Looney tunes stop look and hasten

And Hasten! Coyote and the Road Runner. The Coyote is trudging down the usual open road in the desert Southwest, his hunger to the point that he snatches and eats a buzzing insect and starts chewing on an empty tin can. He is still chewing when he gets knocked into the air by the passing Road Runner.

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• Top Contributors
• Watch Road Runner & Wile E. Coyote
• Warner Brothers Sericel "Stop! Look! And Hasten" Featuring Wile E. Coyote
• Stop! Look! and Hasten! Soundtrack (1954) OST
• Stop! Look! And Hasten! (1954)
• Road Runner cartoon
• Watch cartoons online, Watch anime online, English dub anime

WATCH RELATED VIDEO: Looney Tunes Stop look and hasten opening

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Despite these being the latest transfers compared to the post 48 cartoon library, the latter still proved superior due to use of original masters. Even though they were of much better quality and possibly these were done digitally instead of analog albeit in standard def only , it was clear that the pre looked much older compared to the post 48's.

But a new age is coming: the digital age. This meant that analog tapes are starting to become obsolete and are being replaced with digital copies. The other thing happening was the coming of DVDs, providing much clearer picture than what any videocassette can provide. That didn't mean everything is in high definition, but it did mean much clearer pictures.

Warner Bros. However, it wasn't a mass restoration project, just select titles such as The Wizard of Oz, but it would be a start of things to come. The first batch was done between There were two versions; one with a new copyright notice and one without such.

Most of these were from the post 48 package with one strange exception: a colorized version of You Ought to Be in Pictures. Sadly not every cartoon got this treatment. Worst yet, some of these didn't make it to the states. Still, we were lucky enough to see some of these end up on VHS and even some on TV when Cartoon Network gained full access of these cartoons.

The next batch began in the early 's for Japanese DVDs. They were mostly just Tweety cartoons. This was because Tweety was the most marketable Looney Tunes character right next to Taz and especially with young girls.

It still was mostly post 48 because even though Warner Bros. Because Warner Bros. Were they perfect, not always. One time, they did restorations for the post 53 cartoons to be in cropped widescreen.

This meant that the bottom and top of some of these cartoons were lost. This caused a major uproar in the animation community. Those restorations were done from Many of these have since been corrected to At the end of the day and possibly ending this blog post, this is where we stand: While not perfect, we have made progress in restoring the Looney Tunes for a new generation.

In , all the cartoons looked kind of murky, even the best quality prints looked faded. Today, the colors shine bright, dirt is removed, and are now more pristine than ever. While the entire library has not been restored yet, it is great to see these newly realized versions of these cartoons. To everyone involved in getting this job done, I thank you. As you can read, it took YEARS to get to this point, and who knows, as technology changes, they may have to rework these cartoons again, but it looks like the Looney Tunes will be preserved for a long time.

That doesn't mean we're done with hard work; there's still much work to be done by all major studios in preserving classic cartoons and raising awareness that these are all time classics like The Wizard of Oz or I Love Lucy.

Honestly, no restoration of the Looney Tunes is perfect Wednesday, April 21, Restoring the Looney Tunes. These would be the standards in the 60's, 70's, and 80's. However, they were far from perfect, as they were not technicolor prints revealing some fading and some of these prints were used then reused usually by CBS over and over again. Not to mention they used single title cards instead of the theatrical ones as covered on a previous blog post. Despite these flaws, seeing them on Saturday Mornings were the best versions of these cartoons.

Color TVs were the novelty, so seeing everything in color was a treat. If one were to view these on the TVs they had back then, they would be just fine. Looking back now, they were indeed faded and a little worn. But by the 80's, the era of film was starting to turn into tape, so instead of striking new prints, it's best to just transfer from 35mm into tape.

Little did they know back then that this was a downgrade as videotape can only show so much than the beautiful quality that 35mm can bring. Still, these were for TV, not for theater, so for those watching wouldn't have mattered.

Beginning in the early 's, some of the cartoons were transferred over to 1 inch tapes. Quackodile Tears was one of the first cartoons to get 1 inch tape transfers These copies were big at the time, but only a handful of them were available to the public. Worse yet, many of these only exist in PAL time compressed format. The reason these copies were so hard to find was because local TV stations still used 16mm prints and Saturday Morning networks were still using the same single title card prints.

Eventually, some of these 35mm transfers began airing, but by the time they did, it was too late. The quality suffers on these tapes. Ghosting and smearing is seen throughout. Sadly, some of these cartoons never got an upgrade after that for nearly 40 years. The quality of these tapes compared to Warner Bros. However, MGM had no access to the original masters, so 16mm prints and some 35mm Eastmancolor prints were used, usually with the AAP logo.

They seemed pretty cleaned up, but the colors are faded. Many of these versions were the only copies used for nearly 15 years. Interestingly enough, the Censored 11 were also transferred this way, but of course, only private collectors seemed to have gotten a hand of them and did not air on TV nor put on home video obviously.

Back over at Warner Bros. New transfers were made for these VHS and Betamax tapes. The quality was a little bit different compared to previous transfers. Boarder colors surround the title cards at times. For the first time, a handful of black and white cartoons got transferred this way. These were far superior than what was airing on TV at that time, but they were still going by the best prints they had.

Still, these 35mm versions gave collectors what they wanted. Some of these copies would be the mainstay copies run for many years. Some, despite better transfers later on in life, would return in reruns this way especially on Cartoon Network and Boomerang.

As time rolled on, these transfers fared better than those early 80's ones. The correct scans made them much more watchable, but some of the prints still seemed washed up. If one wonders why these copies showed up on Cartoon Network instead of brand new transfers made much later, according to The Bugs Bunny Video Guide, it comes down to one word When Cartoon Network got their first batch in , they needed versions dubbed in Spanish, and the quickest copies were the ones supplied to Warner Bros.

