Doug marlette political cartoons
Douglas Nigel Marlette December 6, — July 10, was a Pulitzer Prize -winning American editorial cartoonist who, at the time of his death, had also published two novels and was "finding his voice in writing long-length fiction. Marlette began his cartooning career while a student at Seminole Community College where he worked on the student newspaper. He then went on to Florida State University where he drew political cartoons for The Florida Flambeau , from to In , he drew criticism from Islamic groups for drawing a cartoon depicting Mohammed driving a Ryder van with missiles pointed out the back and the caption, "What would Mohammed drive? He wrote and drew the internationally syndicated comic strip Kudzu ,  which launched June 15,
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- Andy Marlette
- Pulitzer Prize-Winning Cartoonist Doug Marlette Dies in Car Accident
- Remembering 'Kudzu' Cartoonist Doug Marlette
- Tallahassee Democrat Political Cartoon Shows Police Officer Gassing Jesus
- In Your Face: A Cartoonist at Work
- CPCC and NC Humanities Council Partner on Centennial of the Pulitzer Prize in NC
- From the archives: Doug Marlette
This collection has access restrictions. For details, please see the restrictions. This is a finding aid. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the World Wide Web. See the Duplication Policy section for more information. The following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc.
Clicking on a subject heading below will take you into the University Library's online catalog. Doug Marlette was born in Greensboro, N. His mother was a homemaker.
Marlette has two siblings. In , Marlette married Melinda Hartley; their son Jackson was born in The Marlettes' home is in Hillsborough, N. During Marlette's childhood, his family followed his father's postings to different Marine Corps stations.
From Greensboro, they moved to Durham, N. In , the family moved to Laurel, Miss. In , they moved to Sanford, Fla. After two years of community college, Marlette transferred to Florida State University in Tallahassee and began working as editorial cartoonist for the Florida Flambeau , the campus newspaper.
Marlette then worked for six months as a staff artist and sometimes editorial cartoonist for the St. Petersburg Times in Florida. In , he received a citation from the Overseas Press Club for foreign affairs cartoons. Marlette was granted a one-year Nieman Fellowship from Harvard University, in , the first cartoonist to win the award.
He spent attending seminars, meeting scholars and artists, and attending classes. Upon completing the Nieman Fellowship, Marlette returned to the Charlotte Observer and began publishing the daily comic strip Kudzu in May in addition to his editorial cartoons.
In , Marlette published his first Kudzu book. In , after 15 years producing editorial cartoons for the Charlotte Observer , Marlette joined the Atlanta Constitution and editor Bill Kovacs, formerly Washington bureau editor for the New York Times. One year later, Kovacs was fired from the paper, and Marlette resigned. He then went to work as an editorial cartoonist for Newsday. Marlette's work has been collected in 17 volumes.
He also wrote the screenplay for "Ex" with Pat Conroy. Marlette has won every major award for editorial cartooning, including the Pulitzer Prize for Editorial Cartooning for his work at the Charlotte Observer and at the Atlanta Constitution. His work has appeared in major newspapers and new magazines, and he has appeared on many nationally broadcast television and radio programs. The Doug Marlette papers consist of original artwork and art reproductions divided into three series: the Kudzu comic strip, political cartoons, and other artwork.
Other papers include correspondence, writings, clippings, subject and other files, and photographs. Kudzu comic strip original art is arranged chronologically into runs of daily comics and Sunday comics; there are also unpublished original sketches and incomplete comics.
Also included are daily and Sunday runs of reproduced Kudzu comic strips and other reproduced Kudzu art. Political cartoons include examples from Marlette's work in the late s at the Orlando Sentinel Star through and at Newsday. They are arranged chronologically when the date is known or in subject categories devised by Marlette. There are also unpublished sketches and incomplete cartoons. Other artwork includes both originals and reproductions of unidentified drawings, book covers, personal art, drawings from other comic strips, transparencies included in Marlette Pulitzer Prize application, book materials, and other items.
