Aaec political cartoons


These resources are meant to assist teachers in preparing lesson plans for teaching with cartoons. The U. Petersen George A. Vaughan Richard E.


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WATCH RELATED VIDEO: 32 Damn Cartoons Courage in Editorial Cartooning Award

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Linda K. Editorial cartoons are a form of social commentary combining text and imagery. Small in size, they must be worded succinctly and have recognizable images. By their nature, use, and placement — traditionally on the opinion and editorial page of a newspaper — editorial or political cartoons have a point to make, an agenda to press.

Whether that message is subtle or blatant, editorial cartoons are designed to comment on and make people think about events and issues of local, regional, national, or global significance. This study examined map and geographical imagery in selected editorial cartoons.

Cartoons in this study were digitized images of editorial cartoons from the s and s. Editorial and political cartoons have been a staple of newspaper and journalistic content in the United States for at least years, since the end of the Civil War when the New York Evening Telegram began printing a front page cartoon each week. Bush , Editorial cartoons use text and images to communicate a message that is as subjective as any other editorial page content. In her film, Running Mate, Elaine K.

The interpretation of visual elements in editorial cartoons is known as visual semiotics and is based in part on the 19th century work of Charles Sanders Peirce, a logician, mathematician, philosopher and scientist. Peirce organized imagery, or signs, into three types — iconic, indexical, and symbolic. An icon is a sign that resembles its object in reality a person walking a dog drawn in a cartoon, a person walking a dog in reality.

An index is associated with the object it references short circular lines indicating the spinning motion of a tornado. A symbol has no direct connection to the object it represents except for a generally understood meaning dove with an olive branch as a symbol of peace, an Uncle Sam character symbolizing the United States.

Abraham , Interpretation also requires focus on aspects of artistic creativity. One is the social content the economy, a location, a political embarrassment. Another is the historical context.

Third are personal traits that can be exaggerated. Fourth are literary and cultural allusions that can frame social issues. Map and geographical imagery in editorial cartoons is widely varied. The longest view places the reader in space, far from the Earth. In some imagery, part of the globe is seen, sometimes with lines of latitude and longitude. A closer view may show continents with an ocean between them, a region or a state outline. Some cartoons have landform imagery mountains and rivers rather than maps or globes.

Analysis of imagery also has to do with whether the image conveys an actual location or an idea. A map of Louisiana may provide the location for a topic relevant to the state. A cartoon showing a butte on the horizon and a man in cowboy clothes riding a horse has a geographical setting in the American West, but the setting and cowboy culture may be metaphors.

Geographical imagery can contribute to the overall meaning of the cartoon rather than fixing it in a location. Manmade structures can also serve to identify location and context. A cartoon showing the Capitol dome in Washington, D. The digital collection consists of 1, images digitized from among more than 6, original cartoons. The print collection has artwork by more than cartoonists.

Cartoons from the s and s make up the bulk of the collection. Cartoon records containing any of the keywords Earth, map, maps, globe, or globes in the metadata were retrieved, including the work of 14 cartoonists. Cartoons were viewed and data recorded to answer five research questions Q1-Q5 :.

One hundred sixty digitized editorial cartoons drawn by fourteen cartoonists were analyzed against five research questions Q1-Q5. Q1 asked what map and geographical imagery was present, and four descriptive terms were used to record data. The research sample showed cartoons with globes 67 , maps 21 , geographic landforms 21 and manmade structures Manmade structures that indicated location included the U.

Sixty-seven cartoons had imagery that was iconic. The images had a direct relationship to the place indicated by the image, with respect to the meaning of the cartoon. Ninety-eight cartoons had symbolic imagery. A cartoon showing two groups of people pushing a huge globe, one group pushing against the other, was portraying the struggle for and against change in the world.

No cartoons had indexical geographical imagery. Results were extraterrestrial 15 , global 43 , continental 11 , national 15 , state 4 and local Geographic location was the subject of Q4 , and locations from city scale to extraterrestrial were recorded.

North America, including Latin America, accounted for the most 73 cartoons , including Washington, D. Q5 dealt with the geographic location s identified in Q4. An example would be the U.

Capitol dome indicating Washington D. Twenty cartoons had geographic imagery that did not specify a location, usually landforms not tied to place a mountain or stream. The reader sees a continent Q3 , and the location shown Q4 is Europe. Given the title of the cartoon, Mr. Nixon is apparently worried about relations with or events in Europe Q5. A secondary geographic location might be inferred as the United States, but the focus was the geographical imagery, not main characters.

Each design contains something representative of its funding country. The Italian plane has a map of Italy for a tail. The Australian design reminds the reader of a kangaroo, complete with a pouch and a tiny plane in the pouch. The German design reminds the reader of a Zeppelin or a sausage. The Spanish design has a set of horns tipped in red, and the body of the plane has long barbs. This design reminds the reader of the sport of bullfighting for which Spain is known. In the background is the U.

Capitol dome. In the foreground, the leg of a very tall man is shown stepping into the cartoon. The U. Capitol dome image is understood to mean Washington, D. It also fixes the primary location as Washington, D. In this study, only one data point was recorded for Q5. The last cartoon to be described Fig. Though undated, analysis of topical content lends support to a date of A map of six Southeast Asian countries is shown, with Laos in the center.

Laos resembles a small dog which is barking in alarm because it is being strangled by a strong fist. One hundred sixty cartoons drawn by fourteen cartoonists were evaluated. Two methods of identifying image type were used. Locations indicated in the cartoons by map and geographical imagery were recorded, as well as geographic landforms and manmade structures that indicated location.