As a result, many of these copies became the standard again, and of that batch a monster load of them were is PAL format speeding up the cartoons and high pitching the audio, making quality of those cartoons even worse.

They still turn up on Boomerang time after time. But the Golden Jubilee was a success, and everyone wanted to get into the act.

This included unauthorized companies putting out public domain Warner Bros. Sadly, they were a mess. Many just start with the title cards without the opening Warner Bros. They also have blue boarders surrounding the titles similar to what Warner Bros did in Some of these continued even to this day to be out there. However, attempts were about to be made to replace these botched versions as Turner bought the AAP library. MGM continued distributing them for VHS during that time, but under new management in the home video department.

Enter George Feltenstein, who would oversea some of the latest cartoon and film remastering from Warner Bros and MGM for more than 30 years. Transfers made for this series of tapes were much better. Some still have borders surrounding the titles, some even still have the AAP logo at the beginning, but they were complete and original.

These transfers were done from the early 's. Sadly, many of the non major character titles and some titles that didn't make the cut on Cartoon Moviestars did not get new transfers using those from the early 80's. There were a few improvements however such as erasing the AAP logo off the prints. A handful but not many of the cartoons did indeed receive new transfers. One major one was A Wild Hare, which has a strange print history.

There were three copies out there in the early 90's. Then in when Turner released a documentary called What's Up Doc, a Salute to Bugs Bunny, they struck a 16mm dupe print of the original version. One easily assumed that when they put it on the laserdisc again as a bonus including the original version it was the same dupe print.

Well I'm here to tell you, that's not the case. A new 35mm print was struck of the original version, and at the time of its release, even when the dubbed version came out a few years later, this was the best copy around at least until when restored in HD from the original masters.

Some of these copies are still in circulation, and at the time these were exciting. Many of these seem like 35mm transfers even if they were from 16mm or non original masters. However, by today's standards they seem a little bit soft and because they weren't original masters, a little bit faded.

Meanwhile, Saturday mornings and syndication of the post 48 cartoons were still iffy, and TV is changing drastically. With tape being the norm and being better quality than ever much better than faded old prints and now cable is entering the ring, it was time for a change. It was also getting close to Bugs Bunny's 50th.

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Sign In. And Hasten! Animation Short Comedy. The Coyote employs a series of devices to try to capture the Road Runner.

Watch Road Runner & Wile E. Coyote

Verification code check your email for the verification code. Try to whitelist our email address noreply sharetv. Resend verification email. Also Watch The Simpsons. Tom and Jerry. Duck Dodgers. Baby Looney Tunes. Loonatics: Unleashed. Top Contributors. Looney Tunes.

Warner Brothers Sericel "Stop! Look! And Hasten" Featuring Wile E. Coyote

A Burmese tiger trap, a pop-up steel wall, a motorcycle, and a box of Acme-brand leg-building vitamins can't help the Coyote Eatibus anythingus catch the Road Runner Hot Rodicus supersonicus. Paul Julian. Warner Bros. Available to view here.

Stop! Look! and Hasten! Soundtrack (1954) OST

The fastest denizen of the desert, the Road Runner, Accelerati incredibulis in Latin, is a bird of very few words. Although he always stays on the road, his awesome speed allows him to escape Wile E. Coyote's every trap. Wile E. Coyote makes 11 disastrous attempts to catch the Road runner. The Road Runner and Wile E.

Stop! Look! And Hasten! (1954)

I tell students that the secret of drawing the Road Runner is learning how to draw dust: just draw a cloud of dust and hook a Road Runner onto it. Many people do not know there is such a creature as a roadrunner outside Warner Bros. My Road Runner is a rare case in which the animated animal is almost exactly like its living model. The head shape of the real roadrunner is slightly different, and it does not have such a prominent crop except when excited , but body and neck are pretty accurate. My Road Runner has legs like elongated chicken legs, and a high forehead gives the bird a youthful look. It has a chest and a pelvis, just as we do, and the backbone extends a little at the tail. It seemed unimaginable to ask anybody but Paul to record this sound, so we invited him into the studio.

Road Runner cartoon

Disc 1. The big snooze -- Broom stick bunny -- Bugs Bunny rides again -- Bunny hugged -- French rarebit -- Gorilla my dreams -- The hare-brained hypnotist -- Hare conditioned -- Heckling hare -- Little Red Riding Rabbit -- Tortoise beats hare -- Rabbit transit -- Slick hare -- Baby buggy bunny -- Hyde and hare Disc 2. Beep beep -- Going!

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RELATED VIDEO: Replaced the final scene of Stop! Look! and Hasten! from Going! Going! Gosh! in The Bugs Bunny Show

Despite these being the latest transfers compared to the post 48 cartoon library, the latter still proved superior due to use of original masters. Even though they were of much better quality and possibly these were done digitally instead of analog albeit in standard def only , it was clear that the pre looked much older compared to the post 48's. But a new age is coming: the digital age. This meant that analog tapes are starting to become obsolete and are being replaced with digital copies. The other thing happening was the coming of DVDs, providing much clearer picture than what any videocassette can provide. That didn't mean everything is in high definition, but it did mean much clearer pictures.

Eligible info. Season 1. Coyote are at it again in this classic Looney Tunes episode. Some highlights include Coyote lighting a match in a room full of explosives and Coyote flying off into the sky with one of his rockets. Directed by: Charles M. Coyote makes 11 disastrous attempts to catch the Road runner. A classic Looney Tunes episode.

So again, where do you start? Which cartoons hold up as the funniest and most kid-pleasing today? Here are 15 of my favorites to get you going….