Willy wonka cartoon animator


Why, one might ask, would Warner Brothers attempt to remake such an unforgettable movie? Charlie and the Chocolate Factory certainly succeeded in the first instance, and is sure to make loads and loads of cold, hard cash. However, the decidedly unlucky children and their parents are even more wretched than their cinematic predecessors. And no, the tiny workmen are not dwarves in costume, as in the first film; the magic of CGI has allowed Burton to make dozens of politically correct copies of one very funny gentleman with a Far Eastern appearance, actor Deep Roy. In the new version, Burton and screenwriter John August have invented a horrific childhood for Wonka, where the young man is traumatized, even tortured, by his insane dentist father Christopher Lee. Instead of keeping it relatively simple, Burton has mucked it up with this father-son subplot, which spoiled whatever lasting magic the film could have possessed.


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Hatred for Tom and Jerry's weird new Willy Wonka movie is going viral

Toggle navigation Menu. Hell, it's actually gratifying: it's always pleasant when a movie is exactly as good as you hope it will be, and that's just as true when said hope is for something truly repulsive that you can later talk about pridefully with other bad movie aficionados, the way old men compare scars.

According to a much-too-generous definition of "placed into", that is; "intercut with" is surely more accurate. And, like, an exact remake of the version. There are many shots that have been exactly re-created, and all of the major changes that film made to Roald Dahl's children's novel Charlie and the Chocolate Factory have been preserved, on top of some new ones.

New ones above and beyond the insertion of Tom and Jerry, I mean. And that last fact goes a little bit of a way towards explaining the one charitable thought I have to spare for this movie: it's honestly kind of respectful to Tom and Jerry.

The Hanna-Barbera incarnation of the characters, from '58, at least. And I should mention before I go too far into it, that I'm not much of a fan at all of Tom and Jerry, and even then, the Hanna-Barbera incarnation of the characters isn't my favorite that would be the '67 run of shorts overseen by Chuck Jones. And director Spike Brandt and his team certainly get '40s slapstick: the opening sequence, in particular, very ably re-creates the particulars of the original cartoons' animation.

It's not perfect , and there are places where I'd have expected to see more exaggeration in the movement and particularly the snaps into position, but the physics-ignoring mutability of the characters is just right, and so are the unapologetically old-fashioned gags being employed.

There's both love here, and talent Disney supervising animator Dale Baer somehow ended up on the project , and as a tribute to a bygone era of animated comedy, the film has the goods. There is no other respect in which this is true. And when "this sufficiently borrows from cartoons that I already didn't particularly like" is by leaps and bounds the best thing I have to say about a film, we're in the wastes. The film precisely re-stages the story of how poor Charlie Bucket Lincoln Melcher finds the last of the five Golden Tickets that grant five lucky children entrance to Willy Wonka's JP Karliak chocolate factory, where he proves to be the only good child next to four absolute monstrosities; and that monstrous is even more apparent now than it was in , given that the children have all been drawn with weird physicality that makes them look all the more wretched and vile.

The adults, meanwhile, are just light caricatures of the adults who played the same roles in the live-action movie. Meanwhile, Tom and Jerry have put aside their endless chase to work together to steal chocolate for Charlie, in thanks for him giving them a loaf of bread. Later, once he enters the chocolate factory, they team up with Tuffy Kath Soucie , a mouse who wants to be an Oompa-Loompa, to stop the plans of the villainous chocholate magnate Slugworth Mike Wingert , who has turned Wonka's guard dog Spike director Brandt into a spy, and is now sneaking through the factory attempting to do mischief.

You may recall that it was revealed in '71 that Slugworth not present in the book was a Wonka mole designed to test the moral resolve of the children. Also, Slugworth gets a musical number: they've simply given him Veruca Salt's Emily O'Brien big "I'm a greedy brat" song, which he performs while appearing as magical animated graffiti. Also, Veruca still gets the same song, leading to the awkward but inescapable conclusion that they have some kind of dramatically significant relationship behind the scenes.

Possibly she is his clone? We'll have to see how the sequel plays out. The cross-cutting between this very clumsy, stupid, and much too long new plotline with the morbid re-enactment of the original movie does absolutely no good to any of it: it means, first and foremost, that the plot has to be compressed to fit into about one-third of the time it originally took, which basically means just a whole bunch of songs interrupted by Karliak's sighing delivery of lines that exactly mimic the cadence of Wilder's deliveries, though the actors do not otherwise sound very much alike spare a thought for the voice actors; they have been saddled with an ugly, thankless task.

The great Jess Harnell, playing Grandpa Joe as well as the candy shop owner, is the only person who sounds mostly like the originals; everybody else is just compelled to recite lines in identical rhythms with identical emphases and all, given absolutely no leeway to make the characters their own. There's no intrinsic reason to remake Willy Wonka at all, particularly not in this carbon copy form; it has a chilly, embalming effect on the material, stripping the energy from the gags and the life from the songs the songs are dreadful here , and while the animation of Tom and Jerry is treated with some care and gentleness, the animation of the humans is stilted and terrible, almost like frames have gone missing, as characters jolt their way across space.

