Houseki no kuni moment
A CGI series. I had never heard of the series either, but my curiosity grew as she asked me to review it publicly on this blog. Needless to say, Houseki no Kuni is quite a trip. I am not someone who judges a series based on the first episode, however, it packed a few things I am not fond of. I immediately thought of four nitpicks.
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Housekinokuni Stories
To us regular folk, though, even just a tough few hours at work can seem like an eternity. We value our time greatly, thinking about that joke we heard the other day or looking forward to that cool party in the weeks to come. Rorshach-summoned moon entities called Lunarians invade an Earth-like land inhabited by anthropomorphic crystals who devote themselves to their caretaker as difficulties unfold. Such a unique premise sounds rather intriguing, perhaps impossible. Houseki no Kuni , however, embraces this synopsis from the start, refusing to let its initial pull falter.
An excellent script gives this pull a lot of strength throughout the season with plenty of opportunities. The fun dialogue and the sharp scenes lead to surprisingly comical moments and lively interactions between the rocks as they go about their daily business. Whatever the case may be, the anime brings with it a robust sense of timing and direction that equates to an engaging string of events.
Comedy and drama pave a strong, concrete path for the story to follow. This sense of flow also carries over into the dramatic elements which Houseki no Kuni touts on a regular basis. From a broken body washing ashore beside Cinnabar to the futile attempts of saving another, it becomes clear that its emotional weight balances out its comedic elements with a seriousness that warrants exploration of its meaningful themes.
Such themes align extremely well with the geode motif at hand. Personal discovery. True purpose. Innate worth.
They are just a bunch of rocks, defined by their hardness, durability, and chemical composition, yet they are more than just a smattering of numbers or a litany of letters on a page. Rather, their aspirations of being more, their motivations of proving themselves demand a greater calling. For if even the very stones of the mountains wish for a grander presence, then surely these ideas must have some reputation somewhere.
Unfortunately, Houseki no Kuni does not always get it right, especially when particular story beats lack buildup on a writing level. The complication behind Phos, their arms, and the ice floes occurs over the course of a few minutes; Dia separates from Bort and then faces that separation within the span of the same episode; Rutile fixes up their long-dormant friend Padparadscha out of nowhere only to have them sleep again right away.
Despite the impressive comedy and drama nearby, these instances demonstrate that the show sometimes values getting to that next crucial plot point over letting it simmer for better impact. That this season definitely comes off as a first-parter when it essentially leaves many of the mysteries up in the air: the Lunarians, what Sensei seems to be hiding, those fish people who were hardly referenced after the first quarter of the season.
Philosophical themes outlast the infrequent awkward narrative moments. This last grievance can at least be excused somewhat since the opposite is also true: that it does not attempt to rush towards an unsatisfying conclusion.
Plus, the anime deserves further recognition for the consistent tone in its narrative as well as the frequent-enough action scenes which showcase a cooler side of the show.
If Houseki no Kuni should be remembered for anything in the history books, its artistic vision no doubt claims a chapter. For it is not a stretch to denote this anime as a landmark project for the medium regarding the CG approach it daringly takes and the notable execution it ultimately achieves with it. The show immediately takes advantage of its near-constant extra dimension with slick camera work.
Following perspectives and dynamic shots enable the show to go for tougher angles and more interesting possibilities that are just not as feasible in the normal space anime occupies. Not to mention that the general cinematography for the various scenes allows the CG-ness to flourish. It then goes for those extra steps. Nevertheless, very smooth movements are common as Phos and the others engage in skirmishes and play off one another. The flowing of gold and the richness of fur also catch the eye.
The best CG in anime to date graces the screen everywhere. Amazing backdrops not only set the stage for the ensuing battles and the calmer downtime they experience but also add context to the loneliness these characters feel and the wonder that their drive manifests.
More to the point, Houseki no Kuni integrates flashes of 2D art rather than the other way around in traditional shows for its facial expressions and even particular scenes. The character designs also deserve praise.
