Liz and the blue bird liz to aoi tori reaction
Liz and the Blue Bird is a tale about two girls. This is a journey about how Kasaki Nozomi grew from a selfish to a selfless girl. Niiyama-sensei is only interested in Mizore due to her amazing talent. No matter how much Mizore loves Nozomi..
We are searching data for your request:
Liz and the blue bird liz to aoi tori reaction
Wait the end of the search in all databases.
Upon completion, a link will appear to access the found materials.
Content:
Liz and the Blue Bird: Interview with Director Yamada Naoko
Reassurance, warmth, security, closeness. And Liz and the Blue Bird is no exception in this regard. Just as K-On! But around one that runs the risk of drifting apart and thus the movie is followed constantly by a continuous feeling of melancholy. But Naoko Yamada would not be Naoko Yamada if she and her team would not make use of this situation to intensely highlight the theme of intimacy and ultimately end with a warm and hopeful mood.
Mizore and Nozomi could not be any more different. Open, brimming with energy and always in a good mood, Nozomi is a person who creates a good mood at every place and always brightens up the atmosphere. This is constantly reflected through both the animation as well as the tone. She is in motion a lot: When she is walking for instance her arms go back and forth while her walk itself is bouncy.
Her pony tail swings back and forth wildy. After she has placed her bag on a chair, she makes a half turning dart so as to be in the right position to be able to sit down herself. Things like this can be found constantly in her movements. Her voice actress expresses herself in an emotional tone of voice that shows a tendency into a fun direction. All of these things combine into a dynamic and lively overall picture of her personality. Mizore on the other hand seems to be the personification of calm itself.
Her expressionless look in comparison to Nozomi and the dreamy gaze could suggest the wrong impression that she hardly is an emotional person even though a closer look reveals the opposite. She is a person who is busy with her own thoughts a lot and with what she sees in the world around her.
As a result of this she can quickly seem unapproachable, also because she is taciturn and has problems with putting her own emotions into words. Her voice actress captures this with a rather monotonous and quiet manner of speaking which seems far more natural than it is usually the case for anime however. As one would now expect it, she furthermore moves with steady, slow movements and conducts herself orderly in a quiet way.
She also has a very noticeable quirk to play with her right strand of hair in uncomfortable situations so as to keep herself calm despite the pressure of her emotions. This dichotomy of course must not necessarily mean that it is not possible for the two girls to be friends. But it is supposed to mean that it represents a heavy burden for their friendship because similarities entail easier understanding among one another and therefore make it easier to form an intimate bond.
Is this not the case, then misunderstandings or wrong interpretations can quickly arise. This makes it difficult for both sides, though in my opinion Mizore is burdened heavier since she is caught up deep in the friendship while Nozomi is busy with herself more and in general has a bigger circle of friends.
Furthermore Mizore obviously does not express her emotions clearly with words and over the course of the film it stands out quickly that Nozomi has problems with interpreting non-verbal emotions. For instance when she invites Mizore to a festival. In addition she does not notice that Mizore would have liked to go there alone with her and promptly invites more people. Simply because she is used to them. However, there are also some moments in which it is shown more clearly what Mizore wants.
Her posture and the look on her face during these words are as if she notices herself how little she actually understands Mizore. I kindly ask to not interpret my words in the sense that Nozomi is to blame completely for the whole situation. After all this time, Mizore as well should know that she has to tell something directly to Nozomi if she wants this information to actually reach her friend.
In the same way she would have to directly ask if she wants Nozomi to explain one of her actions to her.
In this relationship indirect communication just does not work. The problem of the two therefore is that they do not communicate with each other or past one another.
A distance between them and a missing mutual understanding are a natural consequence of this. By the way, through gaps between the girls the distance is also directly captured visually by Naoko Yamada. But likewise through the direction if for instance Nozomi is shown laughing within a group of people and it is then cut to Mizore who is sitting alone in the laboratory of the school.
The duet, which the two girls play and that does not sound quite right, of course also plays into this depiction. However, distance is just one side of the film and while it slowly becomes bigger over the course of the film, the focus is clearly placed on the overcoming of said distance though.
But considering all the differences between Mizore and Nozomi two questions are raised relating to this: How should it even be possible for the girls to overcome the rift and likely much more important, why do they even describe themselves as friends? By means of this all the things should be expressed that are usually shut away, for instance because it would be embarrassing to tell it to the face of the other person or because one assumes that this is self-evident after all.
Thus it would be desirable if the bond between two people deepens as a direct result since they know crystal-clear afterwards what they like or even love about each other. It does not surprise that Mizore is familiar with the idea but has never taken part in it as she usually keeps people at a distance insofar as they are strange to her. She would not be averse to it since she intensely seeks physical closeness to at least Nozomi, even needs it. In regards to this Nozomi would be open in principle, which can be seen due to the fact of how little distance she places between her and her classmates.
