Emperors new groove film


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WATCH RELATED VIDEO: The Emperor's New Groove FuLLMovie HD (2000)

The Emperor's New Groove (2000)

Things you buy through our links may earn New York a commission. Sign up here to get it nightly. The soundtrack was set to feature a whole series of songs written by Sting. The legendary Eartha Kitt would be the voice of a villainous sorceress determined to blot out the sun. But after years of production snafus — of doubt-filled meetings and catastrophic screenings and arguments — Kingdom of the Sun was, in a stunning move, shelved. New Groove would ultimately feature only two songs written by Sting — one, a Vegas-style number performed by Tom Jones, and the other, a closing credits song performed by Sting himself for which he was nominated for an Oscar.

A table of people who had nothing to lose. Premiering at festivals in , The Sweatbox ultimately proved so awkwardly truthful that Disney has refused to release it, though the film does occasionally pop up on YouTube and torrent sites.

So, uh, how — and why — did all of this happen? The studio was looking to expand its footprint with films set in various cultures, beginning to work on titles such as Pocahontas and Mulan. Disney was starting to push to do things set in other cultures. Tom Schumacher [executive vice-president for Walt Disney Feature Animation] called me in, and he had three pictures up on the wall: representations of Inca, Aztec, and Mayan cultures.

For the Incan culture there was a picture of these amazing stone buildings in Machu Picchu, the city atop a mountain in the clouds. In their creation myth of the world there was a god named Viracocha who brought light to the world by throwing a rope around a distant star and pulling it to the earth. That image to me was really exciting. The most stunning visual in the film would have been the conclusion, where the sun is roped and pulled into this writhing mass of dark images.

I was hoping it would be a mix of mythology, humor, romance. I had looked at Prisoner of Zenda as a story, about a prince and his distant cousin who are dead ringers. The prince has enemies that want to kidnap him and the look-alike cousin has to stand in for him.

It was also reflective of The Prince and the Pauper. And I thought up the character of Yzma, the high priestess who wants to take over and regain her lost youth and beauty. The comic villains had always been my favorite characters in all the films. She was funny, and long, and skinny, and angular, and you could do lots of physical humor with her. Michael Eisner wanted me to interview Barbara Streisand to play Yzma. I went and met with her in London.

But I was so happy to cast Eartha Kitt in the role. With these older divas, you can be a little afraid of getting in the room. Owen Wilson was the lead, the llama herder, Pacha. I think he had just done Bottle Rocket , so no one really knew him, but he had this kind of slow, drawly way of speaking, which felt like an equivalent of someone from out in the sticks.

They were a fun contrast. We were going to switch jobs. I was an emperor and he was a peasant, and Carla Gugino was a princess. This kind of guy? A deep voice? I was brought on to help that process. After the breakup of the Police, Sting had become a massive international solo star. Allers: I had put a year or more in before I had the idea of asking Sting if he would like to do the music.

On one of his albums, he had something that was Latin American—sounding. We met with Sting at his home in England which is sort of near Stonehenge. I met his wife Trudie. They were very gracious people. She and her filmmaker J. Davidson would come periodically and canvass us, film things, interview people.

They got to watch the whole up and down of the movie. He was afraid Sting had an unrealistic idea of how bumpy the ride would be, that Sting would get exasperated with the process and walk away. Is there a popular song that you think, Oh, it would be great if it was like that? He was so anxious to get going that he kept jumping ahead of us. Sometimes you would drop a character that was going to be the person singing that song.

All Disney films famously went through years of development and production, with different ideas and approaches constantly being reviewed and discarded, often after contentious screenings of work-in-progress versions of a movie. At first, The Kingdom of the Sun was no different. But after a couple of years, it seemed that less progress than usual was being made on the film, at least according to Disney executives.

This resulted in a decision that was unprecedented at the time — caused partly by the surprisingly precarious position in which the company was finding itself in the late s. I started that show up in , and was there till , then came back to L. I started rewriting on Tarzan. I started stacking up jobs. A couple of weeks on Dinosaur. Like an old studio writer. They asked me to rework dialogue and that kind of stuff.

Fullmer: With Kingdom of the Sun , it seemed so promising at first. There were so many elements, all of which were fun and good. Yzma was terrific. Sting was doing fantastic music.

But I think Roger tried to hang onto too many elements. What are you doing? And I realized, Okay, this is not good. Chris Williams storyboard artist : I was there for a good long run while it was still Kingdom of the Sun.

Getting a story together is really challenging. I mean, every movie is hard. Allers: It started off as just a chipping away. They all had a hero. They all had a villain. They all had a love song. He felt we were just repeating ourselves.

Fullmer: Roger had been thinking about this for a long time before we started the movie. He was charmed by Peru and the culture. Some people are completely in love with originality and being super-authentic with parts of the culture.

Don Hahn executive producer : First of all, every Disney movie feels flat when you start out. So that was the case. He was a huge part of our lives. There was some stress going on between Roy Disney and Michael Eisner, and I think we were looking for some change in a new direction.

And other studios had one. And when you have all the top artists in the world, you can probably do no wrong. But as Pixar grew, as Blue Sky grew, as DreamWorks grew, as the business became competitive financially, other people recruited 15, 10, 20 of our top people.

