Cartoon damsel in distress


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The damsel in distress is a recurring narrative device or trope in which one or more men must rescue a woman who has either been kidnapped or placed in general peril. Kinship, love, or lust or a combination of those gives the male protagonist the motivation or compulsion to initiate the narrative. The helplessness of these fictional females, according to some critics, is linked to views outside of fiction that women as a group need to be taken care of by men.

The faces of the attacker in popular media are legion: monsters , mad scientists , Nazis , hippies , bikers , aliens It is an archaic term not used in modern English except for effect or in expressions such as this. It can be traced back to the knight-errant of Medieval songs and tales, who regarded protection of women as an essential part of the chivalric code , which includes a notion of honour and nobility.

The damsel in distress theme featured in the stories of the ancient Greeks. Greek mythology , while featuring a large retinue of competent goddesses , also contains helpless maidens threatened with sacrifice. For example, Andromeda 's mother offended Poseidon , who sent a beast to ravage the land. To appease him Andromeda's parents fastened her to a rock in the sea. The hero Perseus slew the beast, saving Andromeda.

This theme of the princess and dragon is also pursued in the myth of St George. European fairy tales frequently feature damsels in distress. Evil witches trapped Rapunzel in a tower, cursed Snow White to die in Snow White , and put the princess into a magical sleep in Sleeping Beauty.

In all of these, a valorous prince comes to the maiden's aid, saves her, and marries her though Rapunzel is not directly saved by the prince, but instead saves him from blindness after her exile [ clarification needed ]. The damsel in distress was an archetypal character of medieval romances, where typically she was rescued from imprisonment in a tower of a castle by a knight-errant.

Chaucer 's The Clerk's Tale of the repeated trials and bizarre torments of patient Griselda was drawn from Petrarch. The theme also entered the official hagiography of the Catholic Church — most famously in the story of Saint George who saved a princess from being devoured by a dragon. A late addition to the official account of this Saint's life, not attested in the several first centuries when he was venerated, it is nowadays the main act for which Saint George is remembered.

In the 17th century English ballad The Spanish Lady one of several English and Irish songs with that name , a Spanish lady captured by an English captain falls in love with her captor and begs him not to set her free but to take her with him to England, and in this appeal describes herself as "A lady in distress".

The damsel in distress makes her debut in the modern novel as the title character of Samuel Richardson 's Clarissa , where she is menaced by the wicked seducer Lovelace. Reprising her medieval role, the damsel in distress is a staple character of Gothic literature , where she is typically incarcerated in a castle or monastery and menaced by a sadistic nobleman, or members of the religious orders. The perils faced by this Gothic heroine were taken to an extreme by the Marquis de Sade in Justine , who exposed the erotic subtext which lay beneath the damsel-in-distress scenario.

One exploration of the theme of the persecuted maiden is the fate of Gretchen in Goethe's Faust. According to the philosopher Schopenhauer :. The great Goethe has given us a distinct and visible description of this denial of the will, brought about by great misfortune and by the despair of all deliverance, in his immortal masterpiece Faust, in the story of the sufferings of Gretchen.

I know of no other description in poetry. It is a perfect specimen of the second path, which leads to the denial of the will not, like the first, through the mere knowledge of the suffering of the whole world which one acquires voluntarily, but through the excessive pain felt in one's own person.

It is true that many tragedies bring their violently willing heroes ultimately to this point of complete resignation, and then the will-to-live and its phenomenon usually end at the same time. But no description known to me brings to us the essential point of that conversion so distinctly and so free from everything extraneous as the one mentioned in Faust The World as Will and Representation , Vol. The misadventures of the damsel in distress of the Gothic novel continued in a somewhat caricatured form in Victorian melodrama.

According to Michael Booth in his classic study English Melodrama , the Victorian stage melodrama featured a limited number of stock characters: the hero, the villain, the heroine, an old man, an old woman, a comic man and a comic woman engaged in a sensational plot featuring themes of love and murder.