Correspondence, bulk , includes letters and related materials that Marlette received from family, colleagues, fans, and critics. Included are items relating to Marlette's winning the Pulitzer Prize in and to events surrounding his departure from the Atlanta Constitution and arrival at New York Newsday. Other letters relate to business ventures and other matters. Writings include drafts of Marlette's autobiography, In Your Face: A Cartoonist at Work ; a draft of a screenplay; and copies of speeches and articles.
Clippings are chiefly articles and images that Marlette collected, Other files include materials relating to prize applications; a inscribed school yearbook; and files on topics of interest to Marlette, including his litigation with the Hershey Foods Corporation over use of the company's logo, materials relating to his work at Newsday , and items pertaining to the Jerry Falwell v. Hustler Magazine Supreme Court case. The strip focuses on the fictional town of Bypass, N. Dunn, and Doris the Parakeet; there are also many supporting characters.
Kudzu explores themes and social issues with a distinctly, but not exclusively, southern attitude. Although generally non-political, occasionally Kudzu delves into politics, especially in election years.
Marlette has published many books of Kudzu comics. Artwork for the Kudzu comic strip is divided into an original artwork series and a series of reproductions. Original artwork for the Kudzu comic strip, including six daily drawings and a full-color Sunday drawing per week.
Also included is other Kudzu -related artwork, such as sketches, book covers, and promotional materials. Daily Kudzu comic strips arranged chronologically and drawn on 9" x 18" card stock. Many are undated, some are identified by year only or day only. Also included are sketches and incomplete drawings, all on 9" x 18"card stock. Sunday Kudzu comic strips arranged chronologically and usually drawn on 18" x 24" card stock.
Although the Sunday strips appear in color, these drawings are in black and white. Color is added to the drawings during a later stage of the production process. Original artwork relating to characters in the Kudzu comic strip, but not necessarily prepared for the daily or Sunday strip.
Some drawings are sketches, others are in full color. Some of these drawings may have been intended for merchandizing or promotional purposes.
Reproductions relating to the Kudzu comic strip, into separate runs for the daily strip, the Sunday strip, and other reproductions. Many of these reproductions are press copies created for Marlette by his publishing syndicate. There are also newspaper clippings of the Sunday strip, chiefly ; separations used to add color to the Sunday strip; post-production color transparencies for the Sunday strip; and photocopies created for books being readied for publication.
Proof sheets with six daily Kudzu comic strips produced for Marlette each week by his publishing syndicate. Note that many years are missing several weeks of proof sheets. Proof sheets of Sunday Kudzu comic strips in black and white. Note that many years are missing several Sunday proof sheets.
Also included are newspaper clippings of the Sunday strip, chiefly ; color separation; and post-production color transparencies. Reproductions relating to the Kudzu comic strip, some created for books and others for calendars and other items. Original political cartoons and political cartoon reproductions. Doug Marlette began drawing political cartoons in as a staff artist for the Orlando Sentinel-Star in Florida.
As a student at Florida State University, , he supplied cartoons to the Florida Flambeau , the campus newspaper. After leaving Florida State University, he joined the St. Petersburg Times in Florida for six months before being hired by the Charlotte Observer in In , after 15 years with the Charlotte Observer , he joined the Atlanta Constitution , and then Newsday in Original political cartoons in a variety of sizes, chiefly 11" x 13"and 19" x 24", divided into chronological, subject, and other runs.
Where possible, Marlette's original order has been retained. Marlette ordered the cartoons by both year and subject.
In the late s, Marlette began organizing most of his cartoons by subject, but later switched to arranging them by year. There are, however, many cartoons that are not identified by year or otherwise.
Original political cartoon artwork arranged in Marlette's chronological scheme, with some dates further divided by subject. Petersburg Times. The undated Charlotte Observer political cartoons appear to have been created between and Original political cartoons organized by subject. Most of these drawings are undated, although their particular subject matter dates many in the s e.
