Famous editorial cartoons

If this problem reoccurs, please contact Scholastica Support. The study analyzed 70 editorial cartoons posted between March 14, , when Duterte declared ECQ in the National Capital Region of the Philippines, and June 22, , a few days before the emergency powers of Duterte expired. This study used visual-verbal textual analysis as the research method to surface discourses embedded in the selected editorial cartoons. The editorial cartoons were clustered according to the roles the powerful people play in the images, and the details of each image were compared and contrasted to surface nuances in representation. The 70 editorial cartoons were classified into seven categories: 1 invisible non-suffering persons, 2 front liners, 3 privileged homeowners, 4 priority clients, 5 judges, 6 gatekeepers, and 7 dysfunctional public officials.

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Content:

• Editorial Cartooning Is in Danger
• 20 award-winning editorial cartoons from 2015 everyone should see
• Editorial cartoons for Feb. 6, 2022: Groundhog Day, CNN shakeup, gun violence
• Cartooning: Political and Editorial
• FOI Political cartoons dating from the 60s and 70s
• Caricature and political cartoons: essential satire or old news?
• The greatest British political cartoon of all time

WATCH RELATED VIDEO: Editorial Cartoonist Jeff Stahler

Editorial Cartooning Is in Danger

An editorial cartoon , also known as a political cartoon , is an illustration containing a commentary that usually relates to current events or personalities. An artist who draws such images is known as an editorial cartoonist. They typically combine artistic skill, hyperbole and Satire in order to question authority and draw attention to corruption and other social ills. A Rake's Progress , Plate 8, , and retouched by Hogarth in by adding the Britannia emblem [2] [3].

The pictorial satire of William Hogarth has been credited as the precursor to the political cartoon. A frequent target of his satire was the corruption of early 18th century British politics. His art often had a strong moralizing element to it, such as in his masterpiece of , A Rake's Progress. It consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from sex workers, and gambling—the character's life ultimately ends in Bethlem Royal Hospital.

However, his work was only tangentially politicized and was primarily regarded on its artistic merits. George Townshend, 1st Marquess Townshend produced some of the first overtly political cartoons and caricatures in the s. The medium began to develop in the latter part of the 18th century - especially around the time of the French Revolution - under the direction of its great exponents, James Gillray and Thomas Rowlandson.

Gillray explored the use of the medium for lampooning and caricature. Many of his satires were directed against George III depicting him as a pretentious buffoon, but the bulk of his work was dedicated to ridiculing the ambitions of Revolutionary France and Napoleon. The times in which Gillray lived were peculiarly favourable to the growth of a great school of caricature.

Party warfare was carried on with great vigour and not a little bitterness; and personalities were freely indulged in on both sides.

Gillray's incomparable wit and humour, knowledge of life, fertility of resource, keen sense of the ludicrous, and beauty of execution, at once gave him the first place among caricaturists. The world being carved up into spheres of influence between Pitt and Napoleon - "probably the most famous political cartoon of all time -it has been stolen over and over and over again by cartoonists ever since.

George Cruikshank became the leading cartoonist in the period following Gilray ss. His early career was renowned for his social caricatures of English life for popular publications. He gained notoriety with his political prints that attacked the royal family and leading politicians and was bribed in "not to caricature His Majesty" George IV of the United Kingdom "in any immoral situation".

His work included a personification of England named John Bull who was developed from about in conjunction with other British satirical artists such as James Gillray, and Thomas Rowlandson. The art of the editorial cartoon was further developed with the publication of the periodical Punch in , founded by Henry Mayhew and engraver Ebenezer Landells an earlier magazine that published cartoons was Monthly Sheet of Caricatures , printed from and an important influence on Punch.

The term "cartoon" to refer to comic drawings was coined by the magazine in ; the Houses of Parliament were to be decorated with murals, and "carttons" for the mural were displayed for the public; the term "cartoon" then meant a finished preliminary sketch on a large piece of cardboard, or cartone in Italian.

Punch humorously appropriated the term to refer to its political cartoons, and the popularity of the Punch cartoons led to the term's widespread use. Punch authors and artists also contributed to another Bradbury and Evans literary magazine called Once A Week est.

