Batman animated almost got im

Kirk Langstrom's Marc Singer Man-Bat serum as a metaphor for the secrets couples keep from each other and the ways that those secrets can deteriorate a marriage. When a humanoid bat-creature attacks the Gotham docks, Batman assumes Kirk has transformed into Man-Bat again, and claw marks on the rug and the pulpy evidence of the dock attack convince the doctor of the same. When Kirk's wife Francine Meredith MacRae discovers the remnants of the previous night in the trash, she confronts her husband, who insists that he is not intentionally transforming, but Francine is not convinced. The scene where Francine tells Kirk that she can't go through the drama again could easily be about a mistress or addiction, but instead it's about a serum that turns people into half-bat monsters. The fact that Perry and Saraceni are able to convey strong, human emotions in the fantastic context is admirable, and they're greatly assisted by Singer and MacRae's strong voice work. We haven't really seen a married couple dynamic on the series yet, and the Langstroms' emotional journey is a riveting one, with Francine leaving her husband because she's lost her trust in him.

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• Almost Got 'Im: A Batman The Animated Series podcast
• Batman: The Animated Series – “Almost Got ‘Im”
• Episode 1 - Batman The Animated Series: Almost Got 'Im
• Batman: The Animated Series – Almost Got ‘Im Card Game
• Batman TAS - "Almost Got 'Im"
• February Game of the Month – Batman Almost Got ‘Im
• Batman: The Animated Series – Almost Got 'Im Card Game Review - with Tom Vasel
• Batman: The Animated Series - Almost Got 'im Card Game

WATCH RELATED VIDEO: Batman: The Animated Series - How Ivy Almost Got 'Im - DC Kids

Almost Got 'Im: A Batman The Animated Series podcast

The seminal series, shepherded by talents like Bruce Timm, Alan Burnett, Eric Radomski, and Paul Dini, set a new standard for superhero storytelling writ large. The show's creators achieved this lofty standard by melding influences from Tim Burton's art deco Gotham, the animation of Max Fleischer's '40s "Superman" cartoons, and decades of comic book stories from across the spectrum.

The results speak for themselves. From key contributions to the Batman mythos like Mr. Freeze's tragic backstory and the debut of Harley Quinn, to defining turns from Mark Hamill as the Joker and Kevin Conroy as the Caped Crusader himself, not to mention the distinctively dark designs and expressive animation, there's a reason the series has lingered so long in the hearts and minds of fans of all ages. As another reimagining of the Bat lurks in the wings, we're here to pay tribute to the 15 best episodes from this superlative show, which like its hero, still casts a long shadow.

Freeze set the tone for the series' approach to its villains. Victor Fries is downright terrifying here, with his dead eyes, fishbowl-like helmet, and Michael Ansara's menacing monotone voice. But he's also a tragic figure, fighting to avenge his lost soulmate, and a victim of forces more pernicious than any one supervillain.

Those forces are embodied by Ferris Boyle, an example of the corrupt corporate snake archetype that "Batman: The Animated Series" would return to again and again. Boyle and his craven financial interests are behind both the loss of Victor's wife and his present subzero state. The smiling CEO is magnanimous in public but cruel and uncaring behind closed doors.

He's an ironic counterpoint to Mr. Freeze himself, who seems cold on the surface but is passionate, even lyrical, at heart. One of the series' best features was the complexity and grace it granted to villains like Mr. Victor's losses earns him Batman's sympathy as well as the audience's, even when his plans wreak havoc in a futile effort at revenge. And when Batman digs up the dirt on Boyle and hands it over to the media, his choice confirms that he doesn't merely fight to stop supervillains; he fights for justice.

Honorable Mention: "Two-Face" another early triumph for the series that delves deeply into the psychology and pathos of its title character. There may be no greater description of Harvey Bullock than Alfred's, dubbing him "the detective who looks like an unmade bed.

But the boon of "A Bullet for Bullock" is the way it finds a plausible scenario in which Batman must team up with the GCPD detective who loathes him the most. When Bullock's life is seemingly threatened by one of the crime bosses he put away, the Caped Crusader is duty-bound to help his foe on the force.

It's a great setup, which combines an amusing odd couple routine, a cool mystery plot, and clever resolutions to each. The episode underscores the personal differences that divide Batman and Bullock, while also showing the common goals that bring them together. Even late in its run, the series found new angles on familiar faces and highlighted the begrudging respect between these two very different forces for good.