Other political cartoon artwork includes sketches and incomplete drawings. See Series 2. Reproductions of Marlette's political cartoons, including more than folders chronologically ordered by Marlette. In the chronological run, some cartoons appear more than once. Also included are political cartoon posters, transparencies, and a few groupings that Marlette organized for books or other purposes. Transparencies Marlette's Pulitzer Prize application; original artwork and matted reproductions from Faux Bubba: Bill and Hillary Go to Washington , and matted proof sheets from other publications; about original sketches, unidentified drawings, and family art; materials promoting personal projects, books, or newspapers; original artwork by Jeff MacNelly, Dik Browne Hi and Lois , , and Ralph Dunagin; and a Sunday color drawing of a Batman comic strip from Letters and related materials that Marlette received from family, colleagues, fans, and critics.
The correspondence is largely from to and includes items relating to Marlette's winning the Pulitzer Prize in and to events surrounding his departure from the Atlanta Constitution and arrival at New York Newsday. Other letters detail business ventures and other matters.
Newspaper, magazine, and journal clippings about or related to Marlette's artwork, including feature articles about Marlette, letters to the editor, and stories that used his artwork as examples or illustrations. Materials relating to Marlette's professional and personal interests.
Pulitzer Prize-Winning Cartoonist Doug Marlette Dies in Car Accident
This multifaceted public program highlights the way Pulitzer Prize-winning journalism, literature and the arts record, analyze, critique and, therefore, impact our world. The events at CPCC will illuminate the impact of journalism and the humanities on American life today, imagine their future, and inspire new generations to consider the values represented by the body of Pulitzer Prize-winning work. Eric Freedman, dean of the School of Media Arts at Columbia College in Chicago; and documentary filmmaker Rodrigo Dorfman, best known for his work documenting the Latino community in North Carolina for the past 25 years. Eric Freedman: Technology, Disruption and the Future of News Literacy , Tate Hall 2 nd Floor, Overcash This evening keynote examines how technology can enable news organizations and other credible sources to reach young people with the information they need to inform their lives, the tools people are using to access news, and how they continue to change. Hosted by CampusPress. Network home Documentation The Edublogger.
Remembering 'Kudzu' Cartoonist Doug Marlette
The term cartoon originally described an artist's preliminary sketch for a painting, fresco, or tapestry. It later came to designate the rough and unconventional sketches a comic artist produces. Today it means any drawing or painting used for amusement, editorial, or advertising purposes. A cartoon produced primarily to entertain is called a comic strip or, in single-panel form, a gag cartoon; one used to explain or illustrate a story, article, or nonfiction book, or to form part of an advertisement, is referred to as a cartoon illustration; a cartoon used to sway public opinion or dramatize the news is called an editorial or political cartoon. Editorial cartoons usually appear on the editorial pages of newspapers, although in 18th- and 19th-century Europe such cartoons, called caricatures, were sold as single sheets. Today caricature has come to refer to a drawing of an individual that exaggerates personal appearance to the point of ridicule. Caricature is usually an important element in the editorial cartoon. The first editorial cartoons in the United States appeared in the second half of the 19th century, mainly in magazines. Thomas Nast, America's first important editorial cartoonist, did most of his work for Harper's Weekly. When photoengraving made possible quick and economical reproduction of drawings and photographs, editorial cartoons began to appear regularly in daily newspapers.
Tallahassee Democrat Political Cartoon Shows Police Officer Gassing Jesus
Trending Applause. Cartoonist , journalist, and writer. Dunn, Nelson Nashville, TN , Shred This Book! I Am Not a Televangelist!
