Hanna barbera remake


The same year, H-B struck a deal with Columbia Pictures Corporation to syndicate the cartoons on television in conjunction with Columbia's television division Screen Gems until and co-produced several cartoons in the early s until and by Columbia Pictures Television from The company was renamed to " Hanna-Barbera Productions " in and was later acquired by Taft Broadcasting in ; Taft was later renamed to Great American Broadcasting in after a buyout; it would then be renamed to Citicasters in before finally being absorbed into Jacor Communications in , who in turn was acquired by ClearChannel Communications now iHeart Media in In , the studio was purchased by Turner Broadcasting, initially with help from the Apollo Investment Group. Bill Hanna and Joe Barbera both went into semi-retirement, yet continued to serve as ceremonial figureheads for the studio. The same year, the company was renamed to "H-B Production Co. Discovery ".


We are searching data for your request:

Online bases:
Torrents:
User Discussions:
Wait the end of the search in all databases.
Upon completion, a link will appear to access the found materials.
Content:
WATCH RELATED VIDEO: Hanna Barbera Cartoons \

movieweb.com

Also the whole rise of sending work overseas to Asia where your dollar buys an order of more magnitude more pencil mileage; animation was at the forefront of hollowing out the American industry by substituting cheaper labor across the globe.

People who were kids with no taste and a lot of time to fill during the time they dominated Saturday Morning have fond memories of their characters but that stuff really does not age well. It maybe ages slightly better than most Filmation work. I grew up in Germany, but we got most of the cartoons that were popular in the US plus some Japanese stuff as well, dubbed. One particular situation from the late 80s or early 90s that I remember was when the channel that showed the Smurfs, which I liked, was somehow repeating the same episode over and over again.

Maybe there was an error at the station I wouldn't be too surprised if nobody paid that close attention to the children's programming , or maybe I just happened to catch all the reruns in strange coincidence. It's hard to remember the specifics. But what I do remember well is that I watched that episode, one that I actually did not like to begin with, over and over again, disliking it more and more each time.

When the episode started playing and I realized that it was that episode again within the first few seconds, I got so disheartened and disappointed. And then I continued watching it. Nowadays, that's a pretty funny, if not somewhat bizarre, memory. As an adult, there is no way I would force myself through any show's episode that I don't like anyway repeatedly, why did I "have to" as a child?

Similarly, I remember a few entire cartoons that I was not particularly fond off, or sometimes actively disliked, and I still watched those, too, "because that's what was on TV right now". Apparently, realizing that I had agency over how I spend my own entertainment time was something I had to learn better growing up. For me I dunno if it's more agency or just more difficult to stay entertained.

I used to play world of Warcraft for ten hours marathons on summer break. Same for counter strike, half life deathmatch Hell even single player games like ocarina of Time would take me months to get through because chopping down all the signs in the beginner area, leaving, coming back, and doing it all over again would be enough "game" for me. Now I barely touch games Multiplayer games I can do maybe an hour or two a couple days a week, more if we're in the same room. I mean I watched Alladin every day for a good few months once.

I'm typing this out because I got distracted from Netflix just now. Something's different about me, I wonder if it's true for others? JasonFruit on April 1, root parent next [—].

I wonder if it's partly our broadened scope as adults. We can do real things in the real world, so pretend more or less elaborate or formalized is less appealing. That was true for me for a few years in my 30s. I only ever played single player games, though. Kirth on April 1, root parent prev next [—].

This really resonates with me. I guess at some point games et all stopped being mentally "rewarding" to us. Same here. I suspect that it's simply easier to enjoy these things socially and then do other things alone like coding or reading.

Maybe you're just more demanding nowadays. That's definitely the case for me. After a long break in playing games where I thought games are just not for me anymore, I rediscovered that I actually still like spending lots of time with them.

It just has to be the right games, and those differ from the games I enjoyed when I was young the sets are dissimilar, but not entirely disjunct. Your story about feeling obliged to watch a bad cartoon over and over again resonates with me. I was a film projectionist at a single-screen theater in Harvard Square in , the summer "Who Framed Roger Rabbit" was showing. I saw the opening scene the baby cartoon with Roger subjected to various painful acts several hundred times.

The first time I thought it was funny. After 10 times it was boring. After 30 it made me very uncomfortable. I probably saw it about times in all. A few months ago I started to watch it with my son it was on Netflix or Amazon , but I had to stop a few minutes in. The feeling of mild revulsion was just too much. ETA: Makes me appreciate the patience of editors and other film professionals who are probably sick of seeing certain scenes by the time it hits theaters or the small screen.

