Ragg mopp cartoon movies

Discover something new. Fall in love with something once forgotten. And get inspired by some of these rare vintage swing and lindy hop clips. Groovie Movie. After Seben.

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• Hey, our system thinks you're a bot.
• Unique & Rare Vintage Swing Dance Clips
• Inn is out as locals favour Bar and Tap for new pub names
• TWO Big Red Buttons
• Bob Clampett, Boy Wonder Of Stage C
• 'Swiss Army Man,' despite Daniel Radcliffe's (re)animated performance, runs out of gas quickly
• All About Strawberry Shortcake

WATCH RELATED VIDEO: Muppet Songs: Ragg Mopp

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Dailies In a closet near Bob's office, stood the "Monster," a massive, ungainly and temperamental Moviola projector -- probably the only one of its kind in Hollywood -- squatting ominously in the projection room behind a cramped, airless theater, and employed in the showing of dailies, answer prints, tests and the like.

The "Monster" was thusly named because of its size, unwieldy nature and unpredictability. Each night, completed scenes were shot on 35mm color film and the next morning, when Bob came into the screening room to view each day's "dailies," an editor would have threaded them up, in sync with the audio on the Monster, and was ready to roll -- if the Monster would cooperate, which it often did not.

Then there were the finished shows. Well, the writers absolutely rolled in the aisles, so hilarious did they find their gags. Editorial's job was to read tracks, assemble dailies as they came out of the lab and were approved by Bob and Art, cut a work print of each show, set up sound dubbing units of music and sound effects, and supervise dubbing sessions at Ryder Sound during which final mixed tracks were to be composited. After this, the edited work print was sent to the negative cutter for conforming, following which, with the optical track negative, sent to the lab for making of a 35mm "first trial" or answer print.

Sometimes things went smoothly, other times, not. Bob was under tremendous stress, remembers Verity, who was in regular contact with the director. A main source of this stress were the wholesale changes demanded by the network and sponsors at very late stages of production -- sometimes even after episodes had been completed! Finished work prints would have to be changed for extremely minor tweaks. For example, one final print had to be changed when the network decided it suddenly didn't like one of the character's voices.

More aggravating was the fact that most of these changes could have been made at the storyboard stage or even beforehand, thereby avoiding costly and time consuming re-dos.

We always hated this because there were about 5 writers and Bob, and we'd start showing the cut, and it seemed like it was obligatory for each writer to find something wrong -- changes needing to be made -- in order to justify his job.

And so, we knew we were in for unnecessary changes We were so tired, we were unable to function. The editing department was dripping in magnetic track trims taped to the walls and the overhead pipes It was complete disorder. The problem was most of us assistants were kids, and we didn't know how to edit; we just did it! Still, we did a pretty good job. Stone, Bob's brother-in-law. Stony was a determined businessman whose most recent gig was helming a national soft drink bottling company, however he had no previous experience with an animation company.

He was smart, shrewd and sufficiently unimpressed with the romance of showbiz to handle the day-to-day business affairs of Snowball, Inc. Snowball was contractually obliged to deliver one show a week to ABC, and payments from the network weren't made to Snowball unless the mix was completed and approved -- a difficult task. It boiled down to this: If Snowball didn't deliver, neither did ABC, so the week's payroll could not be met.

The pressure on every department was excruciating. It was almost the end of the final production push, and everyone at Snowball was working day and night. The British payroll-lady -- the one that called Cecil, "Sessil" -- paid us, but begrudgingly.

Finally, it was all over. The Beany's were delivered and on the air and everyone breathed a sigh of relief and celebrated at a wrap party held at the Grapevine, a restaurant-bar in the Hollywood Greyhound Bus Station where animation industry parties were most often held.

Is that a statement about the animation industry of the time? It was a grand and melancholy occasion. We had pulled together, and against heavy odds, won. It was over and we were both proud and relieved. Ahmed Lateef remembers years later watching television, and seeing Bob Clampett, in person, holding forth on a Beany and Cecil float in the Hollywood Thanksgiving Parade.