Often the good but not very clever hero is duped by a scheming villain, who has eyes on the damsel in distress until fate intervenes to ensure the triumph of good over evil.

Such melodrama influenced the fledgling cinema industry and led to damsels in distress being the subject of many early silent films, especially those that were made as multi-episode serials. The silent film heroines frequently faced new perils provided by the Industrial Revolution and catering to the new medium's need for visual spectacle.

Here we find the heroine tied to a railway track, burning buildings, and explosions. Sawmills were another stereotypical danger of the Industrial age, as recorded in a popular song from a later era:.

He trapped her in the old sawmill and said with an evil laugh, If you don't give me the deed to your ranch I'll saw you all in half! And then he grabbed her and then He tied her up and then. During the First World War , the imagery of a Damsel in Distress was extensively used in Allied propaganda see illustrations.

Particularly, the Imperial German conquest and occupation of Belgium was commonly referred to as The Rape of Belgium - effectively transforming Allied soldiers into knights bent on saving that rape victim.

This was expressed explicitly in the lyrics of Keep the Home Fires Burning mentioning the "boys" as having gone to help a "Nation in Distress".

A form of entertainment in which the damsel-in-distress emerged as a stereotype at this time was stage magic. Restraining attractive female assistants and imperiling them with blades and spikes became a staple of 20th century magicians' acts. Noted illusion designer and historian Jim Steinmeyer identifies the beginning of this phenomenon as coinciding with the introduction of the " sawing a woman in half " illusion.

In magician P. Selbit became the first to present such an act to the public. Steinmeyer observes that: "Before Selbit's illusion, it was not a cliche that pretty ladies were teased and tortured by magicians. Since the days of Robert-Houdin , both men and women were used as the subjects for magic illusions".

However, changes in fashion and great social upheavals during the first decades of the 20th century made Selbit's choice of "victim" both practical and popular. The trauma of war had helped to desensitise the public to violence and the emancipation of women had changed attitudes to them. Audiences were tiring of older, more genteel forms of magic.

It took something shocking, such as the horrific productions of the Grand Guignol theatre, to cause a sensation in this age. Steinmeyer concludes that: "beyond practical concerns, the image of the woman in peril became a specific fashion in entertainment". The damsel-in-distress continued as a mainstay of the comics, film, and television industries throughout the 20th century.

Imperiled heroines in need of rescue were a frequent occurrence in black-and-white film serials made by studios such as Columbia Pictures , Mascot Pictures , Republic Pictures , and Universal Studios in the s, s and early s.

These serials sometimes drew inspiration for their characters and plots from adventure novels and comic books. Notable examples include the character Nyoka the Jungle Girl , whom Edgar Rice Burroughs created for comic books and who was later adapted into a serial heroine in the Republic productions Jungle Girl and its sequel Perils of Nyoka The notorious hoax documentary Ingagi also featured this idea, and Wray's role was repeated by Jessica Lange and Naomi Watts in remakes.

As journalist Andrew Erish has noted: "Gorillas plus sexy women in peril equals enormous profits". On the original Teenage Mutant Ninja Turtles TV series, the television newswoman April O'Neil was repeatedly held captive by the evil Shredder and often needed to be rescued by the titular turtles. Frequently cited examples of a damsel in distress in comics include Lois Lane , who was eternally getting into trouble and needing to be rescued by Superman , and Olive Oyl , who was in a near-constant state of kidnap , requiring her to be saved by Popeye.

Damsels in distress have been cited as an example of differential treatment of genders in literature, film, and works of art. Feminist criticism of art, film , and literature has often examined gender-oriented characterisation and plot, including the common "damsel in distress" trope, as perpetrating regressive and patronizing myths about women. Films featuring an empowered damsel date to the early days of filmmaking. One of the films most often associated with the stereotypical damsel in distress, The Perils of Pauline , also provides at least a partial counterexample, in that Pauline, played by Pearl White , is a strong character who decides against early marriage in favour of seeking adventure and becoming an author.