And Charlie's eyes frequently don't point the same direction. The Frankensteinian welding of this heinous remake together with the Tom and Jerry featurette is the worst of all of it; it so transparently does not make any sense that it goes all the way around and starts to make sense in a horrible negative way. It is plainly not artistic inspiration driving this; I can't even bring myself to believe that it's marketing, given the apparent lack of a target audience for a shot-for-shot remake except that it's shorter of a movie that, as far as I'm aware, is not still watched by very many young children.

To be sure, the film got more attention than any of the 12 Tom and Jerry DTV features preceding it, but every bit of that was horrified outrage. This leaves us with only one thing: this exists because Warner's owned lots of different IPs, and decided to smash them together, sort of like if Toy Story was made by sociopaths.

The net result is like those disgusting, algorithm-created YouTube videos where, I don't know, Elsa from Frozen is systematically dismembered by Peppa Pig. Only this was written, animated, and released on purpose.

I mean, it worked on some level - here I am, reviewing it and here you are, reading that review. God have mercy on us both. Hanna and Barbera, but let's not be assholes about it. Categories: animation , crimes against art , movies allegedly for children , musicals , needless remakes. The Commuter Godzilla: Planet of the Monsters View on Twitter. Alternate Ending Alternate Ending was formed when three friends realized they all shared a passion for movies.

Our goal is to save you time and money by sharing our thoughts and recommendations on which movies to race to theaters for, which to watch at home and those to actively avoid. What makes Alternate Ending different from other film sites and podcasts?

Tim Brayton, our seasoned film critic, shares a more critical view of film, an appreciation for vintage cinema and perhaps limited-release movies that we might otherwise miss. Carrie, our casual movie-goer, reminds us all that cinema is in fact supposed to be fun and entertaining and that sometimes, just sometimes, happy endings are good. Too many film sites cater to the same kind of audience, with one overwhelming voice in the writing, but what we treasure at Alternate Ending is diversity: diversity of opinion, diversity in belief about what film should do and how it should do it.

We want to celebrate our different opinions, and celebrate yours as well. This isn't a site for people who just want to talk about the latest hot new movies in theaters right this minute. This is a place for people who can't get to the theater until the third week a film is out; a place for people who just want to find something great to stream online after the kids have gone to sleep, a place for people whose favorite pastime is to grab a bunch of classic films on DVD from the library and watch them all weekend.

It's a place that believes that every great movie is a wonderful new treasure, whether you see it the night of its premiere or fifty years later. It's a site about discovering good movies Are you wondering if Shudder's release of Phil Tippett's avant-garde stop-motion descent into hell MadGod is for you?

Will the labyrinthine third act make or break this taut chiller for them? It's not just limited to the U.


Costume Carnival on March 23rd: “Willy Wonka and the Chocolate Factory”

This week in completely unnecessary ideas that you didn't think were even possible, there's a straight-to-DVD movie inserting Tom and Jerry into a shot-for-shot animated version of the Willy Wonka and the Chocolate Factory. Let that sink in. Because no matter how you try to convince yourself that it's some bad trip, it's real. Apparently this is not a new practice for Warner Bros. One of which was titled The Fast and the Furry , so I guess I dodged a bullet in not knowing that existed. But now that I've found, I'm dragging you all down with me. But I'm assuming with The Fast and the Furry that they didn't just recreate The Fast and the Furious film with an animated Vin Diesel though I admit, I might just pay to see that , and insert Tom and Jerry engaging in their silly shenanigans as gang wars and street races ensue around them.

X-Men Marvel GIF animation by Henry smith. Henry's latest news. Gifts NOT to Receive! The December issue of American Consequences Magazine is festively.

Get Ready for the Wackiest ‘Charlie and the Chocolate Factory’ and Oompa-Loompas You’ve Ever Seen

Woody has always been confident about his place in the world and that his priority is taking care of his kid, whether that's Andy or Bonnie. But when Bonnie adds a reluctant new toy called "Forky" to her room, a road trip adventure alongside old and new friends will show Woody how big the world can be for a toy. Joe Gardner is a middle school teacher with a love for jazz music. After a successful gig at the Half Note Club, he suddenly gets into an accident that separates his soul from his body and is transported to the You Seminar, a center in which souls develop and gain passions before being transported to a newborn child. Joe must enlist help from the other souls-in-training, like 22, a soul who has spent eons in the You Seminar, in order to get back to Earth. Ivan is a pound silverback gorilla who shares a communal habitat in a suburban shopping mall with Stella the elephant, Bob the dog, and various other animals. He has few memories of the jungle where he was captured, but when a baby elephant named Ruby arrives, it touches something deep within him. Ruby is recently separated from her family in the wild, which causes him to question his life, where he comes from and where he ultimately wants to be. In Ancient Polynesia, when a terrible curse incurred by Maui reaches an impetuous Chieftain's daughter's island, she answers the Ocean's call to seek out the demigod to set things right.