Last, geographic locations in cartoons were compared with the overall meaning of the cartoons to see if the location of the overall meaning was the same or different from that indicated in the cartoon. Map and geographical imagery is one of the tools an editorial cartoonist uses to deliver a message to the reader.

Combined with text and other imagery such as caricatures, cultural and literary allusions, lines that indicate action or motion, and drawings of people, map and geographical imagery is a vital and relevant aspect of editorial cartooning. Other studies of imagery in editorial cartoons could focus on historical time periods, literary and cultural allusions such as symbols of holidays, or on the work of an individual cartoonist.

Abraham, Linus. Effectiveness of cartoons as a uniquely visual medium for orienting social issues. Journalism Communication Monographs, Summer : Association of American Editorial Cartoonists. Bush, Martin H. American political cartoons, Syracuse, N. DeSousa, M. Political cartoons and American culture: significant symbols of campaign Studies in Visual Communication, 8: Jurden, Jack. Manning, Reg.

Miller, Elaine K. Running mate: gender and politics in the editorial cartoons. Conceived and produced by Elaine K. Drawing conclusions: editorial cartoonists consider Hillary Rodham Clinton. A film by Elaine K.


Southern Miss Special Collections — From the AAEC Editorial Cartoon Collection....

During the opening reception, show co-organizer J. Trostle said, "Wow, North Carolina is hell-bent on making this one of the most interesting and timely conventions we've ever had. Indeed, there was some internal debate within the AAEC as to whether the festival should be held in Durham, given HB2, but it was decided that an organization whose purpose is to make pointed political commentary would be an ideal match for this controversy. What interested me most about this festival was what factors went into it being considered a success.

Cartoons show storms of controversy. Bruce Plante, Tulsa World / Courtesy of AAEC. Talking Points. 1. How are these cartoonists using.

Ted Rall: What’s happening to political cartoonists isn’t funny

This project sought to study the role of political editorial cartoonists in a free, independent media in a democracy. Participants examined the practice, techniques, and ethical responsibilities of U. Seven participants from six different countries in the Middle East Bahrain, Egypt, Jordan, Morocco, Palestinian Territories, and Saudi Arabia met with political cartoonists, schools of cartooning and art, journalists, publishers, and advocates for free speech. Participants began in Washington, DC, meeting with several organizations working to promote cartooning such as Cartoonists Rights Network International and the Herb Block. The group was inspired by meetings with prominent American political cartoonists including Mr. Tom Toles and Ms. Matt Wuerker of Politico; and with Mr. Concluding in Columbus, participants attended the annual convention of the American Association of Editorial Cartoonists AAEC , met with a diverse array of cartoonists and artists from across the country, presented on their work, and contributed to an AAEC organized chalk-slam on the steps of the Columbus Public Library. Stronger at home when globally engaged. Political Cartooning — A Project for Near East and North Africa This project sought to study the role of political editorial cartoonists in a free, independent media in a democracy.

Association of American Editorial Cartoonists

aaec political cartoons

Brown, Angelo Lopez and Eric Garcia. A Black political cartoonist's new book pokes and provokes. He's planning another [Walt Carr; in print as A veteran Black cartoonist takes setback in stride]. Courtland Milloy. Washington Post September 30, , p.

Fellow IFEX members the Pakistan Press Foundation do a superb job monitoring, reporting and challenging threats to press freedom in the south Asian nation. Against this background two very recent attempts at cartoon censorship provide evidence that Pakistani popular opinion is indeed hardening against satire.

Political Cartoonists Talk Twitter, Censorship, MAD Magazine, and How to Draw Trump

When autocomplete results are available use up and down arrows to review and enter to select. Touch device users, explore by touch or with swipe gestures. Log in. Sign up. Political Cartoon Analysis.

GA Voice Art Director Mike Ritter dies at 48

Monday, October 24, Political Cartoons in the Classroom. Those reviews are included below. Cartoons in the Classroom offers more than one hundred lesson plans based on editorial cartoons created by the members of the AAEC. Each lesson plan is available as free pdf download. As you might expect, most of the lessons deal with current political and economic topics, but you will also find some lessons that are not time sensitive.

will hold the award ceremony during the annual convention of the Association of American Editorial Cartoonists (AAEC) on September

The Association of American Editorial Cartoonists

As a result, cartoons play an important role in understanding American visual culture. America has subsequently produced a rich and influential visual culture and the realm of American politics has produced some of its most iconic symbols e. As teachers of English and American culture, it is imperative that we convey to students the significance, meaning, and impact these images have on American society and, in many cases, the world. This article will cover strategies necessary for interpreting cartoons and provide ideas for lesson plans centered on political cartoons.

AAEC – UnitedSketches friendship: UnitedSketches means Togetherness

Endless screeds claiming anyone to the right of Mao is a bigoted and hateful person make up most of Twitter, Facebook, and Instagram. But a growing cadre of conservative creatives is trying to make its mark online and […]. Cartoonist and comics historian Bob Harvey has passed away. Robert Charles Bob Harvey a.

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Political Cartoons

Editorial cartoonist for the Los Angeles Herald-Examiner ? From the description of Papers, [ca. Ohio State University Libraries. WorldCat record id: Previously, he was a sports cartoonist for the Los Angeles Examiner Karl Hubenthal was an American sports and editorial cartoonist. In he began to do sports cartoons for that newspaper.

Map and Geographical Imagery in Editorial Cartoons

Pages in category "American cartoonists" The following pages are in this category, out of approximately total. Association of American Editorial Cartoonists. The Association of American Editorial Cartoonists is a professional association concerned with promoting the interests of staff, freelance, and student editorial cartoonists in the United States. Share this Nonprofit Email Facebook Twitter.

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