The good the bad and huckleberry hound full movie review

And I take that very seriously If I can help someone out of a crummy day, or make them feel a little bit better then it's all worth it " Bill Farmer, voice actor, Disney Legend. Bill talks about starting out with Goofy, how the industry has changed and working with the voice of our podcast, Brock Powell. Thanksgiving traditions are up for debate on The Roast, and then all the deals coming on Black Friday and beyond are discussed on the Update. Klinder, in the show below:. Jeff: You know, getting a chance to speak with you is such a treat for us, let me just start by saying that. And I wanted to start out by getting a perspective- Bill Farmer: Yeah.

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Content:

• Review: The Huckleberry Hound Show
• movieweb.com
• Biker Mice from Mars
• Exit Stage Left: The Snagglepuss Chronicles
• Huckleberry Hound: The Good, The Bad and Huckleberry Hound DVD
• screenrant.com
• The 10 Worst Things Hanna-Barbera Ever Made
• The Good, the Bad and Huckleberry Hound
• The Good, the Bad and Huckleberry Hound Reviews

WATCH RELATED VIDEO: HALLOWEEN WARNING jumpscare huckleberry hound

Review: The Huckleberry Hound Show

While Jay Ward initially cracked the problem of how to create original animated programming on a TV budget with Crusader Rabbit , Hanna-Barbera figured out how to turn TV cartoons into a true mass-production industry. Hanna-Barbera produced Saturday morning cartoons, weekday cartoons, prime-time cartoons, and plenty of one-shot TV movies and specials. At one point in time, well over half the cartoons airing on TV on any given day were likely to be made by Hanna-Barbera.

Early Hanna-Barbera cartoons like the original Yogi Bear and Huckleberry Hound shorts hold up surprisingly well today, too. Hanna-Barbera kept up this standard of quality, or at least a basic sense of watchability, right up until the end of the sixties.

Maybe it was the inevitable excess brought by a solid decade of steady success or maybe the studio just took on too much work. Lucky you. So instead of battling super-villains, The Thing tends to end up punching sharks and destroying the motorcycles that belong to the mildly irritating recurring villains, the Yancy Street Gang.

As a bonus, the show ran back-to-back with a merely lame Flintstones short, so its opening footage depicts the Thing dancing around with the Flintstones cast. The Thing is drawn in a blatantly different and more awful art style than the other characters, who all range from reasonable to actually pretty good Hanna-Barbera stock comedy character designs.

Benjy Grimm usually hangs around with a spunky girl named Kelly, her hot older sister whose name is never used, and a smug rich bastard named Ronald. Most episodes concern Ronald taking everyone somewhere and flaunting his wealth until the comical Yancy Street Gang show up to bully them with mild pranks. Instead, all of these cartoons are memorably strange and become downright awful once The Thing shows up.

He has a flappy muppet mouth and utterly disconcerting blue eyes that pierce into your soul. The Thing knows what you did. The most enduring toy-based cartoons of the era were produced by Sunbow in cooperation with Marvel Entertainment, particularly G. Joe and Transformers. These cartoons combined hot toy lines with goofy yet sometimes genuinely creative writing to create massive hits.

I can do that. The line took this gimmick absurdly far, even crafting vehicles that could slide around on strings. Not only did the toys look like boring G. Joe knockoffs, but once you broke the string and trust me, the string always broke they were basically unplayable. While the G. Joe cartoon applied a lot of imagination in turning the action figure line into a horde of shallow but distinct characters, Sky Commanders was a painfully literal take on the toyline.

Although there were only six characters each on the good guy and bad guy factions in Sky Commanders, it somehow felt like too many. The characters were impossible to tell apart, due to every character on a given faction wearing basically the same colors and similar stupid sliding harness. Supported by a line of super-trendy collectible figurines, The Smurfs was the Spongebob Squarepants of its day. When the show does its winter episode, an igloo appears. The characters all have names that mash up Smurf naming schemes with blatant Injun stereotypes like Laughing Paw, Medicine Paw, and a dog named seriously Papooch.

