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Smith Penguins of Madagascar , Bee Movie to lead the charge. Using their backgrounds in film, visual effects, games, architecture and virtual reality, the team challenged itself to build these stories in a new way. It required disrupting everything they knew about filmmaking. But once the team started working in parallel, in a non-linear workflow, it became clear that the benefits of real-time production were much greater than just lightning-speed renders. The storytelling process developed by the team resulted in more creative iteration throughout the production, almost like working on a virtual film set. After each episode was imagined in script form, it was put into Unity, skipping the traditional storyboarding process.

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Content:

• KINGDOM HEARTS III TO INCLUDE BIG HERO 6
• 'Big Hero 6' wins best animated feature film
• gamerant.com
• RELATED STORIES
• Here’s Why ‘Big Hero 6: The Series’ Looks Different Than the Movie
• Big Hero 6: The Series Launching June 9 on Disney Channel!
• Japan and America Meet in “Big Hero 6”
• ‘Baymax!’ Review: A Fun Trip Back to the World of ‘Big Hero 6’

WATCH RELATED VIDEO: The Hyper-potamus Pizza-Party-torium 🍕- Full Episode - Big Hero 6 The Series - Disney Channel

KINGDOM HEARTS III TO INCLUDE BIG HERO 6

It was the first feature length animated film, realized with illustrative imagination and popping Technicolor. As the New York Times review describes, there was nothing quite like it. He was seduced, smitten. Disney, and come again soon.

There are the competing animation studios — Dreamworks, Blue Sky, Illumination Entertainment — and studios' live-action slates too, CG spectacles that veer more and more towards straight animation with each passing year. Disney Animation isn't flinching, nor are they living in a bubble. For its 54th feature, Chief Creative Officer and Pixar founder John Lasseter will court competition from today's most ferocious trend: the comic book movie.

Seagle and Duncan Rouleau, follows Hiro Ryan Potter , a year-old boy genius who bounces back after the death of his brother by befriending inflatable health care robot Baymax '30 Rock''s Scott Adsit and turning him into an armored crime fighter. Not exactly, 'Frozen. Under the current Disney brand, 'Big Hero 6' isn't as aggressively alternative — not with Marvel as an in-house entity — but but the competition raises questions of what the Mouse House can bring to the table.

The five-character team of ' Guardians of the Galaxy ' had two fully CG characters. The Transformers moves are basically the pixel equivalent of a Stan Brakhage film. And now there's 'Big Hero 6,' a fully animated feature competing with live-action bombast. How will it stand out from the crowd? The legacy part shouldn't be a problem. There's a rush of spirit upon entering the Walt Disney Animation offices. The studio is a utopia. Not just on the surface, which looks like a cross between 'Logan's Run,' Willy Wonka's factory, and the Google offices in 'The Internship,' but in its mechanics, too.

Everyone's courteous, everyone's passionate, everyone's a workhorse, everyone loves everyone. It's like walking into a giant hug.

They animated, they directed, they talked story, they were co-workers transformed into family. At times they're individuals completing assigned tasks or focusing on passion projects. At others, a series of teams hustling to perfect scenes from the latest tentpole, a artisan Model T assembly line.

Or they're one massive unit, a hive mind capable of rattling off post-screening notes, artistic secrets, or spiritual guidance. Other studios foster writers programs and story-smashing collectives, but there's nothing quite as invigoratingly strange as the workflow at Disney.

On one hand, as Hall, Williams, and Conli insist, it's a director's studio. He settled on the obscure title because he liked the name. What he could stretch into a Disney-ified story didn't hurt either: A story of friendship for a tech-driven age, colorful designs and costumed characters, inherent action filmmaking — a full package.

When work began on developing, scripting, storyboarding, and chiseling 'Big Hero 6' out of a piece of granite, it took a town. Hall admits he's not the Hayao Miyazaki type, laboring in a dark room, painting frames until his vision is percent clear and ready to execute. Robert Baird is the credited screenwriter of 'Big Hero 6,' but his job is both that of a creator and translator. The Story Trust will lay down the tracks and he'll take a pass. Concept artists and character designers will reflect those ideas, then Baird will revise.

Animators step in, stand-in dialogue is recorded — Baird takes a pass. Rough assembly cuts of the film are screened for studio employees, years prior to the film's eventual release, to see what works and what doesn't.

