Merrie melodies 1931
We're continuously trying to improve TheTVDB, and the best way we can do that is to get feedback from you. Please consider taking this quick survey to let us know how we're doing and what we can do better. Merrie Melodies, also known as Animated Fantasies of Yesterday and Today, is the name of an animated series distributed by Warner Bros. Pictures between and Productions until , when Schlesinger sold his studio to Warner.
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- 1931: Piggy Titles
- You Don't Know What You're Doin'!
- Category:Merrie Melodies
- OVERTURE, DIM THE LIGHTS
- Merrie Melodies IDs
- Nasty Canasta's Usual
- Looney Tunes and Merrie Melodies filmography
- Merrie Melodies
- LOONEY TUNES (Looney Toons): First Merrie Melodies - Lady, Play Your Mandolin! (1931) (Remastered)
1931: Piggy Titles
Merrie Melodies is an American animated series of comedy short films produced by Warner Bros. Merrie Melodies was originally produced by Harman-Ising Pictures from to , and then Leon Schlesinger Productions from to Schlesinger sold his studio to Warner Bros. Cartoons continued production until Cartoons resumed production for the series' final two years. Producer Leon Schlesinger had already produced one cartoon in the Looney Tunes series, based on music, and its success prompted him to try to sell a sister series to Warner Bros.
His selling point was that the new cartoons would feature music from the soundtracks of Warner Bros. The studio agreed, and Schlesinger dubbed the series Merrie Melodies. Walt Disney Productions had already scored with their Silly Symphonies. Since cartoon production usually began with a soundtrack, animating a piece of music made it easier to devise plot elements and even characters.
The origins of the Merrie Melodies series begin with the failure of a live action series of musical shorts called Spooney Melodies , which featured popular songs of the day. These shorts were basically an early type of music video that included segments with a popular artist singing along with appropriate background sequences.
Warner Bros. Because of the success of their Looney Tunes series, Warner Bros. Hugh Harman and Rudolf Ising led the development. It was meant to be a series of musical cartoons that featured hit songs of the day, especially those then owned by Warner Bros. In , many of the shorts featured the orchestra of Abe Lyman , one of the most famous band leaders of his day.
Eventually however, the series continued without any recurring characters. The shorts proved to be enormously popular with the public. When Harman and Ising left Warner Bros. Leon Schlesinger had to negotiate with them to keep the rights to the name Merrie Melodies, as well as for the right to use the slogan, So Long Folks, at the end of the cartoons.
In , Schlesinger produced his first color Merrie Melodies shorts, Honeymoon Hotel and Beauty and the Beast , which were produced in two-strip Cinecolor Disney then had exclusive animation rights to the richer three-strip Technicolor process. Looney Tunes continued in black and white until In , the cartoons began to end with the slogan "That's all Folks!
The old slogan "So Long, Folks! The same year, Merrie Melodies began using the bulls-eye opening and closing title sequences in , Looney Tunes would use the same titles, usually in thicker rings. Also by , Disney's exclusivity on the three-color Technicolor process was lifted, allowing Merrie Melodies a full color palette for the first time, hence the use of the blue concentric rings as a technical test for the rest of the - 36 season and the - 37 season.
The Warner Bros. Contractually, Merrie Melodies cartoons were obligated to include at least one full chorus from a Warner Bros. The policy annoyed the animators of Merrie Melodies , since the songs often interrupted the cartoons' momentum and pacing the Merrie Melody A Feud There Was , for example, sarcastically uses the obligatory musical number as a shift in the action, with the lead characters singing the number into a KFWB microphone and ceding the mike to an announcer who reads a commercial.
By , the animators had been released from this obligation, and the Merrie Melodies shorts came to resemble more closely the black-and-white Looney Tunes series.
In addition, several new characters were created to initially appear exclusively in the Merrie Melodies series, such as Egghead who became Elmer Fudd , Inki , Sniffles and even Warner Bros. In , Schlesinger began producing Looney Tunes in color as well, and the two series became virtually indistinguishable except by their theme music and opening titles — in addition, characters once exclusive to one series began regularly appearing in the other as well.
In , the studio went to an all-color schedule; though for the first year of this, Bugs still appeared mainly in the Merrie Melodies series not appearing in a Looney Tunes cartoon until the end of August , whereas Daffy Duck and Porky Pig who each appeared in a few Merrie Melodies prior to mid appeared mainly in Looney Tunes that year.
