatist group, the Crossbone Vanguard, against the unsuspecting earth colonies after years of peace. Amaro analogue Seabrook Arno and his Gundam, F, are the heroes around which the plot revolves. Starting off like most Gundam tales, with clean divisions between factions and a clear focus on key characters on either side of the conflict, things get messy by the third act, coming to a somewhat clumsy and unearned happy ending.

Suit up. Being a teenager in a suburban town can be excruciatingly boring. With no variety in routine, everything feels useless. But then, sometimes, something appears that banishes that monotony and breathes excitement into an otherwise dull existence. That discovery can be revelatory; life can suddenly have purpose. A sequel to a five-part OVA from , based on a popular manga, Ah! A self-contained story revolving around college student Morisato Keiichi and the Goddess Belldandy, the film finds ways to inject more drama and urgency into the typically light-hearted romance of the original story, while the longer run time allows more room for character development and deepened motivations for all of the main cast members.

Putting Belldandy at the center of a plot to hack the Yggdrasil computer in the heavens long story and forcing Keiichi to grapple with what Belldandy has come to mean to him places the romance and sweetness that was always the heart of this series in the foreground.

My Goddess: The Movie was well-received by both critics and audiences, and spawned two later TV series that were similarly well regarded. My Goddess now feels somewhat ahead of its time. Either way, this sweet, fun romance is worth checking out. Of the many films that Mamoru Oshii has directed, Dallos is inarguably his worst. So why is it on this list? Because despite its overall lackluster production, that quality is all but eclipsed by the sheer magnitude of its historical significance. David Foster Wallace once said that every love story was a ghost story.

Twelve-year-old Anna Sasaki is a melancholic introvert with a deep distrust of both other and herself. Based on the Flemish novel of the same name, A Dog of Flanders is the tale of a young boy, Nello, and his dog, Pastrache. The film is ultimately a simple class tragedy, but remains a compelling story that has stood the test of time. The American release, from Pioneer, has an excellent dub for the time, but removed 10 minutes of story with some very choppy edits, so the subtitled version is preferable.

Premiering in and spawning two long-running television adaptations, Fullmetal Alchemist follows the adventures of Edward and Alphonse Elric, two prodigiously talented young men whose respective limbs and bodies are taken from them in a grisly alchemic accident. With an intriguing alternative history story that intermingles key figures such as Karl Haushofer and Fritz Lang and events such as the infamous Beer Hall Putsch of , as well as an impressive series of destructive final fight scenes storyboarded by Yutaka Nakamura, Conqueror of Shamballa is a satisfying if irresolute capstone to the original anime and far and away the best Fullmetal Alchemist film to date.

The Restaurant of Many Orders is remarkably unique compared to nearly every other film of its era that has gone on to shape the aesthetic template of Japanese animation. Unfortunately, Okamoto would pass away that year from liver cancer and the film was later finished by his close friend and fellow animator Kihachiro Kawamoto. Winner of the prestigious Noburo Ofuji Award for Excellence and Innovation, The Restaurant of Many Orders is a beautiful parting gift from one of the most undersung innovators of Japanese animation.

Golgo, the titular assassin, is basically an evil character who exemplifies alpha male toughness to a ridiculous degree. He is, above all, a Professional. Where Golgo charms is in the glorious, fluid animation, the sophisticated cinematic techniques used by Dezaki including very early usage of CGI , and the tense and incredibly violent action sequences.

Filled with gratuitous nudity, violence and rape, this unrated film is not for the faint of heart. Still, with character designs by series illustrator Yoshitaka Amano of Final Fantasy fame and a number of visually memorable and impressive settings and showdowns, Vampire Hunter D: Bloodlust is a visually exhilarating action film that seldom fails to satisfy on a moment-to-moment level. With Otomo at the helm guiding the project, and providing one of the shorts, this project pulled together a ton of talent, all in the service of some gorgeous animated short films.

The unifying concept barely hangs together, but each of the tales are so singular and stunningly rendered, this is a minor concern. Overall, Short Peace is an excellent modern entry in the hallowed tradition of great collections of anime short films, even if the feast it provides is a bit more for the eyes than the brain. Believed lost for decades before being rediscovered in , Momotaro is invaluable touchstone in the history of Japanese animation, transporting viewers back to a time of startlingly different attitudes and sensibilities.

Taking place on, you guessed, the second planet in the solar system nearly seventy following a terraforming event, Venus Wars follows a group of teenage monobike racers-turned-freedom fighters after their home of Aphrodia is occupied by the forces of Ishtar, their neighboring rival to the North.

