Liz and the blue bird analysis
The wait for dem subs was a long one but at long last we are here to talk about a very interesting movie starring a highlight duo from the second season of the following series. I will say this right now. This movie is mainly about their relationship. I will elaborate as we take a look at the Hibike! Starring Mizore and Nozomi. Note: While not necessary it is recommended to watch the first two seasons or their recap movies to better understand this one.
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Content:
- Black Country review – Liz Berry's impressive first collection
- 大好きのハグ – The intimacy of Liz and the Blue Bird
- Liz and the Blue Bird Composer Interview: agraph (Kensuke Ushio) | The Quiet and The Hidden
- Bluebird of happiness
- Liz & The Blue Bird – Taking a Risk Where Least Expected
- Seasonal Anime Checkup OVA
- Committed grants
- Liz Lochhead: Poems Poem Text
- Cockney Rhyming Slang
- DfT organisation chart (accessible version)
Black Country review – Liz Berry's impressive first collection
Liz and the Blue Bird is a film centered around two stories: the actual fable of Liz and the Blue Bird , and the story of two girls assigned as its soloists for the Kitauji Concert Band. These girls, Mizore and Nozomi, featured prominently in the first half of Sound! Euphonium 's second season. That half essentially centered on Nozomi's desire to return to concert band after a year away, and how her potential turn prompted a great deal of emotional trauma for Mizore.
Here, a year after the events of Euphonium 2, the melodramatic stakes of the series proper are all but forgotten. Our heroes are a year older and a year wiser, but more than that, this is a film from Mizore's own perspective.
And Mizore's mind is a quiet, anxious, and profoundly delicate place. Across films like Tamako Love Story and A Silent Voice , she has defined a clear and consistent vocabulary of drama, always focusing on the quiet, the unseen, the little movements and subtle expression shifts that reveal all that our words can't express.
Yamada has frankly been a master dramatist ever since her first feature, and in Liz and the Blue Bird , she may well have reached a new peak. I can confidently say that Liz is one of the most beautiful works of art I've experienced in years, and a film I will be returning to for many years to come.
Liz's two narratives parallel each other completely, but the actual Blue Bird fable is the film's framing device. In that story, a girl named Liz lives alone in the forest, where she tends to animals and enjoys a peaceful but lonely life. One day, a strange girl dressed all in blue appears, bringing love and light to Liz's quiet world. But as time goes on, Liz realizes that this girl is actually a blue bird, and though she yearns to hold on to her, she knows her friend deserves to be free.
And so Liz releases the bird from its cage, sacrificing her own happiness to ensure her friend can fly. The parallels between the Blue Bird narrative and Mizore's own story are clear from early on in the film, but are revealed more through narratives of personal space and perspective than overt dramatic beats. The story opens with a statement of purpose that seems to embody Yamada's career in miniature, as we follow Mizore on her way to school.
Stopping outside the gate, Mizore hesitates, and the film pauses with her. A quiet tinkling of piano keys and dashes of percussion trail off in the background, like a band tuning before play.
Mizore sits on the steps, waiting for something we can't see. Then, as the piano melody snaps into sync with emerging footsteps, Mizore turns, and sees Nozomi approaching. Matching Mizore's tight-fisted shuffle, we follow Mizore and Nozomi through a nigh-wordless ten minute sequence, as her feelings bloom through their quiet walk to the practice hall. All of Liz's manifold strengths are clear in that opening sequence, Mizore's emotions coming through clearly even though she barely speaks a word.
Part of this comes down to the film's incredibly careful animation, and soft, expressive character designs. The thick linework and exaggerated hair styles of Euphonium are gone here - instead, the film is expressed through delicate lines echoing designer Futoshi Nishiya 's prior collaboration on A Silent Voice , and character art that impresses not through its eye-catching profiles, but its subtly of form.
This linework is beautiful in Liz's real-world segments, but even more necessary for the segments that dip into the Blue Bird fantasy. There, Mizore's feelings are expressed through gorgeous watercolors and soft pastels that echo Violet Evergarden , Ghibli vistas, and humble works of impressionism. Mizore may be a quiet and shy person, but our journey into her head perfectly captures her creativity and passion, the vitality of her personal world.