The most prolific and influential cartoonist of the s and 60s was John Tenniel , chief cartoon artist for Punch , who perfected the art of physical caricature and representation to a point that has changed little up to the present day.

For over five decades he was a steadfast social witness to the sweeping national changes that occurred during this period alongside his fellow cartoonist John Leech. The magazine loyally captured the general public mood; in , following the Indian Rebellion and the public outrage that followed, Punch published vengeful illustrations such as Tenniel's "Justice" and "The British Lion's Vengeance on the Bengal Tiger".

Thomas Nast depicts the Tweed Ring: "Who stole the people's money? By the mid 19th century, major political newspapers in many countries featured cartoons designed to express the publisher's opinion on the politics of the day.

One of the most successful was Thomas Nast in New York City, who imported realistic German drawing techniques to major political issues in the era of the Civil War and Reconstruction. Nast was most famous for his editorial cartoons attacking the criminal characteristics of Boss Tweed 's political machine in New York City.

Albert Boime argues that:. Notable editorial cartoons include Benjamin Franklin's "Join, or Die" , on the need for unity in the American colonies; "The Thinkers Club" , a response to the surveillance and censorship of universities in Germany under the Carlsbad Decrees; and E. Editorial cartoons and editorial cartoonists are recognised by a number of awards, for example the Pulitzer Prize for Editorial Cartooning for US cartoonists, since and the British Press Awards' "Cartoonist of the Year".

Hamilton, The Judge vol. Political cartoons can usually be found on the editorial page of many newspapers, although a few such as Garry Trudeau 's Doonesbury are sometimes placed on the regular comic strip page. Most cartoonists use visual metaphors and caricatures to address complicated political situations, and thus sum up a current event with a humorous or emotional picture.

Yaakov Kirschen, creator of the Israeli comic strip Dry Bones , says his cartoons are designed to make people laugh, which makes them drop their guard and see things the way he does. In an interview, he defined his objective as a cartoonist as an attempt to "seduce rather than to offend. In modern political cartooning, two styles have begun to emerge. The traditional style uses visual metaphors and symbols like Uncle Sam , the Democratic donkey and the Republican elephant; the more recent text-heavy style, seen in Doonesbury, tells a linear story, usually in comic strip format.

A political cartoon commonly draws on two unrelated events and brings them together incongruously for humorous effect. The humour can reduce people's political anger and so serves a useful purpose. Such a cartoon also reflects real life and politics, where a deal is often done on unrelated proposals beyond public scrutiny.

A pocket cartoon is a form of editorial cartoon which consists of a topical single-panel single-column drawing. It was introduced by Osbert Lancaster in at the Daily Express. By taking a sideways look at the news and bringing out the absurd in it, the pocket cartoonist provides, if not exactly a silver lining, then at least a ray of hope.

Editorial cartoons sometimes cause controversies. Libel lawsuits have been rare. In Britain, the first successful lawsuit against a cartoonist in over a century came in when J. Thomas claimed defamation in the form of cartoons and words depicting the events of "Black Friday"—when he allegedly betrayed the locked-out Miners' Federation.

Thomas won his lawsuit, and restored his reputation. Hey Kids Comics Wiki Explore. Popular Templates. Comic Volume Template. Vehicle Template Item Template. Image Template. Episode Template. Explore Wikis Community Central. Register Don't have an account? Editorial cartoon. History Talk 0. Encyclopedia of Journalism. Thousand Oaks: Sage Publications, Inc. ISBN Nichols, p.

The Political Cartoon. Fairleigh Dickinson University Press. Sir John Soane's Museum. Retrieved 13 December Encyclopedia Britannica. Retrieved Comic Art in America. Categories : Articles containing Italian-language text All articles that may contain original research Articles that may contain original research from October Articles with invalid date parameter in template Commons category with local link different than on Wikidata Caricature Editorial cartooning Propaganda Propaganda cartoons Pages using ISBN magic links.

Universal Conquest Wiki. Wikimedia Commons has media related to Political cartoons.

20 award-winning editorial cartoons from 2015 everyone should see

William Hogarth has been attributed with the early development of political cartoons. His pictures combined social criticism with a strong moralizing element, and targeted the corruption of early 18th century British politics. In the s during a military campaign in Canada, George Townshend , 1st Marquess Townshend produced some of the first overtly political cartoons. He would circulate his ridiculing caricatures of his commander James Wolfe among the troops. James Gillray , considered the father of political cartooning, directed his satires against Britain's King George III, depicting him as a exaggerated buffoon, and Napoleon and the French people during the French Revolution. The party warfare between the Loyalists and Reformists was carried out using party sponsored satirical propaganda prints.