Despite common belief, the film does not feature scenes with Pauline tied to a railroad track and threatened by a buzzsaw, although such scenes were incorporated into later re-creations and were also featured in other films made in the period around Academic Ben Singer has contested the idea that these "serial-queen melodramas" were male fantasies and has observed that they were marketed heavily at women. Empowered damsels were a feature of the serials made in the s and s by studios such as Republic Pictures.

The " cliffhanger " scenes at the end of episodes provide many examples of female heroines bound and helpless and facing fiendish death traps. But those heroines, played by actresses such as Linda Stirling and Kay Aldridge , were often strong, assertive women who ultimately played an active part in vanquishing the villains.

Moore 's story " Shambleau " — generally acknowledged as epoch-making in the history of science fiction — begins in what seems a classical damsel in distress situation: the protagonist, space adventurer Northwest Smith , sees a "sweetly-made girl" pursued by a lynch mob intent on killing her and intervenes to save her, but finds her not a girl nor a human being at all, but a disguised alien creature, predatory and highly dangerous.

Soon, Smith himself needs rescuing and barely escapes with his life. These themes have received successive updates in modern-era characters, ranging from 'spy girls' of the s to current film and television heroines.

George and the " princess and dragon " genre, particularly with Dr. No 's dragon tank. The damsel in distress theme is also very prominent in The Spy Who Loved Me , where the story is told in the first person by the young woman Vivienne Michel , who is threatened with imminent rape by thugs when Bond kills them and claims her as his reward.

The female spy Emma Peel in the s television series The Avengers was often seen in "damsel in distress" situations. The character and her reactions, portrayed by actress Diana Rigg , differentiated these scenes from other film and television scenarios where women were similarly imperiled as pure victims or pawns in the plot. A scene with Emma Peel bound and threatened with a death ray in the episode From Venus with Love is a direct parallel to James Bond's confrontation with a laser in the film Goldfinger.

Reflecting these changes, Daphne Blake of the Scooby-Doo cartoon series who throughout the series is captured dozens of times, falls through trap doors, etc. The film Sherlock Holmes includes a classical damsel in distress episode, where Irene Adler played by Rachel McAdams is helplessly bound to a conveyor belt in an industrial slaughterhouse, and is saved from being sawn in half by a chainsaw; yet in other episodes of the same film Adler is strong and assertive — for example, overcoming with contemptuous ease two thugs who sought to rob her and robbing them instead.

In the film's climax, it is Adler who saves the day, dismantling at the last moment a device set to poison the entire membership of Parliament. In the final scene of the Walt Disney Pictures film Enchanted the traditional roles are reversed when male protagonist Robert Patrick Dempsey is captured by Queen Narissa Susan Sarandon in her dragon form. In a King Kong -like fashion, she carries him to the top of a New York skyscraper, until Robert's beloved Giselle climbs it, sword in hand, to save him.

A similar role reversal is evident in Stieg Larsson 's The Girl with the Dragon Tattoo , in whose climactic scene the male protagonist is captured by a serial killer , locked in an underground torture room, chained, stripped naked, and humiliated when his female partner enters to save him and destroy the villain.

Still another example is Foxglove Summer , part of Ben Aaronovitch 's Rivers of London series - where the protagonist Peter Grant is bound and taken captive by the Queen of the Faeries, and it is Grant's girlfriend who comes to rescue him, riding a Steel Horse.

Another role reversal is in Titanic , directed by James Cameron. After Jack is handcuffed to a pipe in a master-at-arms office to drown, Rose leaves her family to rescue him. In Robert J. Harris ' WWII spy thriller The Thirty-One Kings , the chivalrous protagonist Richard Hannay takes time off from his vital intelligence mission to help a beautiful young woman, harassed on a Paris street by two drunken men.

She laughingly thanks him though saying she could have dealt with the men by herself. Hannay has no suspicion that she is herself the dangerous Nazi agent he had been sent to apprehend, and that she recognized him and knows his mission.

Unsuspectingly he drinks the glass of brandy she offers him - whereupon he loses consciousness and wakes up securely bound. Gloating and jeering, the girl mocks Hannay for his sense of chivalry proving to be his undoing.