But when Mizore comes, this looks completely different. When she first offers a hug to Mizore, this is thought of more as a joke since she does not expect that Mizori would like doing this and when Mizore later demands the hug herself, the distance is already so big and she is so estranged from her that she cannot give the hug to Mizore.
This estrangement follows from her not knowing what to do with her life and to a certain degree also being envious since Mizore seems to have already found her path. That Mizore is as unsure as she is, precisely because she is so attached to her and therefore ties her futur to Nozomi, Nozomi does not even notice. The insecurity of the situation thus causes their personalities to flip to a certain degree. Mizore becomes the one who searches for closeness, thereby revealing the core of her personality, and Nozomi distances herself, not because it is her personality though but because her problems bring her to take this step.
So Mizori would like to communicate her feelings by means of the hug but since they are now at a point at which Nozomi is not able to respond to these feelings, the rift has become too big. Ririka plays the oboe just like Mizore and from this starting point develops an interest in her.
Mizore, who is focussed on Nozomi, hardly reacts to her at the beginning, but with some time Ririka manages to form a bond with Mizore through her tenacity.
Her open and honest nature in relation to expressing her emotions certainly also plays its part in why Mizore does not close herself off to her. The time between the two is relatively short considering the total length of the film, but does serve an important function. On the one hand the intimacy between the two, owing to the proximity of many shots and the nature of the conversations, represents a counterpart to the distance between Mizore and Nozomi, thus the negative emotions do not outweigh the positive ones too much.
On the other hand it is communicated in this way that Mizore is not dependent on Nozomi. She is able to build new relationships by herself even if there certainly is room for improvement and the initiative mostly came from Ririka. She nonetheless also fueled the friendship, for instance by showing Ririka how to make the mouthpiece herself even though Ririka had not explicitly asked for it.
Therefore it is clear that the girl would not be all alone even if she would not constantly have Nozomi by her side. She could walk a path which separates her from Nozomi. By the way, Nozomi must also be aware of this since Mizore invited Ririka to their collective pool trip. At least for Mizore the case is clear rather quickly: She is Liz and Nozomi the blue bird. Because how could it be different, she clings to Nozomi after all and therefore cannot let her leave.
Mizore is obsessed with this idea and thus blames herself for the break between them, but is that an accurate analysis of the situation? What if that may have been the case in the past, but the roles are now reversed? Shortly before it is too late, she notices that she keeps Mizore imprisoned even if this did not happen consciously.
She notices that Mizore ties herself to her and will never be able to unfold her potential, her wings, if she follows her always and everywhere. She herself does not have the same potential at her disposal to go ahead of Mizore, as she has to painfully realise when Mizore reveals her true potential while playing the third movement.
Consequently she has to open the cage even if it is painful for her and in order to do so she also likes to take out the sledgehammer, just as Liz planned to. Because when the two find themselves confronted, she tries to completely push Mizore away from her. Were they to continue remaining friends, she would continue to hold back Mizore forever as she would just continue to follow her. This quite clearly is the tenor which can be found in her hurt resignation.
Mizore, who has recognised the truth about her role in the parallel to the fairy tale thanks to the conversations with her teacher, cannot leave this as such however. She understands that their path will seperate, as the concluding scenes of the film will show, but this does not have to mean that they have to be separated as well.
Nozomi continues to be dear to her heart and to lose the girl is not in her interest. Therefore it is only natural that Mizore expresses her emotions for the other girl in plain language for the first time in the story. That she explains to her how much it burdened her that Nozomi left the orchestra just like that.
Because they have talked past each other for too long already. And thus Mizore ultimately resorts to the hug with which she can overcome the rift. At this moment she finally really reveals why the two are friends with one another since they now have to explain to the respective other what they value about them.
More than ever the impression is given that she really loves Nozomi from the bottom of her heart. When she says that she would have nothing without Nozomi, then she does not exaggerate from her point of view. Nozomi is the one who has awakened her passion for the oboe and through her kindness and warmth gave the happiness to her which she has trouble finding owing to her personality. It also turns out that the opposite of the two entails something good since Mizore values for instance how joyful Nozomi always is and what an open character she has.
But her love extends to an even more fundamental level. Nozomi really is everything to her. Hence she only says two things. That she likes how hard Mizore is working and that she loves her way of playing the oboe.
The first one is a reaction to the praise by Mizore, but the second one is completely deliberate and is of great importance. And since the oboe and her music stand at the core of Mizore, it is thus effectively communicated how much she likes Mizore even though she is only able to respond so little at this moment.
It also tells Mizore that it is alright when she just continues walking on her musical path even if Nozomi cannot follow her on it. As Liz said, it is an expression of her love to give her freedom.
The hug and the expression of their emotions only had benefits for both of them. Before I wrote the following words, I took a look at what I had written at the end of the German version of this text back then and found that I talked about the KyoAni arson attack which happened just a few months prior.
