Akira movie college fight scene


A fan-made animated short film inspired by Dragon Ball sees Vegeta and Goku going head-to-head against Broly in an action-packed alternate reality. The project was released on YouTube alongside a message thanking series creator Akira Toriyma for inspiring "a generation of fans. Bright colors and bold music bring the fan-made short to life as Vegeta fights alongside Goku , going up against Broly in a classic Dragon Ball fight scene. The film is open-ended, leaving plenty for viewers to speculate on as Vegeta tries to convince Goku to take up his role as a Saiyan warrior. The series has been around since the s, and since its debut, both the anime and manga have become hugely influential.


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WATCH RELATED VIDEO: Opening + Biker Gang Fight Scene - Akira アキラ (1988) - 4K UHD

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It was a setting that could have been found almost anywhere in Tokyo in , or any other bombed-out Japanese city where postwar life revolved around the teeming black markets. One of the wonders of the early postwar Japanese cinema was the public appetite for realism, and the pestilential sump, filled with toxic garbage, stood as a symbol for all that was rotten about life in the wake of a catastrophic wartime defeat.

Many of these petty and not so petty gangsters had been soldiers in a holy war to expand the glory of the Japanese Empire. Kamikaze pilots whose sacred suicide missions were aborted when surrender intervened became criminals exploiting the people for whose honor they had just months before sworn to sacrifice their lives.

But some, in a perverse way, transformed their military code of honor into a gangland code that was just as deadly. It is this criminal machismo that Kurosawa set out to explore and dramatize in Drunken Angel, his seventh film and, he felt, his official breakthrough in Japanese cinema.

Kurosawa has sometimes been accused of being didactic, of pitting good against bad too obviously. But the two main characters in Drunken Angel are in fact complex: Dr. Sanada Takashi Shimura , an alcoholic doctor who boozes from his own medical supplies, is redeemed by his desire to cure even the most unredeemable patients; Matsunaga is a violent hoodlum humanized by his fear of death, which lies just underneath the swaggering surface.

He is suffering from tuberculosis, a common disease in the squalor of postwar Japan. Sanada has to fight a different battle, against a different kind of weakness: his feeling of despair and cynicism, another by-product of national defeat. Undone by his drinking, he sees how friends from his student days have flourished, running hospitals and the like, while he lives in a slum, taking care of poor people around the aforementioned sump. He has almost lost confidence in his own profession; in a world of crime, disease, and human degradation, he has almost lost confidence in life itself.

Because he is a good man underneath the drunken, cynical bluster, he still tries hard to save the lives of obviously good people, such as an optimistic schoolgirl Yoshiko Kuga. But this is not enough. A harder adversary has to be overcome. In a way, the film is about two men wrestling with their angels; each is the adversarial angel of the other. Although Drunken Angel is about postwar Japan, the historical echoes are strong. Indeed, it was believed at the time that these codes helped explain, at least partly, why Japan went to war in the first place.

In contrast to Germany, blame for the Japanese war could not be pinned on the Nazi Party or a murderous dictator. The war was fought in the name of the Japanese emperor, to be sure, but Hirohito was no Hitler. This was the culture that Japanese liberals and Americans working for the Allied occupation of Japan sought to eradicate from the Japanese psyche. Sword-fight movies, and even some Kabuki plays that extolled samurai virtues, were banned for a time.

Japan had to be transformed into a pacific, democratic nation. Although Kurosawa himself said he was inspired by Dostoyevsky when he wrote the script for Drunken Angel, he brings a decidedly anti-feudal message to the film as well. There is a subplot about another gangster, named Okada Reizaburo Yamamoto , who is tougher and more unscrupulous than Matsunaga.

While Okada is in prison, Miyo Chieko Nakakita , his much-abused ex--mistress, finds refuge with Sanada as a nurse. After his release, Okada wants to claim her back. It becomes a point of honor for Matsunaga to stop him. If the doctor and his young yakuza patient are complex characters, Okada is nothing of the sort.

He is a figure of pure evil. Okada talks about codes of honor but only as a way to exploit the likes of Matsunaga, who really believe in them. Money and power are what he wants. The implication would not have been lost on Japanese audiences in Okada represents the warmongers, the generals and profiteers who abused the idealism of ordinary Japanese people for their own ends.

It is not, however, just the bad guys who were held responsible for the destruction of millions but also the bellicose culture that nurtured them. This is also the underlying theme of Drunken Angel. Matsunaga owes a debt of honor to the doctor who is trying to cure him. He tells Matsunaga to stay put, get rest. The police will help. But Matsunaga cannot forget his yakuza honor. Deathly pale, coughing blood, he rises from his bed to go after Okada himself. Until the end of the occupation in , Americans were not to be portrayed in a bad light, if at all: exposing the presence of the occupying army was not allowed.