Shoving a bumbling, third-rate goon into the spotlight for an episode is another inspired choice from "Batman: The Animated Series.

Sid dreams of being a bigtime underworld boss — only, when it seems he's accidentally taken out the Dark Knight himself, Sid gets a lot more than he bargained for. There's superb comedy here, from Joker's usual antics to Sid's nebbish ways. But there's also a wisp of pathos, as Joker laments that without his archenemy, "crime doesn't have a punchline," while Sid watches his aspirations run aground on reality. The episode boasts clever turns and amusing scenes throughout.

In the end, watching a minor schnook crumple under the infamy of appearing to have iced the Bat made for one of the show's most creative outings. Only "Batman: The Animated Series" could take a goofy story about a one-time child star kidnapping her former castmates and make it into one of the series' most heartrending installments.

Mary Louise Dahl was an adorable sitcom moppet with a condition that makes her look like a little girl even after she's grown up. Having aged on the inside, if not the outside, Mary becomes "Baby Doll," a colorful villain who mixes her childhood catchphrases with legitimate threats in a ploy to get revenge on the Cousin Oliver-esque costar who upstaged her.

And yet, what Baby Doll truly wants is to return to the one period of her life when she was happy; she yearns to go back to the only time she had a family, even if it was just a TV family. Most of Batman's villains are some shade of unwell. Most of them have been screwed over by an even more malevolent force. But what distinguishes Mary is how she's simply a poor young woman driven to the edge by unfair circumstances and a world that had no use for her once she could no longer entertain.

Her tears after seeing a glimpse of the woman she might have grown into via a funhouse mirror, and Batman's impulse to help rather than punish her, mark her tale as one of the show's finest. Honorable Mention : "Sideshow," in which Baby Doll's future partner in crime, Killer Croc, gets his own misguided chance at finding a home. What superlative hasn't already been laid at the feet of Mark Hamill's Joker?

And every bit of it is earned. Never before had the character found such a perfect balance between a downright hilarious shtick and an equally terrifying menace. And "The Laughing Fish" may very well be his best outing in the show. In the episode, Joker tries to copyright any smiling fish exposed to his Joker toxin in order to collect royalties.

It's the kind of loony scheme only he could pull off. But what makes this one special is not just Hamill's best performance as the Clown Prince of Crime, which is genuinely funny and frightening in turn, but also the way it drives home Joker's peculiar ethos: to cause mayhem purely for comedy, not for profits. The episode explains why Joker is so slippery in the demented cat and mouse games he plays with Batman. Joker doesn't want anything in the way other villains do.

He just wants to have a laugh, no matter how deadly the consequences. And it makes him unpredictable, dangerous, and thoroughly entertaining every time. Honorable Mention: "Joker's Wild", another fun dose of the character's antics built around efforts to monetize his likeness. If it had been half as ambitious, "Almost Got 'Im" would still be a great episode.

Forgoing the usual episode-length story in favor of a pack of villains sitting around, telling war stories, and letting the audience witness their near misses with the Bat is a fun idea all on its own. In addition, the chance to do individual vignettes allows the show's animation team, including director Eric Radomski, to go wild with each encounter recounted by Gotham's ne'er-do-wells. But it's the added level of creativity here that puts the episode over the top.

The reveal that this isn't just a swarm of villains chewing the fat over a game of poker, but instead a live situation in which Joker's scheme is still in play, makes for a brilliant hand-off from past to present. The twist is just as good, as we learn that Batman's been masquerading as Killer Croc to find Catwoman, returning the favor after she saved him from the Joker's latest screwball plan. And Catwoman's own declaration of "Almost got 'im" makes for an amusing double entendre.

What holds Bruce Wayne and Dick Grayson together is more than their familial bond; it's their shared tragedy. Both of them know what it's like to lose your mother and father as a young boy at the hands of a two-bit thug. Both of them have a talent for resourceful street combat and a nose for scaring up information. And both want to take down Tony Zucco, the goon whose attempt to spook a circus owner into paying protection money led to the deaths of Dick's family.

The episode is candid, raw, and full of passion, both in Robin's fury at the man who killed his parents, but also in the love and bond he shares with the man who filled his father's role.

