Nobody does horror like Junji Ito, and there is no manga quite like a Junji Ito manga. When we think of that genre, the very familiar names of English language writers instantly come to mind: Stephen King , Shirley Jackson, James Herbert etc. But none of these writers capture the true feeling of terror like a Junji Ito manga can. What sets the manga stories of Junji Ito apart from those of so many other horror writers is his understanding of phobias and of the unknown. Junji Ito is a master of horror in more ways than one. He is a mangaka who has master creeping terror, monstrous horror, and quiet paranoia.
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Which Monsters May Be Making Their TV Debut in Junji Ito Collection?
The world of horror manga is vast, with many excellent titles to choose from. As a genre overall, there are many aspects that make horror appealing; the suspense and tension, the adrenaline that accompanies fear, and the social activity that it engenders.
So what is it that makes his work so unique and appealing? Even a simple Google search for Junji Ito brings up pages upon pages of gory screenshots from his manga. Wading through the depths of these images, one thing is made immediately clear: Ito has a very distinct style, and it is horrifying. Obviously this is normal for manga, and does not prevent the conveyance of a wide range of moods and aesthetics. Human characters rendered by Ito tend to have white skin, with realistically detailed features.
This visual choice contrasts with that of most other manga, and gives the characters a pallid, lifeless look. Additionally, character faces tend to have minimal shading, other than for dramatic effect.
The plain face provides an excellent contrast for details that are drawn on, and emphasises any unnatural elements that are present. In particular, the eyes tend to be drawn with more detail than the surrounding face.
This allows fearful emotions and the insanity of the characters to stand out, even when other elements of the horror are not visible in a particular panel. Alongside regular manga screentones shading patterns , Ito makes heavy use of lines to demonstrate texture. All of the gory elements are shaded with a variety of lines to imply different squishy and drippy textures.
The vivid usage of black and white helps create a sense of depth, which further adds to the eerie realism of his work. It might be a little uncomfortable if his art style was used to draw a cutesy, shoujo-style romance, but its downright horrifying when used to draw hideous insect-like creatures, deformed limbs, and twisted environments.
Classic western body horror often showcases humans transforming into monsters or zombies, or growing strange limbs. Ito once worked as a dental technician, and makes full use of his prior expertise to create plausible images. The non-humanoid monsters are less common, but still scary. Gyo features sea-dwelling creatures emerging from the depths of the ocean to invade land, propelled by insect-like legs.
Such a design combines two common fears; insects and the deep sea. The images, while uncomfortable, are unlike anything else in horror, and that alone makes it difficult to look away. For example, the fish monsters from Gyo are scary for two reasons. Firstly, their design is clever, tapping into two types of fear, as discussed above.
Secondly, the creatures inspire a more practical type of fear; taking creatures that are usually removed from daily life by virtue of being in the ocean , and giving them the means to intrude into what would normally be considered safe from them. For example, the human characters have a tendency to lose themselves to madness, whether due to a supernatural force or their own paranoia.
In this sense, they shift beyond human rationality into something darker, and no longer human. Indeed, many of his stories begin with ordinary protagonists, but most eventually succumb to insanity and the pull of the supernatural. In doing this, the seemingly ordinary characters become part of the horror themselves; this is evident in works such as The Enigma of Amigara Fault.
Of course, this is normal for horror, however Ito tends to favour godlike forces, moving beyond the norm of spirits and zombies. Importantly, these deific entities are unstoppable. The entities are beyond human comprehension and therefore beyond human intervention. These sinister forces feature prominently in works such as Uzumaki and Muma no Kikou Again, the design elements of this choice have already been discussed, but there is also something conceptually unsettling about humanoid monsters.
Characters such as Tomie from the popular Tomie initially appear almost totally human. This reinforces a sense of tension that spills over into daily life; such a being might just exist, and never be found out, perhaps even amongst your own circle of friends. Ito himself has stated in an interview;.
Either physically, whether by his actions, or his psychic, there are plenty of parts of the human that can be scary.
And my goal is to use the human to try to scare readers as much as possible. While many of his stories are thematically profound, they are also narratively eccentric, nonsensical, and irrational. However, these narratives are always creative, and importantly, incredibly unique. These characters and creatures are then set against creatively bizarre narratives.
Behind the stories are a backdrop of poignant themes; the nature of humanity, and a sense of inevitable doom brought about by relentless deities. Thank you so much for this fabulous work! This post definitely helped me to clear some wonderings I have had in much better phrases.
Really love it! There was no explanation, or an ending really, but that was the beauty of it. The unknown. It made me fall in love with his work. And now I have a shelf full of manga. But I agree, it ended, but there was no closure really, just the sense that it might happen once again… I do like how his manga can inspire that feeling! You know how actual nightmares are usually nonsensical, but feel so real sometimes? I get the same feeling from Ito.
Even in these grotesque images I see parts and pieces that feel so real. And the main horror for me comes from times when I accidentally realize whats gonna happen next and Im afraid to turn the page. You know in Uzumaki there was a lady who decided to get rid of all the spirals in her body?
She did, but then you see this brain chart in the doctors office, nothing yet happened, but suddenly you REALIZE there is a f-king spiral inside our head, and you just watch as a catastrophe unfolds in front of you. But yes, I think his stories too are very cleverly crafted. I never liked Junji Ito works. I agree with Malia. His imagery is impressive in the way, that it strongly disturbs me, yet I can hardly stop looking at them. Several times a week I just open one of my Ito stories just to look at some certain frame again and stare at it for good several minutes.
Ooh, I know what you mean. Some of the images really freak me out, and yet I still find myself reading his manga! When I was still reading Uzumaki, I went out for dinner.
As I lifted the food off of my plate I realised that the plate had a spiral pattern on it. Scared the life out of me! His works sure leave a lasting impression!