When Haru Yoshioka, a shy and absent-minded schoolgirl, rescues a mysterious cat while on her way home from school, she realizes she possesses the latent ability to talk to cats. One of the most appreciable qualities of Japanese animation is the readiness in which they are willing to relate and contextualize their history as a country and as a people through a medium which is too often looked down upon as inherently trite and childish. An excellent film about history, family, language, and hope.

Comprising five animated shorts originally released as a part of Grasshoppa! DVD magazine issues, they were then collected into one release titled Deep Imagination. Deep, indeed, would be one way to describe these shorts, which range across the map both in style and subject matter.

It only gets weirder from there. Most of these shorts break not only from traditional narrative, but also from traditional anime art style and animation techniques. These are animation in its purest form, the directors and animators involved clearly just enjoying the riot of color and movement they present to the viewer.

When Cowboy Bebop first premiered in North America on Adult Swim in September of , it was one of the great defining moments of anime securing its cultural foothold in the West. Set in the year , Cowboy Bebop was many things: a sci-fi western noir character drama built around the themes of existentialism, identity and loneliness.

Released in , the film serves the purpose of what any good anthology should—putting supremely talented animators on a project and allowing them to throw whatever they want at the wall. All in all, Genius Party is a stunning collection of shorts produced by one of the most eclectic production studios operating today and should not be missed.

However, when a film is this well-animated and put together, the accusation of unoriginality can be forgiven. On the eve of the 21st century, the collective memory of every living being on Earth was wiped by an inexplicable mass phenomenon, decimating civilization and reducing the human race to roving tribes of scavengers devoid of language, reason or technology.

Wataru, a survivor of this worldwide amnesia meets Sophia, a mysterious young woman seemingly unaffected by this worldwide epidemic. Instead, Miyazaki eschews anthropomorphic crabs and garish musical numbers in favor of honing in on the love story between a young boy and a girl-fish who yearns to be human.

As the years proceed and their friendship deepens, Hotaru and Gin begin to develop feelings for one another. A short and impactful film whose beauty and tenderness merits the best of comparisons to the likes of Miyazaki and Shinkai while remaining something wholly its own.

The film and preceding television series, both directed by anime luminary Toyoo Ashida, follow the exploits of Kenshiro, a superpowered martial artist who wanders the wastes of a post-apocalyptic future brought on by a nuclear apocalypse as he aids the helpless by vanquishing the wicked on a personal quest for revenge and retribution.

Produced in , Fist of The North Star earns the dubious honor of being so extreme that the original Japanese release had to be heavily censored with strategic cuts and psychedelic distortion effects. Its age most definitely shows through the somewhat dated crudeness of its animation and its paper-thin plot, but what one can confidently praise Fist of the North Star the most for is its comically unrelenting self-awareness and sincerity in knowing exactly what it is and sticking to it.

An unabashedly fun action movie that touts the over-the-top machismo of Schwarzenegger and Van Damme in their prime. Placed in the body of middle-schooler Makoto Kobayashi, the soul is granted six months to solve the mystery of its own death and in doing so rediscover the intrinsic value of life itself. Colorful , in spite of its name, is a movie that tackles weighty topics such as the societal pressure to succeed and conform, adultery, depression and suicide, albeit with an ultimately a life-affirming tone.

Taut with emotional tension and existential nuance, Colorful is a film that rewards on a visual and emotional level. The film ponders the question of whether anything exists at all, on whether ideas of the past that haunt the collective consciousness of humanity can reify themselves in the present tense, of whether belief in the perception of anything is worthwhile or reliable.

These are themes that Oshii would go on to further explore, particularly through his work on Ghost in the Shell , but nowhere near on this level of abstraction. After the tragic passing of her father, year-old Momo Miyaura and her mother Ikuko move from Tokyo to the family home on Seto Island to start over. While adjusting to her new life, Momo discovers an unfinished letter addressed to her by her late father, along with a mischievous trio of Yokai spirits who follow her around constantly.

Junji Ito is one of the most celebrated names in contemporary Japanese horror fiction, easily warranting mention along the likes of Shintaro Kago and Kazuo Umezu. Gyo , arguably his most famous work, revolves around a young couple who are assaulted by a horde of homicidal fish monsters with mechanical spider legs. After leaving Studio Pierott and striking out on his own as a freelancer on a few projects, Oshii would join the independent creative collective Headgear and become a major influence in shaping the aesthetic of their first project, Mobile Police Patlabor.

For Princess Kaguya , Takahata would again return to reiterate and arguably refine this technique, imbuing every frame and scene with the sort of scrupulous attention one would expect from a master calligrapher or Ukiyo-e artist.

