The simpsons korean

The cartoons, like other forms of outside media, enter the country on flash drives or memory cards, the source said. The cartoon, popular among ordinary North Koreans, also raises awareness about the risks of radioactive contamination that arise in the course of nuclear development, the source said. In the cartoon, Springfield Nuclear Power Plant, where Homer Simpson works as a safety inspector, is often depicted as being poorly maintained. The core of the reactor comes close to meltdowns multiple times. A second source in North Hamgyong province told RFA the Kim regime is cracking down on the circulation of a cartoon that depicts Robin Hood, the heroic outlaw who defies authority to lead an uprising against a corrupt king. It was unclear whether the Robin Hood cartoon in question was the Walt Disney production but the source said the cartoon aired on state television in

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Content:

• 'The Simpsons' 'controversial' Banksy intro
• BTS Army Fights Back Against Tucker Carlson After He Slams K-Pop Group’s White House Appearance
• Banksy's Simpsons in Korean sweatshop for opening sequence
• Please wait while your request is being verified...
• Interview with Nelson Shin
• Homer's nuclear incompetence has North Korea banning 'The Simpsons'
• BTS make sneaky cameo in The Simpsons as ARMY posters pop up in Korea
• South Korean Animators Protest Banksy Simpsons Opening… Which They Animated

WATCH RELATED VIDEO: The Simpsons - The Simpsons Go To Japan

'The Simpsons' 'controversial' Banksy intro

A joke that no one else could have written. Ambushed by phone, while at home cooking a steak, he sounds pleasant and courteous but eager to finish up the encounter, which lasts all of a minute and twenty-four seconds.

A few facts seem certain. Swartzwelder was born in in Seattle. He worked a few years as an advertising copywriter in Chicago. After leaving the show, in , Swartzwelder wrote and self-published the first of his thirteen novels, all but two of which feature one of the most wonderful creations in printed comedy: Frank Burly, incompetent private eye and occasional time traveller.

None of the books run more than a hundred and sixty pages; all are packed, like a dense star, with more material than seems physically possible. Recently, in the course of a month and a half, I corresponded with Swartzwelder via e-mail. He patiently answered most of the questions I asked him about writing the best jokes in the best episodes of arguably the best comedy of the last century.

Our conversation has been edited for length and clarity. Did you grow up reading the magazine? The New Yorker was the home of a lot of writers I liked when I was growing up, including my favorite: Robert Benchley. All he and his Algonquin Round Table friends seemed to do was play silly games and try to make one another laugh, leaving the party occasionally to type out a Pulitzer Prize-winning story.

After ten years of wasting their talent like this, they had all become rich and famous, won every award you can think of, and created The New Yorker. The lesson to me was clear: comedy writing was the way to go. Easiest job on the planet. Do you still consider comedy writing to be the easiest job on the planet? Beyond Benchley and the Algonquin crowd, who were some of your comedic influences?

Steve Allen was my first comedy hero. He was effortlessly funny. And while the adults around me were dragging themselves home from work every night, looking like it was the end of the world, Allen could apparently just sleep all week, roll out of bed on Sunday afternoon, wander over to the studio, and kid around with his friends and the audience and maybe Elvis Presley for an hour.

This made quite an impression on me. You talk as if you sought out a lazy career, and yet your reputation is of being one of the most productive comedy writers in television history. Was it not so much about an easy career as being in charge of your own destiny? The biggest appeal of writing is that, theoretically, you can do it anywhere. I pictured myself surfing in Australia while working out the plot of my next blockbuster comedy novel, or mailing in my latest joke from the top of a mountain.

In real life, however, most of the time you have to drag yourself into an office and chain yourself to a desk. And Perelman was so adept at mocking the style of pulp detective writing, something we see in your Frank Burly books.

Perelman was great. Benchley actually wrote the same kind of crazy stuff that Perelman did, and he did it just as well, if not better, but he was much more casual about it. When I first read Perelman, it was completely over my head. I figured one of us was nuts. Later on, when I had started writing for a living and picked up a few more multisyllable words, I checked him out again.

How was such a career even a possibility for you? Did you know any comedy writers? Did you even know anyone who knew a comedy writer? I never knew any comedy writers when I was growing up, or heard of anybody around town trying to make a living that way. So it was an unusual choice for me to make. And because it was unusual, it was hard to know where to start.

Some people suspected I might be stupid. Others were sure of it. Ominously, just after I started my fun new career, I read an article that talked about the grim turn written humor had taken in recent years, due to the grim times we lived in.