The Totem Bear is by far the most entertaining part of the show, so naturally it gets very little screen time and is omitted entirely from some episodes. Scooby-Doo , for instance, combined Dobie Gillis , TV mysteries, and occult debunking with a talking dog. Of course CB Bears was a shitty cartoon. CB Bears is one of those TV show ideas so completely half-baked that it almost forces the final product into incoherence. CB Bears is also, unsurprisingly, a really poorly-drawn and animated show.

The characters are poorly-designed and animators have clear difficulty just drawing them doing simple things like walking around. The animation ends up extremely stiff, even by the standards of Saturday morning limited animation.

Characters are kept in hold positions way longer than makes any sense, often while discussing conveniently off-camera action. Likewise, scenes that only call for animators to drag still drawings across the screen get way too much camera time, often with characters speaking over them for minutes at a time. Scooby-Doo and Scrappy-Doo decided to take the basic Scooby-Doo formula, which revolved around a teen gang wandering around solving mysteries, and removed the part where a teen gang wanders around solving mysteries.

What the cartoons were left with was Shaggy traveling the world as a sort of itinerant hobo with his two dogs, either working odd jobs or bumbling into trouble in exotic locations.

These cartoons are pretty terrible on a lot of levels. This iteration of Scooby-Doo runs for three seasons, a total of 99 6-to-8 minutes episodes, each completely reliant on Scrappy doing mind-numbingly stupid shit all the time to propel what passes for a plot forward. Scrappy will always provoke the monster, force Shaggy and Scooby to chase him around dangerous areas, and generally act like a self-absorbed little shit all the time.

So the entire show feels like the adventures of a sadist who tries to repeatedly get his uncle and his legal guardian killed purely for his own amusement. In the meantime, the audience can watch him suffer and laugh at his entirely self-inflicted failure.

The simple format allowed the Coyote and Road Runner cartoons to focus on coming up with creative visual gags based around Wile E. Some gags are copied multiple times, with slightly different framing devices built around different iterations. Crazylegs is given more freedom to blatantly violate the laws of physics than the Road Runner, wiggling sometimes like a worm and sometimes literally leaping out of electronics just to fuck with Blast-Off Buzzard.

Blast-Off is perfectly capable of driving a car and baits his traps with hamburgers, so he obviously has plenty to eat. Where most Scooby-Doo clones struggled to come up with plots that could fill a half-hour, The Buford Files failed to come up with plots that could fill a mere ten minutes. A typical Buford Files plot followed a pair of Southern-fried teen siblings and their bloodhound Buford as they solved crimes that confounded the bumbling Dukes of Hazzard -inspired duo Sheriff Bullhorn and Deputy Goofer.

Scooby-Doo mysteries may be predictable, but most of them ultimately follow some sort of logical sense. The Buford Files frequently has mysteries that appear to be building in a logical direction and then do an insane, impractical at the end. So a mystery that seems to be building up to a revelation that criminals used a river to steal treasures off a train actually ends with the discovery that the criminals… uh, somehow hid a two-ton crane in a swamp and used it lift treasures out of boxcars.

The joke of the series is that Snerdley is ambitious and self-important, but is forced to oversee a bunch of outright morons who constantly make him look bad and endanger his life. Yogi and Huck got assigned new stupid schticks, since otherwise they might accidentally be funny. A godforsaken disco of nightmares. It was also one of the very first Hanna-Barbera crossover cash-ins, paving the way for later schlock like Galaxy Goof-Ups.

So, naturally, there is maybe one episode that touches on this idea. Most episodes of the series emphasize non-violent conflict resolution. Kids could finally thrill to the sight of quick-witted tricksters like Wally Gator and Snagglepuss calmly discussing their personal differences while a canned laugh track kicked in at basically random times.

It also approaches a lot of the social problems it tries to address in an appallingly facile way. Bigot who fires a bigotry laser out of his cloud-cloaked hate-zeppelin.