This text kind of was and still is a way to cope with this event.
The Visuals
Liz's days of solitude come to an end when she meets a blue bird in the form of a young girl. Although their relationship blossoms, Liz must make a heart-wrenching decision in order to truly realize her love for Blue Bird. High school seniors and close friends Mizore Yoroizuka and Nozomi Kasaki are tasked to play the lead instruments in the third movement of Liz and the Blue Bird, a concert band piece inspired by this fairy tale. The introverted and reserved Mizore plays the oboe, representing the kind and gentle Liz. Meanwhile, the radiant and popular Nozomi plays the flute, portraying the cheerful and energetic Blue Bird. However, as they rehearse, the distance between Mizore and Nozomi seems to grow. Their disjointed duet disappoints the band, and with graduation on the horizon, uncertainty about the future spurs complicated emotions.
YuYuKo will EaT YoU
Euphonium novel series written by Ayano Takeda and its eponymous anime television series adaptation by Yamada and Tatsuya Ishihara. Inspired in particular by the Sound! Euphonium novel Hibike! The film focuses on the relationship between Mizore and Nozomi as they prepare for a concert with their high school 's wind band ; in parallel, it also depicts a fairy tale , from which the music piece worked on by the band is adapted, as a story within a story. Liz and the Blue Bird had two composers: Kensuke Ushio , who wrote the minimal -style background music for the high school scenes, and Akito Matsuda, the composer of the television series, who wrote both the background music for the fairy tale segments, and the concert pieces performed by the characters. It was released on April 21, in Japan, and had a limited release on November 9, in the United States. It received positive reviews from critics, with most praise going to the relationship and personalities of the two main characters, soundtrack, and animation. Mizore is a quiet, introverted student in her third and final year of high school , who is an oboist in the school's concert band.
Liz And The Blue Bird Liz To Aoi Tori GIF
Why settle for the same old greeting cards? One of a kind. So is your recipient. And hey, the more you buy, the lower the price. So go nuts.
Queerness and the Power of “Subtext” in Sound! Euphonium & Liz and the Blue Bird
So should I watch it or no? There's this wiki on Fandom I created almost a year ago, it's an Hibike wiki in Italian. I really don't know who to ask, but I need help expanding it since in one year I only made 26 pages that are almost empty. If someone who knows Italian obviously can contribute please tell me, I would be happy a lot if I wouldn't have to do this alone anymore. I want to read all Kumiko's second year because I feel that the movie rushed some plots that looked pretty fun to read. Is that what happens in the novels?
Liz to Aoi Tori Ending Explained
Visual media habitually employs a big, broad approach when depicting relationships. All too often, social bonds are represented in a simplistic manner that reduces the nuances of communication into caricature. But for an introspective viewer, this ninety-minute animated film can be one of the most poignant features of the year, offering an insightful meditation into the complex dialectics of our interactions and lives. For those unsuspecting of the contemplative qualities of the film, a ten-minute, largely dialog-free, opening sequence might move at a laborious pace. Soon, we discover the bond between the two seniors is convincingly asymmetrical. But Mizore is far more reserved, indifferent towards the recreational invitations of her peers, and exhibis signs of emotional dependence.
Although it is a spin-off from the popular anime series Sound! Euphonium Hibike! Euphonium , it can be considered a separate work in its own right thanks to its new character designs and different atmosphere.
When I was in my second year of high school, there was a senior I admired. He had a beautiful tenor voice with a vibrato that was unmatched by anyone else in the choir, a face that was almost pretty, slim wrists that would shape what I wanted from my own, and movements touched with a sort of quiet dignity that whispered of a confidence unlike the brashness and loudness I was used to seeing from other boys. There were other things, too, details that at the time fascinated me, illuminated in the halo of admiration I cast around him and embarrassing to utter in their minutiae. He may have been the first role model that I found myself inexplicably drawn to.
Liz and the Blue Bird is a complicated and fascinating look at the habit of loneliness, obsession, affection and human relationships. Liz and the Blue Bird is the official release of this movie from Eleven Arts. The movie follows two young women who play woodwind in their concert band as the band competition nears. Nozomi is popular, easy-going and wears her position as sempai to the flute section comfortably. On oboe, Mizore is a loner who avoids any connection with the other double-reed players, leaving the undergrads wondering what they are doing wrong. They are doing nothing wrong, Mizore simply has no room in her existence for anyone but Nozomi. In fact, its hard not to, as Mizore declares that Nozomi is everything to her.
The following passages are excerpts from: Sound! These excerpts contain content covered by the Liz and the Bluebird which is an adaptation of parts of this novel , and so can be said to contain spoilers for it. You have been warned. Please watch Liz and the Bluebird and read the Sound!
There is something about that, and it's a good idea. I support you.
I mean you are wrong.