Their attire coincides with the genderless state of their beings: casual suits and formal ties during the day; bathrobes before bed at night. However, their hairdos garner the most attention. The styles and the colors vary, and an alluring quality follows them almost everywhere as it bobs on their heads and shimmers on their shoulders to a dazzling degree. A feat realized by its CG strides. Nearly everything coalesces into an incredible display of skill and prowess on an artistic plane.
Indeed, this show is now what every other CG-centric anime should most likely look up to and learn from moving forward. Phos, the main protagonist, is key among this group. Their extreme changes become emblematic of character development as the journey before them tests their might and their mettle in an almost uncompromising fashion. Phos and their changes become emblematic of character development. Their personal Ship of Theseus situation modifies their body and their mind, implicitly challenging the concept of identity for another philosophical edge the anime hones.
But their heart remains true. Constant failures do not impede their progress but rather instill in them the growth and the maturity they desire. In turn, their setbacks hearken back to that thematic take on self-discovery and guide them towards purpose for both others and their own being. Moreover, Phos feels hapless and ignored and unwanted. So, they find themselves forced to confront their own weaknesses — known or otherwise — as a means of displacing their supposed inadequacies and thus quelling any doubts.
Sometimes the outcome seems desirable; sometimes the outcome drags a haunting burden. Yet they answer the uncompromising with a refusal to stop. They help. They learn. They mature. While Phos has yet to reach the end of their adventure, they have clearly gotten so far.
Phos alone cannot carry Houseki no Kuni. So, the anime pays attention to its side cast members, ensuring that they as well have a chance to shine. Bort fights as the strongest among them.
Alexandrite studies the Lunarians with overexcitement. Sensei oversees his cherished flock with discipline and care. Even fringe characters like Yellow Diamond and Zircon have their own mini-arcs accounted. The rest of the characters have their quirks and their meaning as well. Of course, there are vital supporting characters, too. Dia battles against jealous inner demons, and Antarcticite acts as a role model for Phos.
One could argue that Houseki no Kuni drops the bar with Cinnabar, its next most important character after Phos, due to their lack of screen time. However, their outcast parallels, their contrasting attitude, and their sideline wisdom form a tight relationship between these green and red wonders. With the entire crew polished to a refined sheen, it is no wonder that they place the anime ever higher on the pedestal. The CG is basically the mainstay of the show, but the audio decisions within Houseki no Kuni are no slouch over either.
The rapid tapping of drums, the bass strings in the background, and the powerful vocals charge up the song with equal parts imagination and sorrow while still maintaining its light, airy ambiance. It all comes together as a vibrant piece that primes the audience for the story that awaits. The emotional OP and strong VA performances are top-notch….
Perhaps the crown jewel, though, rumbles forth from the original soundtrack as ancient moods and mystical atmospheres erupt from a majority of the tracks. Dancing xylophones and somber Asian instrumentation evoke an introspectiveness perfect for the narrative.
Piano melodies, sweeping violins, and a rousing wind section quake with an orchestral stomp that captures the whimsical, uplifting, and dramatic parts off the anime. Hand drums increase the frantic tension during those common spats with the Lunarians. The ensemble is simply beautiful and memorable. While not initially as captivating as its OP or OST brethren, this ED grows on the listener with each subsequent listen as the finer details are heard.
The blaring trumpets. The crashing cymbals. The rhythmic tambourine. All while moving at a nominal pace the whole time, letting the composition speak for itself. Overlaid with piano and a stoic vocalist, this track soars alongside the rest of the music. The entire voice-acting crew does a swell job, too. Tomoyo Kurosawa as Phos nails it best. The former has a gentleness to her words that soothes the soul, and the latter commands with a low-sounding calm.
Smaller touches, like the clashing of stone-on-stone as the characters run through their marbled abode or the ringing emanated from arrows striking swords, further highlight the attention to detail Houseki no Kuni houses in its audio direction. This one had reeled me in from the beginning thanks to Phos. They are force of amusement and intrigue, and they are a constant source of awesome for the entire experience.