Overcoming the culture of war is a Japanese business. The yakuza are a Japanese phenomenon. The Americans provided much of the propaganda about democracy and equal rights, but they played no part in the kind of relationships dramatized in this film. And relationships interested Kurosawa more than political messages, let alone American propaganda.

But not in a provincial way. In matters of style, he was influenced by such directors as John Ford. He was also an avid reader of Russian literature. The story of Matsunaga and Dr. Sanada is local but also, like all good stories—especially those like Rashomon and Seven Samurai , which would soon make Kurosawa an international sensation—universal. He made films about the Japanese for the Japanese. But they are loved by people everywhere. That is what made Kurosawa a great artist.

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Sign In. Naam Hai Akira I It a brilliant movie guys. I hardly write a review.

The scenes keep changing without establishing anything. The audience is taken from the college dungeons to the headmaster's house to mental.

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Watch: Sonakshi Sinha starrer Akira's behind-the-scenes video

akira movie college fight scene

But a lousy script, tedious length and over the top acting restrict it from becoming even a patch on it. Akira Sharma Sonakshi Sinha , explained as gracefully strong, chooses martial arts over dancing when she is 11 years old after realising the value of physical power. A local hero in Jodhpur, Akira decides to come to the big bad world of Mumbai for higher education. Thanks to her habit of standing up to the authorities, she becomes one of the most talked about students in her college.

The story of a self-reliant young girl who unwittingly gets involved in a crime can be a surefire winner since it can turn into a gripping action-thriller drama. For the most part, Akira is what you would expect an Akshay Kumar or a Salman Khan film to be: lean, mean and a roller-coaster ride filled with enough evocative scenes without slowing the pace.

Akira, Vol. 1

You can update your channel preference from the Settings menu in the header menu. Sonakshi Sinha has lent her voice for a song in her upcoming film 'Akira'. And she says going behind the mike for the movie was a "very spur of the moment thing". The song, a promotional video goes, has the lyrics: "Hai ranjishein tere mere darmiyaan zindagi gunjayishein samjhoton ki dur tak dikhti nahi". It will release next week.

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I did go through it in SNDT, which is an all-girls college but it was a way of making friends with each other. And till today honestly the people who ragged me or the juniors I ragged, we are still friends and I feel it should be an enjoyable process for everyone and not something that traumatises a student or child for life. That is something that really needs to be taken care of and changed in colleges and schools. Not at all. The actress also revealed that she was bullied as a child because of her weight.

Akira Movie Comedy Scenes Back to Back | Telugu Latest Movie Scenes | Sri Balaji Akira Hindi Movie Fight Scene Sonakshi Sinha. Akira Movie College.

Akira Toriyama

The Online Master of Fine Arts in Digital Filmmaking degree is for individuals living around the world who wish to obtain a quality education from professors based in Hollywood and other leading film markets without having to relocate during their period of study. This program is for recent college graduates, as well as those who have pursued other professions but have a deep interest in filmmaking and a future filmmaking career. Click here to view program catalog.

Big Movie – Akira Review

RELATED VIDEO: Akira movie of very intresting part of movies

However what turns out to be is a messed up film with a strong, potent idea but nothing close to anything highly entertaining or engaging, missing the expected jaw-dropping action promised in its promotional campaign. So considering it from a different angle, it was certainly a good move bringing in a young girl as the tough-fighter and roping in Anurag Kashyap to play the main villain along with Konkona Sen Sharma as the parallel investigating officer trying to solve the twisted case. So despite wholeheartedly appreciating the effort put in by Sonakshi Sinha and Anurag Kashyap in their individual scenes, one is unable to rate it as even an average, satisfying film to be precise. In other words, AKIRA keeps hanging somewhere between its various subplots and gets severely affected by the constantly shifting attention on Sonakshi, Kashyap and Konkona who is simply wasted carrying a baby bump throughout the entire investigations without any justifications. In fact, it was so strange to see the lady accepting in her very first scene that she has come to the city for joining in that crucial stage of pregnancy all alone, leaving the family behind. The writing remains predictable and dull post intermission which also becomes absurd towards the climax with the people being killed and the case closed down in a highly laughable manner.

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Jump to navigation. Sonakshi Sinha's Akira is in theatres today. The film sees Sonakshi as an 'action star'. But will it make an impact on the audience?

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