It was not until that the two series appeared completely indistinguishable, and that Bugs appeared in more Looney Tunes than Merrie Melodies. When the studio went to full color, even the animators themselves did not make any creative distinction between the two series, as evidenced in an interview quote from director Friz Freleng , "I never knew if a film I was making would be Looney Tunes or Merrie Melodies , and what the hell difference would it make, anyway?
The last Merrie Melodies cartoon was Injun Trouble released in The Merrie Melodies theatrical cartoons didn't start up again until with only two cartoons made, The Night of the Living Duck and Blooper Bunny , the former got a theatrical release through the compilation film Daffy Duck's Quackbusters and the latter was originally supposed to be released in but got shelved for several years until it premiered on Cartoon Network on June 13, Beginning in late , WB, in a cost-conserving effort, began to reissue its backlog of color cartoons under a new program that they called Merrie Melodies "Blue Ribbon" classics.
For the reissue, the original front-and-end title sequences were altered. The revised main title card began with the "zooming" WB logo, followed by the title logo set against a background featuring a "blue ribbon" hence the re-release program's title and a Grand Shorts Award trophy, followed by the name of the cartoon. This revised title sequence eliminated the opening technical credits. The end title card was also revised except for the - 44 season and half of the - 45 season of reissues, such as A Wild Hare and I Love to Singa when Schlesinger was still producing the cartoons , replacing the original versions.
The revised title sequences were edited right into the original negative, thus the original title sequences were cut away and possibly scrapped. Some of these same revised "blue ribbon" reissues can still be seen on television today. Entertainment Wiki Explore.
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You Don't Know What You're Doin'!
Like most people my age, I grew up watching a lot of TV. Probably too much. I've always loved cartoons, and I always will. I'm even studying animation as we speak, trying to learn how to do the magic stuff that those wacky Warner animators cranked out for so many years.
Category:Merrie Melodies
Sign In. Animation Short Comedy. Piggy replaced Foxy. Foxy lasted for only three cartoons. Piggy's tenure was even Piggy's tenure was even shorter. He appears in only two cartoons. This cartoon, his first screen appearance, was m
OVERTURE, DIM THE LIGHTS
Until , the studio developed classic cartoon characters such as Bugs Bunny and Daffy Duck. The creators of these characters were some of the most well-known animators who continued to rise and become respected leaders in the industry. Even Friz Freleng gained experience here before establishing his own studio. This prompted Warner Bros. In , Warner Brothers Animation moved to television, beginning with the ever-popular Tiny Toon Adventures , showing Looney Tunes characters as younger versions.
Merrie Melodies IDs
Long before Pepe Le Pew 's appearance in Space Jam: A New Legacy was scrapped because of a furore over the animated French skunk's alleged contribution to "rape culture", 11 Looney Tunes and Merrie Melodies cartoons were pulled for being too offensive. The cartoons, which were produced and released by Warner Bros, were withheld from syndication in the US in by United Artists, a US digital production company founded in by Charlie Chaplin, Mary Pickford, Douglas Fairbanks and D W Griffith as a way of allowing actors to control their own interests. To this day, the short animations have remained off-air, resurfacing online and at a TCM Classic Film Festival in , according to reports. Each of these cartoons contained storylines or characters depicting racist stereotypes, particularly of African Americans. For example, All This and Rabbit Stew from follows Bugs Bunny — the only one of the 11 episodes that includes such a big Looney Tunes "star" — as he battles a black hunter that is supposed to be a caricature of the American comedian and actor Stepin Fetchit, who was of Jamaican and Bahamian descent. Goldilocks and the Jivin' Bears , released in , meanwhile, is a parody of the original tale referenced in the title, but is reimagined with an all-black cast, as the Three Bears are turned into jazz musicians.
Nasty Canasta's Usual
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Looney Tunes and Merrie Melodies filmography
Porky Pig. Ham and Ex. Goopy Geer. Daffy Duck.
Merrie Melodies
Really helped the quality because Van Beuren really was producing some of the most worthless animated content of the early thirties and quality played a big part in that. Tom and Jerry there most imaginative concept was really a pale imitation of Mutt and Jeff without the attention to detail or thorough construction. On another note, Bob Clampett made his debut here. He was also around this time trying to get John Carter of Mars produced as an animated feature. This anticipates Disney's Snow White by quite sometime.
LOONEY TUNES (Looney Toons): First Merrie Melodies - Lady, Play Your Mandolin! (1931) (Remastered)
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