It's not just the visual design that makes this segment sing, though. As the two girls march one after the other through the school, Mizore's feelings are also captured in Liz's sound design, gentle crests and falls of piano matching her preoccupation with Nozomi's figure. As her eyes catch on Nozomi's lightly bouncing ponytail and confidently swinging arms, the piano shifts to match the tempo of Nozomi's movements.
Mizore's memories of walking this same route as an adolescent are buoyed by somber strings, and when they reach the practice room, piano dissolves into a patter of percussion, as if Mizore is actively working to suppress her feelings.
We don't need to be told Mizore loves Nozomi; why else would the melody of her life sync to Nozomi's footsteps, the tempo of her day fit the rise and fall of Nozomi's presence? The desperate passion Mizore feels for her friend is made more clear in those first ten, nearly wordless moments than some romances manage in their entire running time.
As I've described it, that opening sequence might sound like some unique tour-de-force of environmental storytelling, but Liz maintains that level of subtlety and emotive delivery across its every twist and turn. There are scenes in this film that felt as paralyzingly tense as a horror film, Yamada's mastery of tone conjuring moments of anxiety and self-loathing almost too sharp to bear. The hollow halls of Kitauji and quiet spaces Mizore finds for herself speak volumes; her half-glances, consistent tugging at her hair, and subtle shifts of posture reveal all the vibrant colors of her love.
The overt narrative of Liz and the Blue Bird is fairly minimalist, leaving as much room as possible for Yamada's delicate exploration of key emotional moments. In the midst of their final year, Mizore and Nozomi are both practicing for an upcoming performance, where they'll actually be performing Liz as the flute and oboe soloists. Unfortunately, their practices find them consistently out of sync, and Mizore blames herself for this.
Terrified of the end of high school, and of seeing her one precious friend abandon her, Mizore identifies deeply with Liz's character, but could never imagine actually setting the blue bird free. Without Nozomi, she is nothing - and in her desperation to hold onto Nozomi, she is unable to either engage with her future or truly communicate with her friend.
Mizore is the perfect heroine for a Yamada film, so preoccupied with the past, so unable to convey her feelings in any way but physically. Her worldview allows us to peer into a Kitauji utterly unlike the world of Sound! Euphonium , where the awkward fumblings of Kumiko and the dynamics of the group as a whole just sort of fade into the distance.
Mizore's life is defined by Nozomi's movements, a fact that stands at the heart of Liz's drama, and also defines its aesthetic scope. Flutes and pianos soar in momentary triumph when Nozomi enters her view; when she leaves, violins signal doubt and fatigue, fingers clenching in buried grief.
Ultimately, Liz and the Blue Bird 's focus expands to encompass Nozomi's worldview as well, leading into a final act where their various misunderstandings end up speaking to their mutual concern.
While Mizore remains painfully shy, Nozomi's brightness is eventually shown to be its own mask, and Liz succeeds just as well in conveying idle yet barbed dialogue as it does in capturing wordless emotions. In the end, simply talking through their feelings with trusted friends helps each of them come to a happier relationship with the Blue Bird narrative, leading to a triumphant performance that rings out with all the vitality Mizore had locked inside.
When the bird is set free, it dances in flight with such beauty that I couldn't choose whether to marvel at KyoAni's beautiful animation, or close my eyes entirely and let the music take hold. Liz isn't a work of pure nostalgic longing; it is simultaneously a paean to our past selves and a celebration of all we might become, a work that tempers the pain of youth with assurance that though change will come, true feelings endure.
If you're expecting a conventional sequel to the Sound! Euphonium television series, you won't find it in Liz and the Blue Bird. This is a very different kind of story, few of the Euphonium stars have particularly prominent roles, and Yamada was clearly more concerned with making a highly personal tone piece than an ensemble drama. But if you have any appreciation for Yamada's work, or for slow, quiet, and heartfelt stories in general, I strongly urge you to give this film a shot.