Taika Waititi to make two Charlie and the Chocolate Factory series for Netflix

willy wonka cartoon animator

I've spent the last five hours watching and writing about this movie, and I'm still not convinced it actually exists. Even as a child, I never cared for the juvenile cat and mouse antics of Tom and Jerry, preferring instead the anarchic wit and kinetic craziness of Merrie Melodies and Looney Tunes or early Disney, before Mickey Mouse got domesticated. In his early films, the Disney mascot was like the protagonist of a s cinematic character study, an angry, pill-popping misfit on the fringes of society. Those sly, satirical, post-modern comedies were rightly hailed by the critics-turned-filmmakers of Cahiers du cinema, such as Jean Luc-Godard and Francois Truffaut. Man, children can be so cruel, and so oddly knowledgable about the quirks and idiosyncrasies of Peter Bogdanovich.

Celebrated and Academy Award-winning writer, director, and actor Taika Waititi Jojo Rabbit, Thor: Ragnarok , Hunt for the Wilderpeople is set to write, direct, and executive produce two original animated series for Netflix. The first is a series based on the world and characters of Charlie and the Chocolate Factory.

Tom and Jerry: Willy Wonka and the Chocolate Factory

Netflix is working on several adaptations of Roald Dahl stories, including two takes on one of his most enduring tales: Charlie and the Chocolate Factory. But Netflix has confirmed that there will actually be two shows: one following the classic story and another featuring the Oompa-Loompas. The second is a wholly original take on the Oompa-Loompas, who will star in their own event series. The shows will retain the quintessential spirit and tone of the original story while building out the world and characters far beyond the pages of the Dahl book for the very first time. Netflix has revealed a teaser trailer of the Roald Dahl collection, which you can watch below. There are no details about the voice talent or animators at the time of writing, but Netflix has confirmed that Hollywood hotshot Taika Waititi will be in charge of the shows.

Violet Beauregarde Willy Wonka Animation, Animation, comics, blue png

Yeah, I am aware of how beaten to death this movie has been by now, but I have been wanting to review it myself regardless of when others do it. And with The Emoji Movie due out very soon, I see now as good a time as any to do this before I see that whenever and die. As I said before, starting in , Tom and Jerry got many, many, many direct-to-video DTV movies alongside Scooby-Doo with them varying in quality quite drastically. And considering Tom and Jerry are rather versatile characters who can be put into just about any scenario, it makes sense for them to be in settings like Robin Hood, a pirate movie or even a world of fairy tales. But then there are the ones that go above and beyond as terrible crossovers to shit on prized pieces of film media.

Tom and Jerry: Willy Wonka and the Chocolate Factory. ‪‬. ‪Animation‬, ‪Family‬. ‪1 h 19 min‬. ‪CC‬ ‪G‬. Tom & Jerry help Charlie to a golden ticket and.

Taika Waititi Helming Netflix Animated Series Based on Willy Wonka, Roald Dahl Stories

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Charlie and the Chocolate Factory

RELATED VIDEO: Willy Wonka and the Chocolate Factory in 30 seconds

The first will be based around the world and characters of the book, while the second is purely focused on the Oompa-Loompas. It even spawned a sequel titled Charlie and the Great Glass Elevator. A native of New Zealand, Waititi started climbing the ranks with his local hit movies like Eagle vs. He was also recently involved in executive-producing the mockumentary horror series Wellington Paranormal , and the What We Do in the Shadows spinoff series for FX, both with his frequent collaborator Jermaine Clement.

Toggle navigation Menu. Hell, it's actually gratifying: it's always pleasant when a movie is exactly as good as you hope it will be, and that's just as true when said hope is for something truly repulsive that you can later talk about pridefully with other bad movie aficionados, the way old men compare scars.

Netflix's new Roald Dahl animated series 'reimagines' Matilda and Willy Wonka

After his recent Oscar win, Taika Waititi shows no signs of slowing down. In fact, he's rewarding himself with an entire factory full of candy. Netflix confirmed today that the Thor: Ragnarok and Jojo Rabbit filmmaker has locked down a deal to write, executive-produce, and direct two animated series based on Roald Dahl 's Charlie and the Chocolate Factory. The first show is more or less the story we all know: A young and poor boy, Charlie, finds a golden ticket that grants him access to the wonderfully wacky chocolate factory operated by the eccentric Willy Wonka. The second show, however, is said to be "a wholly original take on the Oompa-Loompas," the small-statured creatures who work in the factory and sing every time something bad happens to a spoiled child see Tik Tok if you dare. Per the streamer, both series "will retain the quintessential spirit and tone of the original story, while building out the world and characters far beyond the pages of the Dahl book for the very first time.

The film is also a tribute to the original film's leading actor Gene Wilder , who died on August 29, The film also commemorates over 45 years since the original Willy Wonka film was released. The film was released via digital media on June 27, , and released on home media on July 11, Tom and Jerry chase each other all over town while searching for food until Jerry disappears with a group of children who go to Bill's Candy Shop.

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