Knives are out. Baird takes a pass. He works with Baird and the other departments to keep the ever-changing script in check and ensuring that the written elements translate into the right visuals. He insists the Story Trust method, brought over by Lasseter from Pixar, allows for more discovery than the simpler sit-down-write-a-script-and-shoot-it tradition.

When someone else is looking at it and asking, 'Is that the way it should be? There's a lot of passion and a lot of arguing.

I visualize it as constantly ripping at the thing. Williams swears Story Trust meetings can roll storm clouds across the peachy Disney offices, but at the end of the day, Disney team members are conditioned to kill their darlings and embrace change. The core idea of 'Big Hero 6,' a boy and his robot, acted as a keystone to the script.

Around it, major changes toyed with in test screenings contextualized the adventure in new ways. The balloonish Baymax design looks nothing like the original Marvel comic book illustrations. Hall and Williams don't mind. He's tangible without adhering to the rigid physics of people. Hiro and the other human characters are more caricature than mirror images. Baymax is on a whole other level, Buster Keaton in a sumo wrestling suit. He can't stand on one foot without counterbalancing his weight.

You have to ground him in the physical world, but you don't have to anticipate. Anticipation is one of the animation principles. That's where, if you're going to jump, you have to squash and stretch. He doesn't have to do that. He can start walking. He doesn't have to rock his weight back and get that momentum because he's all driven by the mechanics within. A lot of the times, it was 'Take that out. That's something we don't do with a human character.

No one ever completely stops. There's always something to keep them alive. With Baymax, if he doesn't need to move, don't do it. The last traditionally animated American feature film was one of Hall's: 's 'Winnie the Pooh. Underneath every dimensionalized character in 'Big Hero 6' is a 2D animated skeleton, that Walt Disney legacy alive and well. Mark Henn, who animated Ariel in 'The Little Mermaid,' Belle in 'Beauty and the Beast,' and Jasmine in 'Aladdin,' works closely with Parrish's team, pushing the young animators to rely on frame-by-frame decision-making over a computer filling in the blanks.

In front of a crowd of journalists, Henn took a scene from 'Big Hero' and performed a digitized draw over, sketching out nuanced movement. An inverted elbow here, a lower brow there, and Hiro's mild-mannered entrance turns into a character beat. It's psychological. Comedy, really easy. Tragedy or emotional, very easy. Peril — this is a personal feeling — I feel CG, because of its dimensionality, seduces an audience member into something deeper.

Conli says absolutely, if a director comes along with a great pitch. It'll be interesting to see where Don comes on to the next project. There's obvious sea change at the studio: Over the years, the visual effects squad has grown to accommodate the more complicate cinematic scenarios that can't be accomplished by animation.

Water, fire, magic-like superpowers, and 'Big Hero 6''s major effect, villain Yokai's army of swirling microbots. The division's rooted in algorithms and simulations, but even they tip their hat to Mr. Disney in the way they conduct business. For Parrish and the VFX tech geeks alike, observation is key. For the microbots, which defy gravity and assimilate into any arrangement the Yokai can whip up, the team studied the cooperative behavior of ants. The observation extends to their own history: For shots of water, the team still admires the handcrafted work in 'Pinocchio'.

Ensuring that every Disney animator can soak up the company's sprawling filmography, each studio workstation is outfitted with DPIX, a custom streaming service that can pull up any Disney movie, any scene, with a few clicks of a mouse. The future is now, and it's all about the past. The utopian face of Disney offers little opening for true understanding of what happens behind closed doors.

It's just an adrenaline rush. A few scenes before, Hiro's brother was killed. It does. I ask the directors why, in this day and age, 'Big Hero 6' wasn't just a live-action movie supplemented by special effects.

It goes back to ol' Walt and a skill set honed over 90 years. Strip things away and find things that are subtly observed. A tiny acting choice can mean a lot in animation in a way that live-action can't. Matt Patches Published: September 3, Share on Facebook Share on Twitter. Big Hero 6 preview. Disney Animation Office Big Hero 6. Big Hero 6 Baymax sketch. Back To Top.