I haven't specifically edited film, but I've done some similar things, and I've found when you have agency over the result it wears differently. You may still "get tired" of it, but it's a different sort of thing. I think it's easier to watch the same scene a hundred times if you're editing it actively than if you are just passively consuming it and making no active decisions. My bigger problem was really losing the perspective of someone who is brand new to the content than exhaustion.

You're right. I had no creative skin in the game other than being the poor slob who was basically responsible for turning on a giant light bulb. From what I understand, they are particularly crucial for comedies where the timing of jokes matters so much and a mishandled edit can ruin the scene. TV was very mysterious back then. I would not see most of the episodes in a series as I had no way to record anything nor any idea when they were on besides having a TV Guide which we never bought or the local newspaper tv listings which got thrown out more often than not.

TV was more of a random access experience back then. You got what you got. Saturday mornings were pretty awesome as far as cartoons went, but in some ways they weren't--it felt like not a lot of thought or effort was put into that programming and it was mostly about toy commercials. I watched a shitload of Saturday morning cartoons. I would usually get up at 6am and watch the national anthem which played both verses, and then some goofy local show involving a very fat lady and her dog would come on and she would talk about local scene stuff that I had no idea about.

Cartoons came on around or 8am, I think, and ran until about 11am. Maybe bowling was after, can't recall. For most people, especially kids, shows had no continuity at all. I remember trying to watch Robotech re-runs? Things didn't change until my parents got cable sometime around or so.

What strikes me most about the cheap animation is how few characters there were in Scooby Doo. If the gang was walking in a town or an amusement park, there were almost no local color--no people at all.

That gives the show a creepy, xenophobic vibe. The gang is always all alone in an alien landscape, sort of like they were transported into an alternate reality. And they even cheaped out on the "radio" part, in that their jokes and plots were stale, unimaginative, and just as recycled as their backgrounds. The cardinal sin of making media is condescension.

Don't talk down to your audience, and don't make media you yourself wouldn't consume. There might even be a broader lesson there. Hanna Barbera had good music props to Hoyt Curtin, the Hanna Barbera musical director , sound design, and voice acting.

But you are soooo right about the writing -- it is disheartening to go back and watch these cartoons now. Hoasi on April 1, root parent prev next [—].

Advertisers should pay attention to this more. Looking down at the "consumer" and downplaying the "audience"'s intelligence are still common practices.

As you said, the broader lesson applies to all media. The same sin affects bad entertainment and bad journalism or infotainment. Illustrated radio basically sums up most TV anime. I hope you've discovered Venture Bros? Best of them all! It's covered in the "many others". There's a Brock Sampson shirt somewhere in my closet.

At around 7 minutes he goes into Hanna Barbera's "Limited animation" including a surprising reference from Dextor's laboratory to the cheap animation style and that animator Chuck Jones called it "Illustrated radio". He says they had a revival after being bought by Turner in the 90s and making decent cartoons for cartoon network but were ultimately absorbed by WB animation after the companies merged. Tsubasachan on April 1, parent prev next [—]. Outsourcing in the animation industry isn't just something that hit the US.

Japanese anime is now often made in Vietnam and South Korea. Would anybody be able to provide a summary? I find the narrator's intonation unbearably forced and unnatural, such that I don't feel like listening to it non-stop for 21 minutes.

Scorn me, berate me, and downvote me if you will; but to my mind, poor narration in long-form video essays is no different to printing academic journals entirely in Zapfino. The video doesn't actually live to its title, as there's an important link missing, but here's what I got: They did very well for a long time, but then the 80s arrived.

Suddenly there were better shows Transformers, GI Joe during the entire week rather than just weekends, and they lost a lot of market. They later went to Cartoon Network and created some new classics Powerpuff Girls and co , but for some reason not explained that wasn't enough. AstralStorm on April 2, root parent next [—]. Mostly they no longer were the near monopoly and CN was not aired as widely.