The article appeared in some magazine back in the sixties, and it basically said that the Cold War had bummed everybody out to such an extent that nobody wanted their humor whimsical anymore. It said that if Robert Benchley were alive today he would starve to death.

Benchley and me were out. I do, mostly because the reaction I got to it was so startling. I had just learned how to form letters into words, so I decided to write a play.

The only thing I remember about the play itself, except for the last two lines, is that it was hilarious. But, when I read it aloud to my family, it got no laughs! Just supportive smiles and nods. But then I got to the second-to-last line, which was supposed to set up the big joke at the end. It stinks!!! Was that your first professional writing job? I got the job by sending them a parody I had written of one of their campaigns, Screaming Yellow Zonkers. After I got there, I asked the writers next to me what we were supposed to be doing, and they said it had something to do with selling things.

A few years after that , the two agencies merged and promptly went out of business. Not my fault—I was halfway across town when it happened. But both of those agencies did a lot of great stuff over the years. Look them up. Can you recall any of the other ads you worked on? One memorable campaign, or at least memorable for me, was a series of radio commercials for Continental Airlines featuring Bob and Ray, who were great heroes of mine, and a couple of fine fellows.

So I think I got some extra points when I trotted out those commercials. Good training, actually. John Hughes was another writer who was working in Chicago advertising at the time.

He has been credited with the famous credit-card shaving test , for Edge. Did you know John? John and I had a few mutual friends, so I knew who he was, but the only time I ever sat down with him was when he tried to hire me to work for him at Leo Burnett, one of the biggest, richest, and boringest—to me—advertising agencies in town. Charlie the Tuna, Tony the Tiger, that sort of thing. I would have to work in a kind of horse-stall setup, in the middle of a huge open area full of similar horse stalls.

See those tragic figures down there? One of them is going to be you. Later, when John was making a million dollars per second directing movies, it occurred to me that maybe I should have taken that job, after all. When he went to Hollywood, I could have hung onto his leg. Nothing wrong with horse stalls, when you think about it. Horses like them. I liked the ad business well enough—it beat working—but the TV business sounded like more fun to me. And, of course, it is.

The Letterman show contacted me. I submitted two or three pages of jokes to him, with a cover letter, complete with name, address, and phone number. Jim told me later that it was the surprising unprofessionalism of this submission that intrigued him enough to open the letter. And he called me right up.

It was funny. More importantly, it was the kind of writing I thought I could do. I thought my interview went all right. Come to think of it, better not ask Jim Downey either.

Unless you guys like him. Then I was taken to meet Lorne Michaels for his seal of approval. You can be thirty-six. So I was hired. Al Franken was thirty-four in Herb Sargent, another writer, was sixty-two.

I was a middle-aged rookie on a youth-oriented show. What was your particular experience at the show like? The all-night writing sessions were a fun challenge, and the office politics were the best. And I only had to work eighteen weeks that year.

Top that. That season featured a very young cast: Downey, Jr. Did the writers ever feel hindered by such an inexperienced cast? It was an eccentric collection of talent, but they got those jobs because they were good.

BTS Army Fights Back Against Tucker Carlson After He Slams K-Pop Group’s White House Appearance

Afghanistan earthquake killed more than 1, Divided America reacts to overturn of Roe vs. Namaste: Yogis to celebrate International Yoga Day. Poor hit harder by economic crisis. Multicultural Community. Posted : They went to Japan where Bart and Homer became fluent in Japanese in prison and they nearly died on a game show, Australia where Bart escaped the country's supposedly brutal justice system, and Brazil in an episode that had the local tourist board threatening a lawsuit over its depiction as a crime-ridden slum.

Banksy's Simpsons in Korean sweatshop for opening sequence

This page is maintained by the one and only Dave Sperling. All Rights Reserved. Profile Log in to check your private messages Log in. The Simpsons Goto page Previous 1 , 2 , 3 , 4 Next. View previous topic :: View next topic. Posted: Fri Nov 16, pm Post subject:. I love the Simpsons and always will, but I really wish they'd've quit while they were ahead. They do like one or two good jokes an episode, and maybe one or two episodes a year, and that's enough to string us along, but honestly it's been pretty terrible for like, what, ten years now?

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You may remember the attention paid recently to the Banksy-created opening of the Simpsons, which among other things portrayed animators working under sweatshop-like conditions, to produce the cartoon. I will admit that my first impression on hearing about it was to think that Banksy confused North Korea with South Korea, and that does appear to be what some others have said as well. Filed Under: animation , banksy , simpsons , south korea. Naturally… but the question is if it IS revealing a truth.