In the end, Dick Grayson doesn't exact mortal vengeance, nor does he lose himself in the throes of anger over his fallen mother and father. Instead, he lives up to the ideals of the man who brought him up in their stead, and in their honor. When it wanted to, "Batman: The Animated Series" could do gripping horror like no other, and few of the show's outings are as scary or inventive as its Dark Knight-infused take on "The Invisible Man" just ask a young Elizabeth Moss, who guest stars in this episode.

When Lloyd Ventrix is on the verge of losing custody of his daughter, he steals an experimental suit that renders him invisible, allowing him to pose as her imaginary friend and steal her away.

The brilliance of that premise, and "See No Evil" as a whole, is the way it marries two fears. One is the supernatural phobia of some unseen malicious force exacting its will. The other is the more grounded adult fear of a disgruntled ex reappearing to stalk and take your child. The episode makes the most of both ideas, coming up with inventive set pieces that convey Lloyd's presence despite his suit, while not flinching from the genuinely unnerving feeling of a bitter parent violating a restraining order.

The results hit hard on both fronts, with Batman having to use his brains more than his brawn to help set things right in one of the show's most chilling episodes. Honorable Mention: "On Leather Wings", which went for a similar horror vibe and became the series' perfect coming out party.

There's a continuous tug of war in Gotham. On one side are moneyed interests that want to suck the city dry and line their pockets. On the other are the people in and of that city, fighting to preserve it and keep it safe. Corrupt industrialist Roland Daggett plots to destroy the old neighborhood in a craven land development scheme.

He has no regard for the people who call it home or care about the community. Naturally, this includes Batman, but also Dr. Leslie Thompkins Diana Muldaur , a longtime resident who runs a free clinic in the area. The two work together to save the day despite Daggett's scheme. More than that, though, Batman makes his sacred appointment on time, leaving two roses for his parents in the spot where they died. Thompkins comforts him as he grieves for his mother and father, just as, it turns out, she comforted a young Bruce Wayne when the deaths originally happened.

It's a rare moment of vulnerability from Batman, who fights so hard to preserve the site of his life's greatest tragedy in a beautiful story about not forgetting where you came from. Honorable Mention: "I Am the Night," another episode set on the anniversary of the Waynes' deaths in which Batman realizes the good he does for the little guy.

You cannot beat the sheer fun of Gotham's villains banding together to put the Caped Crusader on trial. It's too much to call this episode a bad guy team-up, but gathering all of Batman's enemies in one room, leaving them to vent and jaw and otherwise blame their problems on our hero, is so much fun it ought to be illegal. At the same time, though, "Trial" deftly interrogates whether Batman is the cure for his famed rogues' gallery or the disease that created them.

The fulcrum for this discussion is Gotham DA Janet Van Dorn, a Batman skeptic who's pressed into service by the baddies to defend Batman in their kangaroo court. As she pleads her case, the skilled attorney gradually comes to believe it.

Given the chance to cross examine a raft of theatrical villains, she concludes that the Bat may have inspired their flair for the dramatic, but that these criminals made their own messes independent of their shadowy foe. The ensuing courtroom scenes are a blast, and Van Dorn's arc gives this one a structure — she recognizes that Batman's not at fault for Gotham's cast of criminals, even as she hopes to help forge a world where both he and they are no longer necessary.

Introduced as a mere sidekick for the Joker, Harley quickly came into her own, with a power, plight and personality that made the villainess both uproarious and endearing. The episode delivers on the wonderful conceit of "Thelma and Louise" by way of Gotham. In the process, it also explores Harley's abuse at the hands of the Joker with conviction and discretion.

Harley wouldn't fully break free of Joker's grasp, but the episode earns her sympathy and establishes her great dynamic with Ivy as a friend and voice of reason. Throw in the stunning use of light and color in the climax, and the fact that Renee Montoya another superb "Batman: The Animated Series" creation gets the collar, and you have an all-time great outing from an all-time great character. Some of the best "Batman: The Animated Series" episodes are the ones that feel the most random, even mundane.

Imagine if you were having a rough day, lost your temper on the drive home, and discovered that the motorist you've cheesed off was the Clown Prince of Crime?

Batman: The Animated Series – “Almost Got ‘Im”

Release Date : The villains of Gotham City have gathered for a poker night and to share stories about the time they nearly dispensed with that troublesome caped crusader, Batman. Little do they know that the Dark Knight is in their midst, disguised as one of their own. Will the rogues be able to suss out the bat in their belfry before he clandestinely subdues them? Take on the personas of classic Batman baddies in a game where everyone has something to hide and no one is safe.