From its gorgeously painted fantasy vignettes to its subtly devastating personal moments, from its utterly cohesive visual aesthetic to its rich and ever-fitting sound design, Liz and the Blue Bird is an absolute triumph. Yamada has created a masterpiece. We are so very lucky to receive it. Features the best sound design of any property I've seen in years. Full encyclopedia details about Liz to Aoitori movie. No account yet? Registering is free , easy , and private.
Discuss in the forum, contribute to the Encyclopedia, build your own MyAnime lists, and more. Everything chronological archives Features incl. Game Reviews Columns incl. Industry Comments Advertorials. Goal to the Future Lycoris Recoil Teppen—!!!! Login or Register forgot it? Review by Nick Creamer, Nov 5th Liz and the Blue Bird. But after Nozomi abandoned her during her first year at Kitauji High School, Mizore fell into depression, only regaining her spirit when her friend returned many months later.
Mizore is far from ready to say goodbye, but just as Liz herself came to realize, you must set the caged bird free. Production Info:. Music: Akito Matsuda kensuke ushio. RightStuf - Anime, Manga and More. Blue Reflection Ray Episodes Jul 10, 1 comment. Blue Reflection Ray has some interesting ideas and likeable character moments if you can get past it's less than attractive visuals.
Granted, I still haven't gotten around to playing the games yet, and according The film was scheduled to air on Friday at p. NTV stated it will announce a new air date at a later time. Many Japanese channels have suspended In the live-action series, Nagomi Kinoshita, the grandmother of the main lead Kazuya, is hooked on a p Anime premieres at event on July 21 at p.
The screeni The arc takes place Laughing 'til you Cry anime revealed on Friday that the staff has canceled the airing the show's second episode due to "various circumstances. The series premiered on the AbemaTV What was your favorite anime in Spring ? Or perhaps Tomodachi Game? The Best and Worst of Spring Jul 9, anime. In all the excitement of Anime Expo and the new season, we almost forgot the final ranking for last season!
Here's the end verdict. Keep in mind that these rankings are based on how people rated indi RWBY: Then vs. Now Jul 8, 9 comments. With the premiere of a new anime series, the impending release of Volume 9, and an upcoming film crossover with the Justice League , now is a good a time to look back and reflect on how RWBY has changed over the years.
Heidi closes out her tenure at TWIG with info on the newly revived E3, Square-Enix's title release shuffling, and where you can still follow her excellent reviews into the future. It's been a fantastic run, y'all.
大好きのハグ – The intimacy of Liz and the Blue Bird
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Liz and the Blue Bird Composer Interview: agraph (Kensuke Ushio) | The Quiet and The Hidden
We use some essential cookies to make this website work. Liz is head of a dynamic Society and Environment Research Group that focuses on understanding the complex relationships between forestry, the environment and society. She has recently been a work package leader on an EU Cost Action on the social and environmental benefits of green infrastructure, leading a team focused on socio-cultural benefits. Liz is increasingly involved in evaluations of programmes and interventions aimed at engaging a wide variety of groups with nature and focused on sustaining or changing behaviours. She has also been involved in a number of other interdisciplinary projects with ecologists, economists, psychologists, biologists and finds this a particularly important way of gaining different perspectives, understanding other approaches and methods, and seeing how these can be incorporated into new research. She has and is collaborating with many countries on research and in the exchange and development of evidence and ideas. There was an increase in social media traffic outlining the benefits of engaging with local nature spaces and a greater awareness of how much people can value and rely on nature to support their wellbeing.
Bluebird of happiness
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Liz & The Blue Bird – Taking a Risk Where Least Expected
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Seasonal Anime Checkup OVA
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Committed grants
These notes were contributed by members of the GradeSaver community. We are thankful for their contributions and encourage you to make your own. All honour goes to poetry.
Liz Lochhead: Poems Poem Text
Mizore identifies with the lonely, hardworking Liz; they both see Nozomi as the bluebird who represents freedom. Can they resolve their conflicted feelings, musically and personally, amid the stress of the approaching end of their senior year? And can they do it in time for their performance to win the upcoming musical competition? Perky Nozomi chats with the other girls, but rarely says anything interesting. Dreary, withdrawn Mizore rejects invitations from everyone except Nozomi, who is the center of her world.
Cockney Rhyming Slang
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DfT organisation chart (accessible version)
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