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The second golden age of animation is well under way, with Aardman, Miyazaki, Disney Pixar and DreamWorks rolling out rather good stories on a fairly regular basis. But which characters of the stop-motion, CG or hand-drawn world really make the grade? Which existing characters made the leap from short form to full-length feature with their dignity intact? How do the newcomers really compare to old hands of earlier eras?
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100 Animation Youtube Channels on Comics, Animation and Cartoon Videos
The Croods has become a full-fledged franchise for DreamWorks animation branching into video games and even a prequel TV series. The adventures of the Crood brood took an unexpected turn in the recent sequel film, The Croods: A New Age , when they encountered and found themselves living with another family, the aptley named Bettermans.
The domestic disputes continues with the new The Croods: Family Tree spinoff series. Taimur Dar: DreamWorks Animation has a history of producing shows based on its feature films. What was the timeline between the production of the Croods sequel and when you started developing this cartoon spinoff? Mark Banker: We were very fortunate on this one that we keep on at a sweet spot in the development process of the movie because the movie was far enough along that we could sit down and watch an early cut of it.
We got in pretty early and saw the new characters they were using, the Bettermans and knew where the moving was going to end. The marching orders were [to] start where the movie ends. The goal was pretty clear right from the beginning. We knew that the show as going to be about these mismatched families forced to live together under the same roof in the comedic situation that would rise from that.
Todd Grimes: Just like Mark said, we had the benefit of developing the show as the movie was being made. That made it so that there was not too much time in between the release of the film and the release of the show. Because animation takes so much time and we were starting to produce the show while the movie was still being made, it shortened the gap between the releases.
The latter was the case for the Captain Underpants cartoon which you both worked on. But we knew with this franchise that the world is so lush and a big part of the appeal beyond even the comedy or the writing is the visual style.
We knew right when we were developing the show that we were going to make it look like the film as best we could.
TV obviously has budget considerations. So we had to make a lot of creative compromise in order to produce the film in the same style as the film. We wanted to make it as beautiful as the film looks. And also partnering with Technicolor Animation Productions that could pull off what is a tight schedule. The funny thing about CG is what you can do in CG shows literally changes from month to month. We were just in the position where they made the capabilities to make it look this great as we were going into production.
We were fortunate enough to have the right people in place to pull that off. Dar: It looks like the majority of the voice recording was done remotely. In a previous animation press junket, a producer mentioned one advantage of working at home was it allowed to do these remote recordings ensemble. Grimes: We definitely wanted to do it. By the time we got to season 2, I think we started to have some of the actors go into the studio. So we were able to do some situations where we had actors record together but they were in separate locations.
That was a lot of fun because Mark and I feel the same about the ensemble record. It gives the actors an opportunity to play off one another. Anytime we could more than actor recording at the same time we tried to make it work by either having one of them at their own home or the two actors at completely different studios across town.
The DreamWorks casting department had to figure out how to do something remotely that was done in person. They actually had to figure out how to get the recording equipment to the homes of the actors. Not just for our show but for all the shows within days or weeks.
And it was just incredible. Within weeks we were up and running with people in their closet and a system in place not only to record live in the studio remotely. But also a backup in the closet of whatever actor was doing it. We did one or two ensemble records on Zoom with everybody in their house.
It was fun but also really hard to juggle that many people remotely. Eventually we made the decision to record everybody separately instead of together.
I spent a lot of time thinking about this. I also want to say that this cast is just fantastic. Banker: The human ingenuity that has come from this era of our history is truly great! Dar: Completely agree with you on the voice cast, which segues perfectly into my next question. The first Croods film was released over a decade ago which is a major benefit for the voice actors playing those specific characters.
In fact, A. Locascio is reprising the role of Thunk Crood which he played before in the aforementioned Dawn of the Croods prequel cartoon. That was also some great work by the DreamWorks casting department to find so many good candidates. We wanted to find people had a similar sound to their voice so it sounded like the same character.
But we also wanted someone whose acting instincts and performance matched what Peter Dinklage and the other actors did in the film. And we were able to get Kelly Marie Tran , who played the character Dawn in the film, to come back for the show as well. So that was really fortunate. We knew what we were going for because the film had already been recorded and cast. I think they knew who they were trying to mimic.
Banker: With a situation like this you always want to balance the idea of sounding like the actor in the movie but also creating a character on your own. We had a great blend of that on the show. I think they had some reference material to hear what the Bettermans sounded like in the movie but then of course had the ability to make it something new for the series.
Grimes: A. Grimes: We had definitely seen it. Both Mark and I were both at DreamWorks while all of our friends were still working on that show. We wanted to give Croods: Family Tree its own voice with a little more sitcom styling but with still the activity and adventure of the Croods world. Banker: Dawn of the Croods was a great success. What made it easy for us to differentiate with this show is our focus really is on the dynamic between the Croods and this new family the Bettermans.
It made it pretty easy to head into new territory. Dar: Finally, after more than two years now what has been your experience working remotely on an animated series? Grimes: This happens occasionally.
