Political cartoons this week there
If one compares, in this time of national crisis, the years of the Bush presidency with those of the Nixon presidency, and if we make this comparison from the perspective of the political cartoon, one thing becomes apparent: the influence is missing. It is only 30 years since the glory times of Bob Haldeman and John Ehrlichman and all the other stars of the supporting Watergate cast. There was drama, detective work, skullduggery, secret files, paranoia and bless them both for humorous relief , Martha Mitchell and Al Haig. Cartoonists need villains and, in those happy times, there were villains galore. The Nixon years were, all things considered, bloody good fun. Goodbye to all that.
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Deciphering Political Cartoons
Maddo is the name by which Paul Kelemba signs off his cartoons. As part of our global journalism seminars series, Maddo talked about his long career, the changing industry and what makes a good cartoon. Satirical illustrations of the news have been popular since the early s , how is the switch to digital having an impact on these traditional elements of print newspapers? Our trends and predictions report found publishers plan to put more effort into Instagram this year. Will this mean more cartoons showing up in our feeds?
New technology is changing the industry. That is changing," Maddo said. As young people in particular switch from traditional news sources to the Internet and social media, a lot of cartoonists are shifting too. For Maddo, however, TV, radio and print are still important. He sees educating his audience on politics and current affairs as part of his role. Courage is necessary.
We are going to do this. So we went ahead and did it," Maddo said, talking about his famous Moi cartoon, the first time in Kenyan history that a mainstream media publisher ran a cartoon depiction of a Kenyan president. However, even today, there are limits to what cartoonists can get published in Kenya and beyond: "I don't really want to call it censorship as we called it those many years ago, but there are limits right there, ceilings.
For example, it might be something about who owns that media. Media freedom should not be taken for granted. And it stands not to the government mellowing and changing. No, no. It's about the media itself and how it has fought over the years, ever since the s to gain the present freedoms," Maddo said. And it goes also for the other areas in the media, television, radio, and then print.
I dare say that Kenya right now is the freest in terms of media freedoms in the region. The news is the core of cartooning. You must be able to grasp the news events and analyse those events and then come up with an opinion," Maddo said when talking about the qualities necessary for cartooning. An example of a good source for satirical cartoons is the upcoming Kenyan general election: "It's interesting, it's exciting that we are not lost for material right now.
Cartooning is art. Then importantly, this is our calling. There's nothing that we do to earn a living, this is it. And to me, whatever is there in terms of material, then we should grasp it and use it," Maddo said. He views cartooning as an art form that uses humour to convey important messages.
So my colleagues and I do exactly that. And the nature in which we do it is through humour," he said. Cartoonists are here to stay. People like James Gillray were well heavily published in the 16th and in the 17th century. So we are here and we are going nowhere," Maddo said.
Despite the challenges of the digital age, Maddo believes that editorial cartoons will endure. Editorial cartoons are one of many ways to bring news and commentary to a wide audience. They can educate, entertain and act as defiant political statements. Their popularity spans centuries and, even as they adapt to the digital age, Maddo believes they will continue to reach their audience.
Follow Maddo on Twitter for access to his cartoons. Read our Trends and predictions report for more on how the media is changing. Breadcrumb Home Events. It's no joke: three decades of political cartoons in Kenya. Editorial cartoonist Maddo talks about his decades of experience, how the business is changing and why satirical cartoons are here to stay. Why cartoons matter Satirical illustrations of the news have been popular since the early s , how is the switch to digital having an impact on these traditional elements of print newspapers?
Watch the video of Maddo's talk.
MALCOLM MAYES EDITORIAL CARTOONS
The editorial cartoon is a touchstone for matters of free expression in the journalistic tradition. Since their early inception in the politically charged engravings of 18th-century pictorial satirist William Hogarth to the present day, editorial cartoons have shone forth as signifiers of comic irreverence and mockery in the face of governmental authority and in the more generalized cultural politics of the times. In democratic nations they have been cast as a pillar of the fourth estate. Nevertheless, they—and the cartoonists, critics, commentators, and citizens who champion them—have also long stood out as relatively easy targets for concerns about where the lines of issues such libel, slander, defamation, and especially blasphemy should be drawn. This goes for Western-style democracies as well as authoritarian regimes. In other words, the editorial cartoon stands at a critical nexus of meaning and public judgment.
Humor & Cartoons
Originally published May 29, On June 30, a controversial national security law , widely seen as a threat to press freedom, came into effect in Hong Kong. Wong Kee-Kwan, the Hong Kong-based political cartoonist better known as Zunzi, says he won't back down from drawing images that sharply criticize the Chinese leadership, despite the passing of a controversial new security law. China's parliament gave unanimous backing Thursday to a new law that gives Beijing the power to crack down on subversion, secession and terrorism in the semi-autonomous territory of Hong Kong. China insists the new law will not compromise the "one country, two systems" rule that has been in place since , but critics say it could be used to bring Hong Kong fully under Chinese control. Here's part of their conversation. You drew a front page cartoon this week about the new security law. Would you describe that cartoon for us?
POLITICAL CARTOONS
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They satirize and poke fun, sometimes capturing the zeitgeist in a single sketch and often drawing the ire of rulers and other powerful people. Cartoonists persecuted for their work anywhere on the globe now have the backing of a dedicated team of legal advisers. The team will assist those facing criminal action by assessing the merits of the lawsuits and helping cartoonists to connect with lawyers. It is a vital lifeline for cartoonists at a time when most work independently or as freelancers, and so have less support when they run into trouble. The help comes at a pressing time for media globally, with a rise in the number of journalists fighting legal complaints related to critical reporting on how governments handled the pandemic. In the first few months of , the CRNI saw double the number of cases affecting cartoonists worldwide.
Editorial cartoons for the week of May 30
The Mercury recently spoke with Bors about his decision to end his weekly political cartoons, and the future of comics in a post-print era. BORS: I was motivated from the beginning to say something political about what was going on—originally, that was the Iraq war, and that turned into other things over the years. I had grown tired of it at various points in time, because following the news and social media constantly can be pretty draining.
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The use of political and editorial cartoons in the classroom can have multiple benefits. One of the wonderful qualities is the fact that they can be used to develop skills used in language arts language use , art cartooning techniques and social studies political and popular events and individuals. Similar to It's No Laughing Matter found in the Presentations and Activities section of the Teacher's Page , the political cartoons to be analyzed here are completely interactive. You can drag and drop the persuasive techniques used in political cartoons onto their instance in the cartoon. The instance area will highlight when you have the correct technique over it. The cartoon analysis is built using Adobe Flash technology, so you will need Flash player installed to use the analysis. You will need the at least version 8 of Flash Player.
As the ever-changing media landscape continues to evolve so does its content and in turn how that content is received. Central to the heart of American media are politics. American political ideology has been played out over the decades in conventional forms consisting of essays and written publications. Just as important to that ideology is American political opinion construed through drawings.
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