Editorial cartoons for Feb. 6, 2022: Groundhog Day, CNN shakeup, gun violence

The editorial cartoon is a touchstone for matters of free expression in the journalistic tradition. Since their early inception in the politically charged engravings of 18th-century pictorial satirist William Hogarth to the present day, editorial cartoons have shone forth as signifiers of comic irreverence and mockery in the face of governmental authority and in the more generalized cultural politics of the times. In democratic nations they have been cast as a pillar of the fourth estate. Nevertheless, they—and the cartoonists, critics, commentators, and citizens who champion them—have also long stood out as relatively easy targets for concerns about where the lines of issues such libel, slander, defamation, and especially blasphemy should be drawn. This goes for Western-style democracies as well as authoritarian regimes. In other words, the editorial cartoon stands at a critical nexus of meaning and public judgment. At issue from one vantage is what it means to promote the disclosure of folly as the foolish conduct of public officials and the stupidity of institutions that are thereby worthy as objects of ridicule. From another vantage, there is the matter of what it is to deplore the comicality in journalistic opinion-making that goes too far. To approach editorial cartoons from the standpoints of free expression and press freedoms is to verge on conflicting values of civil liberty in and around the so-called right to offend. This was true in the age of Hogarth.

Cartooning: Political and Editorial

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FOI Political cartoons dating from the 60s and 70s

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Caricature and political cartoons: essential satire or old news?

To offer a unique perspective on the Twenties, six collections of primary materials are presented in Theme I, each from a single source—newsreels, cartoons, political cartoons, animated cartoons, subway posters, and a retrospective. We encourage you to mix and match materials from two or more collections as a device for studying the period; a collection discussion guide is offered to stimulate study and analysis. Let's proceed to this section's collection—political cartoons from the nationally influential newspaper, the Chicago Tribune. Founded in , the Tribune is one of the oldest American newspapers in circulation; in the s its Republican editorial stand mirrored mainstream American political opinion. Twenty-four political cartoons from the Tribune are presented here—two per year from to —created by the longtime Tribune cartoonists John McCutcheon and Carey Orr, whose instantly recognizable work was widely reprinted throughout the country.

The greatest British political cartoon of all time

The use of political and editorial cartoons in the classroom can have multiple benefits. One of the wonderful qualities is the fact that they can be used to develop skills used in language arts language use , art cartooning techniques and social studies political and popular events and individuals. Similar to It's No Laughing Matter found in the Presentations and Activities section of the Teacher's Page , the political cartoons to be analyzed here are completely interactive.

It's important to note that America's earliest cartoons were political in nature. It appeared as part of an editorial by Franklin commenting on 'the present disunited state of the British Colonies. Another early cartoon from the 's appeared in the Massachusetts Centinel on January 30, Entitled 'The Federal Superstructure,' the drawing shows a hand helping to raise the Massachusetts pillar to an upright position. Shown in position 'having already ratified the new document' are pillars representing the states of Delaware, Pennsylvania, New Jersey, Georgia and Connecticut.

E ditorial cartoons are a rich source of commentary about life in America and the world. Cartoonists use exaggeration and caricature to attract our attention. A humorous drawing can pull in even the most reluctant reader. The limited use of words in editorial cartoons enables even beginning readers to get a handle on complex ideas and situations. Editorial cartoons run the gamut from hilarity to irony to outrage. Some use gentle humor, while many use biting satire. One memorable editorial cartoon pictured the statue of Lincoln weeping in the Lincoln Memorial after the assassination of President John Kennedy, Jr.

These are those little boxes on the editorial page of your local newspaper where cartoonists try to educate and entertain the masses via their snappy, illustrated political commentary, usually on current events. Done well, a political cartoon will creatively expose the social and political hot buttons of the day; in fact, one of the precursors of the Mexican Revolution was a bunch of perfect political cartoons. Done poorly The first political cartoons were drawn by William Hogarth in the s, before newspapers as we know them.