I like how silly they can be. I appreciate their spirit and courage. They have risen high on my list of favorite characters for sure. I cannot forget about how much fun the other characters bring as well. Dia is lovely and cute with their wholesome kindness and their fondness for fluffiness.
And Red Beryl frustrated about improper measurements makes me smile with glee. Phos and Dia were hilarious, and the anime overall was inspiring to see. Besides the fun, many of the dramatic moments are noteworthy, and its engaging, anti-nihilistic vibe forms a taut tether throughout the show.
Houseki no Kuni – 10 [Shiro]
It captivated audiences in more ways than one, not only with its stunning CGI visuals but also with a compelling story. In fact, the series was so well received by critics that it was frequently referred to as one of the best of the decade and was regarded as a watershed moment for CGI animation. Although the first season exceeded many expectations, it ended on clear notes, leaving us with unanswered questions that can only be answered in the second season. Orange Beastars The studio in charge of CG animation has outperformed expectations.
My Journey on The Land of the Lustrous
Houseki no Kuni aka The Land of Lustrou s is one of the most unique manga premises to come out of the industry which might sound weird on paper but once you start reading it takes you through a roller coaster of emotions. Along with this, it also involves some deep lore and intricate world-building which makes it perfect for repetitive viewing. It already has been two months since the last chapter was published was the readers are starting to wonder what is taking so long. Apparently back in December, it was announced that the series will be going on an indefinite hiatus. No return date announced. Chapter 95 will have 26 pages. The series was on hiatus since December pic. As for when it will return, no such date was mentioned in the annoucement but we expect it return soon. So far the series has only taken 3 breaks of one month each, so it relatively safe to say that Ichikawa will release the 96th chapter of Houseki no Kuni very soon.
Anime Review: Houseki no Kuni
Houseki no Kuni Season 2: On the off chance that you like the utilization of cutting-edge innovation in anime, you should watch Houseki no Kuni. The blend of CGI-visuals and unprecedented accounts separate this anime from others. The main season was very effective, and now the fans are excitedly hanging tight for a continuation. Peruse this post to find out about Houseki no Kuni Season 2!
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Land of the Lustrous Episode 5 Review – Best In Show
Phos, a member of a community of creatures made from gemstones, feels useless and incomplete, unable to contribute anything to their comrades due to their utter lack of competence. After a chance encounter with another gem, Cinnabar, Phos vows to devote their efforts to discovering a way to bring joy to them, and begins to go drastic physical changes…. You can also find us on; Vince vincekenny , Kym kymcattys and Ben benstonick. Drop us an email address with transformationsequence gmail. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. These episodes are so gooooood!
When is Houseki no Kuni Season 2 Release Date ?
Contains Spoilers. They will be in charge of cataloguing everything that they see on the island that they live on. Phos is not only the youngest, but also one of the weakest as they are not able to fight.
Padparadscha
Disclaimer: This is a non-spoiler review for Houseki no Kuni. The story is centered around genderless gems, so i will be using they or them pronoun instead of he or she. I would go so far to say I despise CG in any form of media, let alone animation. It follows Phosphophyllite nicknamed Phos, the youngest of a group of gem people living on an island. These are traits in which their fellow gems continuously remind them of.
CG anime might not be suitable for every person However, Land of the Lustrous could be an exceptional case. Regarding the visuals The CG in this show is stunning. The anime adaptation was based on the manga with the same title composed by Haruko Ichikawa. The first issue of the serialization appeared on Monthly Afternoon on October 25 in In the years since, Haruko has published eleven volumes.
Another series of which I had read the original manga but dropped for probably legitimate reasons and placed on my watch list for this season is Houseki No Kuni Land of the Lustrous — the brainchild of Haruko Ichikawa. Houseki No Kuni began its serialization in Afternoon magazine in October The animated adaptation of the fantasy action seinen story is produced by Kodansha and TOHO animation, with animation studio Orange handling the anime. It is set for twelve episodes.
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