Top Cat: The Movie

Also the whole rise of sending work overseas to Asia where your dollar buys an order of more magnitude more pencil mileage; animation was at the forefront of hollowing out the American industry by substituting cheaper labor across the globe. People who were kids with no taste and a lot of time to fill during the time they dominated Saturday Morning have fond memories of their characters but that stuff really does not age well. It maybe ages slightly better than most Filmation work. I grew up in Germany, but we got most of the cartoons that were popular in the US plus some Japanese stuff as well, dubbed. One particular situation from the late 80s or early 90s that I remember was when the channel that showed the Smurfs, which I liked, was somehow repeating the same episode over and over again. Maybe there was an error at the station I wouldn't be too surprised if nobody paid that close attention to the children's programming , or maybe I just happened to catch all the reruns in strange coincidence.

You have been hired to choose the cartoon characters for a remake of the classic Hanna-Barbera cartoon Laff-A-Lympics; who do you pick and.

Warner Bros set to remake Tom and Jerry

Heavens to Murgatroyd! Who could have thought that Snagglepuss, that bright pink mountain lion beloved of Saturday morning cartoon shows would one day be reimagined as a gay playwright in the s in a serious, adult comic book? Or, for that matter, that such a reinvention would work? DC Comics has embarked on the curious little experiment and, in Hanna-Barbera Beyond, given old characters a contemporary makeover. So far, so postmodern. The series has had largely positive reviews though, if you listen carefully you can hear the distant wail of a male voice decrying the ruin of his childhood. It generally means Dennis the Menace will suddenly start wearing a baseball cap back-to-front or the Milky Bar Kid is going to space. I fully admit that I went into Exit Stage Left: The Snagglepuss Chronicles expecting, if not to hate it, then at least to be left feeling a bit so-what.

The tale of Godzilla and Godzooky

hanna barbera remake

Hanna-Barbera Beyond is a comic book initiative started in by DC Comics that consists in a line of comic books based on various characters from the animation studio Hanna-Barbera. On January 28, , Dan DiDio and Jim Lee announced a new partnership between Hanna-Barbera and DC Comics, both companies owned by Time Warner , in order to remake most of the studio's comedic characters and adapt them into darker and edgier settings. From Wikipedia, the free encyclopedia. Entertainment Weekly. Retrieved December 8,

If you are wondering "Scooby-Doo, where are you?

Join Behance

Greenblatt and Warner Bros. Animation that will mark the return of the legendary characters after a long year break from television. The series will be set in the beautiful town of Jellystone and follow the ensemble of Hanna-Barbera characters as they live, work, play, and often cause a ruckus in the city they all love so much in silly ways. The series is sure to bring joy back to original Hanna-Barbera fans as these wacky characters finally interact once again. The massive amount of both classic and not-so-classic characters we were able to use from the Hanna-Barbera library is what really makes the Jellystone!

The Dreaded Remake of Jekyll & Hyde!

In business together longer than most marriages, two men from very different backgrounds created an animation powerhouse that would come to dominate Saturday morning television. Partners for over sixty years, William Hanna and Joseph Barbera possessed a relationship that would last through the rise and fall of two cartoon studios and the creation of thousands of characters and hundreds of animated and live-action TV shows, films, and specials. In addition to receiving commercial and critical acclaim, their ground-breaking animation work was recognized with seven Academy Awards and eight additional nominations , eight Emmys, and numerous other awards. Together, animators Hanna and Barbera created one of the most memorable cartoons in history— Tom and Jerry. During the rise of television in the s when film studios ceased producing cartoons, Hanna and Barbera saved the field of animation through talent, innovation, and hard work.

The catalog of Hanna-Barbera Productions is extensive. Disney Upcoming Live-action Remake Roundup: What We Know So Far.

‘The Amazing World Of Gumball’ Returning With A Movie And A New Series

We often critique a series for its inability to get off the ground running. Perhaps no television series excelled at that both literally and figuratively than the one and only original animated series, Scooby Doo, Where Are You? The entire series is airing this month on Boomerang.

Hanna-Barbera

RELATED VIDEO: [SFM] Hanna Barbera Godzilla Intro Remake

Sign In. Good Will to Men Hide Spoilers. This Hanna-Barbera cartoon certainly is different from the norm.

Your browser does not support JavaScript! Our website requires JavaScript to work.

Forums New posts Search forums. What's new New posts New profile posts Latest activity. Users Current visitors New profile posts Search profile posts. Log in Register. Search titles only. Search Advanced search…. New posts.

If you wish to use a clip, still or poster from the Warner Bros. Entertainment Inc. License Fees are set according to use. Physical elements or selections of footage or digital photos will not be prepared until a License Agreement has been signed.

Comments: 1
Thanks! Your comment will appear after verification.
Add a comment

  1. Nathalia

    this is the particular case.

+