'Big Hero 6' wins best animated feature film

Almost exactly one decade later, Disney released Big Hero 6 , another story about a team of animated heroes. Jonathon Dornbush: So Big Hero 6 is the first time Disney is putting its Marvel properties to use outside of the live-action series that will one day grow large enough to encompass every movie being released. How did they stack up for you, Ashley? To me, The Incredibles is perfect, and of course all dissenting opinions are wrong.

gamerant.com

Adsit also spoke about how Baymax might try to help the zombies in 'The Walking Dead' universe. Plus, a new clip from 'The Death of Superman' reveals the clash of the titans: Superman and Doomsday. The actor talks about playing such a beloved Disney character, the new elements of Baymax they had time to explore in the series, and more. Study up on your S. Plus, take a look at 'Your Name' director Makoto Shinkai's career, learn a bit about Disney's 'Aladdin' from its 25th anniversary celebration, and more! You might be interested in things like the 'Batman Ninja' anime coming to Blu-ray next year. Big Hero 6.

RELATED STORIES

Loneliness has been a growing thread in the last few films from Walt Disney Animation Studios. If Wreck-It Ralph , then, gave us the extraordinary Vanellope von Schweetz still probably my favourite new Disney character of recent times and Frozen homed in on two sisters torn apart, Big Hero 6 turns to a boy genius by the name of Hiro. Ad — content continues below. When we get robots in modern Hollywood blockbusters, they tend to be rampaging monsters, or threats, or standing with a gun in their hand to defend their human chums. Baymax leans east, though, an inflatable healthcare assistant in robot form.

Here’s Why ‘Big Hero 6: The Series’ Looks Different Than the Movie

Cooper: Where Are You?! Starting today, November 10, you can stream all the animated epics like Big Hero 6 and… uh… oh, wait. Big Hero 6. Just Big Hero 6. When Disney acquired Marvel way back in , everyone assumed that Marvel cartoons had to be on the way.

Big Hero 6: The Series Launching June 9 on Disney Channel!

Loosely based on the Marvel comics of the same name created by Man of Action , it is the 54th Disney animated feature film. Big Hero 6 tells the story of Hiro Hamada , a young robotics prodigy, and Baymax , his late brother Tadashi's healthcare provider robot, who form a superhero team to combat a masked villain who is responsible for Tadashi's death. The official Marvel universe for the animated franchise has been labeled Earth Big Hero 6 is the first Disney animated film to feature Marvel Comics characters, whose parent company was acquired by The Walt Disney Company in A television series , which continues the story of the film, aired from to on Disney Channel and Disney XD. Another series, Baymax! To keep Hiro out of underground robot fighting , his older brother Tadashi takes him to his research lab at the San Fransokyo Institute of Technology.

Japan and America Meet in “Big Hero 6”

But other than its new look and different medium, the Disney XD series aims to retain the key elements that made the original movie such a hit with audiences. Because every kid walking out of the theater is going to want to see more of these characters and what they do next. It definitely gave that feeling that big things are going to be happening. Disney XD.

‘Baymax!’ Review: A Fun Trip Back to the World of ‘Big Hero 6’

RELATED VIDEO: Action Animation Movie 2020 - BIG HERO 6 (2014) Full Movie in English - Best Animation Kids Movies

Plenty of people are anxious to see Disney's "Big Hero 6. On the other, it's Disney's follow-up to the incredibly popular and profitable "Frozen. Miller to stop a plot that threatens their home of San Fransokyo. With the full trailer just hitting and the film's release looming, Disney Consumer Products and Bandai showed off a variety of different September-shipping toy and role play options for kids and collectors alike to fawn over. The 4-inch line of figures will feature all six members of the team along with the silent villain of the film, Yokai. There will also be a 6-inch line of toys that kicks off with Baymax and Fred.

Big Hero 6 Rated PG minutes. Superhero movies are everywhere these days. For a geek like me, these are the salad days when my favorite comic books from childhood are coming to life in fun and interesting ways. Of course, not everyone shares this view. Those in the opposite camp may look at the latest superhero release, Big Hero 6 , as just another costumed melodrama to throw on the pile. Yes, Big Hero 6 is a superhero movie. And because of that emphasis on character, I would argue that Big Hero 6 is a superhero movie worth watching.

When I first saw Big Hero 6 back in , I was enthralled with the world the film created. I wanted to go to the San Fransokyo Institute of Technology and travel around the streets of the city. As a fan of Japanese culture, Marvel superheroes, and fun animated worlds, it felt like the film was made for me.