Later in the episode, the titular Gang simply enters Mr. Shockingly terrible animations are actually looped to help pad out running time in most episodes.

Coloring errors abound, leading to episodes where characters are miscolored in literally every scene. Pink Panther and Sons adds in completely incompetent animation, tedious plotting, and unimaginably wretched voice acting to make sure the show is completely unbearable. Most episodes are stock kid gang vs. The sheer irritation factor of the Rainbow Panther characters cannot be overstated. They all have overstated vocal tics and they all speak in high-pitched simpering voices that could easily be used to cut glass.

To help keep the animation cheap, every episode is loaded down with long, rambling dialog sequences that are completely unbearable.

Particularly hateful is Chatta, a purple panther whose gimmick is using long, complicated words that make her lines extra-painful. They look and move like Care Bears, complete with rounded ears and stout muzzles.

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movieweb.com

While Jay Ward initially cracked the problem of how to create original animated programming on a TV budget with Crusader Rabbit , Hanna-Barbera figured out how to turn TV cartoons into a true mass-production industry. Hanna-Barbera produced Saturday morning cartoons, weekday cartoons, prime-time cartoons, and plenty of one-shot TV movies and specials. At one point in time, well over half the cartoons airing on TV on any given day were likely to be made by Hanna-Barbera. Early Hanna-Barbera cartoons like the original Yogi Bear and Huckleberry Hound shorts hold up surprisingly well today, too.

Biker Mice from Mars

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Exit Stage Left: The Snagglepuss Chronicles

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Huckleberry Hound: The Good, The Bad and Huckleberry Hound DVD

It wasn't supposed to be this way. Crump's latest grievance lawsuit. And Radio Derb is on the air! That was a snippet of Haydn's Derbyshire March No. With regard to the war between Russia and Ukraine, I can think of nothing to say that I haven't already said. It's a pretty good life rule that when you have nothing to say, you should say nothing, so I shall follow that rule; although if you listen carefully, the word "Ukraine" does show up later in the podcast in a different context.

screenrant.com

Haunted, hunkering Batman is no Hanna Barbera creation. In the old days, superheroes were considered small beans. In the seventies and early eighties, we were stuck with the goofy Hanna Barbera Super Friends episodes created by bored hacks on loan from The Huckleberry Hound Show. Beneath these productions one could sense a thinly concealed contempt for the material. What the Hanna Barbera folks never seemed to realize is that kids took this stuff seriously. When a couple of ten-year olds play Batman, after all, they do it with the conviction of Method actors. The rise of fanboy culture solidified this attitude in teenagers and adults.

The 10 Worst Things Hanna-Barbera Ever Made

He either gets outwitted or outwits his adversary of the day, with a trademark dry commentary and a personality that never gets too high or too low. Coyote- Roadrunner chase sequences. However, the show did pioneer one aspect of animation better than almost any other show: breaking the 4th wall. Huckleberry was known to often turn and talk to the audience about his plans, and while other shows certainly did this sort of tactic, it was the bread and butter of the blue hound.

The Good, the Bad and Huckleberry Hound

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In the modern pop-culture landscape, the cartoons of Hanna-Barbera are, in a word, antiquated. The animation was distinctly cheaper looking than most theatrical standards due to a quicker production turnaround and colorful personalities like JabberJaw, Yogi Bear and Huckleberry Hound were thinly veiled caricatures of then-popular TV comedians that chiefly served as product mascots. In their day, Hanna-Barbera helped define TV cartoon stardom, but before long, they began to cater to the tastes and trends of the coming decades more than any other cartoon franchise. However, unlike previous brand incarnations, both Scoob! Warner Bros.

The Good, the Bad and Huckleberry Hound Reviews

Sign In. Hide Spoilers. It is a great parody movie of the old westerns using bad jokes, music and animated scenes that have been lifted from more recognizable westerns of the past. It does a good job with these elements and never takes itself seriously; which is what parodies are suppose to do. The second level, and most important to me, is that it is a great Huckleberry Hound movie.

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