Those days are gone forever. Time For Beany , the Beany and Cecil cartoons and Bob Clampett are but a memory in the minds of those of us who participated the golden age of television. It's comforting to dream, though, that somewhere out there beyond the Milky Way, the boys are on another adventure, and the voice of Cecil the Seasick Sea Serpent can be heard singing his signature song: Ragg mopp Doodly-dah-de-do-dah Ragg mopp Doodly-dah-de-do-dah R.

And the voice of Bob Clampett rings through the darkness, asking, "Can you run it one more time, fellas? Plus, a huge amount of bonus material, including: the original Matty's Funnies the show during which Beany And Cecil cartoons were first shown opening in color; a couple of the original Matty's Funnies bumpers; four full episodes of Time For Beany that have not been seen since their original airing fifty years ago; a full episode of Thunderbolt The Wondercolt; a musical number from The Willy The Wolf Show ; a fund-raiser promotional film featuring the Mr.

Peepers Wolf puppet and a sexy live-action little Red Riding Hood; backstage and home movies from Time For Beany and Thunderbolt; Bob Clampett's first television interview; and other early home movies.

It will also include a section called "The Lost Work," which will include ten projects Clampett developed, but never released to the public. There is also an audio oral history from Bob Clampett speaking about his career that was edited by Milt Gray, and an audio commentary from Stan Freberg, who, with Daws Butler, did the voices on Time For Beany, talking in depth about the experience of working on Time For Beany, and a commentary from Walker Edmiston talking about Beany and his work on Thunderbolt and Willy The Wolf.

There is also a story session recording of a Time For Beany episode where Bob Clampett and staff create a satire of the McCarthy hearings. There are even over stills! The disc's producer, Rob Clampett, Jr.

Robert Story is a producer and writer. He lives in Laguna Beach, California. Note: Readers may contact any Animation World Magazine contributor by sending an e-mail to editor awn. Now It's Time for the Beany and Cecil Cartoons continued from page 2 Dailies In a closet near Bob's office, stood the "Monster," a massive, ungainly and temperamental Moviola projector -- probably the only one of its kind in Hollywood -- squatting ominously in the projection room behind a cramped, airless theater, and employed in the showing of dailies, answer prints, tests and the like.

Unique & Rare Vintage Swing Dance Clips

A look back at the esteemed personalities who left us this year, who'd touched us with their innovation, creativity and humanity. By CBSNews. The Associated Press contributed to this gallery. A Miss America contestant from Reno, Nevada, Dawn Wells October 18, December 30, pivoted from medical studies to an acting career, and earned immortality after a fashion while wearing a gingham dress or belly button-covering shorts as the wholesome Mary Ann Summers, one of seven shipwrecked castaways on the s sitcom "Gilligan's Island.

Inn is out as locals favour Bar and Tap for new pub names

How to wash metal. Can you use vinegar to clean metal before painting? If you have tough stains, you can use a very mild dish soap like Ivory along with bleach Safely remove rust from tools and fragile metal parts! The easiest way to clean your copper surfaces is by wetting them with water … Try halving a lemon and sprinkling it with coarse ground salt If your bracelet is made of gold, we … Yes! The casings from shotgun shells and pistol rounds are recyclable through most scrap metal recycling programs Wipe away any dust left behind from the sanding This will help to get rid of any loose dust and dirt Firm the folded … How do you clean an electric metal stove top? Durable nonstick finish is easy to clean! Baking soda and water paste is a great way to get out persistent stains Degradation Next clean your panels using a wet cloth, sponge or soft bristled brush 3 cups of powdered laundry detergent Use a ratio of bleach to water to create a cleaning solution to use on areas with mold and mildew To clean, lightly dip the non-abrasive cloth into the cleaning solution of your choice water, isopropyl alcohol, or glass cleaner or use a spray bottle to very lightly spray the metal print with the solution Includes Electrolux Metal Wand Adapter for easy attachment Rin se the bottle, fill it about a quarter of the way with white How Do I Clean BARE METAL For PRIMER? The casings from shotgun shells and pistol rounds are recyclable through most scrap metal recycling programs Wash with warm, soapy water and a bottle brush to remove any debris from the inside In a small bowl, dilute a few drops of mild dish soap in warm water Mix 1 cup of ammonia with 5 gallons of water … What is the best way to clean cleats? This pre-wash will remove any loose dirt, grease, or grime from your structure and will help when the actual washing begins Mix the dishwashing liquid, fragrance powder, or fragrance oil with the lemon juice What types of metals are used to construct a metal roof?