As clandestine paramilitaries and a rogue U. Instead, what it turns out to be is a super-powered Indiana Jones meets Armageddon spy flick packed with thrilling chase scenes, psychic martial art showdowns, and breathtakingly beautiful montages of the sparse picturesque plains and mountains of Nepal.

Originally created as a four episode OVA, then re-released as a cut-down, theatrical version with 20 minutes of new footage, Macross Plus is the first Macross sequel that takes place in the original timeline of the TV series. Macross Plus take place 30 years after the war between the humans and the alien Zentradis, detailed in the original show, and instead focuses on two rival test pilots and former childhood friends and their struggle to be the first to secure funding for a new, experimental fighter that would replace the current model.

As with all things Macross, the two pilots are a part of a love triangle with a woman from their childhood, who is now the producer of Sharon Apple, the most famous singer in the galaxy actually an Artificial Intelligence. Things start to go wrong when Sharon Apple achieves sentience and goes rogue, taking over the SDF-1 Macross ship and threatening thousands of lives.

Macross II is perhaps best known for its heavy usage of CGI, a novelty at the time, and its fluid, realistic dog-fighting sequences, something Kawamori was obsessed with getting right. Macross Plus , like all things Macross, has a complex history in the United States. The theatrical version was never made available as a dub, and is now very hard to find—but the OVA is readily available, and almost as good.

Phoenix: , then, written and produced by Tezuka, loosely adapts characters and concepts from several volumes of the manga. The young man, Godo, sets off with his crew to capture and kill the Phoenix, but as with any quest for immortality, they are doomed before they even begin. The background work is simple but clean.

This is clearly feature film level animation with some musical sequences particularly the dialogue-free first 12 minutes and action scenes that rival anything in the Disney canon. The date is October 31, In the midst of this bottleneck of international tension and unsuspecting revelry, a mysterious transfer student named Saya has come to the school on a mission: to hunt down and kill a trio of terrifying creatures who prey on the blood and bodies of their human prey.

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Killing Stalking. First Season: 4

Death Note is a spectacular anime, and if you've forgotten the brilliance of this show, maybe you should re-watch the best episodes from the series! Based on a manga series by Tsugumi Ohba, Death Note is a remarkable story that features one of the most layered characters in anime history, Light Yagami. The anime community worships the series for its mind-boggling twists and the legendary rivalry between Light and his nemesis, L. Studio Madhouse concluded Death Note in after giving us 37 masterful episodes.

killing STALKING: The Animated Series [3D Animation] (IN PRODUCTION) [WEBSITE] vse-multiki.com [UPDATES].

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Of course Marvel are still holding strong, although the discourse around each of their six million new releases has never felt more fractious or uneasy, with lukewarm receptions and combative discourse arising due to challenges from more offbeat underdogs like Everything Everywhere All at Once. Much of the criticism it has received has been founded on either it being too obviously allegorical or just falling apart into abstraction. From the stunningly rich and vivid visual style and haunting soundscape provided by Geoff Barrow and Ben Salisbury, Men is an absolute treat for the senses, alternating moments of exquisite beauty with those of esoteric grotesque and delicious gore. As protagonist Harper a career-best Jessie Buckley is forced to confront the anxieties and fears invoked by the male gaze embodied by a revelatory, scenery-chewing Rory Kinnear , her world sinks into a spiral of surreal torments, bringing her face to face with each of the many faces of masculine entitlement. And God is it fun! I do still have a tremendous amount of respect for those films that can pull off the strategy though.

Killing Stalking #02 Manga Oficial Milky Way Ediciones (Spanish)

In Japan, the most popular manga series always receive anime adaptations. The two mediums go hand in hand, and the moment a manga gains the public's attention, the anime studios get to work on bringing the story to life. Many cult classic manga series, like Jojo's Bizarre Adventure , One-Punch Man , and Attack on Titan , skyrocket in popularity because of their masterful adaptations. Anime has the power to elevate its narratives by adding stellar voice acting, fitting soundtracks , and breathtaking movement to the still manga panels. Yet, there are many series too tricky for the animators to tackle. Be it the unique art style or the unconventional story structure, some of the most incredible manga series will, most likely, never get an anime adaptation.

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Based on a manga series by Tsugumi Ohba, Death Note is a remarkable story that features one of the most layered characters in anime history, Light Yagami. The anime community worships the series for its mind-boggling twists and the legendary rivalry between Light and his nemesis, L. Studio Madhouse concluded Death Note in after giving us 37 masterful episodes.

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