In Your Face: A Cartoonist at Work
Pultizer Prize-winning cartoonist Doug Marlette shared some of his work and discussed his North Carolina family roots during a presentation Feb. Marlette, an editorial cartoonist who also draws the syndicated daily comic strip "Kudzu," has captured the mood of the nation after some of the world's most important events. He shared some of his famous newspaper cartoons during his Elon visit, including work he created in the wake of the Challenger space shuttle disaster and in the days following the Sept. Marlette's cartoons often poke fun at the world's political and religious leaders. Laughter was abundant as Marlette showed samples of his work which made light of Presidents Bush and Clinton, as well as television evangelists Pat Robertson and Jerry Falwell. If you're watching it, it's funny, but if you're the one who's slipping, then it's painful.
CPCC and NC Humanities Council Partner on Centennial of the Pulitzer Prize in NC
Now Doug Marlette, the Pulitzer Prize-winning political cartoonist, is making the transition from strip to stage. The new musical is Kudzu , whose title is taken both from a plant that omnivorously covers the South as well as from the name of the young man whose coming of age the show purports to tell through the sardonic happenings in the mythical town of Bypass, North Carolina. Marlette has been developing the show about a Japanese corporate takeover of a small Southern town over the last four years with Jack Herrick and Bland Simpson, members of The Red Clay Ramblers, the blue-grass string band who were last seen on Broadway in Fool Moon. As in that show, the group appears onstage in Kudzu , which had readings in New York and at the University of North Carolina at Chapel Hill before receiving its first fully staged workshop production, directed and choreographed by Marcia Milgrom Dodge, in June at the Norma Terris Theatre in Chester, Connecticut, as part of the new musical program of the Goodspeed Opera House. Among the cast were Jeff Edgerton, who played the title role, and Kelli Rabke as someone secretly infatuated with him. More productions are planned on the regional circuit, possibly at Duke University, before the production takes its chance in New York. Marlette, who spends his time between an apartment in New York and a home in Hillsboro, North Carolina, admitted to a certain "trepidation" about breaking into musical theatre, but it's long been a dream since having been smitten by high school and community productions in his native South.
From the archives: Doug Marlette
Sign up for our newsletters! The cartoon showed a close-up of the pope wearing a button emblazoned with the words "No Women Priests. Once I hit upon the idea, I drew it up quickly, faxed a copy to the Long Island office, sent the original to production by messenger, and forgot about it until it ran the next day in both the city and island editions of the Sun , as all my cartoons did. I knew it was a decent lick -- not especially outrageous by my lights, but effective.
By John Freeman on July 13, The Pulitzer Prize-winning and sometimes controversial cartoonist Doug Marlette , who the Washington Post reports recently turned his incisive wit toward a budding career as a novelist, died on Tuesday 10 July in a car accident in Mississippi. Marlette, who was 57, split his time between Hillsborough and Tulsa, and was visiting Mississippi to help a group of high school students with the musical version of his syndicated comic strip, Kudzu. He was opinionated and often controversial: residents of Hillborough, the small town west of Raleigh that is home to several well-known writers were annoyed by his first novel, The Bridge , feeling some of the characters were based on them.
Marlette discussed political cartooning and his comic strip, "Kudzu," at the third Park Lecture in October. In daylight-saving time, I'm mean for another hour. Such harsh words might sound surprising coming from the gentle face of a man born and raised in the South. But Marlette's cartoons pack tough punches that belie his kind smile, as the audience of students and guests at the third-annual Park Lecture quickly discovered. Declaring that "cartoons should be seen and not heard," Marlette structured his talk around slides of his cartoons, demonstrating his talent and explaining the process and effects of each drawing. It can strike at the heart like a lightning bolt from above and change the way you see and think and feel.
Doug Marlette, creator of the comic strip Kudzu and a former Newsday editorial cartoonist whose incisive, sometimes controversial work won the Pulitzer Prize, was killed yesterday in a car crash in Mississippi. Marlette, 57, was on his way to Oxford, Miss. He was killed instantly, said novelist Pat Conroy, a good friend of Marlette's. Police are investigating the crash.