Slowly, the manga got more painfull and hard to read. The second I finished it I spaced myself as far as possible from my phone and was too disturbed to even close my eyes. It cannot be explained and yet it needs no explanation. His work truly embodies the cosmic horror genre. I agree! Thank you for the excellent analysis. Thank you for reading! No matter how awful and grotesque my body became, no matter how twisted and disgusted I felt when I looked in the mirror, Ito could always give me something worse.
Think about it, who would be scared of a spiral or a chair for that matter? I also love his artwork. He truly is the master of unknown horror. Lots of people laugh at it too, as a way of appreciation. I think in an interview Ito said he does incorporate some comedy into his works especially when referring to the anime , so you might find a similar vibe if you watch it! I came across an uzumaki book in my local library a few years ago, it was horrifying and very graphic.
I loved it! Cheers, lovely read. This is just a genius way of using the traditional way of Manga reading to create a increasing tension within the mind of the reader.
Thank you! Seeing his art come to life on screen the right way would most likely be terrifying. Maybe there will be in the future? I was seeing spirals everywhere, a theme in one of his stories, for days after reading it.. I thought I was losing my mind. The obsession to detail, the hopelessness and loss of control. But for me personally, I think it has to be the strong sense of realism to his stories. The first time I got into his work a few years ago, I read about The Enigma of Amigara Fault, and I had a nightmare where me and my female best friend switched places with the lead characters.
I got to know the people, see the world and envision it in my head so vividly and believed in it, half because it took place somewhere real, and half because of the detail Junji Ito put into the design of each scene.
Everything looked and felt real. From the faces, to the world, to the shapes of the holes and the creatures inside of them at the end. And the limb stretching… just ever so slightly… I still feel uneasy thinking about it. Then I moved on to Uzumaki. Boy, was that a trip.
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Enlarge Image. Some weird guy gets back home after having encountered a primitive tribe that showed him the secret to a delicious nectar. The nectar tasted so good, the man had to risk his life to acquire it, as he said to his friend. While eating the nectar, they start exploding, one after another, leaving nothing but that huge bloch behind them. They can no longer eat, as nothing tastes good anymore, and the last of them notice a huge object smashing them after they eat it. The very last survivor discovers a map that takes him to a tree with enormous flowers growing out of its trunk, one of which it uses to smash him when he tries to pierce its skin and drink its precious nectar.
P; ep 6 Hyun Ah Song B. P; ep 6 Kyung Min Kim B. Compare this anime's credits with others. No account yet? Registering is free , easy , and private. Discuss in the forum, contribute to the Encyclopedia, build your own MyAnime lists, and more. Rush Duel: Dawn of the Battle Royale!! Let's Go! Go Rush!!
13 Extremely Disturbing Junji Ito Panels
The term master of horror is often attributed to American author Stephen King without any argument. Junji Ito is a mangaka who understands phobias, existential anxieties, and the terror of the unknown better than any other horror writer on Earth. His horror stories, both short and long, are all written and drawn with a surreal, off-kilter, otherworldly eeriness. Over and again, Tomie drives the men who fall for her into madness. Despite its success, Tomie did not project him into the world of famous writers and artists immediately, as Ito worked for several years as a dental technician.
The first and longest anthology serial of horror master Junji Ito 's work. Totaling 16 volumes and including several subseries among the short stories, the collection's most notable contributions may be that it featured the first collection of his famous Tomie series and that it introduced many unconnected and wildly varied one-shot stories that defined Ito's range. In addition to the Tomie stories, the manga includes the short Lovesickness series and multiple stories about Souichi, a creepy brat who partakes in supernatural mischief; Oshikiri, a boy with a height complex and several run-ins with parallel dimensions, the Strange Hikizuri Siblings; a creepy and severely dysfunctional family unit, and finally, Ito's own take of Frankenstein. The manga has also been published under the name Museum of Terror , with the difference being the order of some of the stories. Though they were included here, tropes from Tomie and Lovesickness should go on the two series' own pages. An anime adaptation of a select number of chapters, simply called The Junji Ito Collection , was released in Reception was generally mixed, largely due to the conversion being far less scary in addition to being noticeably low-budget with simplified backgrounds and character design and limited animation.
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JUNJI ITO COLLECTION 144PC BUTTON DIS ASSTRELATED VIDEO: Koleksi Ito Junji - Episode 09 [Takarir Indonesia]
In the light of day and in the dead of night, mysterious horrors await in the darkest shadows of every corner. They are unexplainable, inescapable, and undefeatable. Be prepared, or you may become their next victim. Sit back in terror as traumatizing tales of unparalleled terror unfold. Tales, such as that of a cursed jade carving that opens holes all over its victims' bodies; deep nightmares that span decades; an attractive spirit at a misty crossroad that grants cursed advice; and a slug that grows inside a girl's mouth. Tread carefully, for the horrifying supernatural tales of the Itou Junji: Collection are not for the faint of heart.
Fans of horror are probably familiar with Stephen King's work, but what about Junji Ito. A famous writer from Japan, year-old Junji Ito is known for his horror manga. Some of his short stories were adapted into an anime called Junji Ito Collection , released in In the 12 episodes, horrifying monsters, alternate realities, and supernatural events unravel. Before this, Junji Ito was releasing horror mangas and short story collections. One of his more famous stories is Tomie, a horror manga that ran from to
The world of horror manga is vast, with many excellent titles to choose from. As a genre overall, there are many aspects that make horror appealing; the suspense and tension, the adrenaline that accompanies fear, and the social activity that it engenders. So what is it that makes his work so unique and appealing? Even a simple Google search for Junji Ito brings up pages upon pages of gory screenshots from his manga.