TWO Big Red Buttons

Everyone knows the Bob Clampett of Termite Terrace, but what about the Bob Clampett that received 3 Emmies for one of television's first daily live puppet shows, Time for Beany? Robert Story was there and tells us this and other stories. Editor's Note: Everyone knows the Bob Clampett of Termite Terrace, but what about the Bob Clampett that grabbed headlines and received 3 Emmies for one of television's first daily live puppet shows, Time for Beany. PART I. Time for Beany.

Bob Clampett, Boy Wonder Of Stage C

Index Newest Popular Best. New Player Log In. Top 40 Follies Trivia Quiz The s and early s produced a bumper crop of odd, funny, and just plain weird records. Some were dumb because of the straaange lyrics. Others were appealing because they were just so daffy. Admit it: You used to listen to these and liked 'em!

'Swiss Army Man,' despite Daniel Radcliffe's (re)animated performance, runs out of gas quickly

Enter your email address to subscribe to this blog and receive notifications of new posts by email. Email Address:. I thought I would review this one early, as it is one of the most controversial cartoons ever made. Firstly if anyone tells you that this cartoon is not racist they are bullshitting. Yes, it may be a product of its time, Clampett may have been an aficionado of African-American culture and he may not have meant any harm in what he was doing, and the film may be one of the first cartoons to feature black voice actors in the lead roles, but that does not diminish the offensiveness of the film. The film was made specifically to parody African-Americans and their culture. It relies heavily on stereotypes that back in the s were common but are now considered to be highly offensive.

All About Strawberry Shortcake

Dailies In a closet near Bob's office, stood the "Monster," a massive, ungainly and temperamental Moviola projector -- probably the only one of its kind in Hollywood -- squatting ominously in the projection room behind a cramped, airless theater, and employed in the showing of dailies, answer prints, tests and the like. The "Monster" was thusly named because of its size, unwieldy nature and unpredictability. Each night, completed scenes were shot on 35mm color film and the next morning, when Bob came into the screening room to view each day's "dailies," an editor would have threaded them up, in sync with the audio on the Monster, and was ready to roll -- if the Monster would cooperate, which it often did not.

Alert: Our website does not support Internet Explorer 9. Please update your browser or choose a different one to continue. Hours , Directions , Donate , Membership. Simple mechanics, obsolete technology and outdated science is adopted by artists who have in common a desire to investigate methods once used by industry, but now on the endangered species list. Popular Mechanics includes artists who use drawing, film, cyanotypes, video, animation, zoetropes, hair dryer blowers, motors, scanners, sensors, braille, bar codes and paint in an exploration of art, science and illusion. Gregory Barsamian presents No Never Alone, a three dimensional animated sequence on a spinning armature supported by a synchronized strobe light for illumination.

Three young women accidentally bring back the Sanderson Sisters to modern day Salem and must figure out how to stop the child-hungry witches from wreaking havoc on the world. PG 96 min Comedy, Family, Fantasy. A curious youngster moves to Salem, where he struggles to fit in before awakening a trio of diabolical witches that were executed in the 17th century. Not Rated 93 min Action, Comedy, Crime. Thirsty for a following, Kurt Kunkle is a rideshare driver who has figured out a deadly plan to go viral. Votes: 11, R min Comedy, Horror, Thriller.

Benh Zeitlin's reimagining of J. Barrie's "Peter Pan" lets its heroine tell the classic story through a poetic and nostalgic lens. At times a grim glimpse at the reality of fleeting youth, Zeitlin's film is a beautiful departure from the tenants of Barrie's original bedtime story and Disney's commodified cartoon.