We produced this show almost entirely remotely because we had just gotten started when the world ended two years ago. We were a little concerned how we were going it. This is another credit to our cast and crew and our teams overseas that we somehow managed to figure it out and prove that it could be done. As far as I know we never really missed a beat stayed on schedule.
We have a lot of talented people that were able to get the work done and get it done really well whilst being trapped in their homes. Banker: None of this is possible without the amazing dedication and hard work of hundreds of people working on this show. But because people had to make this work, they just did.
We are more productive. Todd and I live a pretty significant distance from the office so each of us was probably spending a couple of hours commuting back and forth. That time went back into the show.
You make the best of that situation. We miss being there and being together with the crew. Working as a team in person is one of the great things about doing this work.
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Communicating visually with short videos and animation allows your entire team to achieve more, no matter what kind of work you do. From talent acquisition to change management, visual communication helps your business stand out while you attract top talent, onboard new employees effectively, and retain them for the long haul. Training videos are just the first step to transforming the way your company grows. Creating visual experiences makes for integrated, bottom-up learning that bridges the skill gap in your organization. Fight information silos, email overload, and inconsistent communications to bridge the communication gap in your organization. Delivering your internal comms via video, animation, and visual content supports an engaged and connected company culture.
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The Croods has become a full-fledged franchise for DreamWorks animation branching into video games and even a prequel TV series. The adventures of the Crood brood took an unexpected turn in the recent sequel film, The Croods: A New Age , when they encountered and found themselves living with another family, the aptley named Bettermans. The domestic disputes continues with the new The Croods: Family Tree spinoff series. Taimur Dar: DreamWorks Animation has a history of producing shows based on its feature films. What was the timeline between the production of the Croods sequel and when you started developing this cartoon spinoff? Mark Banker: We were very fortunate on this one that we keep on at a sweet spot in the development process of the movie because the movie was far enough along that we could sit down and watch an early cut of it. We got in pretty early and saw the new characters they were using, the Bettermans and knew where the moving was going to end. The marching orders were [to] start where the movie ends. The goal was pretty clear right from the beginning. We knew that the show as going to be about these mismatched families forced to live together under the same roof in the comedic situation that would rise from that.
Ben Jennings on the Tory leadership race – cartoon
Last Updated: February 15, This article was co-authored by Travis Page. Travis Page is the Head of Product at Cinebody. Cinebody is a user-directed video content software company headquartered in Denver, Colorado that empowers brands to create instant, authentic, and engaging video content with anyone on earth.
Before Walt Disney: 5 Pioneers of Early Animation
Sonic the Hedgehog is one of the most popular fictional characters of the modern era, but there is a curious generational nature to the Blue Blur's fanbase. Kids and newcomers to the franchise love the current bounty of great content starring their favorite character, but not every outing was a complete success. Sonic has starred in no less than six animated series, which all had drastically different art styles and approaches to the character. Even with two full-length feature films and countless games, animation is one of the most common places new fans find the iconic hedgehog. Some of those takes have aged better than others.
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By Selome Hailu. The project will be financed and overseen by Black-owned animation studio Lion Forge Animation. The series follows Iyanu, a teenage orphan who spends her days studying Yoruba history and ancient arts but yearns for a normal life. One day, responding to danger, she unknowingly triggers her divine powers, the likes of which have not been seen since the Age of Wonders. With newly discovered superpowers, Iyanu joins forces with two other teenagers as they embark on a remarkable journey to discover the truth about the evil lurking in her homeland.
Animation is one of the most ubiquitous and all-permeating forms of visual communication today, seen everywhere from the multitude of TV channels dedicated solely to cartoons to the title sequences of our favorite movies to the reactive graphic interfaces our smartphones. And while most of us have a vague idea of how, when, and where it all began, we tend to take for granted the incredible visual wizardry possible today. With that in mind, here's a brief history of the beloved medium's beginnings through the seminal work of five early animation pioneers.
Sign In. Netflix has debuted the official trailer for Rise of the Teenage Mutant Ninja Turtles: The Movie , a feature film continuation of the 2D animated series. We now also know who Haley Joel Osment will voice. DC's animated films are certainly catching up with the comics as evidenced by the trailer for Batman and Superman: Battle of the Super Sons , described as being the company's first all-CG production. Tim Allen, who voiced Buzz Lightyear in the Toy Story franchise, has finally weighed in on Pixar's spinoff Lightyear , an origin story about the iconic space ranger. The movie is a continuation of Nickelodeon's recent TV series.
Celebrating 27 Years Online! The Entertainment Magazine : Free Movies. Watch and download dozens of free cartoons and animated movies on almost any computer or mobile device anywhere in the world. EMOL has been offering official links to free movie downloads for more than two decades. The cartoons in this catalog are courtesy of copyright-free sources.
You can change your city from here. We serve personalized stories based on the selected city. National Emblem row: Vivek Agnihotri reacts to the controversy, says 'Urban Naxals want a silent lion without teeth'.
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