We were fighting a war of survival. If you really want to put a finger on it, Jeffrey was as maniacal as Trump was. Steve Anderson story supervisor : I was asked to come on to Kingdom of the Sun , just to help out for a screening, which they do oftentimes if they need a couple extra wrists, for maybe a month or something. It may have been their third or fourth screening. But it turned out that it was the screening — the one that imploded.

We all left the theater that we have on the first floor in feature animation. We marched up to the story room on the third floor. They had tables set up in a big square. Everybody took their place. Tom Schumacher and Peter Schneider, the heads of the studio, came in, sat down, closed the door. We want to talk with Mark and Roger. Hahn: Roger was and is a really revered artist. The Little Mermaid and then Beauty and the Beast — just an amazing artist, storyteller. It was Prince and the Pauper.

It was also the transformation of somebody into a llama. It was Yzma, who wants to raise the dead, snuff out the light, and have a world of darkness, but she also wants eternal youth and beauty.


Emperor’s New Groove, The (film)

Things you buy through our links may earn New York a commission. Sign up here to get it nightly. The soundtrack was set to feature a whole series of songs written by Sting. The legendary Eartha Kitt would be the voice of a villainous sorceress determined to blot out the sun. But after years of production snafus — of doubt-filled meetings and catastrophic screenings and arguments — Kingdom of the Sun was, in a stunning move, shelved.

Director and co-writer Mark Dindal, who took over the film after Allers' departure, delivers a movie closer to the anarchic spirit of Looney.

THE EMPEROR'S NEW GROOVE

Kuzco is a self-centered emperor who summons Pacha from a village and to tell him that his home will be destroyed to make room for Kuzco's new summer home. Kuzco's advisor, Yzma, tries to poison Kuzco and accidentally turns him into a llama, who accidentally ends up in Pacha's village. Pacha offers to help Kuzco if he doesn't destroy his house, and so they form an unlikely partnership. Home New Popular Watchlist. Sign In. The Emperor's New Groove Watch Now. Subs HD.

The Emperor's New Groove

emperors new groove film

Hmmm, talking llama saves primary coloured Aztec kingdom? What drug-fuelled brainstorm meeting dreamed that one up? And - more to the point - why doesn't Disney hold them more often? Because, input from recreational pharmaceuticals or not, The Emperor's New Groove is one of the best things to come out of Mousedom's non CG-department for an age.

In , Disney 's The Emperor's New Groove hit theaters and introduced a tale of humility surrounding a selfish Incan Emperor forced to learn humility after being transformed into a llama. The film also followed Emperor Kuzco's growing friendship with llama herder Pacha, and the two raced to cure Kuzco before the evil Yzma succeeded in her plan to kill him and take over the kingdom.

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Many times, it is possible to make a snap determination about a movie based on its trailer. Happily, in the case of The Emperor's New Groove , any such judgment is likely to be in error. That's because the trailer makes the movie seem like one of the worst excuses for animated entertainment to come along in the past decade. However, while The Emperor's New Groove isn't going to challenge Beauty and the Beast , Aladdin , or The Lion King as the best of the "new wave" Disney animated features, it represents an entertaining if inconsequential 75 minutes spent in a theater. It's short and sweet - two adjectives I have not been able to use much this holiday season. The first, Fantasia , was the long-awaited, all-musical sequel to the classic Fantasia.

‘We’ll Never Make That Kind of Movie Again’

Set in a mythical land, the look of the film is drawn from the arched lines and caricatured motifs found in Pre-Columbian art. A lot of Incan design really lends itself to animation. Their textiles have quirky little animals throughout as a motif. We also looked closely at the gold statues the Incas made, took one of those designs and used it for inspiration for the design of the facade of the palace. We looked at small sculptures, blew them up and used them out of context.

The Emperor's New Groove ; Featuring, David Spade, Eartha Kitt, John Goodman, Owen Wilson, Patrick Warburton ; Director, Marc Dindal, Roger Allers ; Producer.

The Emperor's New Groove (2000) Review

Emperor Kuzco is turned into a llama by his ex-administrator Yzma, and must now regain his throne with the help of Pacha, the gentle llama herder. Yzma : Ah, how shall I do it? Oh, I know.

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RELATED VIDEO: Disney's The Emperor's New Groove Behind The Voices

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Eligible info. There's something for everyone in this hip, funny movie with its dynamo cast, distinctive style, and great music.

The Truth Behind The Emperor's New Groove

Between the absolutely unmatched voice cast and the intriguing historical details, The Emperor's New Groove is one of the most timeless Disney films. It may have been a minute since you've seen The Emperor's New Groove , but these interesting details will prove it's time for a rewatch. Based on the Incan empire, there are a ton of things you probably didn't know about The Emperor's New Groove. Vote up the most impressive movie details! This led to Disney making Patrick Warburton sign over the rights to his "composition. In Emperor's New Groove , Kuzco's funeral portrait is a weave because the Incans were known for their textile arts rather than paintings.

Development began in , when the film was conceived as a musical epic titled Kingdom of the Sun. Following his directorial debut with The Lion King, Roger Allers recruited English musician Sting to compose several songs for the film. Because of the underwhelming box office performances of Pocahontas and The Hunchback of Notre Dame, Dindal was brought in as co-director to make the film more comedic.

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