In computer and video games, female characters are often cast in the role of the damsel in distress, with their rescue being the objective of the game. Knight in her book Female Action Heroes as "perhaps one [of] the most well-known 'damsel in distress' princesses in video game history ", [24] the Sultan's daughter in Prince of Persia , and Princess Peach through much of the Mario series are paradigmatic examples.

In the game the hero was Mario, and the objective of the game was to rescue a young princess named Peach. Peach was depicted as having a pink dress and blond hair.


Damsel In Distress cartoons and comics

The Skinner boys stumble across a bound and gagged Zimkala who has had her super powers stripped from her by the shows villain who stole her magic ring. He promised to give the ring back to her if she stole another artifact but she was betrayed and tied up for her troubles. Lots of great struggling and gag talk in this scene. Download Here! Amika has been kidnapped by Akira and Remember in order to force the shows protagonist to throw a match against them.

damsel in distress kidnap hostage victim cartoon vector illustration. by rf · small_preview. Item Description. damsel in distress kidnap hostage victim.

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And some readers were not in agreement! We talked it out and it was all good. But whether Emilia was or was not a Damsel in Distress is not what I got from the discussion. As if it was an insult to the character and the presence of the trope itself is some type of sign of lack of quality or something. And I call foul!!! A Damsel in Distress is a narrative trope and a character archetype that exists in pretty much every form of storytelling for a very very long time. I mean more or less forever. It was used in the earliest tales we know.

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cartoon damsel in distress

It's time the story line changed to give real life figures a chance to break free from damaging preconceptions. Only the prince could wake Aurora up from the spell she was under. Photo courtesy of Disney. As I've grown older, one of the fairy tales I've come to detest is Sleeping Beauty. The only one who can save the princess is the sword-wielding prince, bursting with testosterone, who chops his way through the forest and liberates our poor heroine with a kiss.

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Damsel in distress bondage cartoons

Also, feel free to share the story with others and remember to subscribe! Tags: drawing visdev visualdevelopment sketchbook cartoon artwork jwonly cute illustration feather animation conceptart draw sketch damselindistresscomic jw characterdesign design art sketching sketches. Read the episode, link in bio! Tags: illustration jwonly damselindistresscomic feather jw cartoon characterdesign drawing sketchbook design sketches cute art artwork draw sketching visualdevelopment animation visdev conceptart sketch. Tags: draw cartoon design jwonly animation sketch visualdevelopment conceptart jw characterdesign sketching illustration sketchbook feather sketches art drawing visdev artwork cute. Personal goals for the comic!

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Sign In. Robin Hood: Mischief in Sherwood. Damsel in Distress Episode aired 12m. Animation Short Adventure.

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Except for me it's only going to be characters that are animated and it's not only going to be female characters, there are some male characters here too. With other characters I can find at least some aspect of heroics in them except for these characters. Please keep in mind that this is just my opinion and I don't hate all of these characters. Please comments, enjoy. Esmeralda The Hunchback of Notre Dame. Everybody Loves Raymond quotes.

For this, feminism is employed to look at certain points of the cartoon.

Damsels In Distress cartoons and comics

CartoonStock uses cookies to provide you with a great user experience. By using this site, you accept our use of cookies, as detailed in our Privacy Policy. Love is in the air! This love and romance collection features funny cartoons about love, dating and relationships, and funny Valentine's Day cartoons. From talking snowmen to digging out after a blizzard, there's not shortage of laughs in this collection of winter cartoons. It's safe to laugh again.

Damsels in Distress Are a Thing of the Past

Here, I will talk about the top 10 animated damsels in distress to get back at and maybe try scaring off the feminists that are the disease killing the Internet nowadays. Heads, up, this list WILL be embarrassing. Wendy gets stolen with the Lost Boys by Captain Hook. And she's basically a damsel in the first place literally the first place because her parents won't let her fantasize.

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  1. Mogue

    Sorry for my interfering ... I understand that question. I invite to the discussion.

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