Interview with Nelson Shin

The citizens of Springfield battled a killer virus and murder hornets in the same episode. Journalist Bonnie Burton writes about movies, TV shows, comics, science and robots. E-mail Bonnie. Whether or not you believe The Simpsons animated TV series is still funny , during its 30 years on air, one thing is for certain: The show is really good at predicting the future. Not only did The Simpsons predict our current coronavirus pandemic , it also somehow knew we would be invaded by murder hornets , in the same year. In , The Simpsons episode " Marge in Chains " season 4, episode 21 shows a mysterious virus from Asia invading the town of Springfield.

Homer's nuclear incompetence has North Korea banning 'The Simpsons'

It's a sad fact that the biggest exposure for Korean animation came courtesy of Banksy in , when his opening titles for The Simpsons wept blood for the poor downtrodden Asian artists toiling in sweatshops to draw the TV show on the cheap for Fox. Banksy was operating in his usual sloganeeringly simplified moral universe — raw animation for The Simpsons has been partly done at Seoul's AKOM studio since hardly a sweatshop — but he did spotlight the fact that Korean animation is mainly known for what it has done on behalf of others. Next to the precinct-stomping, laser-eyed behemoth that is its Japanese uncle worth nearly a quarter of a billion in international sales in the Korean industry seemed to have settled for second-class status: a key outsourcing destination for the hard grind on US shows such as Family Guy and Justice League Unlimited. South Korea even started outsourcing the outsourcing to North Korea — something touched on in Guy Delisle's excellent graphic novel Pyongyang. But there have been signs in the past couple of years that Korean animation might be awakening from its slumber. In , Leafie, a Hen into the Wild — about a chicken who escapes from a farm and adopts a duckling — managed to do what seems routine in the rest of the world: tap into the inexhaustible family-film dollar; and in the process became the highest-grossing Korean animation ever. The previous record-holder had been the country's first feature-length cartoon, Hong Gil-dong, released back in

BTS make sneaky cameo in The Simpsons as ARMY posters pop up in Korea

BTS have gone from being a band that were offering people free entry to a gig , to global superstars. The K-pop stars have sold out Wembley Stadium twice , hit number one on the Billboard album chart on two occasions, and even been nominated for a Grammy — so their arrival on the global stage came a long time ago. In the latest episode episode 17 of season 30 of the longest running US sitcom, E My Sports, the family visited South Korea for a gaming contest, the Conflict of Enemies championship, and of course, BTS had to mentioned. Many BTS fans saw the references while watching The Simpsons, and screenshots of the moment quickly spread on social media.

South Korean Animators Protest Banksy Simpsons Opening… Which They Animated

RELATED VIDEO: Making-of The Simpsons in South Korea (1999) - Split Screen S8E1

His work also extends to live action, including the famous Star Wars lightsaber. Although he has enjoyed enormous success in the animation field, Shin never received any training. Born in North Korea, he left his hometown and moved South during the upheaval of the Korean War when he was 13 years old. Shin's AKOM studio now creates many of its own original characters and recently released the animated film "Emperess Chung. AR : Nelson, it's great to have you on the program today. You know, it's quite difficult to know where to begin with you, because you've been responsible for so many of the world's best loved cartoon characters.

British graffiti artist Banksy has left his mark on Springfield by creating a controversial title sequence for The Simpsons. It starts with clouds parting as usual, but the cartoon show's famous crow flies across the screen carrying one of the Bristol-based artist's trademark mice. As the camera zooms in on Springfield Elementary School, Banksy's name is seen scrawled across a giant billboard advertising Krusty the Clown's funeral service. Leaving his mark: Banksy's trademark 'tag' is scrawled across a billboard at the start of the sequence. Bart Simpson is seen doing his punishment lines on the school blackboard as usual - but the whole classroom is covered with the phrase: 'I must not write all over the walls. As the camera pans back, Banksy's name is seen again on a school wall. The sequence continues as usual until the family are settled on the sofa, when it suddenly switches to a grim vision of Asian sweatshops.

Despite the fact that most of us are capable of having a conversation entirely in Simpsons quotes, we don't really know much about how our favorite cartoons get made quite frankly, drawing anything more complicated than a stickman seems like pure sorcery. It turns out, it's complicated as hell :. Want to knock out a single minute episode of an animated network TV show? You'd better have a shitload of people and several months for them to work.