Episode 1 - Batman The Animated Series: Almost Got 'Im

Bitte loggen Sie sich ein oder melden Sie sich an, um eine Rezension fuer dieses Produkt zu schreiben. Little do they know that the Dark Knight is in their midst, disguised as one of their own. Will the rogues be able to suss out the bat in their belfry before he clandestinely subdues them? Batman: The Animated Series — Almost Got 'Im Card Game — a variant on the popular Werewolf-style deduction game inspired by the memorable Batman: The Animated Series episode "Almost Got 'Im" — adds a poker element to the proceedings, requiring participants to craft poker hands to activate their special abilities when the lights go out. Take on the personas of classic Batman baddies in a game in which everyone has something to hide and no one is safe. With poker hands guiding the action, players have something to talk about. Everyone has an important role. No bystanders in this game! Too often, social deduction games begin with random accusations just to get the ball rolling.

Batman: The Animated Series – Almost Got ‘Im Card Game

This year marked the 30 th anniversary of Batman: The Animated Series. It is, undoubtedly, the best adaptation of Batman in any media outside of comics. Its influence over the legacy of Batman, and the superhero genre in general, is undeniable. The world of Batman: The Animated Series is a world where supercomputers and rocket cars can co-exist with black-and-white TV screens and rotary dial telephones.

Batman TAS - "Almost Got 'Im"

Which are almost worth the price of admission alone. One downside of the setup is that a dealer is required to replace cards spent on abilities during the blackout by walking around and silently asking each player if they wish to use their power — this can be a little awkward in less than ideal environments, and means that someone has to sit out of the exciting deliberations and resign themselves to handing out cards and announcing the results of any activated abilities. As well as falling prey to Batman, players can also be subdued by a majority vote, which is required to stop Batman and win as a villain before too many of your companions are taken out. Villains accidentally subdued by their allies are partially eliminated, losing their abilities but remaining able to discuss and vote on future debates — this resolves the tedium of sitting out completely. The available powers all feel distinct and useful. An extra nice addition is the potential to have a player become Catwoman in disguise, who — true to the comics — is neither true hero or villain, but is secretly working to her own objectives.

February Game of the Month – Batman Almost Got ‘Im

The seminal series, shepherded by talents like Bruce Timm, Alan Burnett, Eric Radomski, and Paul Dini, set a new standard for superhero storytelling writ large. The show's creators achieved this lofty standard by melding influences from Tim Burton's art deco Gotham, the animation of Max Fleischer's '40s "Superman" cartoons, and decades of comic book stories from across the spectrum. The results speak for themselves. From key contributions to the Batman mythos like Mr. Freeze's tragic backstory and the debut of Harley Quinn, to defining turns from Mark Hamill as the Joker and Kevin Conroy as the Caped Crusader himself, not to mention the distinctively dark designs and expressive animation, there's a reason the series has lingered so long in the hearts and minds of fans of all ages. As another reimagining of the Bat lurks in the wings, we're here to pay tribute to the 15 best episodes from this superlative show, which like its hero, still casts a long shadow.

Batman: The Animated Series – Almost Got 'Im Card Game Review - with Tom Vasel

It really is amazing how many things Batman: The Animated Series got right. Whether it was the fantastic writing, art design, or voice acting, it always got right to the soul of its characters. Not a good movie , but still!

Batman: The Animated Series - Almost Got 'im Card Game

RELATED VIDEO: Batman TAS Two Face - Almost got 'Im

Upcoming events. You can purchase gift cards in any amount either in-store or here. The villains of Gotham City have gathered for a poker night and to share stories about the time they nearly dispensed with that troublesome caped crusader Batman. Little do they know that the Dark Knight is in their midst, disguised as one of their own. Will the rogues be able to suss out the bat in their belfry before he clandestinely subdues them?

Welcome back for another installment of Saturday Morning Cartoons. This is our weekly feature where we highlight an episode of a cartoon at a time that should be reserved for cartoons, Saturday mornings. This is one of my favorite episodes in the series. Trying to impress and outdo each other, they all share a time when they almost got Batman, to prove to everyone else that they have come the closest to taking out the caped crusader. Ivy joins the party, mentioning that she, like them, is running from the Batman. That is what starts the storytelling.

Episode Number: The episode opens over a game of poker. All we see are the hands of some recognizable villains from the show as they shoot the breeze and make plays.